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Heavy Metal En Bagdad Auditorio De Casa Árabe Heavy metal en Bagdad Auditorio de Casa Árabe. c/ Samuel de los Santos Gener, 9. 14003, Córdoba. febrero Película en V.O.S.E. Entrada libre hasta completar aforo. 08 2013 20:00 h 137 Ficha técnica Título: Heavy metal en Bagdad Título original: Heavy Metal in Baghdad Nacionalidad: Iraq Año de producción: 2007 Dirección y guión: Eddy Moretti y Suroosh Alvi Producción: VICE FILMS. Mónica Hampton Producción ejecutiva: Shane Smith y Spike Jonze Montaje: Bernardo Loyola Música: Acrassicauda Duración: 84 minutos Acrassicauda Sinopsis El grupo nació en un local de ensayos en un sótano de Bagdad. Acrassicauda (en latín, escorpión negro) es la banda Documental que sigue al grupo de heavy metal iraquí de heavy metal más famosa de Bagdad. Formada por el pro- Acrassicauda desde la caída de Saddam Hussein en 2003 fesor de música y virtuoso de la guitarra Saad “Ynqwie” Say hasta 2007. Tocar heavy metal en su país era algo casi impo- e inspirada por bandas como Metallica, Slayer y Slipknot, sible pero, tras el fin del régimen, el grupo pudo disfrutar de comenzó a escribir y tocar metal en 2001. Sus miembros, un breve periodo en el que la libertad parecía alcanzable. Esta Firas (bajo), Tony (guitarra principal), Marwan (batería), historia se hace eco de la esperanza de una generación de Faisal (guitarra) y Waleed (vocalista) solo pudieron actuar jóvenes iraquíes. tres veces antes de que comenzara la guerra. Pronto aprendie- Filmografía de los directores ron que actuar en vivo en Iraq no iba a ser una tarea fácil... Notas de producción Eddy Moretti Se licenció en Inglés y Cine en la Universidad de Toronto. En Plantamos la semilla de Heavy Metal en Bagdad en 2004, 1996 cursó un máster de Estudios de Cine en la Universidad cuando contamos por primera vez la historia de la banda de de Nueva York. Desde 2000 dirige VICE Films y en 2007 heavy metal iraquí Acrassicauda en VICE Magazine. Un año cofundó la plataforma de vídeo VBS.TV, donde ha ejercido después, en el verano de 2005, Suroosh Alvi y yo estábamos de corresponsal y productor ejecutivo. Ha participado como en Líbano, esperando para volar en algo llamado “Magic guionista en Plan B y ha dirigido anuncios de televisión. Carpet Airways”, un vuelo chárter que volaba una vez a la Heavy Metal en Bagdad es su primer largometraje. semana desde Beirut a Bagdad, con aterrizaje en espiral y desafío a la muerte incluido. Habíamos organizado un con- Suroosh Alvi cierto de Acrassicauda en Bagdad, en el hotel Al Fanar, pero Estudió Filosofía en la Universidd McGill de Montreal. Es un coche bomba situado al lado de una discoteca donde acu- confundador de VICE Magazine -una de las publicaciones dían sobre todo cristianos, estropeó nuestros planes. independientes con mayor difusión internacional- ,dirige Cancelaron todos los vuelos desde Beirut. Era demasiado VICE Records y es productor en VBS.TV. Alvi ha viajado a tarde para suspender el concierto, por lo que forzamos a Pakistán, Afganistán, Palestina, Iraq y Beirut como corres- nuestro amigo Johan Spanner (fotoperiodista en zona de gue- ponsal y productor de documentales. Heavy Metal en Bagdad rra) a hacer de promotor de conciertos y que pudiera testimo- es su debut como director. niar por nosotros las dificultades a las que se enfrentaba la banda para cumplir su sueño. No es fácil ser un artista heavy Festivales y premios metal en el Iraq post Saddam. En el verano de 2006, un año después, finalmente pudimos Selección oficial en el Festival Internacional de Toronto, 2007. adentrarnos en Bagdad, con la determinación de encontrar al Selección oficial en el Festival Internacional de Berlín, 2008. grupo y seguir su historia. La ciudad se encontraba en estado de emergencia, sumida en una feroz batalla que el ejército de los Estados Unidos bautizó como “La batalla por Bagdad”. Unas trescientas personas morían cada día en uno de los peo- res ataques de la insurgencia durante toda la ocupación. Las miserias sufridas durante 2006 fueron las que motivaron los “estallidos” de hoy. Suroosh y yo pasamos días recorriendo la ciudad de Bagdad demolida, y descubrimos que solo dos miembros de la banda (Firas y Faisal) seguían viviendo allí. Los seguimos por la ciudad para documentar su difícil situación y nos llevaron a los pocos sitios que podíamos visitar en condiciones de segu- ridad. Grabamos con