DOCSLIB.ORG

A979-I1-3A-04-Jpeg.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A979-I1-3A-04-Jpeg.Pdf _jw _jrsA LA _eA _jui£o1__£2£££2_i*£L —12ii. J_ lhanc netlhala fela o k* bo A tMl« .. m pa^lp. jiitshika tsa dijo- ifdw git Ztwelene Dintho tsa Badiri di HUCHACHE. toWKIOttOM. Banrtw te bote trrto- mtnegl ba re ntna ntbo Ita caJ*. Fa D i apotheke ae re ditoro . ■fliii ■ ill n i. ..-..k [ H.W. • Kzaatsi we Alrika, Batla Kafafo ea Nnete VHDR 9 B Q I cotlhe di rekisa R le-B & ns EAGA BISHOPO: * Mil a nna a leu moita. Go nrata e Wesile. U s* b* Modimo b t K m t u o ba sbo«- k a is. 6d . l e 35- 9^ - I t U o - >■ ka Beaako. - tatfif ^ks. -ttoncjWol a. Moclas^ |aaa, kgotsa di ka rom o- a o«e oth r . leloa go The Bile-Bean W t ) 9l3, ngu &■>>. m T i EA BOTAGOA >lanuf^cturingC o., 9, L ong . M U i k u t i b a t l i w e u M r. f , to,lefa 00U00 o street, Cape T t"!!. s W ! i'?iUe Batenlmi no w a** Lu»u- P 1; M T X m W ^ t O b m k u l u bona motbo a tla b t om alftlf. b i IKeala katlhokxaOae ta patoU l _ M mereW m ongoe 11 m o - Re bttlhabani ba b t eaag ntoeng taka Ft^xr.g 11 Sro«n.-0 * n'Um k t ^b<O T^atohat(U kar (alam o lontong lolo a batltng thobo tg ttitt 0* K odaaant oa bobiadj k t Radj- «gbe W fa .elei.m o: hag«qg ktooo pacadj kfono tbata. oa ttnf. Gtnte «tla a batata , Mo maUmng t tsbooje |lb o tn y o ,g o to sk> kgotsa too tofopong oba- ■.kfomuaa teaf k« »•••• **5 dvatisttfe bgentyiantyam bo, QM k t nh»tlo*ooj Sit Morena go tla no i ea ta-Moelfcara, eo btpileng la oioZaoHBub ^fcrnoo Pttitekosteng. bontd fra badpmedi ba ro­ uhidi ‘fo o ^lw e yfatQ-ka na ba leklle go tsa a t lobo mo mtlkaafo. tumelo fa M tseptle e» Kim berly a rat* a NCtaloa kt Stomp*. A |* * i » alkfang: o w dilangncoa j baakanya maajc? It maetdO'a Biocbo bha Stompi ntlna. trt bo^kotaa (m loot. K t coa go boat Mafiluog, Vryborg Grtenpolnt Ka moaho k'*r»ta go boa gagoc bo chooaatse *0 M ulct n tng Kl» ebile oW «*t& :gortftreU * --------a getew codcMe pdc le KimberVy i ebile ke tlhomamlu to re ka fa nuthata a a dlragetjen^U molio boo tit ea kftkata. O akuitx Bei-oanae nda ivu$i^:jkupe tw im fi- ffio c e t * j)ft »en» batnti e s h a e ie to t. racboaoet^ to itu&tta k a .Ma Oiach* a emosht oa m afatrte 0 0 dWlotrvg kaaketa Lekgotla o tla mo takaa tnaaka t b a U i K e b o t o m o g 6 l e - Pofendi Bo eoaafetd le- B e A ^f 'ba »ena Kunberler a lemofile fa go nale coiho- bld zayoezm d& Ja. iCwaye lekptlhakgaiUn. to. Ka dikgabololo two Sttmpi 0 tjlle sela n tifm fo sege^a, Ji*r*l;8*niU'$* M eta, Bfrkiy Wm losho ct boijhelo jo t m oot mo baihutg kwelinye icala kuvuraisa b trona. Basadi le boot ba shopile mooa Go sa Dale wng-n ir k I i omakoan^ go seloa Frylink ta pele gt Dijorkt trt ■ ruruga, kgotsa go phim oga kopano k t tameM. g « ' aboaba go :k to lOjji Itaao -Ja go tga tlhacuior laina kt £500. Dijo'ht trt f* intoka Xakekile. m fa ko ga M «bagt, to Bakhoiie le lijJ; ba dtcoana ba b t tslleng boot!