DOCSLIB.ORG

Fortissimo 2014 Cannes Brochu

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fortissimo 2014 Cannes Brochu CANNESCANNES 20142014 CANNES 2014 LINE-UP CANNES 2014 LINE-UP CANNES FILM MARKET ANOTHER ME by Isabel Coixet BLACK COAL, THIN ICE by Diao Yinan GHADI by Amin Dora THE GREAT HYPNOTIST by Leste Chen INUMBER NUMBER by Donovan Marsh LOVE IS STRANGE by Ira Sachs THE MIDNIGHT AFTER by Fruit Chan UNFRIEND by Joselito Altarejos UPCOMING FILMS ACCUSED by Paula van der Oest ATLANTIC. by Jan-Willem van Ewijk CAMERA by James Leong DRIVING BACK FROM DUBBO by Sue Brooks FOODIES by Thomas Jackson, Charlotte Landelius, Henrik Stockare HOW TO TALK TO GIRLS AT PARTIES by John Cameron Mitchell LAST SUMMER by Leonardo Guerra Seràgnoli SCHNEIDER VS. BAX by Alex van Warmerdam SUNSET SONG by Terence Davies THE TIME OF THEIR LIVES by Roger Goldby CURRENT FILMS DJINN by Tobe Hooper FINAL RECIPE by Gina Kim KISS THE WATER by Eric Steel LINSANITY by Evan Jackson Leong RIGOR MORTIS by Juno Mak SIDDHARTH by Richie Mehta MY LIFE WITHOUT ME (2003) THE SECRET LIFE OF WORDS (2005) PARIS, JE T'AIME (SEGMENT "BASTILLE") (2006) ELEGY (2008) MAP OF THE SOUNDS OF TOKYO (2013) NEVERYESTERDAY ENDS (2013) DIRECTOR'S SELECTED FILMOGRAPHY: steal not just her identity, but also her life. stalked amysterious by “double” who is out to unravelto when she suspects that she’s being whose once seemingly perfect life slowly begins played Sophie by Fay (Game of Thrones) Turner a psychological thriller about ateenage girl, selling novel “Panda Catherine by Eyes” MacPhail; SYNOPSIS: Geraldine Chaplin Leonor Watling, Jonathan Meyers, Rhys Ifans,Rhys Claire Forlani, Gregg Sulkin, CAST: OFFICIAL SELECTION: Spain, UK /2013 /86' /English /Mystery, Thriller Isabel Coixet ANOTHER ME CASTING BY SAM JONES SAM WITH THE SUPPORT OF THE SUPPORT WITH PRODUCTION PRODUCTION DESIGNER MARIE LANNA MARIE LANNA CDG FOX INTERNATIONAL PRODUCTIONS RAINY DAY FILMS TORNASOL FILMS TORNASOL FILMS DAY RAINY PRODUCTIONS INTERNATIONAL FOX ICEC ICEC BASED ONTHE BASED A RAINY DAY FILMS TORNASOL FILMS FOX INTERNATIONAL PRODUCTIONS INTERNATIONAL FOX FILMS TORNASOL FILMS DAY RAINY CATHY MACPHAIL MACPHAIL CATHY NOVEL BY PHOTOGRAPHY DIRECTOR DIRECTOR OF JEAN CLAUDE LARRIEU CLAUDE JEAN COSTUME COSTUME DESIGNERS REBECCA GORE CERI WALFORD GORECERIWALFORD REBECCA AFC Sophie (Game of Thrones), Turner EXECUTIVE EXECUTIVE PRODUCERS STEVE MILNE CHRISTIAN EISENBEISS KEITH POTTER SARAH GOLDING CATHY MACPHAIL GERARDO HERRERO KATHERINE ARMFELT ARMFELT HERREROKATHERINE GERARDO MACPHAIL CATHY GOLDING SARAH POTTER EISENBEISSKEITH CHRISTIAN MILNE STEVE HAIR AND PRESENT WITH THE PARTICIPATION OF THE PARTICIPATION WITH PRESENT MAKE-UP DESIGNER JO EVANS JOEVANS PROPERTY OFFOX.PROMOTIONAL USEONLY. SALE,DUPLICATION OROTHER TRANSFER OF THIS MATERIAL ISSTRICTLY PROHIBITED. PRODUCTION A FILM BY BY AFILM PRODUCTION PRODUCTION SOUND MIXER ALBERT GAY GAY ALBERT ISABEL COIXET SOPHIE TURNER RHYS IFANS CLAIRE FORLANI GREGG SULKIN LEONOR WATLING LEONOR SULKIN GREGG FORLANI CLAIRE IFANS COIXETSOPHIE TURNERRHYS ISABEL TVE IN ASSOCIATION WITH WITH INASSOCIATION SUPERVISOR MUSIC BECKY BENTHAM ”YOU HAUNT ME” HAUNT ”YOU BENTHAM BECKY BRITISH FILM COMPANY FILM AGENCY FORWALES AGENCY FILM COMPANY FILM BRITISH WRITTEN WRITTEN AND COPYRIGHT ©2013 TWENTIETH CENTURY FOX DIRECTED DIRECTED BY ANOTHER ME is based on the best ISABEL COIXET ISABEL BY RICHARD HAWLEY RICHARD HAWLEY WITH THE SUPPORT OF THE SUPPORT WITH MUSIC COMPOSED AND CONDUCTED BY AND CONDUCTED MICHAEL PRICE MICHAEL ICAA WITH FU WITH PRODUCED VV BY REBEKAH GILBERTSON NICOLE CARMEN-DAVIS MARIELA BESUIEVSKY BESUIEVSKY MARIELA CARMEN-DAVIS NICOLE GILBERTSON REBEKAH ITH THE PARTICIPATION OF THE PARTICIPATION ITH WITH WITH PRODUCERS JONATHAN RHYS MEYERS RHYS JONATHAN CO- EUGENIO PÉREZ CLARE MACLEAN MACLEAN CLARE EUGENIOPÉREZ CANAL + CANAL IN CO-PRODUCTION WITH WITH INCO-PRODUCTION AND GERALDINE CHAPLIN ‘ANOTHER ME’ ‘ANOTHER CHAPLIN GERALDINE MESSIDOR FILMS MESSIDOR EDITORS PETER LAMBERT ELENA RUIZ ELENA PETERLAMBERT Rome, Competition Rome, ISO 12647-7 Digital Control Strip 2009 3% A 100 60 100 70 30 100 60 100 70 30 100 60 100 70 30 100 40 40 100 40 100 40 70 40 70 40 40 40 70 40 40 70 40 70 40 40 3 10 25 50 75 90 100 Job Sub Customer Date Proof L/S Dmax File Name 301593 1 FOX 12-08-13 1 175 340 id2 Job Description Build% Final Size ANOTHER ME FOX INTL ONE-SHEET 100 27" x 40" B 100 100 60 100 100 70 70 30 30 100 100 60 100 100 70 70 30 30 100 100 60 100 100 70 70 30 30 100 40 100 40 40 100 10 40 40 20 70 70 70 70 40 70 40 40 0 0 0 0 3.1 2.2 2.2 10.2 7.4 7.4 25 19 19 50 40 40 75 66 66 100 100 100 80 70 70 100 BLACK CYAN MAGENTA YELLOW PAN BLACK COAL, THIN ICE Diao Yinan China, Hong Kong / 2014 / 106’ / Mandarin / Crime Thriller, Drama OFFICIAL SELECTIONS: Berlinale, Tribeca, Sydney, Istanbul, Hong Kong, Udine Far East Festival AWARDS: Berlinale Golden Bear Best Film, Berlinale Silver Bear Best Actor CAST: LIAO Fan, GWEI Lun Mei, WANG Xuebing, WANG Jingchun, YU Ailei, NI Jingyang SYNOPSIS: Ex-cop Zhang Zili, seriously wounded five years earlier while working on a gruesome coal-plant murder case, was forced to retire from the police force due to his injuries, and yet the case was never solved. Now five years have passed and the killer strikes again. Zhang, now a miserable factory security guard is determined to redeem himself and solve the case on his own. After his investigation, he discovers that all of the victims seem to be related to a mysterious woman named Wu Zhizhen who works in a laundrette. Hoping to find more clues, Zhang starts going to the shop to talk to Wu, and ends up falling in love with her. However, in uncovering the truth he finds himself in great danger. DIRECTOR'S FILMOGRAPHY: NIGHT TRAIN (2007) UNIFORM (2003) GHADI Amin Dora Lebanon, Qatar / 2013 / 100' / Arabic / Family, Comedy STATUS: Completed CAST: Georges Khabbaz, Lara Rain, Emmanuel Khairallah, Camille Salameh, Rodrigue Sleiman, Samir Youssef, Caroline Labaki, Giselle Boueiz SYNOPSIS: In a small neighborhood of a traditional Lebanese coastal town, the town’s beloved music teacher Leba (Georges Khabbaz), marries Lara, his childhood sweetheart. After having two beautiful daughters, Yara and Sarah, their son, Ghadi is born. While they have the full support of their friends, family, and colleagues, Ghadi is born into the world as a special needs child. As he grows into a young boy, he spends most of his time at the window trying to imitate his father’s singing, but yielding mostly unintelligible sounds which disturb and scare the neighbors. Without