Witness for the Prosecution by Agatha Christie
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Project Description
PROJECT Bromley Little Theatre A3 posters DESCRIPTION Posters to advertise a variety of different plays being performed at the theatre. IN THE AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD BAR AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD Website graphics CONTAINS VERY STRONG LANGUAGE AND SEXUAL REFERENCES THROUGHOUT for each play were also created. AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD BROMLEY LITTLE THEATRE, NORTH STREET, BROMLEY KENT BR1 1SB BROMLEY LITTLE THEATRE, NORTH STREET, BROMLEY KENT BR1 1SB BROMLEY LITTLE THEATRE, IN THE BAR, NORTH STREET, BROMLEY KENT BR1 1SB BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 BOOKING: visit www.bromleylittletheatre.org or call 0333 666 3366 Members: £8 / Non-members: £12 • Booking opens to non-members on 8th November Members: £8 / Non-members: £12 • Booking opens to non-members on 13th Sept Members: £7 / Members’ guests: £10 • Booking opens on 22 August Tickets also available from the Churchill Theatre box office Phil Graham 07941 508026 [email protected] PROJECT Bromley Little Theatre A3 posters DESCRIPTION Posters to advertise a variety of different plays being performed at the theatre. Website graphics AN AMATEUR PRODUCTION BY ARRANGEMENT WITH SAMUEL FRENCH LTD AN AMATEUR PRODUCTION BY ARRANGEMENT WITH NICK HERN BOOKS for each play were also created. KING CHARLES III BY MIKE BARTLETT Directed by PAULINE ARMOUR Fri 12th - Sat 20th Oct 2018 at 7.45pm (not -
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour) -
Reviews: the Heresy of Love | Jumpy | Double
May 2017 | No. 62 | Bimonthly www.bromleylittletheatre.org THE OFFICIAL ORGAN OF PRESIDENT: MICHAEL YORK OBE Reviews: The Heresy Of Love | Jumpy | Double Top Previews: People | The Breath Of Life | Of Mice And Men + Auditions + Events Diary + Noticeboard 1 BLT chair Key contacts Another farewell needs to be made to Emma Kerby-Evans and Maxine Edwards Stevie Hughes, who is stepping down from in BLT's February 2017 production of The Heresy Of Love the role of website, poster, and Spotlights Call: 020 3189 1690 designer. A record of a few of his wonderful for box office, membership and key contacts designs can be seen among the posters enquiries (but not for booking tickets). plastered to the walls of the stage door stairs. We shall certainly miss his intelli- Key contact areas: gent, creative designs. [email protected] The board have been discussing for [email protected] some time how we can better organise the management of the theatre. We have Chair: decided that while Playgoers will remain [email protected] as an entity for the receipt of funds from Key: Jane Buckland the bar, membership and the coffee bar, Artistic: the day-to-day running of these and other [email protected] ooking back over the last couple of aspects of the theatre is to be by existing Keys: Pauline Armour / Jane Buckland Lyears, most BLT members will see that it personnel, overseen by the assigned board has been a period of change and development members. The former members of the for the theatre, and one which is set to Youth group: Playgoers committee will now be able to continue. -
MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets. -
Core Strategy Vision and Objectives
