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Soul on Fire: the Life and Music of Peter Steele Copyright © 2014 FYI Press, Inc
SOUL ON THE LIFE AND MUSIC OF FIRE PETER STEELE WAGNER BY JEFF BY Dedicated to the memory of Peter Thomas Ratajczyk and Barbara Emma Banyai SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. Soul on Fire: The Life and Music of Peter Steele Copyright © 2014 FYI Press, Inc. All rights reserved. www.petersteelebio.com Cover photo by John Wadsworth Cover design by Scott Hoffman and Adriene Greenup Photographs as credited Book design by Scott Hoffman for Eyedolatry Design Copyediting by Valerie Brooks Editing and additional contributions by Adriene Greenup First published in the United States in 2014 by FYI PRESS Greensboro, NC 27403 www.fyipress.com ISBN 978-1-934859-45-2 Printed in the United States of America SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. “There is no weapon more powerful than the human soul on fire” —General Ferdinand Foch “Do you believe in forever? I don’t even believe in tomorrow” —Peter Steele SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. CONTENTS Prologue: Too Late for Apologies vii Part I: RED 1 Ground Zero Brooklyn 1 2 Into the Reactor 13 3 You Are What You Eat 35 4 Extreme Neurosis 63 Part II: GREEN 5 Power Tools 91 6 Into the Sphincter of the Beast 117 (and other Fecal Origins) 7 Religion…Women…Fire 129 8 An Accidental God 147 9 Product of Vinnland 171 Part III: BLACK 10 It’s Coming Down 203 11 The Death of the Party 225 12 Repair — Maintain — Improve 249 13 All Hail and Farewell 275 Gratitude 296 Endnotes 297 SOF Sample 4/11/2015 - Copyright FYI Press, Inc. -
Www .Tsunamiedizioni.Com Campione Gra Tuito
CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO “Non c’è arma più potente dell’animo umano in fiamme”. Generale Ferdinand Foch “Se credo nell’eternità? Io non credo neppure nel domani”. Peter Steele CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO SOUL ON Web Tsunami Facebook Titolo originale dell’opera: “Soul on Fire: The Life and Music of Peter Steele” Copyright © 2014 FYI Press, Inc. Edizione originale pubblicata in USA da: FYI Press, Greensboro, NC 27403 Copyright © 2015 A.SE.FI. Editoriale Srl - Via dell’Aprica, 8 - Milano www.tsunamiedizioni.com - twitter: @tsunamiedizioni Prima edizione Tsunami Edizioni, settembre 2015 - I Cicloni 23 Tsunami Edizioni è un marchio registrato di A.SE.FI. Editoriale Srl Traduzione di Alessia Di Giovanni Foto di copertina di John Wadsworth, design di Scott Hoffman e Adriene Greenup Stampato nel mese di settembre 2015 da GESP - Città di Castello (PG) ISBN: 978-88-96131-78-7 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato senza l’autorizzazione scritta dell’Editore. Nell’impossibilità di risalire agli aventi diritto delle fotografie pubblicate, l’Editore si dichiara disponibile a sanare ogni eventuale controversia. - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO FIRE E TYPE O NEGATIVE PETER STEELE TRA CARNIVORE SOUL ON TRADUZIONE DI ALESSIA DI GIOVANNI JEFF CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO WAGNER CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO Dedicato alla memoria di Peter Thomas Ratajczyk e Barbara Emma Banyai CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO INDICE CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO PROLOGO: TROPPO TARDI PER SCUSARSI 9 PARTE I - ROSSO 1 GROUND ZERO: BROOKLYN 15 2 NEL REATTORE 27 3 SEI QUELLO CHE MANGI 49 4 NEVROSI ESTREMA 79 PARTE II - VERDE 5 STRUMENTI DI POTERE 107 6 NELLO SFINTERE DELLA BESTIA 133 7 RELIGIONE.. -
Compound AABA Form and Style Distinction in Heavy Metal *
Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay . -
Christian Woman Guitar Tab
CHRISTIAN WOMAN As recorded by Type O Negative (From the 1993 Album BLOODY KISSES) Transcribed by Freekmo Words and Music by Peter Steele Arranged by Cherry Lane Music A Intro Guitars I, II, VI tune down 2.5 steps, low - high: B E A D F# B Slow Dirge Rock = 90 Guitars III, IV, V standard tuning N.C. P 1 gggg 4 W W V V W W V V U I 4 u u Gtr III Keyboard T 11 13 A 14 11 14 13 11 (11) B N.C. U U U U 6 gggg W W V V W W V V U I u u T 14 (14) (14) (14) 11 13 A 14 11 14 13 11 11 B B Verse 1 N.C. 10 gggg W W V V W W V V U I u u T 11 13 A 14 11 14 13 11 (11) B N.C. Gtrs I, II Dist. _ 6 17fr. U U U U 14 gggg W W V V W W V V U I u u T 14 (14) (14) (14) 11 13 A 14 11 14 13 11 11 B Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org CHRISTIAN WOMAN - Type O Negative Page 2 of 11 A5 B5 D5 Fb5 N.C. A5 Gb5 D5 Fb5 N.C. 18 g g g g W V W } R I W V V W R V W V V V P W V V V W P W V V V V P Gtrs I, II Heavy distortion Gtr IV P.M. -
Why the Hell Am I Doing This?
