Heavy Metal En Bagdad Auditorio De Casa Árabe

Total Page:16

File Type:pdf, Size:1020Kb

Heavy Metal En Bagdad Auditorio De Casa Árabe Heavy metal en Bagdad Auditorio de Casa Árabe. c/ Samuel de los Santos Gener, 9. 14003, Córdoba. febrero Película en V.O.S.E. Entrada libre hasta completar aforo. 08 2013 20:00 h 137 Ficha técnica Título: Heavy metal en Bagdad Título original: Heavy Metal in Baghdad Nacionalidad: Iraq Año de producción: 2007 Dirección y guión: Eddy Moretti y Suroosh Alvi Producción: VICE FILMS. Mónica Hampton Producción ejecutiva: Shane Smith y Spike Jonze Montaje: Bernardo Loyola Música: Acrassicauda Duración: 84 minutos Acrassicauda Sinopsis El grupo nació en un local de ensayos en un sótano de Bagdad. Acrassicauda (en latín, escorpión negro) es la banda Documental que sigue al grupo de heavy metal iraquí de heavy metal más famosa de Bagdad. Formada por el pro- Acrassicauda desde la caída de Saddam Hussein en 2003 fesor de música y virtuoso de la guitarra Saad “Ynqwie” Say hasta 2007. Tocar heavy metal en su país era algo casi impo- e inspirada por bandas como Metallica, Slayer y Slipknot, sible pero, tras el fin del régimen, el grupo pudo disfrutar de comenzó a escribir y tocar metal en 2001. Sus miembros, un breve periodo en el que la libertad parecía alcanzable. Esta Firas (bajo), Tony (guitarra principal), Marwan (batería), historia se hace eco de la esperanza de una generación de Faisal (guitarra) y Waleed (vocalista) solo pudieron actuar jóvenes iraquíes. tres veces antes de que comenzara la guerra. Pronto aprendie- Filmografía de los directores ron que actuar en vivo en Iraq no iba a ser una tarea fácil... Notas de producción Eddy Moretti Se licenció en Inglés y Cine en la Universidad de Toronto. En Plantamos la semilla de Heavy Metal en Bagdad en 2004, 1996 cursó un máster de Estudios de Cine en la Universidad cuando contamos por primera vez la historia de la banda de de Nueva York. Desde 2000 dirige VICE Films y en 2007 heavy metal iraquí Acrassicauda en VICE Magazine. Un año cofundó la plataforma de vídeo VBS.TV, donde ha ejercido después, en el verano de 2005, Suroosh Alvi y yo estábamos de corresponsal y productor ejecutivo. Ha participado como en Líbano, esperando para volar en algo llamado “Magic guionista en Plan B y ha dirigido anuncios de televisión. Carpet Airways”, un vuelo chárter que volaba una vez a la Heavy Metal en Bagdad es su primer largometraje. semana desde Beirut a Bagdad, con aterrizaje en espiral y desafío a la muerte incluido. Habíamos organizado un con- Suroosh Alvi cierto de Acrassicauda en Bagdad, en el hotel Al Fanar, pero Estudió Filosofía en la Universidd McGill de Montreal. Es un coche bomba situado al lado de una discoteca donde acu- confundador de VICE Magazine -una de las publicaciones dían sobre todo cristianos, estropeó nuestros planes. independientes con mayor difusión internacional- ,dirige Cancelaron todos los vuelos desde Beirut. Era demasiado VICE Records y es productor en VBS.TV. Alvi ha viajado a tarde para suspender el concierto, por lo que forzamos a Pakistán, Afganistán, Palestina, Iraq y Beirut como corres- nuestro amigo Johan Spanner (fotoperiodista en zona de gue- ponsal y productor de documentales. Heavy Metal en Bagdad rra) a hacer de promotor de conciertos y que pudiera testimo- es su debut como director. niar por nosotros las dificultades a las que se enfrentaba la banda para cumplir su sueño. No es fácil ser un artista heavy Festivales y premios metal en el Iraq post Saddam. En el verano de 2006, un año después, finalmente pudimos Selección oficial en el Festival Internacional de Toronto, 2007. adentrarnos en Bagdad, con la determinación de encontrar al Selección oficial en el Festival Internacional de Berlín, 2008. grupo y seguir su historia. La ciudad se encontraba en estado de emergencia, sumida en una feroz batalla que el ejército de los Estados Unidos bautizó como “La batalla por Bagdad”. Unas trescientas personas morían cada día en uno de los peo- res ataques de la insurgencia durante toda la ocupación. Las miserias sufridas durante 2006 fueron las que motivaron los “estallidos” de hoy. Suroosh y yo pasamos días recorriendo la ciudad de Bagdad demolida, y descubrimos que solo dos miembros de la banda (Firas y Faisal) seguían viviendo allí. Los seguimos por la ciudad para documentar su difícil situación y nos llevaron a los pocos sitios que podíamos visitar