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Gender, Ethnicity, and Identity in Virtual
Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225 -
The Daily Egyptian, June 22, 1974
Southern Illinois University Carbondale OpenSIUC June 1974 6-22-1974 The aiD ly Egyptian, June 22, 1974 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_June1974 Volume 55, Issue 191 Recommended Citation , . "The aiD ly Egyptian, June 22, 1974." (Jun 1974). This Article is brought to you for free and open access by OpenSIUC. It has been accepted for inclusion in June 1974 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. • Walker to arrf,Ve Sunday ~'PAition . 'Daily Gov Dan Walker is expected to make a reception at Bonaparte's Retreat in several announcements concerning Carbondale. From there he will attend Southern DIinois when visiting the area another reception WItii 9 p.m . at Tony's this weekend . Steak House in Marion. Following the reception in Marion . the governor will Tim Rend , a spokesman at the gover traveJ to Merlin's Bar in carbondale for 'Egyptian nor's office, said the gove~ or will an an informal reception. nounce plans concerni"8 energy . Southern Illinois airports, ajd for deaf The go\'ern~r is expected to make his children and tourism in Southern announcements at a news conference at Southern Dlinois University Dlinois. the Jefferson School in Marion at 10 a.m . Monday. SatUf'"day, JU"Ie 22. 197,,-Vol 55, No. 191 The governor is expected to arrive at the Southern Ulinois airport Sunday at 4 The receptions and the news con pm. From 4 until 7 p.m. he will attend ference are open to the public. -
LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy
CONTENTS... PREFACE ..........................................5 chapter seventeeN ......149 Anthologies and Expansion (1978–1979) chapter one .............................7 Wherein My Father Punched Out Adolf Hitler Years chapter eighteen .....161 Before Captain America Did (1928–1946) The Year of Legal Discontent (1979–1980) chapter two ..........................17 chapter nineteen .....171 Driving Japan Crazy (1946–1948) Silver Bullets and Soccer Balls (1980–1981) chapter three .................23 chapter twenty ..........179 Carnegie and an Early Proposal (1948–1955) Forced To Runaway (1981–1982) chapter FOUR .....................31 chapter twenty-one ....189 Clowns, Cats, Rockets, and Jesus (1955–1965) A Farewell to Networks / The Last Man Standing (1982–1983) chapter five ........................43 And Who, Disguised As A Real Animation Studio… chapter twenty-two ....197 We Have the Power! (1983–1984) chapter six ............................51 The Super Superheroes (1967) COLOR GALLERY ..............209 chapter seven .................59 The Fantastic Shrinking Bat-Teenager (1968) chapter twenty-three ....521 Morals and Media Battles (1984–1985) chapter eight ....................69 Gold Records and Witches (1969) chapter twenty-four ....223 Sisters Are Doing it for Themselves (1985–1986) chapter nine ........................75 Hey Lady! More Monsters & Music! (1970–1971) chapter twenty-five ......235 Let’s Go Ghostbusters! (1986-1987) chapter ten .........................81 Funnies, Games, and Fables (1971) chapter twenty-six ......241 -
The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. -
Stars of Television, Film, and Stage Bill Hayes & Susan
STARS OF TELEVISION, FILM, AND STAGE BILL HAYES & SUSAN SEAFORTH HAYES AND LEGENDARY PRODUCERS SID & MARTY KROFFT TO RECEIVE LIFETIME ACHIEVEMENT AWARDS AT THE 45th ANNUAL DAYTIME EMMY® AWARDS Sid & Marty Krofft to be Honored on Friday, April 27th at Daytime Creative Arts Emmy Awards Bill Hayes & Susan Seaforth Hayes to be Honored on Sunday, April 29th at Daytime Emmy Awards Both Daytime Emmy Award Presentations To Take Place at the Pasadena Civic Auditorium New York, NY – February 1, 2018 - The National Academy of Television Arts and Sciences (NATAS) today proudly announced that Bill Hayes and Susan Seaforth Hayes, stars of television, film and stage and Sid and Marty Krofft, two legendary television producers, will be honored with Lifetime Achievement Awards this year during the Daytime Emmy® Awards. The Krofft Brothers will be celebrated at the 45th Daytime Creative Arts Emmy® Awards which will take place on Friday, April 