1. Introduction Your chance to help shape the future of Bromley We would like you to help us develop the long-term planning strategy for the London Borough of Bromley. This strategy needs to show roughly where any new development should go and, how much development there should be, over the next 20 years. We are starting with what is known as the “Core Strategy” - the top-level document where we set the general direction for the future of the borough - but once this is prepared we will produce other documents with policies to guide the detail of any development. So, is this the “Core Strategy”? No, this is just the first step towards a Core Strategy. This document presents a wide range of information about the Borough and its places and suggests some of the key issues for the future. We are asking everyone with an interest in Bromley to tell us what they think about the issues we have identified – are they the right issues? Are there any more issues that our planning strategy needs to consider? Once we have agreed on the main issues, it’s time to look at the ways of tackling them – again, we’ll be asking for everyone to get involved by telling us what they think and whether anything has been missed. After this we’ll be able to produce a draft Core Strategy which will contain policies that can be used to guide development – this is the document that will be submitted to the Government for checking. Overall, this process will take about two years. -
Edition 5 | 2019-2020
SHUBERT THEATRE 2019–2020 SEASON CATS | 5 CATS Title Page | 7 CATS Cast | 9 CATS Scenes & Musical Numbers | 13 CATS Who’s Who | 15 CATS Staff | 26 Shubert Supporters | 28 The Shubert Theatre is located at 247 College Street, New Haven BOX OFFICE HOURS: Mon–Fri 9:30am–5:30pm and during all performances Call 203-562-5666 or 888-736-2663 www.shubert.com ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Ave., Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. Shubert Theatre | 2019–2020 3 THE SHUBERT ORGANIZATION JAMES L. NEDERLANDER THE REALLY USEFUL GROUP CAMERON MACKINTOSH ROY FURMAN JOHN GORE STELLA LA RUE GROVE ENTERTAINMENT BURNT UMBER PRODUCTIONS INDEPENDENT PRESENTERS NETWORK/AL NOCCIOLINO PETER MAY PRESENT MUSIC BY ANDREW LLOYD WEBBER BASED ON “OLD POSSUM’S BOOK OF PRACTICAL CATS” BY T. S. ELIOT THE “CATS” COMPANY: ZACHARY S. BERGER JORDAN BETSCHER CAITLIN BOND ELYSE COLLIER ERIN CHUPINSKY MAURICE DAWKINS GIOVANNI DiGABRIELE PJ DiGAETANO ALEX DORF CAMERON EDRIS DANI GOLDSTEIN TIMOTHY GULAN DEVIN HATCH BRETT MICHAEL LOCKLEY McGEE MADDOX MADISON MITCHELL NATHAN PATRICK MORGAN ADRIANA NEGRON BRAYDEN NEWBY CHARLOTTE O’DOWD ALEXA RACIOPPI AUSTIN JOSEPH REYNOLDS ADAM RICHARDSON NEVADA RILEY ANNEMARIE ROSANO MELODY ROSE BEN SEARS ZACHARY TALLMAN TRICIA TANGUY ADAM VANEK DONNA VIVINO AND LORETTA WILLIAMS MUSIC SUPERVISION BY KRISTEN BLODGETTE MUSIC DIRECTOR ERIC KANG MUSIC COORDINATOR TALITHA FEHR CASTING BY TARA RUBIN CASTING / LINDSAY LEVINE, CSA AND XAVIER RUBIANO, CSA TOUR BOOKING, MARKETING AND PUBLICITY DIRECTION BOND THEATRICAL GROUP TOUR MANAGEMENT TROIKA ENTERTAINMENT PRODUCTION MANAGEMENT GREGG DAMANTI GENERAL MANAGEMENT KAREN BERRY PRODUCTION STAGE MANAGER J. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Beckett at Theyoungvic
Samuel Beckett Today / Aujourd’hui 29 (2017) 243–255 brill.com/sbt Beckett at the Young Vic From the Marginal to the Major-Marginal Matthew McFrederick Teaching Fellow in Theatre, University of Reading, uk [email protected] Abstract This article will examine the formative years of the Young Vic in London when pro- ductions of Waiting for Godot, Endgame and Happy Days were staged and embraced by a new generation of theatregoers and practitioners in a metropolitan theatre that began at the edge of the city’s mainstream theatre culture. Through a range of archival resources and an interview with the Young Vic’s founding director, this essay will dis- cuss the reception of these performances and their ability to engage with young audi- ences. It will conclude by tracing the YoungVic’s more recent association with Beckett’s drama, as the theatre has grown into an independent force competing with larger, tra- ditional theatre institutions. Résumé Cet article évoque la