en condiciones de segu- ridad. Grabamos con una cámara pequeña y un micrófono de mala calidad que conseguimos colocarle dándole vueltas con cinta adhesiva. Entre estallidos y cristales a prueba de bom- bas conseguimos grabar la intensa paranoia y confusión de una ciudad que se iba sumergiendo en el caos. Moretti y Surosh Avi, dos fanáticos del heavy que se atre- Tres meses después recibimos una llamada del grupo. Firas y vieron a plantarse en Bagdad en el verano de 2006, cuando Faisal consiguieron salir de Iraq de forma segura y se encon- trescientos iraquíes estaban muriendo al día por la violen- traron con los otros dos miembros, Tony y Marwan, en cia, sólo para conocer y dar cuerda a Acrassicauda. Damasco. Nos montamos en un avión y volamos hacia Siria, donde grabamos el último episodio y financiamos e hicimos Escoltados, eso sí, por una docena de pistoleros a sueldo. posible lo que probablemente sea el primer disco de metal ira- Acrassicauda sólo logró dar tres conciertos antes de la caída quí que haya existido. Del concierto de Damasco obtuvimos de Saddam Hussein. En esta etapa tuvieron que tragar el sapo la mayor parte de la banda sonora de la película. de dedicar una canción al sátrapa de Tikrit, la llamada Juventud de Iraq. Los miembros del grupo y su reducido De vuelta a Nueva York, Bernardo Loyola y Monica número de fans -la escena heavy de Bagdad no era como para Hampton tomaron las imágenes en bruto que grabamos de tirar cohetes, con permiso de la expresión. [...] nuestros jóvenes amigos iraquíes y las convirtieron en la pelí- cula que tenemos ahora. Esperamos que Heavy metal en Los chicos de VICE consiguieron varios hitos para Bagdad pueda darle voz a una generación silenciada de jóve- Acrassicauda: montar un concierto en el hotel Al Fanar, en nes inocentes irquíes, que tenían todo, incluso sus aspiracio- 2005, y la grabación de tres temas en un estudio de Damasco, nes en el mundo del heavy metal, y se les arrebató a la fuerza. en 2007, cuando el grupo se reunificó en Siria tras el exilio de cada uno de sus miembros. Su tímida reaparición en Siria se Eddy Moretti. Dossier de prensa de la película. VICE salda con la aclamación del escaso público, que perdona a la [http://www.heavymetalinbaghdad.com/HMIB_Press_Kit.pdf] banda incluso su apertura con la vergonzante The final count- down. Heavy metal en Bagdad es un paradigma del periodis- La opinión de la crítica mo bonzo que realiza la revista VICE, ahora también metida en harinas televisivas. Con la excusa de los riffs de Rodada durante los estertores del régimen de Saddam Acrassicauda, el codirector Surosh [...] muestra la terrible Hussein, Acrassicauda fue el primer grupo de heavy metal vida cotidiana en el Iraq posbélico, la no menos lamentable de Iraq…y probablemente el último. El sonido de la poten- circunstancia del millón largo de exiliados iraquíes en Siria y, te batería de Marwan se mezclaba con los morteros que en definitiva, la estupidez de la guerra y la violencia de los sonaban en Bagdad durante la violenta guerra civil que hombres (en masculino aquí). Entre los obuses, los helicópte- siguió a la invasión del ejército de EEUU en 2003: “¿Que ros Apache y los coches bomba queda, al menos, un grito de por qué somos heavies? ¡Vivimos en el mundo del heavy espanza: Heavy rules! metal!”, responde Waleed, el cantante de la banda, a los periodistas de VICE que apadrinaron al grupo, lograron que Corolario: Me entero por la inevitable Wikipedia que los grabaran un disco en Siria y montaron a partir de la fabulo- miembros de Acrassicauda han conseguido el estatus de refu- sa historia el documental Heavy Metal en Bagdad, que se giados políticos en EEUU, que viven felices en New Jersey y proyectó por primera vez en Madrid. La película es doble- que tal día como antier lanzaron su primer disco: Sólo los mente épica. Por un lado, está la historia de cuatro tipos que muertos ven el final de la guerra. desafían un régimen dictatorial y una sociedad tradicional para abrazar su pasión por las guitarras, Metallica, los deci- 11 marzo 2010 - 12:53 - Autor: Iñaki Berazaluce belios, Slayer y las melenas que (¡ay!) no les dejan llevar http://www.lainformacion.com/ [http://blogs.lainforma- los ultramontanos. Por otra parte, está la historia de Eddy cion.com/strambotic/2010/03/11/heavy-metal-en-bagdad/] ciclo organizado por: con la colaboración de: DEPÓSITO LEGAL: CO-987-2012 www.casaarabe.es.