any understanding of his condition, the townspeople start calling Ghadi a “demon”, and later get together to launch a petition to evict him and his parents from the town. Not accepting of this nor wanting to send his son away to an institution, Leba and his friends must figure out a way to convince their neighbors to change their minds about his young son. Their solution is genius, heartwarming and redemptive. DIRECTOR'S SELECTED FILMOGRAPHY: SHANKABOOT (2010, Web Series) THE GREAT HYPNOTIST Leste Chen China / 2014 / 100' / Mandarin / Mystery, Thriller OFFICIAL SELECTIONS: Beijing (closing film) CAST: XU Zheng, Karen MOK SYNOPSIS: Xu Ruining (Xu Zheng), a nationally renowned therapist incredibly skilled in hypnotherapy. But when his career takes off, he meets a patient named Ren Xiaoyan (Karen Mok) who brings him a complex problem. Xu Ruining discovers that with this particular case, the struggle between the doctor and the patient isn’t as easy as he’d expected. Despite her thin and weak appearance, Ren Xiaoyan always reacts violently to any problems with Xu Ruining. He wonders what exactly makes her closed-off to everyone. Is it from a painful memory in her childhood or the ring mark still visible on her middle finger? While sparing no efforts to figure out what has happened, he finds himself falling into a horrible trap… DIRECTOR'S FILMOGRAPHY: SAY YES (2013) LOVE ON CREDIT (2011) ETERNAL SUMMER (2006) THE HEIRLOOM (2005) iNUMBER NUMBER Donovan Marsh South Africa / 2013 / 96’ / Zulu / Police Action, Thriller OFFICIAL SELECTIONS: Toronto, Buenos Aires (Bafici), Istanbul, Mooov, Transilvania CAST: S'dumo Mtshali, Presley Chweneyagae, Israel Makoe, Owen Sejake SYNOPSIS: When honest undercover cop Chili Ngcobo (winner of the TV Talent show, ‘Class Act’, S’dumo Mtshali), and his by-the-book partner, Sello ‘Shoes’ Moshoeshoe (lead actor of the Oscar Winning film ‘Tsotsi’, Presley Chweneyagae), are cheated out of a large reward by their corrupt superiors, Chili finds another way of getting the money he feels they deserve. Chili penetrates a cash-in-transit heist gang, and instead of busting them, convinces his partner to participate in a once off score. DIRECTOR'S SELECTED FILMOGRAPHY: SPUD 2: THE MADNESS CONTINUES (2013) SPUD (2010) QUOTE: “iNUMBER NUMBER Brings Reservoir Dogs To South Africa. A bristling action movie with stunning performances, beautifully staged action moments, and an elegantly simple plot.” - Twitch.com, Jason Gorber LOVE IS STRANGE Ira Sachs USA / 2014 / 100' / English / Dramatic Comedy OFFICIAL SELECTIONS: Sundance, Berlin Panorama Special, Tribeca CAST: John Lithgow, Alfred Molina, Marisa Tomei, Charlie Tahan, Cheyenne Jackson, Manny Perez, Darren Burrows SYNOPSIS: After 39 years together, Ben (73) and George (63) take advantage of the new marriage laws and tie the knot in a garden wedding in lower Manhattan. On the return from their honeymoon, however, and on account of their publicized vows, George gets fired from his longtime job as a choir director for a co-ed Catholic school. Suddenly, with no real income nor savings to count on, the couple finds that they can’t afford the mortgage on their small Chelsea apartment and they have to sell and move out only days after they have gathered to celebrate the happy occasion.