* tentleatlt ft 1 mo gobolfl'*- Set* letlalo. jaaka gase sepe. Fai aoot t?ropo3| t a ka slrelt- teng agtnie ga kike a *ekwk>» k* P«0'e 3 Kaoele ba sa -ndBOfc w etta mopreatta. Amibbtso w kelwe kubatsbati golo fa go botlhoko go sa K* thoaba #ort^to'.la aktbra go oqti. Gomplroo b t vlaoc- o t Kwtg fa pelt f t ^tagcactia'a a borte- ST i CSSK&S? tsed i taaafibd k< dl n c ta ^I'Bia a galalettc go tao r*>ta M U f o It alantWayoi— | tlhacuioc ka bonako ga S w im BnaMteU h take to. Mtla ‘ ptq, (President. of JUDcmaMr.»»«« o tcag . Ke JfcoloMa. ___ »<aa |< ti( o w ls in y in t oa toto->it b»rtrwt, Agrntt • * P tshasioa Zatp-Buk, leshoe la darocla BO eta Eaaooo 01 Catbctfral k t c t oooofo ea co b t direla ka tsela . Mocoona 0 mo m - t a i t n i l f c i o l t 'f Stompi ka lefai.he ga ba St*mp a T w a a Society) t S ilvjr Water. thata. Ke utloa pi 71 ca X odhs) o d eo tia 1' matupi otlh'~ ledi chcfidika tsena mo A 0« WO Soeala {a tiro ca Bracotu- nttena jalo ta b sjtsn w ttt tao dijorg ua Ju tJk T M Pot, i Milk Ju* n e ^ U t Id c f o h jo fe-ta mat bo to mon*o^ mooa tK di tthotafcTwt fala j a b in>- Iona le nna (roophatko 0 n ao ttaar* M & doiea Glasses j A. j- MadaRi Esq. eketeoaja Gidtom) go »p>.ta K m w lt- I'Ll TSHAKSS'O - t e-taa » nam eng 'roe tsa dinolola ~ t. Mr. AfKoates d*e Fahudi • kfoa ia c u la tti otllie. L tdiiotba mooa 'Ittevopoeyantng dmgoa ir< (Vice-President of .XetmMtf’ So- di ch«aaetsc fO etlededioa ka' taeta e • faubeje. Ke bona botJwla.U tuib ata kta go cheretla, botlhoko joa febttteX M IO tA cdinK eidia. Mr. Me. a ita e ; m ax ke gakoloftloa fa to 0 biltong JrtlKia.a, tbilt baa leoii. A go nne t i b j ) l China Jujrne Half-doZen C om o Oe P rioka. o kha*airs4f l« <tik»ki jalo. m adi le joa letlalo. Zam - ta to i ta nxllhab* ie to e fa /a . Mr. i s i t i . ' S : " a nale boiktnya ?*- ’■* -------- G U h m , t e 't China Cup* 5 C M trtcm o axw ctM tiro e i H w f c " t* Ke tlhakijnAj’S fa go halt ba ba ba- Modiipoag b ) tla 0 MyiwlswaEsq. (Chief Secretary Buk e kganela m atlhoko a B x iiu ES »OSA BAOOt.6C-MO.T-Ma V Air. Mr. ureas bdwtsetora* foap tl*flg moroti eo o buang ka loletao lo. lo b a tta ta b o o ba »^kt „ i^jaanongo paiami baeaek>lt, f t rs T fa w is' Sodetvi 1 Half-doxen ka go dira ntho gore e one Tshlpiiiarr ko S t Aa«ontiK. Mr. W h- boltta, go rertta botshtio joa gitoe h gort a 0 tla Ilhota aboeta Co’Sthofa. tataftyana je U ne la rc btW fa It i Li*epeta ba »du ba Idlbale.. Chita Cups ne Half-down. Tumb- ele phepa e 6ena dichefi- Uams 0 ko Kefetnf. r t A o atek o e ki jjj , Bibopo a tboetu U gOCX " nka Irtlt j a na a ua dipitsc ka maoto, ka lobtlo taamaea fa ba ba bodi«iln< rt«lt r* tie le ope k i t motbo mOfigo* eo 0 — . te tk«te loa tsbtpfat )aamng ka baeaektle fc rs it y A - Mtrulubl Esiq. (Hon. nyana aipe. N thoec ala- rte a opde ledijo t a gagoe t a g t lalata. n f t i t t f t r gakgamila gore 0 tla uanf. of Ttmbut Sbcisty) I fioang ka Zam-Buk ga e Moiwo«t«neot>Dir.i ofcil' a ea Tomelo ga e cboledloe kabela c t aluog Jitter Stain n* Ha'Woreo T i la pboio ko a » > ^ : Jaaao** o naif Jale. Go lektnt g t ngoaga eo o fm kn*. Mos.Vl’l oa l,«V<ooa ka^Br;i- Cups et h Ctadles; W . Kewana kake ea tlhoka go fola rooa (ape. Mr. Si!Silk o n le ts« O itM ra- Re h ka ra leU la poptgo c w lb e ta otoa tentle. E fola ka bonako, Icn«, H otepan. alt o i ka foe o (t PtV ga retia. Re bailhabtnl mo ; consfielJ 0 ballilc jo tks»oU E«q.