Recommended publications
  • International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
    THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC.
    [Show full text]
  • 특집 AI와 과학 저널리즘 5 0 5 0 5 9 3 5 7 2 2 1 7 ISSN 1227-5395 7 9 05 2016 / No.545
    2016 NO.545 05 특 집 AI와 과학 저널리즘 ‘파나마 페이퍼스’ 보도와 데이터 저널리즘 ‘슈피겔 혁신보고서’ 무엇을 담고 있나 특집 AI와 과학 저널리즘 과학 AI와 특집 5 0 5 0 5 9 3 5 7 2 2 1 7 ISSN 1227-5395 7 9 05 2016 / NO.545 특집 AI와 과학 저널리즘 006 잘못된 틀 잡기·검증 안 된 연구 결과 보도는 위험 과학철학자가 본 과학 보도 / 이상욱 011 사건기사로 변질되고 전문 취재 시스템도 없어 언론학자가 본 과학 저널리즘 / 김영욱 016 전문가도 전문기자도 없이 ‘장님 코끼리 만지는 격’ IT 전문가가 본 ‘이세돌-알파고 대국’ 보도 / 도안구 022 급변하는 과학기술, 과학 보도 전문성도 진화해야 과학 저널리즘의 토양과 나아갈 방향 / 김윤경 집중점검 ‘파나마 페이퍼스’ 보도와 데이터 저널리즘 028 전 세계 뒤흔든 추악한 스캔들에 한국 언론은 소극적 국내외 언론의 ‘파나마 페이퍼스’ 보도 / 송상근 033 데이터 저널리즘= ‘천천히’ ‘팀’으로 일하기 ‘데이터 저널리즘 서밋 2016’을 통해 본 데이터 저널리즘 / 허백윤 언론 현장 038 "오만함을 반성합니다"… 혁신 위한 냉혹한 자기비판 ‘슈피겔 혁신보고서’ 무엇을 담고 있나 / 심영섭 043 입체적 개표 방송은 성공 민심 파악은 실패 제20대 총선 언론 보도 / 이종혁 047 탁월한 저널리즘 보여주는 현장의 교과서 퓰리처상 100주년 의미와 2016년 수상작 / 정은령 052 뉴스 이용 시간 늘리기 열쇳말은 ‘독자 참여’ ‘2016 ONA 런던’ 참관기 / 이윤녕 취재기·제작기 057 내 몸에 독이 되는 먹거리 바로 알리기 SBS스페셜 ‘설탕전쟁, 당(糖)하고 계십니까?’ / 이윤민 산 업·정 책 063 이용자에게 새로움과 재미를 허하라! 미디어와 마케팅의 새로운 실험 / 이재호 067 매출액 증가·흑자 달성, 전국일간지 성과 돋보여 2015년도 신문사 결산 분석 / 이상기 075 중국 시장 확보에는 필수, 시청률 낮을 땐 무대책 ‘태양의 후예’를 계기로 본 드라마 사전 제작 / 권호영 미디어 포럼 081 정파성, 상업성, 무지가 결합된 부실 보도 ‘외신 인용 보도의 문제점과 개선 방안’ 토론회 / 오세욱 085 디지털 뉴스 미디어 톺아보기 1 ‘독특한 소재·1인칭 시점·고품질’로 세계 우뚝 온라인 동영상 전문 기업 ‘바이스 미디어’ / 한운희 090 해외 미디어 보고서 들춰보기 2 새로운 데이터 분석틀 ‘관심 지수’ 개발 소개 미 API ‘저널리즘의 숨은 문제 해결하기: 형편없는 애널리틱스’ / 류동협 094 광복 70년, 방송기자 탄생 70년 기획 시리즈 17 방송 보도론에서 기념 문집, 학술서까지 다양 1960년대까지 입사한 방송기자들의 저술서 탐구 / 김성호 098 세상을 바꾼 보도 16 국제 공조 취재로 새로운 언론의 지평 열어 ‘파나마 페이퍼스’ ‘버진아일랜드’ 보도 / 이규연 101 중국 방송 산업 현황과 비즈니스 전략 5 방송 성장 이끄는 ‘해외 예능 포맷’ 중국 TV 포맷 산업 현황과 전망 / 홍순철 미디어 월드 와이드 109 미국 트럼프 보도 태도 비난한 오바마, 발끈한 언론계 / 홍예진 113
    [Show full text]
  • Song, State, Sawa Music and Political Radio Between the US and Syria
    Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music.
