LONDON BOOK FAIR 2018 RIGHTS GUIDE Foreign Rights Contacts

Total Page:16

File Type:pdf, Size:1020Kb

LONDON BOOK FAIR 2018 RIGHTS GUIDE Foreign Rights Contacts CROWN HARMONY BOOKS RODALE CURRENCY HOGARTH SJP FOR HOGARTH CROWN ARCHETYPE TIM DUGGAN BOOKS THREE RIVERS PRESS BROADWAY BOOKS LONDON BOOK FAIR 2018 RIGHTS GUIDE Foreign Rights Contacts Lance Fitzgerald Vice President, Director, Subsidiary Rights Tel: 212-572-2060 Fax: 212-572-6003 E-mail: [email protected] Rachel Berkowitz Associate Director, Foreign Rights Tel: 212-782-9771 Fax: 212-572-6003 E-mail: [email protected] Claire Posner Associate Manager, Foreign Rights Tel: 212-572-2337 Fax: 212-572-6003 E-mail: [email protected] 1 Crown Established in 1933, the Crown imprint is a leading publisher of bestselling fiction and critically acclaimed narrative nonfiction in categories that include biography and memoir, history, science, politics, and current events. Bestselling authors on our nonfiction list include President Barack Obama and First Lady Michelle Obama, President George W. Bush, Erik Larson, Tom Reiss, Rebecca Skloot, Rachel Maddow, Peter Bergen, David Sanger, Ben Macintyre, Susan Cain, and Gretchen Rubin. Our bestselling fiction authors include Gillian Flynn, Ernest Cline, Andy Weir, Rosamund Lupton, Miranda Beverly-Whittemore, Chris Pavone, Michelle Moran, and Jean M. Auel. 2 Fiction Highlights THE LOST NIGHT Andrea Bartz March 2019 Rights: World Journalist Andrea Bartz’s psychological suspense novel The Lost Night,pitchedasLuckiest Girl Alive meets HBO’s GIRLS, revolves around a woman whose group of friends scatters after a tragic suicide at a labyrinthine “hipster” loft in Brooklyn in 2008. Ten years later, a chance reunion between two of the surviving friends leads Lindsay, now 33 and well beyond the artistic, yearning hipster phase of her early twenties, to start questioning if there was more to her friend’s death than the police concluded at the time. This sets her off on a search through her old technology, her long-held assumptions, and the truth about her own past that she’s been trying to outrun. The Lost Night captures that incredibly singular moment in a young person’s life when she’s on her own for the first time. Her new city is everything, and the world of friendship dramas and relationships feels so important and crucial and everlasting… and yet, of course, is impossible to sustain. Andrea Bartz is a well-established freelance journalist and former editor at Glamour, Self, Martha Stewart Living, Fit Pregnancy, Psychology Today, and Natural Health. She is the co-author of the 2010 nonfiction blog-to-book Stuff Hipsters Hate. http://www.andreabartz.com/ Rights sold: Diana/Heyne (Germany) 3 THE GREY BASTARDS Jonathan French June 2018 Rights: World The first of two books, a raucous, bawdy, blood-soaked adventure fantasy debut that’s The Lord of the Rings reimagined by way of Sons of Anarchy--perfect for fans of Mark Lawrence, Joe Abercrombie, or Scott Lynch. Jackal is proud to be a Grey Bastard, a member of a sworn brotherhood of half-orcs. Unloved and unwanted in civilized society, the Bastards eke out a hard life in the desolate no-man’s-land called the Lots, protecting frail and noble human civilization from invading bands of vicious full-blooded orcs. But as Jackal is soon to learn, his pride may be misplaced. Because a dark secret lies at the heart of the Bastards' existence--one that reveals a horrifying truth behind humanity's tenuous peace with the orcs, and exposes a grave danger on the horizon. On the heels of the ultimate betrayal, Jackal must scrambletostopadevastatinginvasion--evenas he wonders where his true loyalties lie. Jonathan French resides in Atlanta with his wife, son, and cat. This is his first novel. Rights sold: Host Vydavatelstvi (Czech Republic), Little, Brown (UK) Book Two by Jonathan French True Bastards coming in 2019! * * * 4 WUNDERLAND Jennifer Cody Epstein April 2019 Rights: World English (Translation rights with International Creative Management) An intimate portrait of a friendship severed by history, and a sweeping saga of wartime, motherhood, and legacy by an award-winning novelist. It's 1989 in New York City, and Ava Fischer is a mess: she's broke, her teenage daughter is barely speaking to her, and her estranged mother's ashes have just arrived from Germany by mail. Things were never easy between Ava and her mother Ilse. Throughout Ava's childhood in Germany, first in an orphanage after World War II and then in Ilse's care, too many unspoken secrets hovered between them: Who was Ava's father? Why won't her mother tell her anything about him? And what exactly was Ilse doing during the war? In a trove of unsent letters that arrive with Ilse's ashes, written to her childhood best friend, Renate, Ava begins to find her answers, sending her spiraling deep into the past of the mother she never truly knew. It's 1933 in Berlin. Two young