DOCSLIB.ORG

Homestyle Newsletter 13

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Homestyle Newsletter 13 H09APRIL2021omestyle Stay home. Stay safe What’s The Mbira sound of Zimbabwe Inside 9 Cheap Ways To Pamper Yourself 41Facts Great Zimbabwe is a unique testimony to Zimbabwean Civilisation between the 11th and 15th centuries #Togethergrowingoureconomy Homestyle Clean curves and even press the accelerator. undulating surfaces Inspiration is where you find itThe embrace and reflect the cabin is a haven of relaxing surroundings, comfort with human-centric seat energizing the spirit. design and generous luggage The CX-30 cabin is a capacity to satisfy all lifestyles. The Mazda study in essential Mazda CX-30 is designed and elegance, enveloping engineered to stimulate creative the driver and lifestyles. Equally at home as an CX-30 passengers in an easy-to-handle city car or an out- inviting invigorating of-town explorer, the CX-30 adds environment. Mazda's unique driving pleasure Compact A sophisticated symphony of to everything you do. Mazda's i- meticulously crafted design ACTIVSENSE advanced safety and e l e m e n t s f r o m a v a i l a b l e driver support systems complete Crossover perforated leather upholstery and the fun. The CX-30 is powered by a finely stitched details to the artful 121kW 2.0L Petrol engine with a 6- lines of the dash and infotainment Speed Automatic Gearbox. SUV systemall wrapped in a choice of Choose between 2WD/4WD and color palettes that suit your sense three trim levels. Pure Beauty of style. It's an interior that just Mazda CX-30 Making You Feel of “Less is More” may transport you before you Alive Editor's Homestyle Note Hello We continue with our Independence Month celebrations. This week we look at the mbira. Our iconic music instrument is in our history for more than 1000 years. And it remains part of our culture and is going with us into the future. We also feature diverse Zimbabwean voices explaining what Independence means to them. Feel like pampering yourself, but you are low on cash? As usual we got you covered. We have a few tips of things you can do for the very special person called you, on a very tight budget. Keeping with money issues, entertainment can prove very costly. Paying for streaming services like Netflix and then also coughing up for the data to stream means the dollars add up. You may also want top quality African content. So this week for your viewing spoiler, we introduce you to Play Afrika TV. Did I mention that there is a Zimbabwean face behind it? Ever feel like your favourite sport would be better if only it Homestyle could be tweaked just a little bit? Or maybe you have an idea Team for a totally new game. If that is you, we found you an article about new sports Editor: Monica Cheru-Mpambawashe that are tipped to grow, possibly break onto the Olympic scene in the future. Design Head: Eric Nyawera Let's continue to keep Covid-19 infections down. Till next week, remain at home if you have flu-like symptoms. Graphic Designer: Brighton Dambudzo Keep your mask on! Writer: Lynn Murahwa Advertising and marketing Percy Nhara: +263 772 113 605 Monica Rutendo Mutangabende: +263 776 284 916 Leon Kondowe: +263 733 100 191 Business Partnership Facility offering grants to achieve SDGs in Developing Countries s Deadline: 07-Sep-21 e The Business Partnership Facility economic viability: • Scalable, i (BPF) is initiated and financed by the Social impact, contributing to the • Replicable. Belgian Directorate-General for SDGs. For example: Eligibility Criteria t Development Cooperation (DGD) to • Creation and maintenance of Each applicant is preferably a i stimulate private sector involvement in decent jobs, partnership that brings together actors achieving the SDGs in developing • Improvement in average income from the private sector, civil society, countries. for low income families, academia and/or the public sector. The n The Business Partnership Facility • Accessibility of affordable goods partnership consists of a minimum of (BPF) grants financial support to and services, one business partner. u companies contributing to the • I n c l u s i o n a n d e c o n o m i c Projects must take place in one of the Sustainable Development Goals (SDGs) development of women and 52 developing countries but partners can t in developing countries. young people, be Belgian, European or international The operational management of the • P o s i t i v e i m p a c t o n t h e legal entities, under public or private law. BPF is entrusted to the