    [Show full text]
  • Storytelling and Social Media
    NIEMAN REPORTS Storytelling and Social Media HANNA, one of the subjects in “Maidan: Portraits from the Black Square,” Kiev, February 2014 Nieman Online From the Archives For some photojournalists, it’s the shots they didn’t take they remember best. In the Summer 1998 issue of Nieman Reports, Nieman Fellows Stan Grossfeld, David Turnley, Steve Northup, Stanley Forman, and Frank Van Riper reflect on the shots they missed, whether by mistake or by choice, in “The Best Picture I Never Took” series. Digital Strategy at The New York Times In a lengthy memo, The New York Times revealed that it hopes to double its “Made in Boston: Stories of Invention and Innovation” brought together, from left, author digital revenue to $800 million by 2020. Ben Mezrich, Boston Globe reporter Hiawatha Bray, author Steve Almond, WGBH’s “Innovation The paper plans to simplify subscriptions, Hub” host Kara Miller, NPR’s “On Point” host Tom Ashbrook, “Our Bodies, Ourselves” improve advertising and sponsorships, co-founder Judy Norsigian, journalist Laurie Penny, and MIT Media Lab director Joi Ito optimize for different mediums, and nieman.harvard.edu, events extend its international reach. No Comments An in-depth look at why seven major news organizations—Reuters, Mic, The Week, Popular Science, Recode, The Verge, and USA Today’s FTW—suspended user comments, the results of that decision, and Innovators “always said how these media outlets are using social no when other people media to encourage reader engagement. said yes and they always 5 Questions: Geraldine Brooks Former Wall Street Journal foreign said yes when other correspondent and Pulitzer Prize-winning novelist Geraldine Brooks talks with her old Columbia Journalism School classmate people said no.
    [Show full text]
  • Vice Founder Suroosh Alvi Returns to Iran in a Feature-Length Special Report
    VICE FOUNDER SUROOSH ALVI RETURNS TO IRAN IN A FEATURE-LENGTH SPECIAL REPORT Suroosh Alvi takes viewers on an unforgettable journey through the Islamic ​ Republic on the brink of its biggest upheaval for 40 years ‘The VICE Guide to Iran’ premieres Wednesday April 15, 3PM ET on VICE’s YouTube channel Credit: Jake Burghart / VICE BROOKLYN, NY (April 15, 2020) Today - VICE announced the premiere of The ​ ​ VICE Guide to Iran, a feature-length documentary that takes a visceral and ​ wide-ranging look at life in one of the world’s most politically and socially complex countries. Over the past weeks and months, Iran has descended into chaos. From the downing of a passenger jet, to the assasination of a top general, and now one of the world's largest Coronavirus outbreaks, life in the Islamic Republic is facing its toughest challenges since it was founded in 1979. Hosted by VICE founder Suroosh Alvi, the standalone special offers an indelible ​ ​ ​ ​ account of Iranian society, from hipsters to hostage takers, and from top lawmakers to one of the country’s heaviest metal bands. With exclusive access to militant leaders, Iran's tourist hotspots, and the old US embassy in downtown Tehran, The ​ VICE Guide to Iran is an intimate portrait of a nation on the brink. ​ ABOUT SUROOSH ALVI Suroosh Alvi is a co-founder of VICE Media Group, a critically acclaimed journalist, and producer. As a journalist, Alvi has reported from all over the world including the Democratic Republic of Congo, Saudi Arabia, Afghanistan, Rwanda, and the Gaza Strip. He was a regular host of the Emmy award-winning VICE on HBO show and is ​ ​ a contributor to VICE News.
