2018/19 Season

Total Page:16

File Type:pdf, Size:1020Kb

2018/19 Season APR/ MAY 2018/19 Season wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five price ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10.00am - 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert: ■ Balcony A – D 2nd highest price 10.00am - 5.00pm. No advance booking in the ■ Stalls BB, CC, Q – S 3rd highest price half hour prior to a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am - 7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am - 5.00pm. BB BB There is a non-refundable £4.00 administration CC CC A A charge for each transaction. B B C C D D Online: wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. There is a G G non-refundable £3.00 administration charge. H H I I J J K K Standby Tickets L L M M Standby tickets for students, senior citizens and N N the unemployed are available from one hour O O P P before the performance (subject to availability) Q Q with best available seats sold at the lowest price. R R S S REAR REAR NB standby tickets are not available for T STALLS STALLS T U U Lunchtime and Sunday Morning Concerts. V V W W Group Discounts X X Discounts of 10% are available for groups of A A 12 or more, subject to availability. B B C BALCONY C D D Latecomers Latecomers will only be admitted during a The right is reserved to substitute artists and vary programmes if necessary. suitable pause in the performance. Wigmore Hall • HRH The Duke of Kent, KG Royal Patron The Wigmore Hall Trust • Registered Charity No. 1024838 Box Office: 020 7935 2141 Online Booking: wigmore-hall.org.uk April May 1 Apr 1.00pm Benjamin Beilman/Narek Hakhnazaryan/ 4 1 May 7.30pm Pekka Kuusisto/ 19 Louis Schwizgebel Prof Dr Erik Scherder/Jukka Huitila 7.30pm Ekaterina Semenchuk/Semyon Skigin 4 2 May 3.00pm Wigmore Study Group: Ravel 17 2 Apr 1.00pm Benjamin Baker/Daniel Lebhardt 4 7.30pm Notos Quartett 18 7.30pm Royal Academy of Music Song Circle 4 3 May 7.00pm Piotr Anderszewski 18 3 Apr 7.30pm London Handel Orchestra/Anna Dennis/ 5 10.00pm Anne Sofie von Otter/Bengt Forsberg 20 Anna Huntley/Edward Grint 4 May 10.30am In Focus: Sir George Benjamin – RNCM Soloists 21 4 Apr 10.15am Chamber Tots: Train Ride 5 12 noon In Focus: Sir George Benjamin – In Conversation 21 11.45am Chamber Tots: Train Ride 5 2.00pm In Focus: Sir George Benjamin – 21 7.30pm Matthew Rose/Tom Poster 5 RNCM New Ensemble/Callum Smart 5 Apr 7.30pm Arcangelo/Emőke Baráth/ 5 7.30pm Akademie für Alte Musik Berlin 22 Anna Reinhold/Callum Thorpe 5 May 11.30am Jan Vogler/Antti Siirala 22 6 Apr 1.00pm JACK Quartet 6 3.00pm Paula Murrihy/Malcolm Martineau 22 6.00pm Illustrated Pre-Concert Talk 6 7.30pm Aaron Pilsan 22 7.30pm JACK Quartet 6 6 May 1.00pm The King's Singers 23 7 Apr 11.30am Tesla Quartet 7 3.00pm Wigmore Study Group: Ravel 17 3.00pm Milan Siljanov/Nino Chokhonelidze 7 7.30pm Clara Mouriz/Roderick Williams/ 23 7.30pm Louis Schwizgebel 7 Adam Walker/Guy Johnston/Joseph