King Baudouin environment through saving The project must be part of the 'core r Foundation. The BPF supports viable, resources, reducing emissions business' of the lead company involved. entrepreneurial business initiatives with a and/or preserving biodiversity o strong social impact. For more information, visit: The BPF provides a non-refundable Economic viability https://www.kbs- p grant between €50,000 and €200,000 Hello frb.be/en/Activities/Calls/2021/Copy that represents maximum 50% of the -of-20181211_MG_001-1 total investment. p Conditions Applicants must clearly demonstrate that B P F - f u n d e d p r o j e c t s m u s t the submitted projects/initiatives are: O demonstrate their social impact and • Able to become self-sustainable, Homestyle TheThe Mbira land sound of whereZimbab stars comewe to Mbira dzenharirarecharge is one of c o u n t r i e s , b u t i s m o s t the ensembles that have associated with the Shona entranced audiences across people of Zimbabwe. the globe with the mystical sound of the mbira A s s o c i a t e d w i t h t h e otherworld realm, the mbira Enthralling. Enchanting. has been known to send E v o c a t i v e . E n t r a n c i n g . listeners into entrancement. Hypnotic. Sacred. Powerful The mbira is sometimes played words. But none of them quite to summon spirits to possess But none of captures that mystic rhythm of their human medium for mbira at the hands of a true oracle consultations. The them quite master. You just have to sacred mbira dzavadzimu are captures that experience it for yourself. usually played at bira night “ festivals and are quite distinct mystic rhythm The mbira is an instrument from the social mbira playing that has been played for over a f o r e n t e r t a i n m e n t a n d of mbira at the t h o u s a n d y e a r s a n d i s storytelling. hands of a true traditional to several African master Homestyle Mbira Thumb Piano The mbira is made up of modern Zimbabwe's daily 22 to 28 metal keys culture. Mbira music is attached to a hardwood part of the mainstream soundboard called the faire with musicians gwariva, usually placed across the gamut of age inside a large gourd to and demographic appeal amplify the sound. proudly making it an Striking the keys in essential part of their rhythm and in tune is not offering and artistic a feat to be undertaken by identity. the weak fingered. It is great that this is one We feature a sprinkling of tradition that has survived the artistes: The late Chiwoniso Maraire popularized mbira in the younger generations with songs like Amai Mbira Center's Albert Michael Jackson Chimedza is doing a sterling job in designing and producing mbiras, training mbira making artisans, getting mbira put in the school music curriculum among many other key activities to make sure that this cultural heritage remains relevant. The late Chiwoniso Maraire Homestyle B U H e v i t a e r C Steve and Marjorie Harvey Zim@41: Together growing our economy for a prosperous, resilient and inclusive society Homestyle Albert Chimedza M b i r a C e n t e r ' s A l b e r t Chimedza is doing a sterling job in designing and producing mbiras, training mbira making artisans, getting mbira put in the school music curriculum a m o n g m a n y o t h e r k e y activities to make sure that this cultural heritage remains relevant. Fungisai Zvakavepano- Mashavave Fungisai Zvakavepano- Mashavave is one of the musicians who brought the mbira to the fore as an instrument that creates divine Christian music. Sekuru Gora The late Sekuru Gora kept mbira alive at a time when most local musicians were turning to western instruments. Homestyle Mbuya Stella Chiweshe has taken the mbira to the world. Hope Masike glamourized mbira with her embassy row class of audience. Jah Prayzah found his way to fame and fortune with the mbira and as while he tries out different genres and sounds in the development of his career, he still produces mbira music. Homestyle 9 Cheap Ways To Pamper Yourself Lynn Murahwa It's so important that we take the Baths are not just for women. A nice disconnect. Turn your phone off time to look after ourselves. long soak in a tub of warm water when you go to avoid distractions. I encourage you to take the time to helps you to relax and can relieve Just be. pamper yourself every single week muscle pain. even something as small as sitting down for a moment, relaxing, and 2. GO FOR A WALK OUTDOORS lighting a scented candle can make a Spending some time in nature is a big difference in your overall well- great way to pamper yourself.