(H<». Tr*a*. of Tetnbus So­ Moroti, ncoi jole tkata go nffnyxla roo ««*- Re bonye moboebtr-g jono go lo t [ Nyaga W dt 8 Isa Tiomevo ke thipa. O tno lloe- ciety) 2 China Cups 1 E> Kumalo kontle ga ditlhabi, le gone roti. Padomwh balebanfci ba in« ba' dmtoa koKrora. Mtsolt a robette mo a ... taicng ea Kimbrrtt-t. Eta. (Sergeant, of D.L.) l i ! P, kontle ga leshoc. kndugflt rbik fare boat Ifo n ta U fa Kali Esq., t i is.! s. Gwe B<q.,J ba ka tshteHsa** m o p rm u ka soot. l e M a l * a MAf IKUNG.—Mf. JW n b e ig M r, Barney du Toil, m o- Archdeacon <k RonMtooot ke ene o n tv phcoyo t t mooa ka mtii|ote o t t o bon. IOs | W. Zati Esq. I Tea a ttcla W ipdaa le Warrtntev-. Mr. Am- T "! w *0 rat ftilgtna. Go bolecot sa Siameng, outa Kcmpf. 0 boik ko loetofR Pot no Half-dozen Soup Plates; ierefi oa m atlo oa Q uanza fO ltej 0 tl* a c* Tamw le rhokoane.
Load more

Recommended publications
  • KAPAMPANGAN Aba Abak Abaka Abakan Abala Abante (From The
    KAPAMPANGAN ENGLISH PILIPINO akasya acacia (tree) akasya akayagnan simultaneously makasabay pantuhog aba oh! aba akbak spit putok abak morning umaga akbung explosion makita abaka abaca plant abaka akit see aklas abakan breakfast agahan aklas go on strike aklat, libro abala bother abala aklat book abante (from the move forward abante akling reverberation, echo Spanish) ambush abang aklis sorrow tangis abat lie in wait for abangan aklung fold the legs in abatan keep company samahan akmul swallow lunok abayan buddy, friend abay, katoto akmulan throat lalamunan abe milled rice bigas aksaya extravagant aksaya abias emergency abirya aksidenti accident aksidente abirya advise, warning paalala aku me ako abisu pull (verb) hila aku take upon oneself akuin abit response, answer sagot aku (ngaku) "I said" ikako ablás take revenge on paghigantihan akua get makuha ablasanan proceeds of a sale pinagbilhan akut take to, bring over dalahin abli temptation udyok abluk food left over from party adi to pray (with the prefix mang-) manalangin sobra admirul (armirul) starch for clothes armirol abo pay back, refund abono abonu fertilizer adobi adobe block adobe pataba adobu a kind of Filipino dish adobo abonu side pillow abrasador abrasadul April (month) adta sap of tree or plant dagta Abril adua two dalawa Abril fullness, satisfaction kabusugan absi sweet potato rot aduan ask for hingin absik ash aduang hand over iabot abo abu avocado (fruit) aduang-pulu twenty dalawampu abukado abukadu lawyer, attorney aduas fish with a fishing pole bingwit abogado abugadu
    [Show full text]
  • An Altar for Listening to the Beginning of the World Confusions Dreams Wonders Hallelujahs Wonders Hallelujahs Untranslations Spells Untranslations Spells
