Literacy Interventions and Strategies for Distance Learning
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รีวà¸à ¸´à¸Šà¸´ ซะà¸à ¸°à¹‚มะโตะ à¸‐ ัลบั้ม รายà¸à ¸²à¸£ (รายชื่à¸‐ จานเสียง & ระยะเวลา) Thousand Knives https://th.listvote.com/lists/music/albums/thousand-knives-11405209/songs Neo Geo https://th.listvote.com/lists/music/albums/neo-geo-3338075/songs BTTB https://th.listvote.com/lists/music/albums/bttb-595614/songs Futurista https://th.listvote.com/lists/music/albums/futurista-11519577/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Sweet Revenge https://th.listvote.com/lists/music/albums/sweet-revenge-11311201/songs The Sheltering Sky https://th.listvote.com/lists/music/albums/the-sheltering-sky-7763767/songs Discord https://th.listvote.com/lists/music/albums/discord-3030144/songs CM/TV https://th.listvote.com/lists/music/albums/cm%2Ftv-11193441/songs /05 https://th.listvote.com/lists/music/albums/%2F05-941663/songs Bricolages https://th.listvote.com/lists/music/albums/bricolages-2925132/songs Illustrated Musical Encyclopedia https://th.listvote.com/lists/music/albums/illustrated-musical-encyclopedia-3148759/songs Esperanto https://th.listvote.com/lists/music/albums/esperanto-11290111/songs Media Bahn Live https://th.listvote.com/lists/music/albums/media-bahn-live-11343838/songs /04 https://th.listvote.com/lists/music/albums/%2F04-2806449/songs Left Handed Dream https://th.listvote.com/lists/music/albums/left-handed-dream-11479657/songs US -
Inscape 2010 Inscape 2010
INSCAPE 2010 INSCAPE 2010 the literary magazine of Pasadena City College Pasadena, California Volume 65 (formerly Pipes of Pan, volumes 1-29) Inscape is the Pasadena City College student literary magazine. It appears once a year in the spring. PCC students serve as the magazine’s editors; editors market the magazine, review submissions, and design its layout . All PCC students—full or part-time—are invited to submit their creative writing and art to the magazine’s faculty advisor, Christopher McCabe. Submission guidelines and information regarding Inscape editorial positions are available in the English Division office in C245. Copyright 2010 by Inscape , English Division, Pasadena City College, Pasadena, California. Photography: Beth Andreoli Illustrations: N.S. David All rights revert to author and artist upon publication. 2 INSCAPE INSCAPE 3 Senior Editors Beth Andreoli N.S. David Ikia Fletcher W.R. Kloezeman Francisco Luna Associate Editors Mayli Apontti Mary Nurrenbern Assistant Editors Jane Coleman Johanna Deeb Diane Lam Andrea Miller Art Director Beth Andreoli Faculty Advisor Christopher McCabe 4 INSCAPE Inscape 2010 Award Winners Nonfiction FLAT TIRES by Jocelyn Lee-Tindage page 13 Poetry THE MANY FACES OF LA LLORONA by Vibiana Aparicio-Chamberlin page 21 MONKEY SEE, MONKEY DO by Tina R. Johnson page 41 Short Story HETEROCHROMIA IRIDIUM by Carlos Lemus page 54 INSCAPE 5 Contents Preface by N.S. David . 8 Towers of Ambition by Mathew Jackson . 11 Flat Tires by J.L. Tindage . 13 The Many Faces of La Llorona by Vibiana Aparicio-Chamberlin . 21 A Closed Distance by Luis Martinez . 22 Ode to the Drum by Ikia Fletcher . -
Tony Takitani
tony_8p_245x170_OK 29/07/04 2:06 Page 1 Director: Jun Ichikawa Music: Ryuichi Sakamoto Author: Haruki Murakami Born in 1948, Jun Ichikawa graduated from Harajuku School and then Award-winning composer and musician Ryuichi Sakamoto has made Born in Kyoto in 1949, Haruki Murakami grew up in Kobe, and graduated Art School. He started work for an advertising company gradually a career of crossing musical and technological boundaries. Sakamoto from Waseda University in Tokyo. His first novel, Hear the Wind Sing working up to become a director. Making a name for himself by has experimented with, and excelled in, many different musical styles, (1979) won him the Gunzou Literature Prize for budding writers. This directing distinguished and well known commercials culminating in making a name for himself in popular, orchestral and film music. novel, together with Pinball 1973 (1980) and The Wild Sheep Chase the Grand Prize