Load more

Recommended publications
  • A Look at the Influence of Celebrity Endorsement on Customer Purchase Intentions: the Case Study of Fast Foods Outlet Companies in Harare, Zimbabwe
    Vol. 11(15), pp. 347-356, 14 August, 2017 DOI: 10.5897/AJBM2017.8357 Article Number: 1F480E865441 ISSN 1993-8233 African Journal of Business Management Copyright © 2017 Author(s) retain the copyright of this article http://www.academicjournals.org/AJBM Full Length Research Paper Midas touch or time bomb? A look at the influence of celebrity endorsement on customer purchase intentions: The case study of fast foods outlet companies in Harare, Zimbabwe Jacob Shenje Business Research Consultancy (B.R.C) Pvt Ltd, 5 Rutledge Street, Milton Park Harare, Zimbabwe. Received 14 June, 2017; Accepted 6 July, 2017 Fast foods companies in Zimbabwe have been outcompeting and outclassing each other in using celebrity endorsers for their marketing communications. The study aimed to investigate the impact of celebrity endorsement on consumer purchase intentions. The study’s literature review was based on a copious of celebrity endorsement empirical and theoretical literature. The literature review also acted as bedrock for the research methodology which was later adopted. In order to achieve the research objectives, the study was largely quantitative where survey questionnaires were distributed to customers and these questionnaires were useful in the aggregation of the results. The findings were entered into SPSS software package version 22. The result shows that celebrity endorsement variables showed a positive and significant statistical relationship with consumer buying intentions. The study recommends for fast foods companies to gauge the capacity of celebrities to project multi-attributes which would be consistent and of interest to the consumer’s requirements. There is also the need to strengthen certain aspects of celebrity consumer relationship as way of understanding the implications for product endorsement in the fast foods industry.
    [Show full text]
  • Downloaded for Personal Non‐Commercial Research Or Study, Without Prior Permission Or Charge
    Mhishi, Lennon Chido (2017) Songs of migration : experiences of music, place making and identity negotiation amongst Zimbabweans in London. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/26684 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Songs of Migration: Experiences of Music, Place Making and Identity Negotiation Amongst Zimbabweans in London Lennon Chido Mhishi Thesis submitted for the degree of PhD Anthropology and Sociology 2017 Department of Anthropology and Sociology SOAS, University of London 1 I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination.
    [Show full text]
  • Popular Expressions of Southern African Nationalism(S): Convergences, Divergences, and Reconciliations in South Africa and Zimbabwe
    POPULAR EXPRESSIONS OF SOUTHERN AFRICAN NATIONALISM(S): CONVERGENCES, DIVERGENCES, AND RECONCILIATIONS IN SOUTH AFRICA AND ZIMBABWE By Blessing Shingirirai Mavima A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies – Doctor of Philosophy 2019 ABSTRACT POPULAR EXPRESSIONS OF SOUTHERN AFRICAN NATIONALISM(S): CONVERGENCES, DIVERGENCES, AND RECONCILIATIONS IN SOUTH AFRICA AND ZIMBABWE By Blessing Shingirirai Mavima Popular Expressions of Pan-Africanism and Southern African Nationalism(s): Convergences, Divergences, and Reconciliations in South Africa and Zimbabwe is a dissertation study that traces the transformations, reveals the tensions, and critically analyzes diverging and converging trajectories of different manifestations of African nationalism, including ethnic nationalism, state nationalism, and Pan-Africanism using contemporary South Africa and Zimbabwe as sites of analyses. Focusing on the metropolitan provinces of Gauteng and Harare respectively, I use the study to interrogate how popular expressions of African nationalism have emerged and evolved in the neighboring nations during their anti-colonial/anti-apartheid struggles throughout the 20 th century, and how they exist today. Presenting a thesis that I call nationalisms from below, the research study reveals how these manifestations of nationalism are imagined, practiced, and represente d by the initiatives and actions of different members of the civil society including artists, activists, laborers, and migrants in the two countries’ contemporary politics and society. My findings lead to a nuanced determination of the factors that influence the intersections, divergences, and convergences of what I refer to in the study as Africa’s tripartite nationalist expressions and identities—ethnicism, African Nationalism, and Pan- Africanism.