Load more

Recommended publications
  • Lucia De B. (2014) - Imdb 2015-01-05 21:43
    Lucia de B. (2014) - IMDb 2015-01-05 21:43 IMDb Find Movies, TV shows, Celebrities and more... All | IMDb Apps | Help Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Login SEE RANK Lucia de B. (2014) Quick Links 97 min - Drama - 3 April 2014 (Netherlands) Full Cast and Crew Plot Summary Trivia Parents Guide Your rating: -/10 Quotes User Reviews 7,2 Ratings: 7,2/10 from 1 116 users Awards Release Dates Reviews: 2 user | 17 critic Message Board Company Credits A psychological thriller, based on one of the most Explore More controversial court cases in the Netherlands. Lucia, a nurse, is sentenced to life imprisonment for allegedly having killed at least seven... See full summary » Editors' Spotlight Director: Paula van der Oest IMDb Picks: January Writers: Moniek Kramer, Tijs van Marle IMDb's editors share the movies and TV Stars: Barry Atsma, Fedja van Huêt, Marwan Kenzari | shows they are excited to see in January. See full cast and crew » Contact the Filmmakers on IMDbPro » + Watchlist Share... 1 win & 1 nomination. See more awards » IMDb Picks: January » People who liked this also liked... Learn more Simindis kundzuli (2014) Like 374 people like this. Be the first of your friends. Drama 8,1/10 The river creates and the river destroys in an eternal cycle that even man can't escape. Related News ‘Ida,’ ‘Leviathan,’ ‘Force Majeure’ On Shortlist for Foreign Language Oscar Race 19 December 2014 6:42 PM, +01:00 | Variety - Film News Add to Watchlist ‘Ida,’ ‘Force Majeure’ and ‘Leviathan’ Next » Director: George Ovashvili Make Oscar’s Foreign Language ◄ Prev 6 Next 6 ► Stars: Ilyas Salman, Tamer Levent, … Shortlist 19 December 2014 6:18 PM, +01:00 | The Wrap Cast Edit Corn Island, Accused enter Oscar race Credited cast: 5 September 2014 4:59 PM, +01:00 | ScreenDaily Barry Atsma ..
    [Show full text]
  • N Ed Erla N D S Film Fo N
    NEDERLANDS FILMFONDS JAARVERSLAG 2011 INHOUDSOPGAVE INHOUDSOPGAVE PAGINA 4 PAGINA 60 inleiding 5 Bijlagen HET JAAR KERNCIJFERS PAGINA 64 PAGINA 12 BIJLAGE 1 1 Beleid RAAD VAN TOEZICHT, ADVISEURS EN FONDSbuREAU PROFESSIONALISERING PAGINA 67 TALENTONTWIKKELING BIJLAGE 2 INNOVATIE KERNCIJFERS PROJECTEN INTERNATIONALISERING PAGINA 71 BIJLAGE 3 PAGINA 24 2 JAAROVERZiCHT TOEGEWEZEN BIJDRAGEN FILMPROJECTEN 2011 (€) SPEELFILM PAGINA 99 DOCUMENTAIRE BIJLAGE 4 ANIMATIE TOEGEWEZEN BIJDRAGEN ACTIVITEITEN 2011 (€) jaarverslag 2011 jaarverslag EXPERIMENTELE FILM PAGINA 104 nederlands filmfonds nederlands DISTRIBUTIE BIJLAGE 5 ACTIVITEITEN FINANCIERINGSOVERZICHTEN PAGINA 111 PAGINA 42 BIJLAGE 6 3 WerKWijZe IN ROULATIE/IN PREMIÈRE PAGINA 117 PAGINA 48 BIJLAGE 7 4 BESTUUr en ORGANISATie BEHANDELDE BEZWAARSCHRIFTEN 2011 ORGANOGRAM ADMINISTRATIEVE ORGANISATIE EN REGELGEVING CULTURAL GOVERNANCE BEZWAARPROCEduRE COMMUNICATIE EN VERANTWOORDING 2 3 INLEIDING HET JAAR 2011 gedraaide films bedraagt 75 miljoen, een stijging van inleiding 24% ten opzichte van het voorgaande jaar. Zo’n 90% van de Nederlandse filmproducties komt tot stand met een bijdrage van het Filmfonds. 1 euro Filmfondsinvestering genereert daarbij het drievoudige aan productie-investe- ringen en levert tevens 3,20 euro aan inkomsten op. Dit blijkt uit de Quickscan economische kerncijfers Nederlandse filmsector en filmproductie, in de zomer uitgevoerd door Stichting Filmonderzoek in samenwerking met Paul Verstraeten Communicatie, in opdracht van het Nederlands Filmfonds en EYE Filminstituut Nederland. Na een intensief jaar van voorbereiding en afstemming met de sector en het ministerie implementeert het Fonds medio 2011 de nieuwe regelgeving. Daarnaast voert het Fonds verbeteringen door in de interne organisatie, wordt een nieuw subsidiemanagementsysteem in gebruik genomen HET JAAR en kunnen aanvragen sinds het najaar van 2011 digitaal 2011 is een jaar van records voor de Nederlandse film.