    ATANG an altar for listening to the beginning of world ATANG an altar for listening to the beginning of world ATANG an altar for listeningATANG to the beginning of the world Atang: an altar for listening to the beginning of the world is a book-length essay composed in fragments prayers collages photos songs mistakes offerings thefts odes memories forgettings sins confessions whimsies wonders hallelujahs hallucinations untranslations spells confusions dreams conjectures lies curses incantations and other artifacts about history, ritual, play, the imagination, language, dance, and music. Made public in April 2021, the book emerges 500 years after Lapu Lapu and the people of Mactan defeated Magellan and his forces. Here, too, is mutual regard. Quili-Quili Power is an ad hoc press (sounds fancy but this is the only book we’ve done) and is kin to the Institute for Contemporary Collaborative Imagining (ICCI, baby!), the ad hoc experimental space which has done things like give microscopes away and attempted Rosal (and ghosts) a book length to send five writing journals to circumnavigate the globe (not an armada but a desarmada!) essay composed in by passing the notebooks — each accompanied by a compass — between ordinary people fragments prayers heading as far (or near) west as they are going (details inside!). Quili-Quili Power also collages photos songs frequently ignores run-on sentences and various other grammatical norms. mistakes offerings thefts odes memories forgettings sins confessions whimsies wonders hallelujahs Quili Quili Power Press Quili Power hallucinations The digital version of this book is available for free online. untranslations spells confusions dreams a self-published improvisation conjectures lies curses from Quili-Quili Power Press incantations ..
    [Show full text]
  • The Visit Year
    Msgr. Gutierrez Community Miles Beauchamp Bread broken; The Challenge of the First 100 Days Wizarding World blood shed - Tony Meloto, Gawad Kalinga of Harry Potter June 4 - 10, 2010 Baguio, Dumaguete now in top 10 BPO Next Wave Cities Baguio and Dumaguete are the new entrants to the top 10 best outsourcing locations Philippine Scene Promise Land which are projected to gener- ate $ 1.2 billion in revenues for business process outsourcing (BPO), bringing the industry’s total earnings to $ 9 billion in 2010 from $ 7.2 billion last The Visit year. The news of the forthcoming visit of Davao City topped the list Isabel’s U.S. Navy suitor spread like as it scored 99 percent in the a wildfi re in the neighborhood. Marta availability of graduates and could not contain her excitement and workers out of the more than even embellished the facts. 30 locations assessed, results of Next Wave Cities scorecard “Guwapo siya at malaki ang suweldo revealed. (He’s handsome and his salary is high),” The talent criterion carries she told a group of nosy neighbors the largest weight of 40 per- gathered in front of the corner sari-sari cent in the overall ranking (variety) store. It didn’t matter that she which makes the city the best had not yet seen a photo of the guy. The outsourcing destination in the country so far. fact that he could take her daughter to Sta. Rosa, Bacolod, Iloilo, live in the U.S. if they get married was Metro Cavite, Lipa, Cagayan good enough for her.