    [Show full text]
  • Informality and Governmentality: an Ethnography of Conversion Entrepreneurship in Harare
    Informality and Governmentality: An Ethnography of Conversion Entrepreneurship in Harare by Robert Nyakuwa Dissertation presented in fulfilment of the requirements for the degree of Doctor of Philosophy in Social Anthropology in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof C.S. Van der Waal March 2018 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2018 Copyright © 2018 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Acknowledgements The co-production of this work has taken a very long time and has involved many people. Although I claim authorship by attaching my name on the front cover there are many people, some of whom I shall name below that have helped shape the ideas and generated the intellectual insights outlined in the pages that make up this thesis. The individuals I acknowledge below are not in any hierarchical order but simply outlined according to my recall of their contribution to my work. I am greatly indebted to Bert Helmsing (local economic development and entrepreneurship), Georgina Gomez (informality and alternative currencies), Peter Knoringa (value chains and enterprise development), John Cameron (research epistemologies and visual ethnography), Karin Astrid Siegman (informality, radical epistemologies and development economics) and Des Gasper (discourse analysis).
    [Show full text]
  • Understanding Norms Around the Gendered Division of Labour: Results from Focus Group Discussions in Zimbabwe
    Understanding norms around the gendered division of labour: Results from focus group discussions in Zimbabwe we-care women’s economic empowerment and care CONTENTS Overview of findings 3 Introduction 5 Research objective 5 What are norms and why do they matter? 5 Focus group discussions 6 Sample composition 7 Part 1 – The gendered division of labour and the ‘stickiness’ of norms 8 Shared understandings shaping the gendered division of labour 8 Beliefs underlying the distribution of work 12 ‘Economic norms’ underlying productive and reproductive work 13 How skill is assigned 13 How value is assigned 14 Change over time 15 Long-lasting change 15 Temporary or seasonal change 17 Part 2 – Evidence of appetite for change 18 Consequences of the division of UCDW 18 Desire for change 18 Looking to the future 19 Part 3 – Steps to influence change 20 Compelling ways of sharing messages 20 Who people listen to and follow 20 Trusted sources of information 20 Supporting change 21 Implications 21 Conclusions 24 Annex 1 – Focus group script Please see here Annex 2 – Profiles of the FGD districts 26 Annex 3 – Information about focus group participants 27 Annex 4 – Rankings used in the exercise on ‘economic norms’ 28 Annex 5 – Tasks ranked by perceived acceptability for men and for women in selected FGDs 30 Annex 6 – Full list of sayings that emerged around the division of work 31 Annex 7 – Reflections on the methodology 33 Feedback on the focus groups from facilitators and participants 33 Additional comments 33 References 34 2 Understanding norms around the gendered division of labour: Results from focus group discussions in Zimbabwe Overview of findings Oxfam’s Women’s Economic Empowerment and Care (WE- second describes evidence pointing to some desire for a Care) programme recognizes that the ‘heavy’ and ‘unequal’ more equitable distribution of work.