formation du Young Vic à Londres, plus précisément les années où y ont été réalisées les mises en scène d’En attendant Godot, de Fin de partie et de Oh les beaux jours pour une nouvelle génération de spectateurs ou de gens du théâtre, immédiatement convaincus, dans un théâtre métropolitain mais qui avait débuté en marge de la culture théâtrale traditionnelle. À partir d’un grand nombre d’archives, d’un interview du directeur et fondateur du Young Vic, cet essai traitera de l’accueil qu’ont rencontré ces spectacles et de leur capacité à intéresser les jeunes publics. -
Black and Asian Theatre in Britain a History
Black and Asian Theatre in Britain A History Edited by Colin Chambers First published 2011 ISBN 13: 978-0-415-36513-0 (hbk) ISBN 13: 978-0-415-37598-6 (pbk) Chapter 8 ‘All a we is English’ Colin Chambers CC BY-NC-ND 4.0 8 ‘All A WE IS English’1 Britain under Conservative rule in the 1980s and for much of the 1990s saw black and Asian theatre wax and then wane, its growth the result of earlier forces’ coming to a head and its falling away a consequence of cuts allied to a state-driven cultural project that celebrated the individual over the collective and gave renewed impetus to aggressive, narrow nationalism. How to survive while simultaneously asserting the heterodox, hybrid nature of non-white theatre and its contribution to British theatre was the urgent challenge. Within two years of the Thatcher government’s election to power in 1979, Britain saw perhaps the most serious rioting of its postwar era, which led to major developments in public diversity policy, though less significant change at the level of delivery. The black community could no longer be taken for granted and was demanding its rights as British citizens. The theatre group that epitomized this new urgency and resilience and the need to adapt to survive was the Black Theatre Co-operative (BTC).2 The group was founded by Mustapha Matura and white director Charlie Hanson in 1978 after Hanson had failed to interest any theatres in Welcome Home Jacko, despite Matura’s standing as the leading black playwright of his generation. -
DAVID WOOD a Chronology
DAVID WOOD A Chronology CHILDREN’S PLAYS AND MUSICALS (acting editions published by Samuel French) 1967 THE TINDERBOX (book, music and lyrics). (Based on the story by Hans Andersen) Swan Theatre, Worcester. Unpublished. 1968 THE OWL AND THE PUSSYCAT WENT TO SEE... (co-written with Sheila Ruskin, based on the verses and stories of Edward Lear). Swan Theatre, Worcester. Subsequently WSG Productions Ltd. production at Jeannetta Cochrane Theatre, London (1969) and many more London Christmas seasons. * 1969 LARRY THE LAMB IN TOYTOWN (co-written with Sheila Ruskin, adapted from the stories of S.G. Hulme-Beaman). Swan Theatre, Worcester. Subsequently WSG Productions Ltd production at Shaw Theatre, London, 1973. * 1970 THE PLOTTERS OF CABBAGE PATCH CORNER (book, music and lyrics). Swan Theatre, Worcester. Subsequently Knightsbridge Theatical Productions Ltd/WSG Productions Limited production, Shaw Theatre 1971 and 1972 and Whirligig Theatre tour including Sadler’s Wells Theatre, London, 1979. 1971 FLIBBERTY AND THE PENGUIN (book, music and lyrics). Swan Theatre, Worcester. Subsequently Whirligig Theatre pilot tour, 1978. * 1972 TICKLE (one act) (book, music and lyrics). The Dance Drama Theatre tour. Subsequently Wakefield Tricycle Company production at Arts Theatre, London, 1977. THE PAPERTOWN PAPERCHASE (book, music and lyrics). Swan Theatre, Worcester. Subsequently Whirligig Theatre tour, including Sadler’s Wells Theatre, London, 1984.* 1973 HIJACK OVER HYGENIA (book, music and lyrics). Swan Theatre, Worcester. 1975 OLD MOTHER HUBBARD (book, music and lyrics). Queen’s Theatre, Hornchurch. 1976 THE GINGERBREAD MAN (book, music and lyrics). Towngate Theatre, Basildon. Subsequently, Cameron Mackintosh/David Wood production, The Old Vic (1977 and 1978) and many other London seasons. -