girls, Renate and Ilse, meet at school and become inseparable friends. Bonded by their utual bookishness, Ilse is the confident mischief-maker to Renate's brainy klutz. But as the Nazi party tightens its grip on the city, the two girls find their friendship torn apart by the NurembergLaws.AndasIlseisincreasingly drawn in by the Hitler Youth movement and its promise of a Germany restored to greatness, Renate is forced to confront a family secret long since buried, and one friend will catastrophically betray the other, with reverberations that will be felt for generations to come. Jennifer Cody Epstein is the author of the international bestseller The Painter from Shanghai and The Gods of Heavenly Punishment, winner of the 2014 Asian Pacific Association of Librarians Honor award for outstanding fiction. She has written for the Wall Street Journal, Vogue, Self, Mademoiselle, and many others. She has an MFA in fiction from Columbia University and a Masters of International Affairs from the Johns Hopkins School of Advanced International Studies. 5 THE DRAMA TEACHER Koren Zailckas August 2018 Rights: World A twisty, compulsive new thriller featuring a deliciously devious unreliable narrator who will do anything to give her family a better life, by the New York Times bestselling author of Mother, Mother and Smashed. Gracie Mueller seems like an average person. Married, mother of two. Owns a house with her husband, Randy, in upstate New York. Life is balanced and (relatively) honest. But she has a lot to hide--she's not even a US citizen-- and when Randy's failing career as a real estate agent makes finances tight, he leaves town for a better job, their home goes into foreclosure, and Gracie turns back to the creatively illegal lifestyle of her past to keep things afloat for her kids. An expert in fake identities, she becomes Tracey Bueller, who later becomes Mariana DeFelice. She's an architect and designer, a musician and an actress. After a deadly stint upstate when a friend asks too many questions, she leaves town for New York City, finding her way into the best school in Manhattan for her kids, where she gets a job as the drama teacher. But as she struggles to keep her web of lies spun taut and her secrets hidden, more questions about her past are raised. She never intended to be a cheat, a liar, a thief, or a killer; she just can't afford for anyone to know what she's done. Koren Zailckas is an internationally bestselling writer and has contributed to The Guardian, U.S. News & World Report, Glamour, Jane,andSeventeen magazine. She currently lives with her family in the Catskill Mountains of New York. The Drama Teacher is her second novel. Also available by Koren Zailckas: MOTHER, MOTHER Crown September 2013 Rights sold: Novo Seculo Editora (Brazil) Editions Belfond (France) De Bezige Bij (Netherlands) Penguin Random House Grupo (world Spanish) 6 HarperCollins (UK) Nonfiction Highlights THE GIRL WHO SMILED BEADS A Story of War and What Comes After Clemantine Wamariya and Elizabeth Weil April 2018 Rights: World A riveting story of dislocation, survival, and the power of the imagination to save us. Clemantine Wamariya was six years old when her mother and father began to speak in whispers, when neighbors began to disappear, and when she heard the loud, ugly sounds her brother said were ‘thunder.’ It was 1994, and in 100 days more than 800,000 people would be murdered in Rwanda and millions more displaced. Clemantine and her 15-year-old sister, Claire, ran and spent the next six years wandering through seven African countries searching for safety--hiding under beds, foraging for food, surviving and fleeing refugee camps, finding unexpected kindness, witnessing unimaginable cruelty. They did not know whether their parents were alive. At age 12, Clemantine, along with Claire, was granted asylum in the United States—a chance to build a new life. Chicago was disorienting, filled with neon lights, antiseptic smells, endless concrete. Clemantine spoke five languages but almost no English, and had barely gone to school. Many people wanted to help--a family in the North Shore suburbs invited Clemantine to live with them as their daughter. Some saw her only as broken. They thought she needed, and wanted, to be saved. Meanwhile Claire, who had for so long protected and provided for Clemantine, found herself on a very different path, cleaning hotel rooms to support her three children. Raw, urgent, yet disarmingly beautiful, The Girl Who Smiled Beads captures the true costs and aftershocks of war: what is forever lost, what can be repaired, the fragility and importance of memory, the faith that one can learn, again, to love oneself, even with deep scars. Clemantine Wamariya is a storyteller, public speaker, social entrepreneur, and human rights advocate. Born in Kigali, Rwanda, displaced by conflict, Clemantine migrated throughout seven African countries as a child.