    [Show full text]
  • HEAVY METAL in BAGHDAD Panorama HEAVY METAL in BAGHDAD Dokumente HEAVY METAL in BAGHDAD Regie: Eddy Moretti, Suroosh Alvi
    PD_0570:PD_ 26.01.2008 17:55 Uhr Seite 226 Berlinale 2008 HEAVY METAL IN BAGHDAD Panorama HEAVY METAL IN BAGHDAD Dokumente HEAVY METAL IN BAGHDAD Regie: Eddy Moretti, Suroosh Alvi USA 2007 Dokumentarfilm Länge 84 Min. Format HDcam Farbe Stabliste Buch Eddy Moretti Suroosh Alvi Kamera Eddy Moretti Schnitt Bernardo Loyola Musik Acrassicauda Produzenten Eddy Moretti Suroosh Alvi Monica Hampton Executive Producers Shane Smith Spike Jonze Produktion Vice Films 97 North Tenth St. #202 Acras si cauda USA-Brooklyn NY 11211 HEAVY METAL IN BAGHDAD Tel.: +1 71 82333642 [email protected] Der Vietnamkrieg hat entscheidend zur Verbreitung von Rockmusik beigetra - gen. Der Irakkrieg klingt definitiv nach Heavy Metal. Nicht nur die Musik - Weltvertrieb importe der amerikanischen Besatzungstruppen spielen dabei eine Rolle, Lumina Films mit Acrassicauda gibt es auch eine aktive irakische Heavy-Metal-Band. Ihre 3rd Fl., 1a Adpar Street Vorbilder sind Bands wie Metallica, Slayer und Slipknot, ihre Musik machen GB-London W21DE Tel.: +44 20 75356714 sie seit 2001. Eine Heavy-Metal-Band hat es nicht leicht im Irak, auch nicht Fax: +44 20 75637283 nach dem Sturz Saddam Husseins. Acrassicauda (der Name ist von der latei- [email protected] nischen Bezeichnung für „Schwarze Skorpione” abgeleitet) hatten vor Kriegs- beginn 2003 überhaupt nur drei Auftritte absolviert. Nach Ende der Kämp- fe verließ ihr Leadsänger das Land, ein neuer musste gefunden werden. Die Sicherheitslage machte das gemeinsame Üben schwierig, von Auftritten ganz zu schweigen. Als sich die Situation verschärfte, erhielten sie Todes - drohungen von Aufständischen und religiösen Fundamentalisten, die sie beschuldigten, Satan zu verehren. 2005 fiel ein geplanter Auftritt im Hotel Al Fanar aus, weil in unmittelbarer Nähe eine Autobombe gezündet wor- den war.
    [Show full text]
  • 9781317587255.Pdf
    Global Metal Music and Culture This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philos- ophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom and Drone metal, Death metal, and Progressive metal. They interrogate production technologies, sound engi- neering, album artwork and band promotion, logos and merchandising, t-shirt and jewelry design, and the social class and cultural identities of the fan communities that define the global metal music economy and subcul- tural scene. The volume explores how the new academic discipline of metal studies was formed, while also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, social psychology and sociology, as well as those interested in metal communities around the world. Andy R. Brown is Senior Lecturer in Media Communications at Bath Spa University, UK. Karl Spracklen is Professor of Leisure Studies at Leeds Metropolitan Uni- versity, UK. Keith Kahn-Harris is honorary research fellow and associate lecturer at Birkbeck College, UK.