The Origin of the Toilet Paper: How Soul on Fire Came To Be In January of 2013, I spent an hour on the phone with Darcie Rowan, Peter’s niece. The most memorable portion of this call was her words telling me, "Peter was clean and sober when he died, and he didn't die of a heart attack. We want your book to set the record straight." To say my heart quickened was an understatement. What had happened to Peter Steele? Darcie and I confirmed my trip to NY and NJ to meet with Peter Steele’s surviving sisters on Feb.9th. It was to be a day full of questions, laughter, tears and some great Italian food! While I was to be in the area, I would also meet with Monte Conner and Mark Abramson of Roadrunner Records. It is exciting and bittersweet all at once. At this point, I was merely dipping my toe into the Green Man’s life but I could already sense a presence of sorts. Maybe it was just imaginary, or maybe this is what happens when you become someone’s biographer. For the next 2 years, I would be eating, sleeping and drinking green and black. Back in NY and NJ everyone is gathering together their memorabilia and best memories of Peter. Back in NC I am busy organizing the book in my head, and preparing interview questions. Why the hell am I doing this? First, because I have been a fan of Peter’s special, singular creative vision since that great first Carnivore album was released in 1986. -
Family Tree the Beatles
pre-metal JOHANN SEBASTIAN BACH RICHARD WAGNER NICCOLO PAGANINI ROBERT JOHNSON BUDDY RICH CHUCK BERRY ELVIS PRESLEY LITTLE RICHARD FAMILY TREE THE BEATLES THE KINKS THE WHO CREAM JIMI HENDRIX progressive rock early metal us early metal uk shock rock original punk JETHRO TULL VANILLA FUDGE DEEP PURPLE SCREAMIN’ JAY HAWKINS RAMONES STEPPENWOLF LED ZEPPELIN ARTHUR BROWN KING CRIMSON IRON BUTTERFLY THE DAMNED BLACK SABBATH ALICE COOPER BLUE CHEER EMERSON LAKE & PALMER THE MC5 BUDGIE NEW YORK DOLLS SEX PISTOLS THE STOOGES THE SWEET KISS YES THE CLASH ALICE COOPER SLADE OZZY OSBOURNE MOUNTAIN GENESIS STATUS QUO VENOM THE VIBRATORS ZZ TOP NAZARETH W.A.S.P. URIAH HEEP BLUE OYSTER CULT THE SAINTS AEROSMITH THIN LIZZY KING DIAMOND MAHAVISHNU ORCHESTRA MONTROSE QUEEN GWAR DEAD BOYS KISS JUDAS PRIEST MARILYN MANSON JOURNEY TED NUGENT RAINBOW SLIPKNOT Y&T STYX VAN HALEN WHITESNAKE RAMMSTEIN KANSAS progressive metal power metal new wave of british heavy metal hardcore RUSH SCORPIONS AC/DC D.O.A. ACCEPT SAVATAGE MOTÖRHEAD DEAD KENNEDYS QUEENSRYCHE MAN O WAR DEF LEPPARD DIO DISCHARGE FATES WARNING QUARTZ MARJORIE J. WALLERSTEIN BLACK FLAG VOIVOD HELLOWEEN SAXON DREAM THEATER BLIND GUARDIAN IRON MAIDEN CIRCLE JERKS MESHUGGAH TYGERS OF PAN TANG STRATOVARIUS THE EXPLOITED PORCUPINE TREE ICED EARTH DIAMOND HEAD TOOL KAMELOT ANGEL WITCH MINOR THREAT DILLINGER ESCAPE PLAN HAMMERFALL GIRLSCHOOL CHARGED G.B.H RHAPSODY OF FIRE OPETH RAVEN NIGHTWISH MISFITS GOJIRA FIST PRIMAL FEAR BAD BRAINS MASTODON SONATA ARCTICA HOLOCAUST COHEED & CAMBRIA DRAGON FORCE TANK -
Warner Music Group Corp. WMG Acquisition Corp
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): December 18, 2006 Warner Music Group Corp. (Exact name of Co-Registrant as specified in its charter) Delaware 001-32502 13-4271875 (State or other jurisdiction (Commission File Number) (IRS Employer of incorporation) Identification No.) 75 Rockefeller Plaza, New York, New York 10019 (Address of principal executive offices) (Zip Code) Co-Registrant’s telephone number, including area code: (212) 275-2000 WMG Acquisition Corp. (Exact name of Co-Registrant as specified in its charter) Delaware 333-121322 68-0576630 (State or other jurisdiction (Commission File Number) (IRS Employer of incorporation) Identification No.) 75 Rockefeller Plaza, New York, New York 10019 (Address of principal executive offices) (Zip Code) Co-Registrant’s telephone number, including area code: (212) 275-2000 Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the Co-Registrants under any of the following provisions: ¨ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ¨ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ¨ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ¨ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) ITEM 8.01. OTHER EVENTS. On December 18, 2006, Warner Music Group Corp. -