at the Cannes International Advertising festival in 1985. Yellow Magic Orchestra (YMO) (1982), which got him the Noma Literary Prize for New Writers, form A founding member of , Sakamoto The Trilogy of the Rat Hard-boiled A prize which he went on to win for 3 successive years in a row. has composed original scores for 18 major and independent films, . He is also the author of Very soon after this he directed his first feature film "Bu Su" in 1987. Merry Christmas Mr. Lawrence The Last Emperor Wonderland and the End of the World (1985), Norwegian Wood including: , , Dance, Dance, Dance South of the Border, West of Selected Filmography The Sheltering Sky, and most recently, Brian DePalma’s Femme (1987), (1988), Tsugumi (Tsugumi) Fatale the Sun (1992), Sputnik Sweetheart (1999), and After the Quake 1990 . -
Editorial Introduction
The Pennsylvania State University The Graduate School College of the Liberal Arts TEMPORARILY DEVOTEDLY YOURS: THE LETTERS OF GINEVRA KING TO F. SCOTT FITZGERALD A Dissertation in English by Robert Russell Bleil © 2008 Robert Russell Bleil Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2008 ii The dissertation of Robert Russell Bleil was reviewed and approved* by the following: James L. W. West III Edwin Erle Sparks Professor of English Dissertation Advisor Co-Chair of Committee Christopher Clausen Professor of English, emeritus Co-Chair of Committee Mark S. Morrisson Professor of English William L. Joyce Dorothy Foehr Huck Chair and Head of Special Collections, University Libraries and Professor of History Robert R. Edwards Edwin Erle Sparks Professor of English and Comparative Literature Director of Graduate Studies Department of English *Signatures are on file in the Graduate School iii ABSTRACT When Ginevra King met F. Scott Fitzgerald in St. Paul, Minnesota on January 4, 1915 there was instant chemistry between them. That night in her diary, Ginevra exclaimed, “Scott perfectly darling am dipped about.” For his part, Scott was equally smitten with Ginevra; although he was due back in Princeton immediately, Scott stayed over an extra day to spend more time with the brunette debutante from Chicago. Upon his return to Princeton, Scott immediately sent Ginevra a special delivery letter; according to the customs of the time, such a letter constituted Scott’s formal declaration that he was interested in pursuing a correspondence with Ginevra. A vivacious and fun- loving girl, Ginevra was no stranger to the importance of a “special delie” and the epistolary game was afoot. -
La Llorona, Picante Pero Sabroso: the Mexican Horror Legend As a Story of Survival and a Reclamation of the Monster
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School Spring 2021 La Llorona, Picante Pero Sabroso: The Mexican Horror Legend as a Story of Survival and a Reclamation of the Monster Camille Maria Acosta Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/theses Part of the Chicana/o Studies Commons, Folklore Commons, Latina/o Studies Commons, Oral History Commons, Other Arts and Humanities Commons, and the Performance Studies Commons Recommended Citation Acosta, Camille Maria, "La Llorona, Picante Pero Sabroso: The Mexican Horror Legend as a Story of Survival and a Reclamation of the Monster" (2021). Masters Theses & Specialist Projects. Paper 3501. https://digitalcommons.wku.edu/theses/3501 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. LA LLORONA, PICANTE PERO SABROSO: THE MEXICAN HORROR LEGEND AS A STORY OF SURVIVAL AND A RECLAMATION OF THE MONSTER A Thesis Presented to The Faculty in the Department of Folk Studies and Anthropology Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment Of the Requirements for the Degree Master of Arts By Camille Maria Acosta May 2021 LA LLORONA; PICANTE PERO SABROSO: THE MEXICAN HORROR LEGEND AS A STORY OF SURVIVAL AND A RECLAMATION OF THE MONSTER Date Recommended_____________________4/2/21 Katherine Horigan Katherine_____________________________________ Horigan (Apr 6, 2021 16:27 CDT) Dr. Kate Horigan, Director of Thesis Ann Ferrell Ann_____________________________________ Ferrell (Apr 7, 2021 08:59 CDT) Dr. -