Middleton 8 Apr 1.00pm Katarina Karnéus/Julius Drake 7 7 May 7.30pm Andreas Staier 23 7.30pm Christina Landshamer/Gerold Huber 7 8 May 7.30pm Jerusalem Quartet 24 9 Apr 1.00pm Nikola Avramovic 8 9 May 7.30pm Jerusalem Quartet 24 7.30pm The Chamber Music Society of Lincoln Center 8 10 May 7.00pm Sir András Schiff 24 10 Apr 7.30pm Escher String Quartet 8 11 May 1.00pm Sumi Jo Masterclass 24 11 Apr 7.30pm Sally Matthews/Simon Lepper 8 7.30pm Alban Gerhardt/Steven Osborne 25 12 Apr 3.00pm Music for the Moment 9 12 May 11.30am Castalian String Quartet 25 6.00pm Pre-Concert Talk 9 3.00pm Sumi Jo/Gary Matthewman/Krzysztof Meisinger 25 7.30pm Nash Ensemble/Claire Booth/ 9 7.30pm Flora Curzon/Benedict Williams/Sally Palmer/ 25 Simone Leona Hueber Leo Nicholson 13 Apr 7.30pm Ian Bostridge/Saskia Giorgini 10 13 May 1.00pm Gould Piano Trio 26 7.30pm Håkan Hardenberger/Roland Pöntinen 26 14 Apr 11.30am Alexandra Dariescu 10 3.00pm Gavan Ring/Simon Lepper 10 14 May 7.00pm Sir András Schiff 26 7.30pm Lise de la Salle 11 15 May 11.00am For Crying Out Loud! 26 15 Apr 1.00pm Tabea Zimmerman/Adam Walker/Agnès Clément 11 12.30pm For Crying Out Loud! 26 7.30pm Ian Bostridge/Saskia Giorgini 11 7.30pm Takács Quartet 27 16 Apr 7.00pm Solomon's Knot 11 16 May 3.00pm YCAT Public Final Auditions 2019 27 7.00pm YCAT Public Final Auditions 2019 27 17 Apr 10.15am Chamber Tots: In the Garden 12 11.45am Chamber Tots: In the Garden 12 17 May 11.00am Schools Concert: Heroes and Villains 27 7.30pm The Sixteen/Harry Christophers/ 12 7.30pm Takács Quartet/Garrick Ohlsson 27 Michael Pennington 18 May 11.00am Family Concert: Heroes and Villains 28 18 Apr 7.30pm Angela Hewitt 12 7.30pm Ema Nikolovska/Dylan Perez 28 20 Apr 1.00pm Parkhouse Award 2019 Finals Concert 12 19 May 11.30am Jonathan Plowright 28 7.30pm Trio Mediæval 13 7.30pm Royal Academy of Music Soloists/Thomas Gould 28 21 Apr 11.30am Kelemen Quartet 13 20 May 1.00pm Andreas Haefliger 28 7.30pm Henning Kraggerud/Adrian Brendel/ 29 22 Apr 1.00pm Pavel Haas Quartet 13 Imogen Cooper 7.30pm Ensemble Correspondances/ 13 Sébastien Daucé/Sophie Karthäuser 21 May 1.00pm Orchestra of St John’s 29 7.30pm Castalian String Quartet/Anthony Marwood/ 29 23 Apr 7.30pm Steven Isserlis/Janine Jansen/ 14 Aleksandar Madžar Arisa Fujita/Amihai Grosz/Connie Shih 22 May 10.15am Chamber Tots: In the Garden 29 24 Apr 1.30pm Kathleen Ferrier Awards Semi-Final 14 11.45am Chamber Tots: In the Garden 29 7.30pm Dame Sarah Connolly/Robin Tritschler/ 15 7.30pm Igor Levit 30 Malcolm Martineau 23 May 1.00pm Voiceworks 30 25 Apr 7.30pm The Orlando Consort 14 7.30pm Elias String Quartet 30 26 Apr 6.00pm Kathleen Ferrier Awards Final 14 24 May 6.00pm Artists in Conversation: Igor Levit 30 27 Apr 10.30am Family Day: Wild River Adventures 16 7.30pm Igor Levit 31 7.30pm Patricia Kopatchinskaja/Reto Bieri/ 16 25 May 1.00pm Piatti Quartet 31 Polina Leschenko 7.30pm Narek Hakhnazaryan/Pavel Kolesnikov 31 28 Apr 11.30am Ning Feng/Yukako Morikawa 