Recommended publications
  • Crown London Book Fair 2017 Rights Guide
    CROWN HARMONY BOOKS CROWN BUSINESS HOGARTH CROWN ARCHETYPE THREE RIVERS PRESS SJP FOR HOGARTH TIM DUGGAN BOOKS BROADWAY BOOKS LONDON BOOK FAIR 2017 RIGHTS GUIDE Foreign Rights Contacts Lance Fitzgerald Vice President, Director, Subsidiary Rights Tel: 212‐572‐2060 Fax: 212‐572‐6003 E‐mail: [email protected] Rachel Berkowitz Associate Director, Foreign Rights Tel: 212‐782‐9771 Fax: 212‐572‐6003 E‐mail: [email protected] Claire Posner Associate Manager, Foreign Rights Tel: 212‐572‐2337 Fax: 212‐572‐6003 E‐mail: [email protected] 1 FICTION HIGHLIGHTS THE DRAMA TEACHER Koren Zailckas March 2018 Rights: World ►Manuscript due Summer 2017 A twisty, compulsive new thriller featuring a deliciously devious unreliable narrator who will do anything to give her family a better life, by the New York Times bestselling author of Mother, Mother and Smashed. Gracie Mueller seems like an average person. Married, mother of two. Owns a house with her husband, Randy, in upstate New York. Life is balanced and (relatively) honest. But she has a lot to hide—she's not even a US citizen—and when Randy's failing career as a real estate agent makes finances tight, he leaves town for a better job, their home goes into foreclosure, and Gracie turns back to the creatively illegal lifestyle of her past to keep things afloat for her kids. After all, how many times can a woman lose everything? An expert in fake identities, she sbecome Tracey Bueller, who later becomes Mariana DeFelice. She's an architect and a designer, a musician and an actress. After a deadly stint upstate when a friend asks too many questions, she leaves town for New York City, finding her way into the best school in Manhattan for her kids, where she gets a job as the drama teacher.
    [Show full text]
  • "Licensing Music Works and Transaction Costs in Europe”
    "Licensing music works and transaction costs in Europe” Final study September 2012 1 Acknowledgements: KEA would like to thank Google, the internet services company, for financing which made this study possible. The study was carried out independently and reflects the views of KEA alone. 2 EXECUTIVE SUMMARY Establishing and running online music services is a complex task, raising both technical and legal difficulties. This is particularly the case in Europe, where complex rights licensing structures hinder the development of the market and the launch of new innovative online services. Compared to the US, Europe is lagging behind in terms of digital music revenue. Furthermore, the development of the market is fairly disparate among different countries in the European Union. This study aims to identify and analyse transaction costs in music licensing. It examines the online music markets and outlines the licensing processes faced by online services. It offers a qualitative and quantitative analysis of transaction costs in the acquisition of the relevant rights by online music services. The study also suggests different ways of decreasing transaction costs. The research focuses on three countries (the UK, Spain and the Czech Republic) and builds on data collected through a survey with online music service providers available in the three countries as well as interviews with relevant stakeholders in the field of music licensing. THE EUROPEAN ONLINE MUSIC MARKET The music industry has steadily expanded over the past few years, away from selling CDs towards selling music online or through concerts and live music. (Masnick, Ho, 2012). Among the 500 licensed online music services in the world (according to IFPI), many emulate the physical record store, by offering ‘download to own’ tracks at a similar price point.