Programm Kultur Nacht 22.06
Anzeige 13. BRAUNSCHWEIGER KULTUR NACHT SAMSTAG 22.06. Veranstalter Förderer PROGRAMM Medienpartner 300 Veranstaltungen 100 Orte Anzeige • Seite 2 Anzeige • Seite 3 18 UHR FALOW 5 ALTSTADT- 6 ATELIER / Rock / Pop Pin-Verkauf während der Kulturnacht Oldtimer-Cruise ERÖFFNUNG AUF DEM 19.0 5 – 19. 5 5 U hr RATHAUS STUDIO HOPPE 13. BRAUNSCHWEIGER • an den Info-Points (siehe unten) Der Büssing-Bus macht den Wechsel Dornse, Altstadtmarkt 7 Schimmel-Hof, Eingang B7, • an zahlreichen Veranstaltungs- zwischen den vielen Orten leichter! SCHLOSSPLATZ Pop- und Rocksongs der 60er bis Hamburger Straße 273 B Mehr Informationen zu den Pro- heute, interpretiert von zwei Mu - orten (siehe letzte Seite) Folgende Haltepunkte werden accordion breeze grammpunkten der Eröffnung fin - sikern mit viel Herzblut. • bei unseren Bauchladen- angefahren: Akkordeonmusik Ausstellung ›Sprechzeit‹ det ihr unter ›Schlossplatz‹ 92 Das ist FALOW! verkäufern*innen • Fr.-Wilhelm-Platz 18 – 18.30 Uhr • Foyer 18.30 Uhr, 20 Uhr & 21 Uhr auf Seite 15. (Haltestelle der Straßenbahn) KULTUR Vier Akkordeons aus der Akkor- Führungen durch das große Kulturnacht-Hotline Falter Band • Haltestelle Schloss deonschule Heike Lachetta spielen Ate lier mit Erläuterungen zum 0531 470-4844 nur während der Funk, Soul, Rock (Linienbus haltestelle der 420) Matroschka-Folk. Herstellungsprozess des Bronze- Kulturnacht von 12 – 24 Uhr 2 0 .1 5 – 2 1 U hr • halle267 (Hamburger Straße 267) 1 ALBA KUNDEN- Akkordeonmusik voller Sehnsucht gusses sowie Besichtigung der Die Nutzung des Büssing-Busses Musik von dieser Welt – eine kul- NACHT Info-Points während der Kulturnacht und Temperament. aktuellen Ausstellung mit Hilu ist kostenlos, aber nur mit Kultur- ZENTRUM turelle Rundreise durch populäre Kahmann-Frey und Güde Renken • 16 – 23 Uhr auf dem Schlossplatz 92 nacht-Pin möglich. -
Mothers Grimm Free
FREE MOTHERS GRIMM PDF Danielle Wood | 224 pages | 01 Oct 2016 | Allen & Unwin | 9781741756746 | English | St Leonards, Australia Mother Goose & Grimm/Mike Peters Website The following is a list of the cast and characters from the NBC television series Grimm. Nicholas Burkhardt played by David Giuntoli is the show's protagonist and titular Grimm. Nick is a homicide detective who discovers he is descended from a line of Grimms : hunters who fight supernatural forces. Even before his abilities manifested, Nick Mothers Grimm an exceptional ability to make quick Mothers Grimm accurate deductions about the motivations and pasts of individuals. This power has now expressed itself as his ability to perceive the Mothers Grimm that nobody else can see. Nick had wanted to propose to his girlfriend, Juliette, for some time, but he felt that he Mothers Grimm have to tell her about his life as a Grimm beforehand. Throughout the first season, Nick struggles to maintain balance Mothers Grimm his normal life and his life as a grimm. The two tend to cross when he works cases that involve wesenwhich are the creatures of the grimm world. As Nick dives deeper into his grimm heritage, he begins to train with Monroe to learn about the wesen Mothers Grimm Portland and to use the Mothers Grimm that his aunt Marie left behind. As of episode 19, Nick had successfully killed three reaperscreatures that are sent out to kill grimms hence the grimm reaper title. He kills the first in defense of Marie, and the other two are killed in self-defense after being sent Nick's lead suspect in a case. -
American Folklore Society the Continuity and Creativity of Culture