16 26 May 11.30am Sheku Kanneh-Mason/Isata Kanneh-Mason 31 6.30pm Louis Lortie 16 3.00pm Jacques Imbrailo/Alisdair Hogarth 32 29 Apr 1.00pm Julian Prégardien/Eric Le Sage 16 7.30pm Robin Tritschler/Simon Lepper 32 3.00pm Wigmore Study Group: Ravel 17 27 May 1.00pm Kuss Quartet 32 7.30pm Hagen Quartet 17 7.30pm Igor Levit 32 30 Apr 1.00pm Orchestra of St John’s 17 28 May 7.30pm L'Arpeggiata 33 7.30pm Marcus Farnsworth/James Baillieu 18 29 May 11.00am RNIB Study Day 34 7.30pm The Endellion String Quartet 34 30 May 1.00pm György Pauk Masterclass 34 7.30pm Hilary Hahn 35 31 May 7.00pm Jason Moran 35 10.00pm Amaan Ali Bangash/Ayaan Ali Bangash/ 35 Jennifer Pike 4 • APRIL Box Office: 020 7935 2141 Monday 1 April Tuesday 2 April 1.00pm 7.30pm Benjamin Beilman violin Royal Academy of Music Narek Hakhnazaryan cello Song Circle Louis Schwizgebel piano Frances Gregory mezzo-soprano Mendelssohn Piano Trio No. 1 in D minor Op. 49 Olivia Warburton mezzo-soprano Rachmaninov Vocalise Op. 34 No. 14 (arr. Kieran Carrel tenor Gayane Hakhnazaryan for piano trio) Paul Grant baritone Shostakovich Piano Trio No. 1 in C minor Op. 8 Thomas Bennett bass Richard Gowers piano £16 concs £14 Gus Tredwell piano Leo Nicholson piano Monday 1 April The Songs of Carl Loewe 7.30pm Students from the Royal Academy of Music’s ‘Song Circle’ present a recital of Lieder Ekaterina Semenchuk mezzo-soprano devoted entirely to the songs of Carl Loewe Semyon Skigin piano (1796-1869). The students will perform a breadth of Loewe’s repertoire, from comic Glinka A Farewell to Saint Petersburg gems to celebrated ballads, through lyrical Musorgsky Sunless; The Peep-Show pieces, a song cycle, and much more. £40 £35 £30 £25 £18 A whole evening of Loewe Lieder is almost unprecedented, and surtitles will be provided Tuesday 2 April to increase the enjoyment. 1.00pm £30 £25 £20 £16 £10 Benjamin Baker violin Supported by Mayfield Valley Arts Trust Daniel Lebhardt piano WIGMORE HALL EMERGING TALENT YCAT Lunchtime Series 2018/19 Beethoven Violin Sonata No. 10 in G Op. 96 Schumann Violin Sonata No. 2 in D minor Op. 121 £14 concs £12 Young Classical Artists Trust (Reg. Charity No. 326490) YCAT is grateful for support from the Rachel Baker Memorial Charity, Help Musicians UK and the International Music and Art Foundation for this series Benjamin Beilman Ekaterina Semenchuk and Semyon Skigin Benjamin Baker Royal Academy of Music Song Circle © Giorgia Bertazzi © Irina Tuminene © Kaupo Kikkas © Helen Wills wigmore-hall.org.uk APRIL • 5 Wednesday 3 April Thursday 4 April 7.30pm 7.30pm Anna Dennis soprano (as Aci) Matthew Rose bass Anna Huntley mezzo-soprano (as Galatea) Tom Poster piano Edward Grint bass-baritone (as Polifemo) Schubert Strophe aus ‘Die Götter London Handel Orchestra Griechenlands’; Fahrt zum Hades; Lied eines Schiffers an die Dioskuren; Im Abendrot; Adrian Butterfield conductor Wandrers Nachtlied II Handel Aci, Galatea e Polifemo HWV72 Schubert Impromptu in E flat D899 No.