Mary Catherine Bateson at New College
Volume VI, Issue 12 November 19, 1996 Help! I've fallen and I can't raise my morals! AN INTERVIEW MARY CATHERINE BATESON AT WITH JOSH SILVER OF 'TYPE 0 NEW COLLEGE In honor of Professor Mary Catherine in population growth. She stressed that NEGATIVE' Bateson's two day visit to New College, a peopled must consider the ramifications by Mario Rodriguez student sponsored dinner took place at of having children on natural resources. Even the autumn leaves trembled on Cook Hall on Sunday, November 17th. "I'm not suggesting that a solution as the branches of a makeshift forest as Type The dinner included professors and stu draconian as China's birth restrictions 0 Negative took center stage at this dents, most of whom attended the (one child per couple) is right. But, year's Guavaween celebration in Tampa. workshop which Bateson conducted ear clearly we should think about the fact that Under a full moon, green light permeated lier, "How Might the Insights of there are just too many people. As soon the mist sweeping over the imposing fig Anthropology Inform Decision Making." as it is born, an American child consumes ure of Peter Steele, the band's 6'7" The workshop focused on how every (much) more of the world's resources as vocalist/bassist. day actions effect society as a whole. compared to mo t other countries," she Steele has used his impressive size Tony Lenzo, a student who is concentrat said. and dark, opinionated demeanor to gain ing in philosophy and physics said, "I Though Bateson doe not intend tore publicity for Type 0 in sources ranging found it interesting that individual action lease another book anytime in the next from Playgirl to The Jerry Springer effects society on such a large scale. -
Structural Unity in the Thought of Peter Steele Sj
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship 1 THE SHAPELINESS OF THE SHEKINAH: STRUCTURAL UNITY IN THE THOUGHT OF PETER STEELE S.J. Colette Rayment A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Studies in Religion, University of Sydney Faculty of Arts November, 1997 1 Peter Steele, The Autobiographical Passion: Studies in the Self on Show, Melbourne University Press, 1989, 75-6. [Autopassion]. “Shekinah” - “God’s glorious presence in our midst.” Concise Dictionary of Theology, G. O’Collins, S.J. and G. Farrugia, S.J., Paulist Press, New York, 1991. 1 ABSTRACT Peter Steele S.J. is a highly significant figure in contemporary scholarship, religious sensibility and poetic achievement. His work is available in a very wide range of writings, some published, much in archival situations. He matters by virtue of being a distinguished Australian academic, being widely published as a poet, and having theological and religious significance in at least three continents as a central figure in the Society of Jesus in Australia and New Zealand since the 1970’s. The challenge of addressing Steele’s achievement lies in the fact that his religious insights form the basis of his poetic, academic and ethical imagination. The thesis investigates Steele’s unifying vision as it is expressed by him in the many ways he encounters the contemporary world. It attempts to identify his position as expressing itself in his perception of the Divinity, particularly in terms of the concept of radiance. -
Life of Agony
. LIFE OF AGONY ***Double ‘River Runs Again: Live 2003’ Album + DVD released October 20th on SPV, UK Tour early November*** Keith Caputo: vocals Joey Z.: guitars Alan Robert: bass Sal Abruscato: drums Brooklyn, New York’s LIFE OF AGONY, have reformed and are set to release a double live album, ‘River Runs Again: Live 2003’, through SPV on October 20th. The original line-up is back with their angst-ridden blend of raw emotion and unforgettable down- tuned grooves. The group won over a huge horde of fans worldwide during the decade in which the band was active, and gained even more fans in their absence. Their reunion has opened the door to endless possibilities to come. In addition to the 18 blistering live tracks, recorded at the band’s two sold out reunion shows at Irving Plaza in New York on January 3rd and 4th 2003, are three bonus tracks featuring LOA band members’ side projects – Among Thieves (Alan Robert), Supermassiv (Sal