27th, 2018, while Bill Hayes and Susan Seaforth Hayes will be celebrated on Sunday, April 29th, 2018 at the 45th Daytime Emmy® Awards. Both presentations will take place at the Pasadena Civic Auditorium in Southern California. “I’ve been star-struck by the dynamic duo of Bill Hayes and Susan Seaforth Hayes for decades,” said David Michaels, SVP, Daytime Emmy Awards, NATAS. “The scope of their work across the television, film and stage landscape is amazing. Their continuing roles of almost 50 years on Days of Our Lives, where they also met and married, is a Daytime story like no other! Sid and Marty Krofft, our Daytime Creative Arts honorees, are masters of children’s television programming and have been part of my family viewing since the creation of H.R. -
Background... Brothers Sid & Marty Krofft Have Been Producing Quality Family Entertainment for Over 50 Years
SID & MARTY KROFFT PICTURES The Kroffts received a Life-Time Achievement Award from the Emmys last year They will be getting a star on the Hollywood Walk of Fame this year They celebrated the 50th anniversary of H.R. Pufnstuf at Comic Con If you have preschool children in the past couple of years you probably have seen the Kroffts' hit series Mutt & Stuff on Nickelodeon (with 73 episodes.) A new vision of their classic Electra Woman & Dyna Girl series is out on Amazon Prime, produced by Krofft and Legendary Entertainment. The latest Sigmund & the Sea Monsters is an Amazon Prime Series. Background... Brothers Sid & Marty Krofft have been producing quality family entertainment for over 50 years. Sid & Marty first became a household name in the '70s with quite a list of TV Shows. H.R. Pufnstuf, The Bugaloos, Lidsville, Land Of The Lost, Sigmund & the Sea Monsters, Pryor's Place (starring Richard Pryor), Far Out Space Nuts, Lost Saucer, The Krofft Supershaw, Wonderbug and Bigfoot & Wildboy. For prime-time they created these classic series: the satirical and funny D.C. Follies series, and the good-natured bantering of siblings with The Donny & Marie Show series and Barbara Mandrell & the Mandrell Sisters series, which were audience favorites. They opened their World of Sid & Marty Krofft amusement park in downtown Atlanta in 1976, where CNN is now headquartered. They were creative directors for Six Flags and installed live shows in parks across America before they embarked on their television career.. -
Funky Turns 40
THE MUSEUM OF UNCUT FUNK PRESENTS FUNKY TURNS 40™: BLACK CHARACTER REVOLUTION A RETROSPECTIVE OF 1970‘S CARTOON ANIMATION ART FEATURING BLACK CHARACTERS THE MUSEUM OF UNCUT FUNK PRESENTS FUNKY TURNS 40: BLACK CHARACTER REVOLUTION EXHIBITION INVENTORY Contact Information Museum First Name Last Name Phone Address E-Mail Curator The Museum Of UnCut Funk Pamela Thomas Co-Curator The Museum Of UnCut Funk Loreen Williamson Art Item Photo Artwork Cartoon Studio Network Run Historical Notes Description I. BLACK CAST CARTOONS: Billy Jo Jive Billy Jo Jive - Original Production Cel Features Billy Billy Jo Jive Sesame Street PBS: Billy Jo Jive was the first positive Saturday morning cartoon Jo Jive and 11/27/78 - series featuring Black characters to be created from a series of Smart Susie through the children’s books. Billy Jo Jive was a self-described super crime Sunset 1980’s fighting ace, a prepubescent Black detective in animated segments on Sesame Street in the late 1970s and early 1980s. Billy Jo Jive and his sidekick, Smart Susie Sunset, originated in a series of children's books by John Shearer, with illustrations by his father Ted Shearer. The series debuted with Billy Jo Jive, Super Private Eye: The Case of the Missing Ten Speed Bike in 1976. The earliest known TV appearance: Sesame Street Episode 1186. Fat Albert And The Cosby Kids Fat Albert And The Cosby Kids - “Band Features Fat Fat Albert And Filmation CBS: Fat Albert is the longest running positive Black cast Saturday Practice” Limited Edition Cel Albert gang The Cosby Kids 9/9/72 - 8/10/85 morning cartoon series and the third positive Black cast from Halloween Run: Saturday morning cartoon series. -
Making Room for the Brady Bunch: the Syndication of Suburban Discomfort