Recommended publications
  • Rawsthorne and Other Rarities
    Rawsthorne and other rarities Alan Rawsthorne (1905-1971) Chamber Cantata 11:59 1 I Of a Rose is al myn Song 3:34 2 II Lenten ys come 2:17 3 III Wynter Wakeneth al my Care 4:11 4 IV The Nicht is near gone 1:56 Clare Wilkinson (mezzo-soprano), Harvey Davies (harpsichord), Solem Quartet Halsey Stevens (1908-1989) Sonatina Piacevole 5:29 5 I Allegro moderato 1:52 6 II Poco lento, quasi ciaccona 1:50 7 III Allegro 1:47 John Turner (recorder), Harvey Davies (harpsichord) Alan Rawsthorne (1905-1971), edited and arranged by Peter Dickinson (b.1934) Practical Cats (texts by T.S. Eliot) 21:09 8 I Overture 2:22 9 II The Naming of Cats 2:59 10 III The Old Gumbie Cat 4:25 11 IV Gus, the Theatre Cat 3:48 12 V Bustopher Jones 2:32 13 VI Old Deuteronomy 3:37 14 VII The Song of the Jellicles 1:24 Mark Rowlinson (reciter), Peter Lawson (piano) Basil Deane (1928-2006) / Raymond Warren (b.1928) The Rose Tree (texts by W. B. Yeats) 5:27 15 I The Rose Tree 2:23 16 II I am of Ireland 3:04 Clare Wilkinson (mezzo-soprano), John Turner (recorder), Stephanie Tress (cello) S This recording is dedicated to the memory of John McCabe, CBE Ralph Vaughan Williams (1872-1958) 17 The Willow Whistle 1:04 Clare Wilkinson (mezzo-soprano), John Turner (bamboo pipe) Karel Janovický (b.1930) 18 The Little Linden Pipe 3:19 John Turner (recorder) Alan Rawsthorne (1905-1971) String Quartet in B minor 15:12 19 I Fugue (molto adagio) — 5:00 20 II Andante – Allegretto 3:40 21 III Molto allegro quasi presto 6:31 Solem Quartet Donald Waxman (b.1925) 22 Serenade and Caprice 7:33 John
    [Show full text]
  • Piotr Anderszewski Piano
    PIOTR ANDERSZEWSKI PIANO Biography Piotr Anderszewski is regarded as one of the most prominent pianists of his generation and appears regularly in all of the world's major concert halls. His collaborations with orchestra have included appearances with the Berlin Philharmonic, the London and Chicago Symphony Orchestras, the Royal Concertgebouw Orchestra and the Deutsche Kammerphilharmonie Bremen, which he also conducted from the piano. Recitals have taken him to the Barbican Center in London and the Royal Festival Hall, the Konzerthaus in Vienna, Carnegie Hall and the Elbphilharmonie in Hamburg. His recordings include Beethoven's Diabelli Variations, which received the Choc du Monde de la Musique; the Grammy nominated Bach Partitas 1, 3 and 6 as well as a recording with works by his countryman Szymanowski. His album with solo works by Schumann received two BBC Music Magazine Awards in 2012, including the Recording of the Year. His recording of Bach's English Suites 1, 3 and 5 received the Gramophone Award for best instrumental album in 2015. After the solo album "Fantaisies" with works by Mozart and Schumann in February 2017, the Mozart Piano Concertos No. 25 & 27 with the Chamber Orchestra of Europe was recorded in January 2018. Recognised for the intensity and originality of his interpretations, Piotr Anderszewski has been a recipient of several high-profile awards over the course of his career, including the prestigious Gilmore Award, which is presented every four years to a pianist of exceptional talent. The director Bruno Monsaingeon shot two award-winning documentaries about him for ARTE. The first, from 2001, sheds light on Anderszewski's special relationship to the Diabelli Variations, while the second, “Piotr Anderszewski, Traveler Without Rest” (2008) is an artist portrait and reflects Anderszewski's thoughts on music, concert activities and his Polish-Hungarian roots.