Abruscato) and a Keith Caputo solo track. A DVD of the same name is to be released simultaneously with the double live CD, containing extra bonus material, including in-depth band interviews, interactive menu screens and never- before-seen video footage from the band’s personal tour archives. LIFE OF AGONY, who are currently on the road in Europe, with Breed 77 in the special guest slot and Fony opening, are set to bring this rock juggernaut into the UK for the following live dates:- 7th November Glasgow Garage 8th November Nottingham Rock City 9th November London Astoria Whether it was the intensity of their live performances or the haunting melodies & lyrical content, the group radiated a passion and emotion that struck a chord in the hearts of misunderstood youth all over the world. -
Sounding Subjectivity: Music, Gender, and Intimacy
Sounding Subjectivity: Music, Gender, and Intimacy DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Lindsay Marie Bernhagen Graduate Program in Comparative Studies The Ohio State University 2013 Dissertation Committee: Professor Barry Shank, Advisor Professor Mary E. Thomas Professor Maurice E. Stevens Copyright by Lindsay Marie Bernhagen 2013 Abstract This dissertation centers on the role of musical experience in the production and maintenance of intimate, interpersonal relationships. Music acquires meaning in its ability to enable and amplify personal relationships among participants who share musical experience—not only through the semiotic decoding of lyrics and musical sounds that characterizes much music scholarship. Because there is scant language available for describing musical experience without reference to non-sonic elements such as lyrics, communal identity, or performers’ personae, this research relies on textual and ethnographic methods to examine how human experiences of musical sound are understood via racialized and gendered discourses of embodiment, intimacy, pleasure, and danger. Specifically, this project consists of textual analyses of music censorship discourse and ethnographic analyses of female musicians and listeners who seek out shared musical experiences in explicitly gendered contexts including a feminist punk movement, a girls’ rock music camp, and a long-standing women’s music festival. The introductory chapter offers an overview of the scholarship and theory that has influenced this project and sets up the theoretical framework I have developed through my own research. To establish the stakes of this project, the second chapter focuses on discourses of musical danger to reveal ii a persistent and anxious fascination with music’s relationship to the body and intimacy in the American imagination. -
SONG ORDER Jan 2018
IF YOU WISH TO SING, SIMPLY CHOOSE A SONG, WRITE YOUR NAME AND THE SONG NAME ON THE SLIPS PROVIDED AND HAND IT TO YOUR HOSTS WE ASK THAT YOU FOLLOW A FEW RULES OF THE STAGE PLEASE …………………………………. • NO DRINKS ON THE STAGE. • NO SWINGING MICROPHONES. • NO SWEARING OR DETRIMENTAL COMMENTS ON THE MICROPHONE. • THREE MICROPHONES FOR GROUP SINGING, PREFERABLY NO MORE THAN FOUR AT A TIME ON THE STAGE, WE WILL MAKE THE OCCASIONAL EXCEPTIONS. • THANK YOU AND HAVE AN ENJOYABLE NIGHT. SONG ORDER Jan 2018 View Our Songlist on Our Website www.mjekaraoke.com.au SONG ORDER 10/01/2018 SONG ARTIST BRAND 22 Lily Allen Sunfly 1234 Feist Sunfly 1959 Lee Kernaghan Sunfly 1973 James Blunt Sunfly 1983 Neon Trees Sunfly 1985 Bowling For Soup Sunfly 1999 Prince Sunfly 1999 Prince Zoom 5050 Lemar Sunfly 5678 Steps Sunfly 5678 Steps Karaoke Version 7475 Connells Sunfly 54321 Manfred Mann Sunfly (Doo Wop) That Thing Lauren Hill Sunfly (Everything I Do) I Do It For You Bryan Adams Zoom (I Can't Get No) Satisfaction Rolling Stones Sunfly (I Could Only) Whisper Your Name Harry Connick Jr Sound Choice (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes Zoom (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes Legends (Just Like) Starting Over John Lennon Zoom (Love Is) A Tender Trap Frank Sinatra Monster Hits (Meet) The Flintstones B52's Karaoke Version (Mucho Mambo) Sway Shaft Sunfly (Reach Up For The) Sunrise Duran Duran Sunfly (Sittin On) The Dock Of The Bay Otis Redding Zoom (We Want) The Same Thing Belinda Carlisle Sunfly (Where Do I Begin ) Love