una cámara pequeña y un micrófono de mala calidad que conseguimos colocarle dándole vueltas con cinta adhesiva. Entre estallidos y cristales a prueba de bom- bas conseguimos grabar la intensa paranoia y confusión de una ciudad que se iba sumergiendo en el caos. Moretti y Surosh Avi, dos fanáticos del heavy que se atre- Tres meses después recibimos una llamada del grupo. Firas y vieron a plantarse en Bagdad en el verano de 2006, cuando Faisal consiguieron salir de Iraq de forma segura y se encon- trescientos iraquíes estaban muriendo al día por la violen- traron con los otros dos miembros, Tony y Marwan, en cia, sólo para conocer y dar cuerda a Acrassicauda. Damasco. Nos montamos en un avión y volamos hacia Siria, donde grabamos el último episodio y financiamos e hicimos Escoltados, eso sí, por una docena de pistoleros a sueldo. posible lo que probablemente sea el primer disco de metal ira- Acrassicauda sólo logró dar tres conciertos antes de la caída quí que haya existido. Del concierto de Damasco obtuvimos de Saddam Hussein. En esta etapa tuvieron que tragar el sapo la mayor parte de la banda sonora de la película. de dedicar una canción al sátrapa de Tikrit, la llamada Juventud de Iraq. Los miembros del grupo y su reducido De vuelta a Nueva York, Bernardo Loyola y Monica número de fans -la escena heavy de Bagdad no era como para Hampton tomaron las imágenes en bruto que grabamos de tirar cohetes, con permiso de la expresión. [...] nuestros jóvenes amigos iraquíes y las convirtieron en la pelí- cula que tenemos ahora. Esperamos que Heavy metal en Los chicos de VICE consiguieron varios hitos para Bagdad pueda darle voz a una generación silenciada de jóve- Acrassicauda: montar un concierto en el hotel Al Fanar, en nes inocentes irquíes, que tenían todo, incluso sus aspiracio- 2005, y la grabación de tres temas en un estudio de Damasco, nes en el mundo del heavy metal, y se les arrebató a la fuerza. en 2007, cuando el grupo se reunificó en Siria tras el exilio de cada uno de sus miembros. Su tímida reaparición en Siria se Eddy Moretti. Dossier de prensa de la película. VICE salda con la aclamación del escaso público, que perdona a la [http://www.heavymetalinbaghdad.com/HMIB_Press_Kit.pdf] banda incluso su apertura con la vergonzante The final count- down. Heavy metal en Bagdad es un paradigma del periodis- La opinión de la crítica mo bonzo que realiza la revista VICE, ahora también metida en harinas televisivas. Con la excusa de los riffs de Rodada durante los estertores del régimen de Saddam Acrassicauda, el codirector Surosh [...] muestra la terrible Hussein, Acrassicauda fue el primer grupo de heavy metal vida cotidiana en el Iraq posbélico, la no menos lamentable de Iraq…y probablemente el último. El sonido de la poten- circunstancia del millón largo de exiliados iraquíes en Siria y, te batería de Marwan se mezclaba con los morteros que en definitiva, la estupidez de la guerra y la violencia de los sonaban en Bagdad durante la violenta guerra civil que hombres (en masculino aquí). Entre los obuses, los helicópte- siguió a la invasión del ejército de EEUU en 2003: “¿Que ros Apache y los coches bomba queda, al menos, un grito de por qué somos heavies? ¡Vivimos en el mundo del heavy espanza: Heavy rules! metal!”, responde Waleed, el cantante de la banda, a los periodistas de VICE que apadrinaron al grupo, lograron que Corolario: Me entero por la inevitable Wikipedia que los grabaran un disco en Siria y montaron a partir de la fabulo- miembros de Acrassicauda han conseguido el estatus de refu- sa historia el documental Heavy Metal en Bagdad, que se giados políticos en EEUU, que viven felices en New Jersey y proyectó por primera vez en Madrid. La película es doble- que tal día como antier lanzaron su primer disco: Sólo los mente épica. Por un lado, está la historia de cuatro tipos que muertos ven el final de la guerra. desafían un régimen dictatorial y una sociedad tradicional para abrazar su pasión por las guitarras, Metallica, los deci- 11 marzo 2010 - 12:53 - Autor: Iñaki Berazaluce belios, Slayer y las melenas que (¡ay!) no les dejan llevar http://www.lainformacion.com/ [http://blogs.lainforma- los ultramontanos. Por otra parte, está la historia de Eddy cion.com/strambotic/2010/03/11/heavy-metal-en-bagdad/] ciclo organizado por: con la colaboración de: DEPÓSITO LEGAL: CO-987-2012 www.casaarabe.es.
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