    [Show full text]
  • Takács Quartet Beethoven String Quartet Cycle
    Takács Quartet Beethoven String Quartet Cycle Concerts V and VI March 25–26, 2017 Rackham Auditorium Ann Arbor CONTENT Concert V Saturday, March 25, 8:00 pm 3 Beethoven’s Impact: Steven Mackey 7 Beethoven’s Impact: Adam Sliwinski 13 Concert VI Sunday, March 26, 4:00 pm 15 Beethoven’s Impact: Lowell Liebermann 18 Beethoven’s Impact: Augusta Read Thomas 21 Artists 25 Takács Quartet Concert V Edward Dusinberre / Violin Károly Schranz / Violin Geraldine Walther / Viola András Fejér / Cello Saturday Evening, March 25, 2017 at 8:00 Rackham Auditorium Ann Arbor 51st Performance of the 138th Annual Season 54th Annual Chamber Arts Series This evening’s presenting sponsor is the William R. Kinney Endowment. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. Special thanks to Steven Whiting for his participation in events surrounding this weekend’s performances. The Takács Quartet records for Hyperion and Decca/London Records. The Takács Quartet is Quartet-in-Residence at the University of Colorado in Boulder and are Associate Artists at Wigmore Hall, London. The Takács Quartet appears by arrangement with Seldy Cramer Artists. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Beethoven String Quartets Concert V String Quartet in B-flat Major, Op. 18, No. 6 Allegro con brio Adagio ma non troppo Scherzo: Allegro La malinconia: Adagio — Allegretto quasi Allegro String Quartet in F Major, Op. 135 Allegretto Vivace Lento assai e cantante tranquillo Grave — Allegro — Grave, ma non troppo tratto — Allegro Intermission String Quartet in C Major, Op.
    [Show full text]
  • Jerusalem Quartet
    The 2019/20 Beethoven Festival Opening Weekend BOOKING DETAILS ENCLOSED JERUSALEM QUARTET BARTÓK EXPLORED THE JERUSALEM QUARTET INTERVIEW SIMON MAJARO MBE SPRING SPECIAL CELEBRATION EMANUEL AX TURNS 70 2019 FRIENDS OF OF FRIENDS INSERT 2019/20 HIGHLIGHTS Beethoven was born in Bonn in December 1770. Throughout the 2019/20 Season, we will celebrate the 250th anniversary of his birth with a festival encompassing almost all of his instrumental and chamber repertoire and, through our Learning department, the influence of his legacy. Given Beethoven’s hearing loss later in times and we are delighted to introduce her life, in the 2019/20 Season we will have to the Wigmore Hall audience in March. Your the opportunity to examine how we listen exceptional financial support enables us to to music individually either as performers, present debut concerts such as this. It also composers or audience members. Included allows us to celebrate significant milestones with this issue of The Score magazine are with established artists such as Emmanuel the details for the exciting opening weekend Ax, in special gala events. celebrations on the 14 and 15 September We are delighted to announce that Kikkas © Kaupo when we present ten concerts in two days, Wigmore Hall is to become the new home placing Beethoven in context through the for CAVATINA’s extraordinary activities ABOVE John Gilhooly works of his predecessors and successors, nationwide. For those of you who don’t and those in the 20th century, and even already know CAVATINA and the story of its In this edition, there is also a very today, who still felt his influence.
    [Show full text]
  • May 2018 List
    May 2018 Catalogue Issue 25 Prices valid until Wednesday 27 June 2018 unless stated otherwise 0115 982 7500 [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Glorious sunshine and summer temperatures prevail as this foreword is being written, but we suspect it will all be over by the time you are reading it! On the plus side, at least that means we might be able to tempt you into investing in a little more listening material before the outside weather arrives for real… We were pleasantly surprised by the number of new releases appearing late April and into May, as you may be able to tell by the slightly-longer-than-usual new release portion of this catalogue. Warner & Erato certainly have plenty to offer us, taking up a page and half of the ‘priorities’ with new recordings from Nigel Kennedy, Philippe Jaroussky, Emmanuel Pahud, David Aaron Carpenter and others, alongside some superbly compiled boxsets including a Massenet Opera Collection, performances from Joseph Keilberth (in the ICON series), and two interesting looking Debussy collections: ‘Centenary Discoveries’ and ‘His First Performers’. Rachel Podger revisits Vivaldi’s Four Seasons for Channel Classics (already garnering strong reviews), Hyperion offer us five new titles including Schubert from Marc-Andre Hamelin and Berlioz from Lawrence Power and Andrew Manze (see ‘Disc of the Month’ below), plus we have strong releases from Sandrine Piau (Alpha), the Belcea Quartet joined by Piotr Anderszewski (also Alpha), Magdalena Kozena (Supraphon), Osmo Vanska (BIS), Boris Giltberg (Naxos) and Paul McCreesh (Signum).