Liminalities: A Journal of Performance Studies Vol. 15, No. 1 (2019) Making Room for The Brady Bunch: The Syndication of Suburban Discomfort Janna Jones Introduction The Brady Bunch, created by Sherwood Schwartz, is an American Broadcasting Corporation (ABC) sitcom that aired on Friday nights from 1969 to 1974. The show was not a hit with audiences or critics in its prime time run; it became a popular culture icon only after it went into syndication in 1976. The Brady Bunch found its audience once it began airing on weekdays, during after school hours. It has now has been in continuous syndication in the United States and around the globe for the last four decades. Because of the show's popularity dur- ing its lengthy syndication, two generations of audiences share a common after- school legacy of watching The Brady Bunch. In spite of the show’s saccharine storylines and bland representations of early 1970s white, middle class suburbia, the Brady family and their suburban home are deeply rooted in twentieth centu- ry popular memory. The Brady Bunch was dismissed during its prime time run because it was oblivious to the profound social and cultural conflicts of the early 1970s. Four months after the show premiered in 1969, Richard Nixon became president; he resigned from office five months after The Brady Bunch was cancelled. The five years of the Nixon administration was a period of social and political upheavals Janna Jones is a professor of Creative Media and Film. in the School of Communica- tion, at Northern Arizona University. A twentieth-century historian, Jones’ scholarship focuses on the history of cinema going, architectural preservation, historic movie thea- ters, amateur filmmaking, public exhibition, urban and suburban history and public art. -
The Daily Egyptian, June 08, 1974
Southern Illinois University Carbondale OpenSIUC June 1974 6-8-1974 The aiD ly Egyptian, June 08, 1974 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_June1974 Volume 55, Issue 186 Recommended Citation , . "The aiD ly Egyptian, June 08, 1974." (Jun 1974). This Article is brought to you for free and open access by OpenSIUC. It has been accepted for inclusion in June 1974 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. r-----=-----=----==-~------------------------------------------7own-{JownC£dition 'Daily13gyptian Saturday, J...-.e &, I 974·VOI . 55. No. 166 Southern lllinois University Color barriers nonexistent In• city sclwols By Carl Flowe ... because the community was kept in "Before the change," Todd said, "our The Carbondale Plan hasn't been and formed about it. library was in a closet. " unreservedly accepted by the com- The Carbondale Advisory Committee mWlity . _ John Russell 1\1 r-l; . Swindell , principal of Brush Daily Egyptian Staff Writer and the elementary school board. co Some residents moved out of the designers of the plan. made sure the School for 15 years. said the teachers district rather than have their children " There's no color barrier on the community knew of the plans for in benefitted from the move to integration bused to integrated schools outside their playground. " tegration and were involved in the in becaUse they'll!\! working with children neighborhoods. The Carbondale Plan for school in tegration decision. Jacober said. from ~l socio-economic backgrounds. Todd said he felt the persons who tegration has been extremely successful The principals stressed tha t the in Integration hAs presented a new moved away helped the district to move so far. -
Representations of Redface: Decolonizing the American Situation Comedy's "Indian"
REPRESENTATIONS OF REDFACE: DECOLONIZING THE AMERICAN SITUATION COMEDY'S "INDIAN" Dustin S. Tahmahkera A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Lynda Dixon, Advisor Bradford Clark Graduate Faculty Representative Don McQuarie Angela Nelson © 2007 Dustin Tahmahkera All Rights Reserved iii ABSTRACT Lynda Dixon, Advisor This study critically analyzes the thematic development of representations of redface, or of playing “Indian,” by non-Native characters in live-action and animated American sitcoms. Predominantly White characters have played “Indian” to reeenact nostalgic colonialist versions of historical events, to gain fame and fortune deceptively, to be honorary members of a tribe, to acknowledge heritage through a distant “Indian” relative, and to be in “Indian” clubs. This dissertation also discusses the