    [Show full text]
  • Duterte Won't Help Tnts in U.S
    WEEKLY ISSUE 70 CITIES IN 11 STATES ONLINE Vol. IX Issue 408 1028 Mission Street, 2/F, San Francisco, CA 94103 Tel. (415) 593-5955 or (650) 278-0692 [email protected] Feb. 2 - 8, 2017 Anti-drug war suspended Beckham: Scandal a disgrace Senators: BI officials lying Defying travel ban protests Can Coco head KAPPT? PH NEWS | A3 SPORTS NEWS | A4 PH NEWS | A5 WORLD NEWS | A9 ENTERTAINMENT | B7 French model-dentistry student Robredo returns to is Miss Universe 2017 Duterte won’t help TNTs in U.S. Malacañang By Macon Araneta | By Daniel Llanto | FilAm Star Correspondent FilAm Star Correspondent Vice President Leni Robredo advised President Duterte on policy PASAY CITY -- Miss France, issues and sought clarifications about Iris Mittenaere, a model and dental the administration’s legislative priori- surgery student, won the crown in the ties on Monday night, in their first en- 65th Miss Universe pageant as she counter in Malacañang since she quit bested 85 of the world’s most beauti- his Cabinet last year. ful women during the competition on At the invitation of the Palace, Ro- January 30 at the SM Mall of Asia. bredo participated in the first Legisla- Mittenaere, the 5’7” stunner from tive-Executive Development Advisory the small town of Lille in northern Council (LEDAC) with Mr. Duterte and France, is the second French beauty leaders of Congress, including Senate queen to win the Miss Universe title. President Aquilino Pimentel III and Her coronation ended France’s Speaker Pantaleon Alvarez. 63-year title drought since the victory Legal duty “As a mandated member of (L-R) President Donald Trump, President Rodrigo Duterte, Presidential Communications Secretary Martin Andanar (photos: www.intpolicydigest.org / www.manilacoconuts.co) Amid the intensified crackdown on illegal aliens in the U.S., President Duterte said no help of any kind is forthcom- ing to the thousands of undocumented Filipino immigrants there from the Philippine government.
    [Show full text]
  • Art of Nation Building
    SINING-BAYAN: ART OF NATION BUILDING Social Artistry Fieldbook to Promote Good Citizenship Values for Prosperity and Integrity PHILIPPINE COPYRIGHT 2009 by the United Nations Development Programme Philippines, Makati City, Philippines, UP National College of Public Administration and Governance, Quezon City and Bagong Lumad Artists Foundation, Inc. Edited by Vicente D. Mariano Editorial Assistant: Maricel T. Fernandez Border Design by Alma Quinto Project Director: Alex B. Brillantes Jr. Resident Social Artist: Joey Ayala Project Coordinator: Pauline S. Bautista Siningbayan Pilot Team: Joey Ayala, Pauline Bautista, Jaku Ayala Production Team: Joey Ayala Pauline Bautista Maricel Fernandez Jaku Ayala Ma. Cristina Aguinaldo Mercedita Miranda Vincent Silarde ALL RIGHTS RESERVED Apart from fair dealing for the purpose of research or review, as permitted under the copyright, this book is subject to the condition that it should not, by way of trade or otherwise, be lent, sold, or circulated in any form, without the prior permission in writing of the publisher. The scanning, uploading and distribution of this book via the Internet or via other means without the permission of the publisher is illegal and punishable by applied laws. ALL SONGS COPYRIGHT Joey Ayala PRINTED IN THE PHILIPPINES by JAPI Printzone, Corp. Text Set in Garamond ISBN 978 971 94150 1 5 TABLE OF CONTENTS i MESSAGE Mary Ann Fernandez-Mendoza Commissioner, Civil Service Commission ii FOREWORD Bro. Rolando Dizon, FSC Chair, National Congress on Good Citizenship iv PREFACE: Siningbayan: Art of Nation Building Alex B. Brillantes, Jr. Dean, UP-NCPAG vi ACKNOWLEDGEMENTS vii INTRODUCTION Joey Ayala President, Bagong Lumad Artists Foundation Inc.(BLAFI) 1 Musical Reflection: KUNG KAYA MONG ISIPIN Joey Ayala 2 SININGBAYAN Joey Ayala 5 PART I : PAGSASALOOB (CONTEMPLACY) 9 “BUILDING THE GOOD SOCIETY WE WANT” My Hope as a Teacher in Political and Governance Jose V.