    [Show full text]
  • Zimmermann Shostakovich Violin Concertos 1 & 2
    FRANK PETER ZIMMERMANN SHOSTAKOVICH VIOLIN CONCERTOS 1 & 2 NDR ELBPHILHARMONIE ORCHESTER ALAN GILBERT NDR ELBPHILHARMONIE ORCHESTER BIS-2247 BIS-2247 booklet cover.indd 1 2016-05-16 16:23 SHOSTAKOVICH, Dmitri (1906–75) Violin Concerto No.1 in A minor 31'28 Op.77 (1947–48, rev. 1955) (Sikorski) 1 I. Nocturne. Moderato 9'07 2 II. Scherzo. Allegro 6'17 3 III. Passacaglia. Andante – Cadenza – attacca – 11'05 4 IV. Burlesque. Allegro con brio – Presto 4'42 Violin Concerto No.2 in C sharp minor 29'23 Op.129 (1967) (Sikorski) 5 I. Moderato 12'36 6 II. Adagio – attacca – 9'02 7 III. Adagio – Allegro 7'37 TT: 61'41 Frank Peter Zimmermann violin NDR Elbphilharmonie Orchester Alan Gilbert conductor In Violin Concerto No.1, Frank Peter Zimmermann has based his performance of the solo part on the autograph manuscript (with the composer’s own metronome markings and bowing instructions), and not on the usually-heard version edited by David Oistrakh. Instrumentarium: Violin Concerto No.1: Stradivarius: ‘Lady Inchiquin 1711’ Violin Concerto No.2: Stradivarius: ‘ex Rodewalt 1713’ 2 Violin Concerto No.1 in A minor, Op.77 Both in the musical and thematic conception of its individual movements and also because of its delayed première, Dmitri Shostakovich’s First Violin Concerto speaks volumes about the lack of creative freedom endured by Soviet composers in the Stalin era. Initially Shostakovich composed the piece with no prospect of an actual performance: in 1948, when he finished it, he had just been placed – for the second time – on a black list because his music was perceived as too modernist, manifesting formalistic distortions, and alien to the people.
    [Show full text]
  • Home of the Baker Museum and the Naples Philharmonic 5833 Pelican
    Home of The Baker Museum and the Naples Philharmonic 5833 Pelican Bay Boulevard Naples, FL 34108-2740 Andrey Boreyko Sharon and Timothy Ubben Music Director Now in his eighth and final season as music director of Artis—Naples, Andrey Boreyko’s inspiring leadership has raised the artistic standard of the Naples Philharmonic. Andrey concludes his tenure as music director by continuing to explore connections between art forms through interdisciplinary thematic programming. Significant projects he has led include pairing Ballet Russes-inspired contemporary visual artworks of Belgian artist Isabelle de Borchgrave with performances of Stravinsky’s Pulcinella and The Firebird, as well as commissioning a series of compact pieces by composers including Giya Kancheli to pair with an art exhibition featuring small yet personal works by artists such as Picasso and Calder that were created as special gifts for the renowned collector Olga Hirshhorn. The 2021-22 season marks Andrey’s third season as music and artistic director of the Warsaw Philharmonic Orchestra. Their planned engagements this season include performances at the Eufonie Festival, the final and prizewinners’ concerts of the 18th Fryderyk Chopin International Piano Competition in Warsaw, and the orchestra’s 120th birthday celebration. They also plan to tour across Poland and the U.S. Highlights of previous seasons have included major tours with the State Academic Symphony Orchestra of Russia (to Hamburg, Cologne, Frankfurt and Munich) and the Filarmonica della Scalla (to Ljubljana, Rheingau,
    [Show full text]
  • IN the WINGS 4 P.M., Sunday, Feb