    [Show full text]
  • MUSICKING at HOME on the WOOD THAT SINGS: CONTEMPORARY MARIMBA PERFORMANCE PRACTICES in ZIMBABWE by WONDER MAGURAUSHE Submitted
    MUSICKING AT HOME ON THE WOOD THAT SINGS: CONTEMPORARY MARIMBA PERFORMANCE PRACTICES IN ZIMBABWE by WONDER MAGURAUSHE Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject MUSICOLOGY at the UNIVERSITY OF SOUTH AFRICA Supervisor: Professor Marc Duby JUNE 2017 Declaration I declare that MUSICKING AT HOME ON THE WOOD THAT SINGS: CONTEMPORARY MARIMBA PERFORMANCE PRACTICE IN ZIMBABWE is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. Initials and Surname: W. Maguraushe Student number: 55544681 Date: June 2017 ii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Professor Marc Duby for his visionary guidance and dedication, which kept me on radar throughout the compilation of this thesis. May the Lord bless you abundantly. To my family, thank you so much for enduring long periods without me as I travelled to attend to the demands of this research. Your support makes you my most prized companions. For making this study possible, I would like to acknowledge all my research participants; marimba performers, marimba makers, marimba music fans, and festival organisers. Your commitment to Zimbabwe marimba music performance practice has a reserved place in my heart. To Richard and Isaac, I say bravo! I am personally indebted to members of Rimba Resonance Vibes Ensemble for being such a wonderful band to work with. All of you are destined for dizzy heights in the world of marimba music performance; just keep on scaling! iii ABSTRACT This thesis explores the current state of marimba music performance practice in Zimbabwe.
    [Show full text]
  • 'The Rockstars' Announce the Most Influential Global
    ‘THE ROCKSTARS’ ANNOUNCE THE MOST INFLUENTIAL GLOBAL AFRICAN PERSONALITIES 2020 NOMINEES For Immediate Release: Monday, 17th February 2020 ‘The Rockstars’ nominations 2020 are in following a Pan African announcement tour seeing several African countries each reveal a set or part of the nominees for this year’s historic 1st ever African influencer awards. Among ‘The Rockstars’ 2020 nominees, Maître Gims, who’s from the Democratic Republic of Congo and France, received the most nominations with 16, including nominations in the two big categories of the major overall global African ‘Rockstar’ category, the ‘StarBoy’ category in addcategory for videos ition to nominations in categories ‘FacebookStar’, ‘Fandom’, ‘LiveStar’, ‘RapStar’, ‘Smashit’, ‘TwiiterStar’, ‘WorldStar’, ‘YouTubeStar’ and an unprecedented 6 nominations for the ‘Blockbuster’ achieving between over 200 million and 450 million views each to date, on his official YouTube channel. Nigerian superstar Wizkid received 15 nods, including nominations in the big categories of overall global African ‘Rockstar’, ‘Starboy’ in addition to ‘AfrobeatStar’, ‘Fandom’, ‘Gamechanger’, ‘InstaStar’, ‘LiveStar’, ‘MegaMusicVideo’, ‘TwitterStar’, ‘WorldStar’, ‘YouTubeStar’ and a double nomination for both ‘Blockbuster’ and ‘Smashit’ categories. Fellow Nigerian superstars Davido and Burna Boy each received 14 nominations. Davido received nominations in the big categories of overall global African ‘Rockstar’, ‘Starboy’ in addition to ‘AfrobeatStar’, ‘FacebookStar’, ‘Fandom’, ‘InstaStar’, ‘MegaMusicVideo’
    [Show full text]
  • Gukurahundi in Retrospect: Theatre Performance As a Cultural Public Sphere
    22 GUKURAHUNDI IN RETROSPECT: THEATRE PERFORMANCE AS A CULTURAL PUBLIC SPHERE Nkululeko Sibanda1 https://orcid.org/0000-0002-2950-7767 Abstract Resistance during Gukurahundi was virtually impossible especially in holding camps such as Bhalagwe and Matopo. Gukurahundi refers to the 1983-1987 period in Zimbabwean history characterised by an unconfirmed genocide of the Ndebele minority. Upon the deployment of the 5th Brigade in Matabeleland and some parts of Midlands, the government of the day closed off media access to these areas, banning access to journalists without formal permission. While some survivors of the holding camps and Gukurahundi brutality have over the years shared their experiences with family members, some have chosen to remain quiet. Out of the firsthand narratives from Gukurahundi emerging through various platforms, an ‘alternative’ narrative is beginning to infect public opinion and discourse. It is considered ‘alternative’ because it contests the official ‘moment of madness’ (GAIDZANWA, 2015) government meta-narrative. In this article, I examine Victory Siyanqoba’s Talitha Koum-Someone Lied! (here in after referred to as Talita Koum) as one instance of a cultural public sphere’s ability to give a voice to those who have lost theirs such as the survivors and their children in a manner that unsettles the past, bringing alternative narratives to the public and instigating debates and discourses around Gukurahundi. Keywords: Gukurahundi. Theatre performance. Talita Koum. Public sphere. GUKURAHUNDI EM RETROSPECTO: PERFORMANCE TEATRAL COMO ESFERA PÚBLICA CULTURAL Resumo Resistir durante o Gukurahundi era virtualmente impossível, especialmente em campos de detenção como Bhalagwe e Matopo. Até o lançamento da Quinta Brigada em Matabeleland e em algumas regiões centrais, o governo da época impediu o acesso da imprensa a essas áreas, banindo jornalistas sem permissão formal.