    [Show full text]
  • Walter Salles
    Selenium Films / A Contracorriente films / Altiro Films Original title: “La contadora de películas” A film by Isabel Coixet Screenplay by Walter Salles & Isabel Coixet Based on the novel «La Contadora de Películas» of Hernán Rivera Letelier This is the captivating story of Maria Margarita, The story develops hand in hand with a young girl who lives in a mining town nestled relevant cultural events in the history of in the heart of Chile's Atacama Desert in the the town, like the arrival and success of 60s. She has a very special gift — an almost un- cinema exhibition, followed by its decline canny ability to retell movies. Her talent and as the TV arrives. On a broader passion soon spread beyond her impoverished perspective, ‘The Movie-Teller’ portrays the family circle — five siblings and their disabled decay of the historical salt-peter mining father confined to a wheel-chair, who can only towns in the North of Chile. The film afford a ticket for one at the local movie thea- reveals the untold memories buried deep tre— to reach the whole community. People get in our historical roots; we are taught how together to listen Maria Margarita with delight all the dreams and hopes of ordinary and amusement, so they can forget the harsh people are ultimately subjected to the routines of their day-to-day lives. tyranny of fate. « I was immediately touched « It has all the elements by its profound humanity, that fascinate me and that by the innate capacity to blend make me love cinema humor and drama, and, of course, above all things » by its utter passion for film » _ _ Isabel Coixet Walter Salles Production storytelling.
    [Show full text]
  • Untitled Warrior Olympics Project, for Neal Moritz and Sony; San Andreas 2, with New Line; and Rampage, Also Through New Line, with Dwayne Johnson Attached to Star
    Short Synopsis After a single-mother (Carice van Houten) witnesses terrifying symptoms of demonic possession in her 11-year-old son (David Mazouz), a Vatican representative (Catalina Sandino Moreno) calls on wheelchair-bound scientist Dr. Seth Ember (Aaron Eckhart) to rid him of the evil spirit. Driven by a personal agenda rooted in his own tragic past, Ember enters the boy’s unconscious mind where he confronts a demon as ferocious as it is ingenious. Long Synopsis Eleven-year-old Cameron (David Mazouz) alarms his single mother Lindsay (Carice van Houten) when he begins isolating himself on the floor of his dark room, speaking in ancient languages and displaying other symptoms of demonic possession. Alerted to the situation, Vatican representative Camilla (Catalina Sandino Moreno) recruits wheelchair- bound scientist Dr. Seth Ember (Aaron Eckhart) to extract the evil spirit from the boy. A non-believer who drinks, smokes and prefers to think of his work as “eviction” rather than exorcism, Ember sets up shop with high-tech assistants Riley (Emily Jackson) and Oliver (Keir O’Donnell). Strapped into a life-support system, he enters Cameron’s subconscious mind, where the demon holds the boy captive in an imaginary dream world by appealing to his deepest desire: to be reunited with his estranged father Dan (Matt Nable). Driven by tragic events in his own traumatic past, Ember engages in a fierce battle with the crafty spirit. Ever mindful that the demon, known as “Maggie,” travels from one victim to the next through physical contact, Ember knows that his desperate attempt to save Cameron’s soul could make him the demon’s next host.