    [Show full text]
  • Prizing African Literature: Awards and Cultural Value
    Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298).
    [Show full text]
  • Caine Prize Annual Report 2015.Indd
    THE CAINE PRIZE FOR AFRICAN WRITING Always something new from Africa Annual report 2015 2015 Shortlisted writers in Oxford, UK (from left): Masande Ntshanga, F.T. Kola, Elnathan John, Namwali Serpell and Segun Afolabi. The Caine Prize is supported by Sigrid Rausing and Eric Abraham Other partners include: The British Council, The Wyfold Charitable Trust, the Royal Over-Seas League, Commonwealth Writers (an initiative of the Commonwealth Foundation), The Morel Trust, Adam and Victoria Freudenheim, John and Judy Niepold, Arindam Bhattacharjee and other generous donors. Report on the 2015 Caine Prize and related activities 2015 Prize “Africa’s most important literary award.” International Herald Tribune This year’s Prize was won by Namwali Serpell from Zambia, for her story ‘The Sack’ published in Africa39 (Bloomsbury, London, 2014). Namwali Serpell’s first published story, ‘Muzungu’, was shortlisted for the 2010 Caine Prize for African Writing. In 2014, she was selected as one of the most promising African writers for the Africa39 Anthology, a project of the Hay Festival. Since winning the Caine Prize in July, Chatto & Windus in the UK and Hogarth in the US have bought world rights to her debut novel The Old Drift. For the first time in the history of the Caine Prize, the winner shared her prize money with the other shortlisted writers. Namwali Serpell next to the bust Chair of judges, Zoë Wicomb praised ‘The Sack’ as ‘an extraordinary story of the late Sir Michael Caine. about the aftermath of revolution with its liberatory promises shattered. It makes demands on the reader and challenges conventions of the genre.
    [Show full text]
  • Independent Reading
    Prince William School Sixth Form Post-16 Independent Reading Art and Design: Fine Art https://www.aqa.org.uk/subjects/art-and-design/art-and-design- community https://www.aqa.org.uk/subjects/art-and-design https://www.aqa.org.uk/subjects/art-and-design/as-and-a-level/art- and-design John Berger Ways of Seeing Phaidon The 20th Century Art Book Phaidon The Art Book Business Studies 1 The key recommended text are: AQA A Level Business 1 Third Edition (Wolinski & Coates) by Hodder Education ISBN: 978-1471836091 New A-Level Business: AQA Year 1 & 2 Complete Revision & Practice by CGP ISBN: 978-1782943518 Books in the list below are useful for additional reading. Amazon.co.uk lists books currently in print with their current prices and often with readers’ reviews, which you might find help you decide on which book to buy, if any. You can also try www.ebay.co.uk but as this is a new course, the core texts might be in limited supply as second-hand books. Core texts Author Title Publisher ISBN Stimpson P, Foden S, Mansell D AQA AS Business Studies Student Book Nelson Thornes 9780748798469 Surridge M, Gillespie A AQA Business Studies for AS (3rd rev Ed) Hodder Arnold 9780340957172 Marcouse I, Surridge M, Watson N, Swift I, AQA Business Studies for AS (3rd rev Ed) Hodder Arnold 9780340958643 Hammond A Jones R, Hall D, Raffo C, AQA AS Business Studies (4th Ed) Causeway Press 9781405892209 Anderton A, Chambers I, Gray D Ashwin A, Merrills S, Thompson R AS Business Studies Collins Educational 9780007270378 Wolinski J, Coates G AS Business Studies (2nd rev Ed) Philip Allan Updates 9780340959350 Lines D, Martin B, Marcouse I Complete A-Z Business Studies Handbook Hodder Arnold 9780340915165 (5th rev Ed) Business Studies continued: You will find using these books to support your wider reading of use as the course progresses over the next 2 years.