    [Show full text]
  • Zimbabwean Video Films As Alternative Cinema by Peace
    ZIMBABWEAN VIDEO FILMS AS ALTERNATIVE CINEMA BY PEACE MUKWARA A THESIS SUBMITTED TO THE DEPARTMENT OF THEATRE ARTS, UNIVERSITY OF ZIMBABWE, IN FULFILMENT OF THE REQUIREMENTS OF THE MASTER OF PHILOSOPHY DEGREE SUPERVISOR: PROFESSOR N MBOTI DR K CHIKONZO UNIVERSITY OF ZIMBABWE OCTOBER 2015 1 | P a g e Abstract This study examines the filmmaking practices of selected Zimbabwean video filmmakers across the filmmaking value chain in order to explore how they ‘negotiate’, ‘appropriate’, ‘contaminate’ and ‘violate’ mainstream conventional filmmaking modes. The analysis contextualizes conditions of production from concept to exhibition. Evidence is that filmmaking choices are framed as much by the aesthetics of filmmaking as by the resources that are available. Filmmaking and distribution occur mostly under the radar. The video filmmaker is a hybrid between a “guerilla” and a “hustler” who has adapted his/her means to create a “shoe-string” alternative cinematic practice. The study began with a historical outline of post-colonial film practice and how this did not allow a conducive environment for alternative ‘indigenous’ cinematic practice. It then proceeded to examine the nature of video film practice and its efficacy. The nature of video film practice was examined from concept to exhibition in terms of how video filmmakers navigate their way through the limitations of their resources-in the process creating an alternative cinematic movement. The study concluded by analyzing how the language and aesthetic orientation of the films constitute a hybrid alternative cinematic praxis. Through the lens of Hybridity and Third Cinema theories the researcher argues that as a new form of cultural expression, video film is Zimbabwe’s new ‘Alternative Cinema’ invented by innovative Zimbabweans in remapping the turbulent contours of a troubled post-colony.
    [Show full text]
  • Drivetorque JUNE 2021 | PAGE 2 Autonews Maker Dictionary
    AUTONEWS MAKER ISSUE NO. 006 DRIVEtorque @DRIVEtorque @DRIVEtorque Tawanda Sungai www.drivetorque.com C.E.O. - Road Angels The all new Haval Jolion arrives ▶ TAMY MOYO PARTNERS WITH ZIMOCO ▶ 2021 HYUNDAI SANTA FE ▶ TRITON SINGLE CAB Editor’s Dashboard WINTER chills. Thank God for modern heating systems in our Jolion, with a gorgeous exterior and delightful interior is vehicles. Fathers Day week!! pleasantly user friendly priced. The fast, huge and galloping GWM steed is a marvel, taking the Asian market by storm. To all you DRIVEtorque male readers, I salute you. You carry that crucial fathering mantle. Why not make it an effortless The venerable Prado and the reborn Defender pit it out. A peek lifestyle? I think there is so little appropriate celebration and into Ford’s Computer-aided design (CAD) and engineering recognition not only of the fathers, but of the fatherless too. (CAE) is decidedly surreal. DRIVEtorque fathers, what if you deliberately intentionally Our adventurous innovative Autonews Maker is Road Angels reached out? How about you spare a motoring experience, a CEO, Tawanda Sungai. We have a double treat with the drive treat, spend a little time with that fatherless child that unveiling of their new luxury carrier for roadside safe secure you know with a look of compassion, a touch, a laugh, a word protected assistance transportation. Enjoy. of encouragement for simply communicate …I got you!? The covid nuisance has reared its ugly head AGAIN!! Mask up. For June the soon to arrive stylish crossover SUV, the Haval Stay vigilant. Drive safe. Sanitise. Social distance. Drive safe .