    [Show full text]
  • J-Ils-Ug Orb Dolirish Tioniiis for Gnimskamf I Smatta
    J-ilS-Ug orb Dolirish tioniiis for gnimskamf i Smatta. VOL. 50. NO. 23. ' CHICAGO, ILL.. TISDAQEN DEN 8 Jl'N'I I9S6, LÖPANDE N:R 233_ han» himmelska .liva mil att bedja Jesua vir it_ K»are hade ett | Ack denna obegriplig» fraktan för dam. Röster som ropa. Saliga aren I. underbart namn, t.v han var en un­ Iför Jesua! derbar person. Profeten Jesaja, .Vir Herren uppfor till himme­ Av fr. Peyrem. Dn, aom kastas ankring på vari Av Frank Mängs. llen, övergav han icke de aina. Nej, sinn profeterade om hans komman­ 'dens vida hav med daa tusentala han kommer väl ihåg dem. han de minst sju hundra ir innan han r r Röster höras från alla hill oeh i * ~' på skummande vig. var inte Luk. 6: 20—26. tänker dagligen och stundligen på kom, nämnde om honom och kal­ sök» tränga aig in i •*s—»tni__nt-i rädd för Jesus! Inbjud honom och dem. Märkena i han» händer äro lade bonom "L'ndet-ba r " Han •»jäl, men bullret av denn» värl- ••** >«*-«i med ombord, ty vinden, Det " ett **?<*** egendomligt Böin om sommaren. liksom en skrift, där hans lärjun­ var underbar uti sin kärlek, ty han den* «ynelsättningar, passionerna» ** dig ««»t- Han är den ende. •'ud»-"P- «~» Hi™ Jesus i da* gars namn äro upptecknade. har «lakat oaa och älakar oas ännu larm ooh de olika int tsv-! *-~* kan föra ditt livs farkost lyck­ möter oa» med. Aldrig nigonau» Mi du komma ihåg detta «Us i dag. Märk att det heter, au han lingakamp äro si bedövande, au lig, j hamn genom döden» bran ha vi väl hört denns världen* visa Mäktigt strömma livets flöden dagar och isynnerhet i de mörka "älskar oss'.
    [Show full text]
  • The Best Traits of Filipinos That We Should Be Proud Of
    Msgr. Gutierrez Zena Babao Entertainment Memorial Day 2011: In Hope Amidst Life’s MAMMA MIA! North Loving Remembrance... Diffi culties ... p 17 American Tour Walks p 22 Down The Aisle ... p 12 May 27 - June 2, 2011 The original and first Asian Journal in America PRST STD U.S. Postage Paid San Diego’s first and only Asian Filipino weekly publication and a multi-award winning newspaper! Online+Digital+Print Editions to best serve you! Permit No. 203 Chula Vista 550 E. 8th St., Ste. 6, National City, San Diego County CA USA 91950 | Ph: 619.474.0588 | Fx: 619.474.0373 | Email: [email protected] | www.asianjournalusa.com CA 91910 The best traits of Filipinos that we should be proud of By Hannah Joy Gregorio Military Offi cers Association of and Khristopher At Pride Martial Arts Vincent Defensor America presents awards Filipinos are known for being hospitable, but it’s not Academy, it’s all about only the positive trait that Filipinos possess. Having been colonized by various respect countries, the Philippine cul- ture, in effect, is mixed with eens these days don’t seem to pay attention to their Asian and Western infl uences. surroundings,” observes Pride Martial Arts Acad- Thus, the Philippine culture is emy owner Lizbeth Ahn, a fi ve ATA-world title diverse and can be refl ected in “T rd the our traits. holder 3 degree black belt, who runs the only American Taekwondo Association (ATA) ac- Hard-working credited academy in the South Bay area of San Diego County. She is talking about the fl ood Filipinos over the years of high-tech gadgets that have become have proven time and time Representing the Sweetwater Chapter of Military Offi cers As- the staple of life for many in high again that they are a people sociation of America (MOAA), Capt.
    [Show full text]
  • Philippine Weaponry Knowledge
    Publisher Steven K. Dowd Contributing Writers Mark Lawrence FMAdigest Archives Contents From the Publishers Desk Early History of Metallurgy Sword Making Methods Categories of Weapons and Equipment Filipino Weapons Filipino Weaponry Dealers Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta Marc Lawrence has put together a very good list and has added some comments about weapons that are known and used in the Philippines. Now I am sure there might be one or two that were not mentioned or that a further explanation could have been given, however you can only give what you get, find, borrow etc. Also while visiting the Philippines I usually run into someone that shows me a weapon that is or was used in the Philippines that I have never seen.