American Folklore Society Keeping Folklorists Connected The Continuity and Creativity of Culture 2012 Annual Meeting Program and Abstracts Hotel Monteleone New Orleans, Louisiana October 24-27, 2012 Copyright © 2012 The American Folklore Society All rights reserved. No part of this publication may be reprinted in any form or by any means without prior permission from the publisher. Published by the American Folklore Society The Ohio State University Mershon Center 1501 Neil Ave. Columbus, OH 43201-2602 USA TABLE of CONTENTS Acknowledgements ............................................................................................................................................................... iv General Information .............................................................................................................................................................. xv Program Summary .............................................................................................................................................................xviii Program Schedule ..................................................................................................................................................................1 Wednesday ................................................................................... 1 Thursday ....................................................................................... 3 Friday .......................................................................................... 17 Saturday..................................................................................... -
¿Escuchas El Susurro? Tras Las Huellas De La Llorona Blanca En J-Ok’El ______
Journal of Hispanic and Lusophone Whiteness Studies (HLWS) Volume 1 Issue 2020 Article 5 2020 ¿Escuchas el susurro? Tras las huellas de la llorona blanca en J- ok'el. María Teresa Grazón Martínez Universidad de Ciencias y Artes de Chiapas Follow this and additional works at: https://digitalcommons.wou.edu/hlws Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, Indigenous Studies Commons, and the Latin American Languages and Societies Commons Recommended Citation Grazón Martínez, María Teresa (2020) "¿Escuchas el susurro? Tras las huellas de la llorona blanca en J- ok'el.," Journal of Hispanic and Lusophone Whiteness Studies (HLWS): Vol. 1 : Iss. 2020 , Article 5. Available at: https://digitalcommons.wou.edu/hlws/vol1/iss2020/5 This Article is brought to you for free and open access by Digital Commons@WOU. It has been accepted for inclusion in Journal of Hispanic and Lusophone Whiteness Studies (HLWS) by an authorized editor of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. ¿ESCUCHAS EL SUSURRO? TRAS LAS HUELLAS DE LA LLORONA BLANCA EN J-OK’EL _____________________________________ MARÍA TERESA GARZÓN MARTÍNEZ Universidad de Ciencias y Artes de Chiapas, Centro de Estudios Superiores de México y Centroamérica Resumen: El presente artículo analiza la película J-Ok´el (2007) bajo la lente de la blanquitud. Dicha coproducción mexicanoestadounidense recrea la historia de la Llorona dándole un giro respecto a su figura, ya no se caracteriza como una mujer indígena o mestiza, sino blanca. De esta manera se abona al análisis de la blanquitud a través de la reflexión sobre las condiciones históricas, sociales y ficcionales, geopolíticamente situadas en el sureste mexicano –Chiapas, en específico, San Cristóbal de Las Casas– que permiten la aparición de un fantasma que no reta el orden colonial establecido y sus relatos hegemónicos, sino que, al contrario, más bien los consolida. -
RGR • RIO GRANDE REVIEW a Bilingual Journal of Contemporary Literature & Arts Fall 2017 • Issue 50 Rio Grande Review Is A
A N Y N R A IVERS RGR • RIO GRANDE REVIEW A Bilingual Journal of Contemporary Literature & Arts Fall 2017 • Issue 50 Rio Grande Review is a A N Y nonprofit bilingual publication N R A IVERS of literature and contemporary art. It is published twice a year under the supervision of the RGR • RIO GRANDE REVIEW Creative Writing Department A Bilingual Journal of at the University of Texas at Contemporary Literature & Arts El Paso (UTEP). This project Fall 2017 • Issue 50 is edited in its entirety by students of the bilingual MFA in Senior Editor Creative Writing. RGR has been Carolina Dávila promoting literary creation in El Paso, on the US-Mexico Editors border and worldwide for over Nicolás Rodríguez Sanabria Margarita Lucía Mejía 30 years. Its financial support is provided by the UTEP Faculty Advisor Student Commission Services, Jeff