    [Show full text]
  • Illustrated Titles Penguin Random House Uk Illustrated Books Rights Team
    Translation Rights Guide SPRING HIGHLIGHTS 2021 ILLUSTRATED TITLES PENGUIN RANDOM HOUSE UK ILLUSTRATED BOOKS RIGHTS TEAM The Illustrated Books Team sell International Rights in all colour books published across the Penguin Random House UK divisions: Ebury, Cornerstone, Transworld, Michael Joseph, Vintage, Penguin General and Penguin Press. $QMDOL1DWKDQL,$FWLQJ+HDGRI,OOXVWUDWHG5LJKWV US$, Canada, Germany and France Email: $1DWKDQL#SHQJXLQUDQGRPKRXVHFRXN Vanessa Forbes, 6HQLRUIllustrated Rights Manager The Netherlands, Italy, Spain, Portugal, Brazil, Poland, Denmark, Norway, Sweden, Finland, Iceland, Ukraine, China, Japan, Taiwan, Korea Email: [email protected] .DWH5HLQHUV,OOXVWUDWHG5LJKWV([HFXWLYH Romania, Hungary, Czech Republic, Slovakia, Croatia, Slovenia, Ukraine, Russia, Turkey, Greece, Macedonia, Estonia, Lithuania, Latvia, Bulgaria, Serbia, Albania, Israel, Thailand, Wales, Scotland, Ireland (PDLO.5HLQHUV#SHQJXLQUDQGRPKRXVHFRXN Nalini Venkatesha, Illustrated Rights $VVLVWDQW Indian local language, Indonesia, Malaysia, Vietnam, Mongolia, Arab World, Montenegro, Bosnia & Herzegovina, Armenia, Georgia, Azerbaijan, Afrikaans Email: [email protected] Contents Food and Drink Lifestyle Knowledge Art and Design Graphic Novels Please click on each chapter to be taken directly to the section. Cover illustration: credit to Alicia Fernandes FOOD AND DRINK Food and Drink Ammu Indian Cooking to Nourish the Soul Asma Khan A heart-warming cookbook of comforting aromatic Indian flavours, from Asma Khan of Darjeeling Express and Netflix fame Food from home, cooked with heart. This book is a collection of recipes from Asma’s childhood, her Indian family kitchen. A celebration of where she comes from, of home-cooking, and the inextricable link between food and love. It is a chance for her to honour her ammu (mother), and to share with you the recipes that made her and root her to home.
    [Show full text]
  • RAS Annual Report for 2019
    ANNUAL REPORT 2019 CONTENTS About Us 02 All Party Parliamentary Group for Africa 16 A Note from our Chair 03 Public Events and Annual Lecture 18 Director’s Report 04 Africa Writes 2019 20 Strategic Review 06 Film Africa Travel Grants 22 Our Audiences & Impact 08 Contemporary African Arts Report 23 Our Members 10 Education and Outreach 24 African Affairs 12 Honorary Treasurer’s Report 26 African Arguments 13 Financial Summary 27 ASAUK 14 Team and Council 28 Business Programme 15 Our Partners 29 Thanks and Acknowledgements 30 ABOUT US The Royal African Society is a membership organisation that provides opportunities for people to connect, celebrate and engage critically with a wide range of topics and ideas about Africa today. Through our events, publications and digital channels we share insight, instigate debate and facilitate mutual understanding between the UK and Africa. We amplify African voices and interests in academia, business, politics, the arts and education, reaching a network of more than one million people globally. Find out more: royalafricansociety.org facebook.com/royafrisoc twitter.com/royafrisoc Cover Image: Yinka Shonibare. Credit © Royal Academy of Arts, London. Photographer Marcus Leith 2014 2 A NOTE FROM OUR CHAIR Dear members, partners and friends – both old and new! I hope this finds you all in good health and high spirits. It is my absolute pleasure to write this welcome note as Chair of the Royal African Society for the sixth consecutive year. 2019 was another successful year for our small charity with the big mission of promoting and amplifying African voices and interests here in the UK and beyond.