    IN THE WINGS 4 p.m., Sunday, Feb. 16 Mélodies Françaises Marie-France Lefebvre, piano THOMAS W. BUSSE Edward Nelson, baritone Mélodies by Dutilleux, Poulenc and Duparc. FUND PRESENTS Location: Robert J. Werner Recital Hall Admission: FREE _____ 7 p.m. Sunday, Feb. 16 Pianopalooza IX Michael Chertock, director Celebrate the art of the piano with the ninth installment of this GERALD FINLEY, popular concert, showcasing CCM’s most spectacular student pianists, with special appearances by CCM’s faculty artists. Location: Corbett Auditorium baritone Tickets: $15 general, $10 non-UC students, UC students FREE. _____ JULIUS DRAKE, 3 p.m. Sunday, March 2 American Voices XV: John Adams’ El Niño piano CCM Philharmonia, Chamber Choir, Chorale and Cincinnati Children’s Choir Earl Rivers, conductor Featuring guest artists Michael Maniaci, Eric Jurenas and Steven Rickards, countertenors; and CCM Soloists The most significant American oratorio of the late 20th century, Adams’ El Niño retells the traditional biblical story of the birth of Jesus, incorporating poetry of Rosario Castellanos, Sor Juana Inés de la Cruz, Hildegard von Bingen, Gabriela Mistral, Vicente Huidobro and Rubén Dario, and selected passages from the Wednesday, February 5, 2014 Wakefield Mystery Plays, Martin Luther’s Christmas Sermon, Corbett Auditorium the Gospel of Luke and several Gnostic Gospels from the 8:00 p.m. Apocrypha. Location: Corbett Auditorium Tickets: $12 general, $6 non-UC students, UC students FREE. Supported by the Thomas W. Busse Trust For tickets and the latest performance information, please call the CCM Box Office at 513-556-4183, or visit us online at ccm.uc.edu.
    [Show full text]
  • November 2016
    November 2016 Igor Levit INSIDE: Borodin Quartet Le Concert d’Astrée & Emmanuelle Haïm Imogen Cooper Iestyn Davies & Thomas Dunford Emerson String Quartet Ensemble Modern Brigitte Fassbaender Masterclasses Kalichstein/Laredo/ Robinson Trio Dorothea Röschmann Sir András Schiff and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats.
    [Show full text]
  • Ian Bostridge with Julius Drake Ian Bostridge
    Ian Bostridge with Julius Drake Wednesday, February 14, 2018 at 8:00pm Pre-concert Talk at 7:00pm This is the 801st concert in Koerner Hall Ian Bostridge, tenor Julius Drake, piano ALL FRANZ SCHUBERT PROGRAM Wehmut, D. 772 Der Zwerg, D. 771 Nacht und Träume, D. 827 Der Musensohn, D. 764 An die Entfernte, D. 765 Am Flusse II, D. 766 Willkommen und Abschied, D. 767 Wandrers Nachtlied II, D. 768 An die Leier, D. 737 Am See II, D. 746 Im Haine, D. 738 Erlkönig, D. 328 INTERMISSION Goethe Lieder An den Mond I, D. 259 Nähe des Geliebten, D. 162 Nachtgesang, D. 119 Liebhaber in allen Gestalten, D. 558 Meeres Stille, D. 216 Auf dem See, D. 543b An Mignon, D. 161 Erster Verlust, D. 226 Ganymed, D. 544 An den Mond II, D. 296 Ian Bostridge Tenor Ian Bostridge’s international recital career takes him to the foremost concert halls of Europe, Japan, and North America, with regular appearances at the Salzburg, Edinburgh, Munich, Vienna, Schwarzenberg, and Aldeburgh festivals. He has had residencies at the Wiener Konzerthaus, Carnegie Hall New York, Het Concertgebouw Amsterdam, Luxembourg Philharmonie, London’s Barbican Centre, and Wigmore Hall. In opera, he has performed the roles of Tamino (Mozart Die Zauberflöte), Jupiter (Handel Semele), and Aschenbach (Britten Death in Venice) at English National Opera, Quint (Britten The Turn of the Screw), Don Ottavio (Mozart Don Giovanni), and Caliban (Adès The Tempest) for the Royal Opera House, Covent Garden, Don Ottavio at the Wiener Staatsoper, Tom Rakewell (Stravinsky The Rake’s Progress) at the Bayerische Staatsoper, Munich, and Quint at Teatro alla Scala, Milan.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
    LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’.
    [Show full text]