22 November 2013 Page 1 of 9 SATURDAY 16 NOVEMBER 2013 Kate Gets Some Troubling News That May Cut the Journey Short, Mainwaring's Own Battle of Waterloo
Radio 4 Extra Listings for 16 – 22 November 2013 Page 1 of 9 SATURDAY 16 NOVEMBER 2013 Kate gets some troubling news that may cut the journey short, Mainwaring's own Battle of Waterloo. and her mum has a surprise waiting for her. Stars Rebecca Starring Arthur Lowe as Captain Mainwaring, John Le SAT 00:00 HG Wells (b007jzbk) Smart. Mesurier as Sergeant Wilson, Clive Dunn as Corporal Jones, The New Accelerator SAT 04:15 The Charm Factory (b03h849l) John Laurie as Private Frazer, Ian Lavender as Private Pike, In the name of science, HG Wells agrees to sample a new drug Series 2 Arnold Ridley as Godfrey and Bill Pertwee as Hodges. designed to speed up both body and mind. Read by Robert I Still Believe Adapted for radio from Jimmy Perry and David Croft's TV Bathurst. 1950s London, and film star Alex is back from Hollywood, scripts by Harold Snoad and Michael Knowles. SAT 00:30 Jenny Stephens - Jefferson 37 (b007k4s9) missing Irene. News forces him to change direction. With Giles Producer: John Dyas Episode 4 Thomas. First broadcast on BBC Radio 4 in April 1975. Dr Abbotts finds his 'party trick' used against him, and Paul SAT 05:00 Beachcomber... By the Way (b008g29h) SAT 14:30 The Navy Lark (b0084rjj) Smith takes full advantage of the chaos. Stars David Birrell. Series 2 Series 9 SAT 01:00 Detective (b03h828w) Episode 4 Have Been Towing Series 1 JB Morton's whimsies as performed by Richard Ingrams, HMS Troutbridge comes home, dragging vessels from around The Coming Out Present Patricia Routledge, John Sessions and John Wells. -
Julius Caesar | the Cripple of Inishmaan Collected Grimm Tales
Jun 2014 | No. 46 | Quarterly www.BromleyLittleTheatre.org • Reviews: The Thrill Of Love | The Importance Of Being Earnest Two | Clybourne Park • Previews: Julius Caesar | The Cripple Of Inishmaan Collected Grimm Tales • Auditions: Collaborators | Great Expectations THE OFFICIAL ORGAN OF + Events Diary + Noticeboard MICHAEL YORK OBE PRESIDENT: Charis Anna Beyer and Sarah Hinchliffe in BLT’s March production of The Importance Of Being Earnest Photo: Tim Hinchliffe (www.timhinchliffe.com) Tim Hinchliffe Photo: Debbie Griffiths and Piers Newman in BLT’s March production of Two. In The Bar Photo: Phil Cairns (http://philcairns.zenfolio.com) Phil Cairns Photo: 2 BLT Chair Playgoers’ - W - Office Suite el Before any detailed architectural plans 6 June and theSpotlights KDA’s is on 7 June). May’s come were drawn up it gradually became obvi offering was (to be reviewed in- Spotlights!to the June ous that we needed to clarify who the September’s ) with Alan Bennett edition of people or organisations were who might giving us his usual poignantly-accurate ob be able to help us to address the landlord’s servations of ordinary people once more. As I write wish to see “bold plans” for the site. On The Playgoers’ Committee continues to this I am - Mark Foley’s advice, we engaged Stephen be active in the interests of the theatre immersed Browning, an arts management consultant and its playgoers: Christina Jeremiah, our in rehears to investigate: Membership Secretary, also acts as sound als for our • potential offers of funding or support;- designer from time to time; Pat Jones, our ambitious Julius Publicity Manager, stage manages and is production Caesar - • potential offers of extra space in prox on the Board of Directors; Paul Ackroyd, of imity to the theatre; and Box Office Manager, is a splendid actor; Jan which I have the privilege of direct The Cripple of Inishmaan.