    [Show full text]
  • Recentering the Borderlands: Matepe As Sacred Technology from the Mutapa State to the Age of Vapostori
    Recentering the Borderlands: Matepe as Sacred Technology from the Mutapa State to the Age of Vapostori Jocelyn Mory A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Patricia Shehan Campbell, Chair Christina Sunardi Laurel Sercombe Jennifer Kyker Program Authorized to Offer Degree: School of Music © Copyright 2021 Jocelyn Mory University of Washington Abstract Recentering the Borderlands: Matepe as Sacred Technology from the Mutapa State to the Age of Vapostori Jocelyn Mory Chair of the Supervisory Committee: Patricia Shehan Campbell School of Music Decolonial scholars insist that the work of decolonization must, at its core, involve understanding and dismantling the Western epistemologies that shape knowledge production in the academy. Historian Mhoze Chikowero identifies a particular scarcity narrative that is rooted in colonial sound archives and permeates current scholarship on African music (2015). His research, along with works by Andrew Mark (2017), shows how this scarcity narrative depicts Zimbabwean music in a state of constant decline and in need of “rescuing” by foreign NGOs and academics, thereby perpetuating foreign control over indigenous cultural property. In this dissertation I respond to Chikowero and Mark’s critical analyses of the scarcity narrative through a case study of matepe, a marginalized music tradition from the northeastern borderlands of Zimbabwe and central Mozambique. I provide a nuanced historical account of matepe music cultures that centers localized understandings of music sustainability and cultural adaptation based on archival, ethnographic, and applied methodologies. The main framework of this dissertation is based on the Nyahuna prophecy, a locally- specific prediction of cultural decline and recovery in northeastern Zimbabwe that was delivered by Nyahuna, a prominent mhondoro (clan) spirit of the Marembe people in 1958.
    [Show full text]
  • Faculty of Social Sciences Department of Music and Musicology
    MIDLANDS STATE UNIVERSITY FACULTY OF SOCIAL SCIENCES DEPARTMENT OF MUSIC AND MUSICOLOGY The impact of the colonial legacy on music performance, focusing on the Zimbabwe Republic Police Band By PATSON MANYAME (R14953Q) A dissertation submitted to the Faculty of Social Sciences in partial fulfilment of the requirements for Bachelor of Science (Honours) Degree in Music and Musicology Supervisor: Mr. R. Muranda November 2016 Approval Form The undersigned certify that they have read and recommended to the Midlands State University for Acceptance; a dissertation entitled “The impact of the colonial legacy on music performance, focusing on the Zimbabwe Republic Police band”, submitted by Manyame Patson in partial fulfillment of the requirements for the Bachelor of Science (Honours) Degree in Music and Musicology Supervisor: Mr. R. Muranda Signature………………………………………………………………. Date……………………………………………………………………. Programme co-coordinator ……………………………………………. Signature……………………………………………………………….. Date…………………………………………………………………….. External examiner……………………………………………………. Signature……………………………………………………………… Date…………………………………………………………………... i Dedication This dissertation is dedicated to my mother Jesca Mazhombwe for her unwavering support towards my education. ii Abstract It is undoubtedly that colonialism had a dominant and long-lasting impact on Africa hence it has continued to draw a lot of scholarly attention. The research’s main objective was to explore the impact of the colonial legacy on music performance and used the Zimbabwe Republic Police (ZRP) Band as a case study. The research gives a brief summary of the history of the band because its performance can neither be explained nor understood without first unravelling the historical context. The theoretical framework which informs the study is based on Modernisation and African Renaissance theories of development. To collect data, the researcher used interview, questionnaires, and observation.
    [Show full text]