dehumanizing roles of rare on-screen “Indians” as cultureless dupes or subservient, vanishing Natives who legitimize and authenticate non-Indigenes’ constructions of redface. Representations of redface in American sitcoms, from their appearance in the 1951 I Love Lucy “The Adagio” to the 2006 The Suite Life of Zack and Cody “Boston Tea Party,” have largely defined the sitcom’s “Indian.” The result is a redface collective that emphasizes the recurring visibility of (mis)leading “Indian” players that represent, or stand in for, the mostly invisible Indigenes. American sitcoms have set forth a restricted logic on how “Indians” in comedic television should appear. In turn, this limited logic of the sitcom’s “Indian” transmits a narrow, non-fully human view of real Indigenes to non-Indigenous and Indigenous audiences. -
The Bardy Bunch a War of the Families Partridge and Brady a One-Act Musical Parody
THE BARDY BUNCH A WAR OF THE FAMILIES PARTRIDGE AND BRADY A ONE-ACT MUSICAL PARODY WRITTEN BY STEPHEN GARVEY HIGH SCHOOL EDITION SHOW PERUSAL 09/20/18 The Bardy Bunch By Stephen Garvey Copyright © 2016 Disappearing Dog, LLC ALL RIGHTS RESERVED Copyright Protection. This play (the “Play”) is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, and the Berne Convention. Reservation of Rights. All rights to this Play are strictly reserved, including, without limitation, professional and amateur stage performance rights; motion picture, recitation, lecturing, public reading, radio broadcasting, television, video, and sound recording rights; rights to all other forms of mechanical or electronic reproduction now known or yet to be invented, such as CD-ROM, CD-I, DVD, photocopying, and information storage and retrieval systems; and the rights of translation into non-English languages. Performance Licensing and Royalty Payments. Amateur and stock performance rights to this Play are controlled exclusively by Broadway Licensing. No amateur or stock production groups or individuals may perform this Play without obtaining advance written permission from Broadway Licensing. Such royalty fees may be subject to change without notice. Although this book may have been obtained for a particular licensed performance, such performance rights, if any, are not transferable. Required royalties must be paid every time the Play is performed before any audience, whether or not concerning amateur and stock performance rights should be addressed to Broadway Licensing (see contact information on opposite page). -
Freed Fliers Go 3 Separate Ways by the Associated Press Charles, 27, Captive Nine Months
Today: Our Weekend Enjoyment Section SEE TABLOID INSERT the Weather THEDAILY FINAL Cloudy with periods of rain Red Bank, Freehold likely today, tonight and to- tang Branch 7 EDITION morrow. 26 PAGES Momnouth County's Outstanding Home Newspaper TEN CENTS VOL.95 NO. 68 RED BANK, N.J. FRIDAY, SEPTEMBER 29,1972 iiiiiiiiiiiiiiumiimiiiiiuiftiHiimiiniiiim iiiiniiiiiiiimiiiiiiiimiaiiiiiuiiiiiiiiitiiiiiiiiiiiiiiiiiiiiiiiiiiiiii i m HiiiiiiiiiiiiiiiiiiiiiiiiiiiniuiuniiiminiiiiiiiinniiiiiiiiiiiHiiiniiiinuBniinmmiainHniiiDniiBmiiiiiiiiiiii iiinuniiiiiiiiiiiiiiiiiiiii Delegates Press for Park Ferry Service gested urban area. Twenty By SHERRY FIGDOUE p-N.J., responded with nearly aide to Mr. Howard, who au- were barred by the House Jack Vandenberg, aide to Jacob K. Javits, R-N.Y., cos- "There's always the possi- thored the deleted amend- parliamentarian. U.S. Sen Clifford P. Case, R- ponsor of the 1971 Senate bill, bility the (House) bill will million people live within two. identical statements yes- hours of the 26,000 acre park, WASHINGTON — Mon- terday in the wake of House ments, said yesterday that The Senate adopted its Ga- N.J., said he was "Virtually Mr. Vandenberg said "The pass with the amendments. If "essentially, very little can be teway bill last year and in-'certain a bill will be enacted New York people are as inter- it doesn't, there is a possi- many of them subsisting on tnouth County's congressional deletion of a $30 million provi- poverty level incomes, and delegation here is united in sion for development of water done now, since conferees cluded in it the f 30 million de- this session." ested in the ferry as we are." bility that a separate bill transit to the park.