    [Show full text]
  • “Cosmology, Masculinity and Mental Health Take Centre Stage at Africa Writes 2019”
    FOR IMMEDIATE RELEASE 23 May 2019 “Cosmology, Masculinity and Mental Health take centre stage at Africa Writes 2019” Africa Writes, the UK’s biggest celebration of contemporary African writing brought to you by the Royal African Society, returns to The British Library from Friday 5 July to Sunday 7 July 2019 featuring three headline events and a packed festival weekend. Bringing together over 60 of the most influential African writers and thought leaders, this 8th festival edition covers over 20 countries and explores a cross-section of themes and critical ideas about African literature today. Following on from the likes of Chimamanda Ngozi Adichie and Ngugi wa Thiong’o, previous festival headliners, Man Booker shortlisted author Chigozie Obioma will headline this year’s Africa Writes. Closing the festival on Sunday, 7 July, Obioma will talk about his writing, Igbo cosmology and the blurred lines between myth and reality in his latest novel An Orchestra of Minorities. The event will open with an evocative staged reading of Obioma’s critically acclaimed debut novel, The Fishermen, followed by an in-conversation led by award-winning author and curator Irenosen Okojie. Chigozie Obioma says: “I'm really excited to be a part of this celebration of the written word and to be in company of a cohort of writers from Africa. I'm certain those three days will be like being at a concert in Lagos while in London.” Africa Writes 2019 will open on Friday, 5 July, with Our Bodies Speak Poetry, an evening of intergenerational poetry, story-telling and performance exploring the body as a site of power, possibilities and resistance.
    [Show full text]
  • Digitalisation and Intermediaries in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO CREATe Working Paper 2017/07 (March 2017) Digitalisation and intermediaries in the music industry Authors Morten Hviid Sabine Jacques Sofia Izquierdo Sanchez Centre for Competition Policy, Centre for Competition Policy, Department of Accountancy, University of East Anglia University of East Anglia Finance, and Economics, [email protected] [email protected] University of Huddersfield [email protected] CREATe Working Paper Series DOI:10.5281/zenodo.439344 This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. Table of Contents 1. Introduction ..................................................................................................................................... 1 2. How the advancement of technologies shapes the music industry ................................................. 2 2.1 Pre-digitalisation production of recorded music ..................................................................... 2 2.2 The role of digitalisation on recorded music ........................................................................... 4 2.2.1 The compact disc ............................................................................................................ 4 2.2.2 MP3 ................................................................................................................................. 5 2.2.3 Peer-to-peer
    [Show full text]
  • Annual Financial Statements and Combined Management Report Bertelsmann SE & Co. Kgaa, Gütersloh December 31, 2016
    Annual Financial Statements and Combined Management Report Bertelsmann SE & Co. KGaA, Gütersloh December 31, 2016 Annual financial statements 2016 Contents Balance sheet Income statement Notes “List of shareholdings” annex to the notes in accordance with section 285 (11) HGB Combined management report 2 Annual financial statements 2016 Bertelsmann SE & Co. KGaA Balance sheet as of December 31, 2016 Assets 12/31/2016 Previous year Notes € € millions Fixed assets Intangible assets Acquired patents and similar rights and licenses to such rights (1) 849,173.00 1 Advance payments (1) - - 849,173.00 1 Tangible assets Land, rights equivalent to land, and buildings (1) 294,086,838.29 254 Technical equipment and machinery (1) 338,777.00 - Other equipment, fixtures, furniture, and office equipment (1) 54,222,767.11 57 Advance payments and construction in progress (1) 9,127,130.40 10 357,775,512.80 321 Financial assets Investments in affiliated companies (1) 13,348,864,049.21 12,671 Loans to affiliated companies (1) - 500 Participations (1) 21,300.00 - Long-term securities (1) 1,365,143,791.75 1,185 14,714,029,140.96 14,356 15,072,653,826.76 14,678 Current assets Receivables and other assets Accounts receivable from affiliated companies (2) 4,018,087,691.42 2,987 Other assets (2) 49,306,559.25 95 4,067,394,250.67 3,082 Securities Other securities 1.00 - Cash on hand and bank balances (3) 325,615,627.30 500 4,393,009,878.97 3,582 Prepaid expenses and deferred charges (4) 16,552,761.48 12 19,482,216,467.21 18,272 3 Annual financial statements 2016 Bertelsmann SE & Co.