    [Show full text]
  • Filmart 2014 №1
    DAILY MARCH 24, FILMART 2014 №1 THR.COM/FILMART China_3D_cover_Day1.indd 1 3/21/14 3:18 PM ASIAN PREMIERE INTERNATIONAL MARKET PREMIERE Mon, 24th Mar. Mon,/ 16:00 24th /Mar. AMC / 16:00 Pacific / AMC 4 Pacific/ By Invitation4 / Market (BY INVITATION ONLY) Tue, 25th Mar. / 10:00 / AMC Pacific 1 / By Invitation Tue, 25th Mar. / 10:00 / AMC Pacific 1 / Market (BY INVITATION ONLY) Fortissimo Films HKIFF + HK Filmart Booth: 1E - B09 To set up a meeting with us, please e-mail to [email protected] HK 2014_THR_another me.indd 1 2014/3/19 �� 8:32 Fortissimo FP_Day1.indd 1 3/19/14 11:18 AM MARCH 24, 2014 THR.COM/FILMART FILMART №1 HONG KONG TODAY TOMORROW WEATHER AND HIGH 73° F 71° F TEMPS 23° C 22° C IP MAN 3 Chinese Movie Boom Boosts Filmart KICKS INTO An increased presence from the Mainland sparks optimism among dealmakers hoping to HIGH GEAR grab a larger slice of the world’s fastest-growing film marketBy Clifford Coonan and Karen Chu By Karen Chu ong Kong Filmart is already Asia’s largest wait and see. It’s a curtain raiser for Cannes and egasus Motion Pictures film market in terms of exhibitor numbers, advance showcase for upcoming projects, and it is will begin filming Ip H but coming shortly before Cannes, it is increasingly well attended.” P Man 3 in early 2015. an annual challenge to convince buyers to open But the growing allure of Chinese-language With a budget of $30 mil- their wallets in Asia, rather than wait for the bigger movies makes Filmart ever more important to lion, the finale of the trilogy, European platform.
    [Show full text]
  • From Shadow Citizens to Teflon Stars
    From shadow citizens to teflon stars cultural responses to the digital actor L i s a B o d e A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy September 2004 School of Theatre, Film and Dance University of New South Wales Abstract This thesis examines an intermittent uncanniness that emerges in cultural responses to new image technologies, most recently in some impressions of the digital actor. The history of image technologies is punctuated by moments of fleeting strangeness: from Maxim Gorky’s reading of the cinematographic image in terms of “cursed grey shadows,” to recent renderings of the computer-generated cast of Final Fantasy: The Spirits Within as silicon-skinned mannequins. It is not merely the image’s unfamiliar and new aesthetics that render it uncanny. Rather, the image is received within a cultural framework where its perceived strangeness speaks allegorically of what it means to be human at that historical moment. In various ways Walter Benjamin, Anson Rabinbach and N. Katherine Hayles have claimed that the notion and the experience of “being human” is continuously transformed through processes related to different stages of modernity including rational thought, industrialisation, urbanisation, media and technology. In elaborating this argument, each of the four chapters is organized around the elucidation of a particular motif: “dummy,” “siren,” “doppelgänger” and “resurrection.” These motifs circulate through discourses on different categories of digital actor, from those conceived without physical referents to those that are created as digital likenesses of living or dead celebrities. These cultural responses suggest that even while writers on the digital actor are speculating about the future, they are engaging with ideas about life, death and identity that are very old and very ambivalent.