Sirkin as well as advertising sales and private donors. We welcome ad Art & Editorial Desing exchanges. ma elena villar Rio Grande Review es una Illustrations publicación bilingüe de Arte Daniela Prado y Lite ratura sin fines de lucro. Cover Art Work Es publicada semestralmente Daniela Prado bajo la supervisión del Departamento de Escritura Board of Readers Creativa de la Universidad Jonathan Ayala de Texas en El Paso (UTEP). Mariana Hernández Este proyecto es editado en su totalidad por estudiantes del Special Thanks to MFA en Escritura Creativa. Allan Vorda Rosa Alcalá RGR ha difundido la literatura Carla González en El Paso, en la Frontera México- Estados Unidos y a ISSN 747743 nivel mundial por más de treinta ISBN 97774774340 años. -
Psaudio Copper
Issue 109 APRIL 20TH, 2020 This issue’s cover: Judy Garland (1922 – 1969). One of the most iconic actresses, recording artists and performers of all time. Though haunted by personal struggles, she attained greatness that few ever achieved. Somewhere over the rainbow, skies are blue. Like everyone else, we at Copper have been impacted by the coronavirus, whether by disruption in our work and home lives to financial impact, stress, anxiety and writer’s block. And yes, one of us contracted the virus – thankfully, he’s doing OK. So, over the next few issues you might see some changes – temporary absence of some writers, a different balance of articles and other differences from the usual. We trust you’ll understand, and we look forward to when these pages, and our lives, reach a new equilibrium. It is with great sadness that we note the passing of Stereophile deputy editor Art Dudley. He was one of the finest men ever to grace the audio industry. My tribute to him is in these pages. Also in this issue: Rich Isaacs begins a series on Italian progressive rock with a look at the great PFM (Premiata Forneria Marconi). Ken Sander takes us on a wild rock and roll ride with Eric Burdon and War. Professor Larry Schenbeck continues his series on immersive sound. WL Woodward gets jazzed about bass. John Seetoo concludes his series on legendary Yellow Magic Orchestra/film composer/techno-pop pioneer Ryuichi Sakamoto. In a special report we ask audio companies how they’re responding to the COVID-19 crisis. -
Masquerades of Self-Erasure: Pornography and Corporeal Memory in Liliana Cavani’S the Night Porter
MASQUERADES OF SELF-ERASURE: PORNOGRAPHY AND CORPOREAL MEMORY IN LILIANA CAVANI’S THE NIGHT PORTER by GRAEME KRAUTHEIM Hons. Bachelor of Arts, University of Alberta, 2007 A THESIS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) July, 2009 © Graeme Krautheim, 2009 ABSTRACT In this thesis, I am utilizing Liliana Cavani’s controversial 1974 film The Night Porter to acknowledge the significance of pornography in historical representation and memory work as related to the Holocaust. I will discuss the importance of representations rooted in the corporeal and relegated to the obscene and argue that the term pornography is used in academic, political and popular circumstances to attack texts that disrupt or threaten a dominant, pre-existing understanding of the world. Having been largely misunderstood for the last three decades (and criticized by major scholars, including Michel Foucault, Susan Sontag and Primo Levi), Ii Night Porter uses the languages of pornography and masochism to initiate a forceful historical dialogue that calls for a re-evaluation of the criteria used to gage and evaluate the past. The Night Porter argues that culture consoles itself in simplistic, “moral” readings of history. It subsequently attacks the concept of post-Holocaust redemption and issues related to the reassurances of redemptive logic with which culture has long kept itself warm. I propose pornography to be disruptive when placed alongside historical representation because it gestures to historical dialogues that dominant discourses are fearful of having. The film is complicated further by the fact that it was marketed, not as contemplative art cinema, but as kinky pornography by its American distributor.