    [Show full text]
  • Radiolovefest
    BAM 2015 Winter/Spring Season #RadioLoveFest Brooklyn Academy of Music New York Public Radio Alan H. Fishman, Chairman of the Board Cynthia King Vance, Chair, Board of Trustees William I. Campbell, Vice Chairman of the Board John S. Rose, Vice Chair, Board of Trustees Adam E. Max, Vice Chairman of the Board Susan Rebell Solomon, Vice Chair, Board of Trustees Karen Brooks Hopkins, President Mayo Stuntz, Vice Chair, Board of Trustees Joseph V. Melillo, Executive Producer Laura R. Walker, President & CEO BAM and WNYC present RadioLoveFest Produced by BAM and WNYC May 5—10 LIVE PERFORMANCES Radiolab Live, May 5, 7:30pm, OH Death, Sex & Money, May 8, 7:30pm, HT Terry Gross in conversation with Marc Maron, May 6, Bullseye Comedy Night—Hosted by Jesse Thorn, 7:30pm, OH May 9, 7:30pm, OH Don’t Look Back: Stories From the Teenage Years— Selected Shorts: Uncharted Territories—A 30th The Moth & Radio Diaries, May 6, 8:30pm, HT Anniversary Event, May 9, 7:30pm, HT Eine Kleine Trivia Nacht—WQXR Classical Music Quiz WQXR Beethoven Piano Sonata Marathon, Show, May 6, 8pm, BC May 9, 10am—11:15pm, HS Wait Wait... Don’t Tell Me!®—NPR®, May 7, 7:30pm, OH Mexrrissey: Mexico Loves Morrissey, Islamophobia: A Conversation—Moderated by Razia May 10, 7:30pm, OH Iqbal, May 7, 7:30pm, HT It’s All About Richard Rodgers with Jonathan Speed Dating for Mom Friends with The Longest Schwartz, May 10, 3pm, HT Shortest Time, May 7, 7pm, BC Leonard Lopate & Locavores: Brooklyn as a Brand, Snap Judgment LIVE!, May 8, 7:30pm, OH May 10, 3pm, BC SCREENINGS—7:30pm, BRC BAMCAFÉ
    [Show full text]
  • Jahresabschluss 2015 Bertelsmann SE
    Jahresabschluss und zusammengefasster Lagebericht Bertelsmann SE & Co. KGaA, Gütersloh 31. Dezember 2015 Jahresabschluss 2015 Inhalt Bilanz Gewinn- und Verlustrechnung Anhang Anlage zum Anhang Liste des Anteilsbesitzes gemäß § 285 Nr. 11 HGB Zusammengefasster Lagebericht Versicherung der gesetzlichen Vertreter Bestätigungsvermerk 2 Jahresabschluss 2015 Bertelsmann SE & Co. KGaA Bilanz zum 31. Dezember 2015 Aktiva 31.12.2015 Vorjahr Anhang € € Mio. € Anlagevermögen Immaterielle Vermögensgegenstände (1) 823.734,15 1 Sachanlagen (2) 321.387.326,74 318 Finanzanlagen (3) 14.355.888.536,47 13.337 14.678.099.597,36 13.656 Umlaufvermögen Forderungen und Sonstige Vermögensgegenstände (4) 3.081.736.794,93 2.696 Wertpapiere 1,00 - Flüssige Mittel (5) 499.827.448,11 246 3.581.564.244,04 2.942 Rechnungsabgrenzungsposten (6) 12.297.256,18 13 18.271.961.097,58 16.611 Passiva 31.12.2015 Vorjahr Anhang € € Mio. € Eigenkapital Gezeichnetes Kapital (7) 1.000.000.000,00 1.000 Kapitalrücklage 2.600.000.000,00 2.600 Gewinnrücklagen (8) 4.870.000.000,00 4.610 Bilanzgewinn 582.285.749,48 484 9.052.285.749,48 8.694 Rückstellungen Pensionen und ähnliche Verpflichtungen (9) 289.888.519,00 260 Übrige Rückstellungen (10) 108.096.328,12 102 397.984.847,12 362 Finanzschulden (11) 4.208.742.446,28 3.139 Andere Verbindlichkeiten (12) 4.612.396.539,93 4.416 Rechnungsabgrenzungsposten (13) 551.514,77 - 18.271.961.097,58 16.611 3 Jahresabschluss 2015 Bertelsmann SE & Co. KGaA Gewinn- und Verlustrechnung für das Geschäftsjahr vom 1. Januar bis 31. Dezember 2015 2015 2014 Anhang € Mio.
    [Show full text]