    [Show full text]
  • Last Tango in Paris (1972) Dramas Bernardo Bertolucci
    S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 .
    [Show full text]
  • NL Film by Paula Van Der Oest
    NL Film presents TONIO By Paula van der Oest INTERNATIONAL SALES Dutch Features Global Entertainment Hogeweg 56D, 2042 GJ, Zandvoort +31 23 888 0168 [email protected] www.dutchfeatures.com TONIO Directed by Paula van der Oest The Netherlands/2016/100 minutes/Dutch/Drama Film Specs: Production countrie(s): The Netherlands Year: 2016 Language: Dutch Genre: Drama Subtitle Language: English Format: DCP Running Time: 100 minutes Color/Bw: Color Frame Rate: 24fsp Sound Ratio: 5:1 Credits: Directed by Paula van der Oest Screenplay: Hugo Heinen Producer(s): Alain de Levita, Sytze van der Laan Director of Photography: Guido van Gennep Production Design: Harry Ammerlaan Editor: Sander Vos Music: Fons Merkies Costume Design: Lotte Noordermeer Makeup: Marly van der Wardt Sound Design: Simone Galavazi Casting: Kemna Casting TONIO is a production of NL Film, in coproduction with NTR, Zilvermeer Productions, Nanook Entertainment Based in the Bestseller of the same title as A.F.T. van der Heijden Copyright Notice: ©2016 NL Film Main Cast: Adri Pierre Bokma Mirjam Rifka Lodeizen Tonio Chris Peters Jenny Stefanie van Leersum Wies Beppie Melissen Nathan Henri Garcin Hinde Pauline Greidanus Goscha Marieke Giebels Dennis Tim Sober Jim Tarik Moree LOGLINE/TAGLINE A compelling and hard-hitting drama about two parents who have to face their biggest loss. A loss that will change their lives forever. SYNOPSIS On 23 May 2010, 21-year-old Tonio van der Heijden is hit by a car and taken to hospital in a critical condition, where he then dies. The lives of his parents, who watch their son die in intensive care, are transformed forever.
    [Show full text]
  • “China Factor” in Contemporary Hong Kong Genre Cinema
    Concentric: Literary and Cultural Studies 46.1 March 2020: 11-37 DOI: 10.6240/concentric.lit.202003_46(1).0002 Re-Negotiations of the “China Factor” in Contemporary Hong Kong Genre Cinema Ting-Ying Lin Department of Information and Communication Tamkang University, Taiwan Abstract Given the long-existing and multifaceted negotiations of the “China factor” in Hong Kong film history, this article centers on the political function of genre films by exploring how contemporary Hong Kong filmmakers utilize filmmaking as a flexible strategy to re-negotiate and reflect on the China factor concerning current post-handover political dynamics. By focusing on several recent Hong Kong genre films as case studies, it examines how the China factor is negotiated in Vulgaria (低俗喜劇 Disu xiju, 2012) and The Midnight After (那夜凌晨，我坐上了旺角開往大埔的紅 VAN Naye lingchen, wo zuoshang le Wangjiao kaiwang Dapu de hong van, 2014), considering the politics of languages alongside the imaginary of the disappearance of Hong Kong’s local cultures in the post-handover era. It also highlights two post-Umbrella- Revolution films, Trivisa ( 樹大招風 Shuda zhaofeng, 2016) and The Mobfathers (選老頂 Xuan lao ding, 2016), to explore how the China factor is negotiated in light of the collective anxieties of Hongkongers regarding the handover and controversies in the current electoral system of Hong Kong. By doing so, this article argues that the re-negotiations of the China factor in contemporary Hong Kong genre cinema have become more and more politically reflexive given the increasingly severe political interference of the Beijing sovereignty that has violated the autonomy of Hong Kong, while forming a discourse of resistance of Hongkongers against possible neo- colonialism from the Chinese authorities in the postcolonial city.