    [Show full text]
  • Media Kit 2011
    MEDIA KIT 2011 VICE IS #1 “Each generation has a small-run, intensely hip magazine that proves infl uential far beyond its circulation numbers, be it Wenner Media’s Rolling Stone or the independents Spy or Might... Vice is this generation’s model.” –Advertising Age e’ve been saying it for stories are obsessed over by the by smart and funny young people a few years now, but coolest consumers in the Ameri- the world over every month. Plus, W it’s media kit time so cas and around the world. each edition has the latest news here we go again: Vice is the cool- What’s more, Vice has recently and opinions from people on the est magazine in the world. There, been an ideal platform for brands ground in each of our territories. we said it. like Nike, EA Games, Scion, HBO, What other magazine can do that? But we’re not just grandstand- Adidas, Harley Davidson, Xbox, Not one. ing. It’s weird to have someone tell PlayStation, Honda, Jeep, Red And don’t forget, Vice is FREE. you how amazing their magazine Bull, Diageo, Miller Brewing, and Because it’s distributed through the is, but we’re totally serious. We hundreds of others to reach the living, breathing fashion boutiques, can prove it with cold, hard math. highly sought-after, free-spending bars, record stores, galleries, and And nobody can argue with math. demographic that we speak to. cafes where our audience actually Our audience is made up of, The reason? Vice is the fi rst shops and socializes, every single in marketing speak, “trendsetting free, internationally distributed copy of Vice gets picked up.
    [Show full text]
  • EU Page 1 COVER.Indd
    fun on fl orida’s fi rst coast! JACKSONVILLE summertime Amelia Island Getaway | Espeto Brazilian Steakhouse | An Exceptional Month of Music | CATS interview free monthly guide to entertainment and more | june 2008 | www.eujacksonville.com people who don’t read the news are uninformed...people who do are misinformed -Mark Twain JACKSONVILLE.COM 2 JUNE 2008 | eu jacksonville monthly contents 6 16 9 feature music page 6-7 amelia island getaway page 22-25 music events page 26-27 lynyrd skynyrd a better u page 28 free outdoor music page 28 route 66 returns page 8-9 changing careers page 9 a greener u page 10 meditation garden theatre & culture page 11 fi t to be square page 30-31 cultural events page 32 cats – interview home page 13 netscapades visual arts page 14 notes from the bachelor pad page 33 art events page 34 moca takes the cake dish page 15 dish update + food events movies page 16 espeto brazilian steakhouse page 35-36 june movies + special showings page 17 bottega di bella sera page 37 reader’s theater – summer book movies page 18 american beach cookbook page 38 summer movies for kids family page 18 family events page 19-20 vacation in your own town june 08 34 19 37 eujacksonville.com | JUNE 2008 3 * eu staff managing director Shelley Henley creative director Rachel Best Henley senior writer food editor Rick Grant Erin Thursby specialty features Jon Bosworth contributing writers Kellie Abrahamson Jennifer McCharen Laura Britton Troy Spurlin Brenton Crozier Richard Teague Dick Kerekes Tom Weppel Published by EU Jacksonville Newspaper.
    [Show full text]
  • Children 12 to 15 Are Cleared by FDA to Get Pfizer Vaccine
    P2JW131000-6-A00100-17FFFF5178F ****** TUESDAY,MAY 11, 2021 ~VOL. CCLXXVII NO.109 WSJ.com HHHH $4.00 DJIA 34742.82 g 34.94 0.1% NASDAQ 13401.86 g 2.5% STOXX 600 445.39 À 0.1% 10-YR. TREAS. g 7/32 , yield 1.601% OIL $64.92 À $0.02 GOLD $1,837.50 À $6.40 EURO $1.2130 YEN 108.84 New Clashes in Jerusalem Spark Fears of Wider Conflict Pipeline What’s News Attack Risks Business&Finance Closure he cyberattack that T forced the closure of the top U.S. fuel pipeline For Week threatens to disrupt gaso- line supplies for millions, as the conduit’sowner es- Estimate of disruption timated it would take at least through week’s end comes as FBI points to restore service. A1, A6 to a hacker group European governments known as DarkSide are acting to limit hedge funds’ participation in the Thecyberattack that forced market for new sovereign- GES theclosureofthe topU.S.fuel bond issuanceafter asurge in IMA pipeline threatens to disrupt demand from the firms. A1 gasoline supplies for millions Marriott swung to a GETTY as the conduit’sowner esti- lossfor the firstquarter, SE/ mated on Mondaythat it but the hotel company would take at least through pointed to rising demand week’s end to restore service. ANCE-PRES in the U.S. and Canada. B1 FR By Collin Eaton, TheNTSBraised doubts ENCE Amrith Ramkumar that afatal Aprilcrash of a AG and Dustin Volz Tesla carinTexas involved ABLI/ thevehicle’sadvanced GHAR Thenew timeline by the driver-assistancesystem.