    [Show full text]
  • Accra Technical University 20
    ACCRA TECHNICAL UNIVERSITY TH 20 ​ CONGREGATION – DECEMBER, 2020 ​ LIST OF GRADUATING STUDENTS HIGHER NATIONAL DIPLOMA HND SECRETARYSHIP & MANAGEMENT STUDIES FIRST CLASS ALLAN, GIFTY ANEEBA OPARE, JULIANA ADJOA SECOND CLASS UPPER DIVISION ABABAGRE, JANET ABAYE, SANDRA ADZO ABBEY, NAOMI NAA ABLORDEPPEY, SENA ABUBAKAR, MUHIBA ABUBAKARI, NAIMA ACHEAMPONG, BELINDA ACQUAH, NANA EFUAH ADDO, GLADYS ADDY, DEBORAH BLESSING AFANKWAH, QUEENSTER AGAMAH, EUNICE YAWA AGBEVE, DORA AGBOLUSU, MAWUSI AGYAPONG, PRINCESS AGYEI, EDWINA AKOSUA AGYEI, RITA NYARKOA AIDOO, REBECCA ADJOWAH AKAI, SARAH AKOMAH, EUNICE TSORMANAH AKYEAMPONG, NAOMI OLOLADE AMANKWAH, ELIZABETH AMEGASHIE, ALFRED KWAKU AMEMAA, RUTH AMETEPEY, MIRIAM OGBO AMLI, GODWIN KORBLA AMO, STELLA AMOAH, ABIGAIL OPPONG AMPONSAH, GLORIA AMPONSAH, HENRIETTA AKOSUA AMPONSAH, NANA KWAME NYAMEKYE ANKRAH, SHIRLEY NAA TSUBAH ANNAN, JOYCELYN AKAIBI ANONGBA, BRIDGET ANSAH, DOROTHY APPIAH, ALICE ADWOA KOBOWA APPIAH, SANDRA ARHINFUL, MERCY ARKO-BAAH, DOROTHY ARKOH, VIDA ARKU, FRANCISCA ARTHUR, GIFTY ARTHUR, PRINCESS MARY BAMFOA ASAMOAH, MILLICENT ASARE, SANDRA ASIEDU, ANGELA ASOMANING, EMMANUEL MINTAH AVEVOR, EMILY EMEFA BANFUL, ABRAHAM SARKODIE BENTIL, FATIMA BONAPARTE, BERNICE NAABARKEY BOYE, LINDA AKUORKOR BROWN, JESSE QUAYE CLOTTEY, KENNETH AARON ATTUQUAYE DADZIE, SIMON DAMALIE, EDITH DANQUAH-SMITH, MARGARET DANSO, ELSIE SOMUAH DANSO, LINDA ASIEDUA DARKO, KINGSLEY KWABENA DARKO, NANA KORANG DOKU, NINA ADAI DOMPREH, CHRISTINA DONKOR, ALICE DONKOR, CHARLENE DORGBETOR, FRANCISCA DORNU, RAYMOND PAPAA DUGBLE,
    [Show full text]
  • IDE.MS1 UNIVERSITY of MUMBAI PAGE : 17 OFFICE REGISTER for M.Sc
    IDE.MS1 UNIVERSITY OF MUMBAI PAGE : 17 OFFICE REGISTER FOR M.Sc. (PART I) EXAMINATION - APRIL 2015 DATE : AUGUST 4 2015 COLLEGE : 279 I.D.O.L.UNIVERSITY-KALINA ================================================================================================================================== SEAT NO NAME PAPER-I PAPER-II PAPER-III PAPER-IV PAPER-V TH-TOT. U I T U I T U I T U I T U I T CENTRE PRAC-I PRAC-II PRAC-III PRAC-IV PR-TOT GR-TOT REMARK ================================================================================================================================== ---------------------------------------------------------------------------------------------------------------------------------- SUBJECT (40) : MATHEMATICS (SCHEME-A) I-100/25; II-100/25; III-100/25; IV-100/25; V-100/25; 500/200 ---------------------------------------------------------------------------------------------------------------------------------- 1 /ANSARI SHAZIA LAL MIYA NOORUNNISA -- -- 01F -- -- 14F -- -- 02F -- -- 00F -- -- 12F 029F MUMBAI -- -- -- -- -- -- -- -- -- -- -- -- 029 F ---------------------------------------------------------------------------------------------------------------------------------- 2 /BIRAJDAR KALPANA SHIVAJI LAXMI -- -- 04F -- -- 41 -- -- 07F -- -- 00F -- -- 40 092F MUMBAI -- -- -- -- -- -- -- -- -- -- -- -- 092 F ---------------------------------------------------------------------------------------------------------------------------------- 3 DESHMUKH MONESH DESHMUKH SINDHU -- -- A -- -- A -- -- A -- -- A -- -- A A MUMBAI
    [Show full text]
  • Studies in the Archaeology of Hellenistic Pontus: the Settlements, Monuments, and Coinage of Mithradates Vi and His Predecessors