    [Show full text]
  • Oprichtingsleden
    Oprichtingsleden De 232 oprichtingsleden van de Dutch Academy For Film op 24 juni 2013: Robert Alberdingk Thijm / Peter Alderliesten / Willeke van Ammelrooy / Harry Ammerlaan / Threes Anna / Urszula Antoniak / John Appel / Barry Atsma / Peter de Baan / Dragan Bakema / Marc Bechtold / Rudolf van den Berg / Marlou van den Berge / Ike Bertels / Ingeborg Beugel / Willem de Beukelaar / Ger Beukenkamp / Antoinette Beumer / Theo Bierkens / Marc van de Bijl / Marnie Blok / Anneke Blok / Peter Blok / Wilant Boekelman / Leo de Boer / Pieter Walther Boer / Menno Boerema / Marjoleine Boonstra / Marion Boot / Paul van de Bos / Tamara Bos / Colette Bothof / Daniel Bouquet / Nouchka van Brakel / Barbara Bredero / Pieter Jan Brugge / Peter Brugman / Elsje de Bruin / Erik de Bruyn / Guur Buddenberg / Job ter Burg / Richard Claus / Paul Cohen / Antoin Cox / Ton Crone / Carine Crutzen / Roel van Dalen / Deborah van Dam / Roy Dames / Danniel Danniel / Victor Dekker / Peter Delpeut / Jacob Derwig / Arno Dierickx / Jose van Doorn / Wilbert van Dorp / Anna Drijver / Andre van Duren / Simone van Dusseldorp / Don Duyns / Cecile van Eijk / Jan Eilander / Tom Erisman / Michiel van Erp / Tom Fassaert / Bruno Felix / Peter Flamman / Pieter Fleury / Simone Galavazi / Winnie Gallis / Marco van Geffen / Guido van Gennep / Frans van Gestel / Ramon Gieling / Goert Giltay / Marc Glynne / Petra Goedings / Carin Goeijers / Annemiek van Gorp / Jessica Gorter / Job Gosschalk / Jeanette Groenendaal / Rimko Haanstra / Norbert ter Hall / Rutger Hauer / Hans Heijnen / Matthijs
    [Show full text]
  • Univerzita Palackého V Olomouci Filozofická Fakulta
    UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA DIVADELNÍCH, FILMOVÝCH A MEDIÁLNÍCH STUDIÍ Bakalářská práce 2 3 Obsah ......................................................................................................................... 4 1. Úvod .................................................................................................................. 5 2. Biografie .......................................................................................................... 10 2.1. Generace filmových tvůrců Theo van Gogha ................................................ 12 3. Rozbory ............................................................................................................ 14 3.1. 06 ....................................................................................................................... 14 3.2. Blind Date ......................................................................................................... 16 3.3. De Pijnbank ...................................................................................................... 21 3.4. Baby Blue .......................................................................................................... 24 3.5. Interview ........................................................................................................... 37 3.6. Podřízení (2004) ............................................................................................... 42 3.6.1. Ayaan Hirsi Ali ........................................................................................................
    [Show full text]
  • How Satyajit Ray's Kanchenjungha Inspired Me to Make My Own
    How Satyajit Ray’s Kanchenjungha Inspired Me to Make My Own Mountain Movie Writer-director Ira Sachs on the underappreciated Indian classic which sparked the idea for his forthcoming film, Frankie. By Ira Sachs | Talkhouse, September 10, 2019 Sometimes a movie won’t let you go. In April of 2009, I first saw Satyajit Ray’s Kanchenjungha as part of a week-long retrospective of his films at the Film Society of Lincoln Center. Released in 1962, and Ray’s first color film, it tells the story of a wealthy Bengali family on a vacation in a Himalayan mountain resort and takes place in the course off one single day – almost as if in real time – from morning to late afternoon. The narrative weaves together the stories of nine different characters but is built around one central marriage plot: will the single daughter in the family marry the right or the wrong suitor? The movie drifts gracefully between the different characters, not unlike the clouds that cover the mountaintop that the family patriarch is hoping to get a glimpse of before the day, and the film, is over. Nothing happens, and everything seems to happen, and by the final moment of the film, as the clouds part, and the white peaks of Kanchengjungha are revealed to the cinema audience alone (the characters in the film are too busy to notice), Ray has created one of his most indelible works. At the time of its release in the U.S., four years after its premiere, Kanchenjungha was received coolly by the critics.
    [Show full text]