    [Show full text]
  • UNIVERZITA KARLOVA V PRAZE Transformace Mediálního Impéria
    UNIVERZITA KARLOVA V PRAZE FAKULTA SOCIÁLNÍCH VĚD Institut Komunikačních studií a žurnalistiky Kateřina Písačková Transformace mediálního impéria VICE v kontextu globálních změn mediálního prostředí Bakalářská práce Praha 2013 Autor práce: Kateřina Písačková Vedoucí práce: Doc. Filip Láb Ph.D. Datum obhajoby: 2013 Bibliografický záznam Písačková, Kateřina. Transformace mediálního impéria VICE v kontextu globálních změn mediálního prostředí. Praha, 2013. 97 s. Bakalářská práce (Bc.) Univerzita Karlova, Fakulta sociálních věd, Institut komunikačních studií a žurnalistiky. Katedra žurnalistiky. Vedoucí diplomové práce Doc. Filip Láb Ph.D. Abstrakt Tato bakalářská práce se zabývá postupnou transformací americké mediální společnosti VICE média z marginálního zájmového periodika ve významnou globální mediální korporaci. V rámci případové studie v práci popisuji, jak na sebe navazovali jednotlivé fáze této transformace a jak celková změna organizace společnosti ovlivňuje mediální obsah produkovaný touto společností . V práci se věnuji i novým marketingovým metodám, která společnost uplatňuje, především pak jejich provázanosti s tvorbou obsahu. Cílem práce je popsat mechanismy, které stojí za úspěšnou expanzí značky VICE média. Jelikož tato transformace nemohla proběhnout bez hlubší proměny globálního publika, na které společnost cílí a jímž je současná mladá generace, věnuji se i popisu fenoménů tzv. Generace X a následné Generace Y. Tato transformace se děje na pozadí hlubších proměn globálního mediálního prostředí, které pozorujeme od nástupu internetu, práce se tedy věnuje i tomuto významnému fenoménu. V závěru práce popisuji fungování české pobočky tohoto média. Abstract The thesis deals with the gradual transformation of the American media company VICE media, originally a magazine of marginal interest, into a major global media corporation. The case study describes sequentially each stage of such transformation and describes how the overall change in the companyʼs organization influences the media content produced by the company.
    [Show full text]
  • Movies on TV This Week (Complete Listings for the Week of June 6
    Movies on TV This Week (complete listings for the week of June 6 - June 12, 2010 ) A detective and a Secret Service agent investigate nanny must deal with her employer’s spoiled video store’s obliterated inventory. (PG-13) Black Cadillac ›› ’03 Suspense. Randy an abduction. (2:00) (FX) Sat. 8:30 a.m. children. ‘G’ (2:00) (FAMILY) Sat. 6 a.m. (1:41) (MMAX) Thu. 4:30 p.m. Quaid, Shane Johnson. An unknown ›››› A Nous la Liberte ’31 Comedy. Alpha Dog ›› ’06 Crime Drama. Bruce Au Pair II › Scheming heirs plot to wreck The Beautician and the Beast ›› ’97 motorist pursues three friends after a bar fight. Raymond Cordy, Henri Marchand. An Willis, Emile Hirsch. A teenage drug dealer a billionaire’s romance. ‘G’ (2:00) (FAMILY) Comedy. Fran Drescher, Timothy (2:00) (KOCB-34) Sat. 2 a.m. escaped con turns industrial in this technological kidnaps a junkie’s younger brother. (2:00) (USA) Sat. 8 a.m. Dalton. A Jewish hairdresser gives a foreign Black Irish A teen struggles to rise above his satire. (2:00) (TCM) Sun. 1:15 a.m. Wed. 1 a.m. August › The Internet company of two brothers despot a new attitude. (2:00) (KOCB-34) Sun. family’s dysfunction. (R) (1:34) (SHOW) Thu. The Abandoned Horrifying events await a The Amateurs Small-town citizens make an lurches toward disaster. (R) (1:28) (SHOW) 1 p.m. (WGN-A) Tue. 7 p.m. 2:45 p.m. woman at her family’s former home. (1:45) (IFC) amateur porn film.
    [Show full text]