    STUDIES IN THE ARCHAEOLOGY OF HELLENISTIC PONTUS: THE SETTLEMENTS, MONUMENTS, AND COINAGE OF MITHRADATES VI AND HIS PREDECESSORS A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) In the Department of Classics of the College of Arts and Sciences 2001 by D. Burcu Arıkan Erciyas B.A. Bilkent University, 1994 M.A. University of Cincinnati, 1997 Committee Chair: Prof. Brian Rose ABSTRACT This dissertation is the first comprehensive study of the central Black Sea region in Turkey (ancient Pontus) during the Hellenistic period. It examines the environmental, archaeological, literary, and numismatic data in individual chapters. The focus of this examination is the central area of Pontus, with the goal of clarifying the Hellenistic kingdom's relationship to other parts of Asia Minor and to the east. I have concentrated on the reign of Mithradates VI (120-63 B.C.), but the archaeological and literary evidence for his royal predecessors, beginning in the third century B.C., has also been included. Pontic settlement patterns from the Chalcolithic through the Roman period have also been investigated in order to place Hellenistic occupation here in the broadest possible diachronic perspective. The examination of the coinage, in particular, has revealed a significant amount about royal propaganda during the reign of Mithradates, especially his claims to both eastern and western ancestry. One chapter deals with a newly discovered tomb at Amisos that was indicative of the aristocratic attitudes toward death. The tomb finds indicate a high level of commercial activity in the region as early as the late fourth/early third century B.C., as well as the significant role of Amisos in connecting the interior with the coast.
    [Show full text]
  • Interdisiplinaryong Journal Sa Edukasyong Pangkultura
    2017, Tomo 2 Interdisiplinaryong Journal sa Edukasyong Pangkultura Talas: Interdisiplinaryong Journal sa Edukasyong Pangkultura 2017, Tomo 2 Karapatang-ari @ 2017 Pambansang Komisyon para sa Kultura at mga Sining at Philippine Cultural Education Program Pambansang Komisyon para sa Kultura at mga Sining Philippine Cultural Education Program Room 5D #633 General Luna Street, Inramuros, Maynila Telepono: (02) 527-2192, lokal 529 Email: [email protected] BACH Institute, Inc. Bulacan Arts Culture and History Institute 2nd Floor, Gat Blas Ople Building Sentro ng Sining at Kultura ng Bulacan Bulacan Provincial Capitol, Complex Malolos City, Bulacan 3000 The National Commission for Culture and the Arts (NCCA) is the overall coordination and policy making government body that systematizes and streamlines national efforts in promoting culture and the arts. The NCCA promotes cultural and artistic development: conserves and promotes the nation’s historical and cultural heritages; ensures the widest dissemination of artistic and cultural products among the greatest number across the country; preserves and integrates traditional culture and its various expressions as dynamic part of the national cultural mainstream; and ensures that standards of excellence are pursued in programs and activities. The NCCA administers the National Endowment Fund for Culture and the Arts (NEFCA). Hindi maaaring kopyahin ang alinmang bahagi ng aklat sa alinmang paraan—grapiko, elektroniko, mekanikal—nang walang nakasulat na pahintulot mula sa mga may hawak ng karapatang-sipi. 5 Lupon ng EditorEditor Nilalaman Paunang Salita/Joseph “Sonny” Cristobal 7 Introduksiyon/Galileo S. Zafra 8 Joseph “Sonny” Cristobal Direktor, Philippine Cultural Education Program Mga Saliksik at Malikhaing Akda Pambansang Komisyon para sa Kultura at mga Sining Tagapaglathala I.
    [Show full text]