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London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order. -
Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
The Common Agricultural Policy and the Next EU Budget
The Common Agricultural Policy and the Next EU Budget Reflection Paper No.1: Preparing for the Multiannual Financial Framework after 2020 The Common Agricultural Policy and the Next EU Budget Reflection Paper No. 1: The Case for Co-Financing the CAP. Prof. Dr. Friedrich Heinemann ZEW Centre for European Economic Research, Mannheim, and University Heidelberg Paper prepared for Expert Workshop “CAP and the next MFF” Berlin, Federal Foreign Office, 30 March 2017 Contact Stefani Weiss Director Brussels Office Bertelsmann Stiftung Phone +32 2 233-3891 Mobile +49 160 913 298 78 [email protected] www.bertelsmann-stiftung.de Cover photo: BUND Bundesverband/Bedrohung: Ausgeräumte Agrarlandschaft/BUND Projekt "Wild- katzensprung"/Thomas Stephan/ Flickr, cropped by Sabine Feige. This photo is licensed under the Creative Commons Attribution-NonCommercial 2.0 Generic Licence. To view a copy of this licence, visit https://creativecommons.org/licenses/by-nc/2.0/ The text of this work is licenced under the Creative Commons Attribution 4.0 International Licence. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/. The Common Agricultural Policy and the Next EU Budget | Page 3 Contents 1 CAP objectives ................................................................................................. 4 1.1 Overview ...................................................................................................................................... 4 1.2 Inflation of objectives as immunization strategy ......................................................................... -
Ed Carpenter, Artist [email protected] Commissions
ED CARPENT ER 1 Ed Carpenter, Artist [email protected] Revision 2/1/21 Born: Los Angeles, California. 1946 Education: University of California, Santa Barbara 1965-6, Berkeley 1968-71 Ed Carpenter is an artist specializing in large-scale public installations ranging from architectural sculpture to infrastructure design. Since 1973 he has completed scores of projects for public, corporate, and ecclesiastical clients. Working internationally from his studio in Portland, Oregon, USA, Carpenter collaborates with a variety of expert consultants, sub-contractors, and studio assistants. He personally oversees every step of each commission, and installs them himself with a crew of long-time helpers, except in the case of the largest objects, such as bridges. While an interest in light has been fundamental to virtually all of Carpenter’s work, he also embraces commissions that require new approaches and skills. This openness has led to increasing variety in his commissions and a wide range of sites and materials. Recent projects include interior and exterior sculptures, bridges, towers, and gateways. His use of glass in new configurations, programmed artificial lighting, and unusual tension structures have broken new ground in architectural art. He is known as an eager and open-minded collaborator as well as technical innovator. Carpenter is grandson of a painter/sculptor, and step-son of an architect, in whose office he worked summers as a teenager. He studied architectural glass art under artists in England and Germany during the early 1970’s. Information on his projects and a video about his methods can be found at: http://www.edcarpenter.net/ Commissions Bridge And Exterior Public Commissions 2019: Barbara Walker Pedestrian Bridge, Wildwood Trail, Portland, OR, 180’ x 12’ x 8’. -
Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’S Fractured Europe Quartet
humanities Article Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’s Fractured Europe Quartet Hadas Elber-Aviram Department of English, The University of Notre Dame (USA) in England, London SW1Y 4HG, UK; [email protected] Abstract: Recent years have witnessed the emergence of a new strand of British fiction that grapples with the causes and consequences of the United Kingdom’s vote to leave the European Union. Building on Kristian Shaw’s pioneering work in this new literary field, this article shifts the focus from literary fiction to science fiction. It analyzes Dave Hutchinson’s Fractured Europe quartet— comprised of Europe in Autumn (pub. 2014), Europe at Midnight (pub. 2015), Europe in Winter (pub. 2016) and Europe at Dawn (pub. 2018)—as a case study in British science fiction’s response to the recent nationalistic turn in the UK. This article draws on a bespoke interview with Hutchinson and frames its discussion within a range of theories and studies, especially the European hermeneutics of Hans-Georg Gadamer. It argues that the Fractured Europe quartet deploys science fiction topoi to interrogate and criticize the recent rise of English nationalism. It further contends that the Fractured Europe books respond to this nationalistic turn by setting forth an estranged vision of Europe and offering alternative modalities of European identity through the mediation of photography and the redemptive possibilities of cooking. Keywords: speculative fiction; science fiction; utopia; post-utopia; dystopia; Brexit; England; Europe; Dave Hutchinson; Fractured Europe quartet Citation: Elber-Aviram, Hadas. 2021. Rewriting Universes: Post-Brexit 1. Introduction Futures in Dave Hutchinson’s Fractured Europe Quartet. -
Crown London Book Fair 2017 Rights Guide
CROWN HARMONY BOOKS CROWN BUSINESS HOGARTH CROWN ARCHETYPE THREE RIVERS PRESS SJP FOR HOGARTH TIM DUGGAN BOOKS BROADWAY BOOKS LONDON BOOK FAIR 2017 RIGHTS GUIDE Foreign Rights Contacts Lance Fitzgerald Vice President, Director, Subsidiary Rights Tel: 212‐572‐2060 Fax: 212‐572‐6003 E‐mail: [email protected] Rachel Berkowitz Associate Director, Foreign Rights Tel: 212‐782‐9771 Fax: 212‐572‐6003 E‐mail: [email protected] Claire Posner Associate Manager, Foreign Rights Tel: 212‐572‐2337 Fax: 212‐572‐6003 E‐mail: [email protected] 1 FICTION HIGHLIGHTS THE DRAMA TEACHER Koren Zailckas March 2018 Rights: World ►Manuscript due Summer 2017 A twisty, compulsive new thriller featuring a deliciously devious unreliable narrator who will do anything to give her family a better life, by the New York Times bestselling author of Mother, Mother and Smashed. Gracie Mueller seems like an average person. Married, mother of two. Owns a house with her husband, Randy, in upstate New York. Life is balanced and (relatively) honest. But she has a lot to hide—she's not even a US citizen—and when Randy's failing career as a real estate agent makes finances tight, he leaves town for a better job, their home goes into foreclosure, and Gracie turns back to the creatively illegal lifestyle of her past to keep things afloat for her kids. After all, how many times can a woman lose everything? An expert in fake identities, she sbecome Tracey Bueller, who later becomes Mariana DeFelice. She's an architect and a designer, a musician and an actress. After a deadly stint upstate when a friend asks too many questions, she leaves town for New York City, finding her way into the best school in Manhattan for her kids, where she gets a job as the drama teacher. -
Lorella Belli Literary Agency Ltd Lbf 2019
LORELLA BELLI LITERARY AGENCY LTD Translation Rights List LBF 2019 lbla lorella belli literary agency ltd 54 Hartford House 35 Tavistock Crescent Notting Hill London W11 1AY, UK Tel. 0044 20 7727 8547 [email protected] Lorella Belli Literary Agency Ltd. Registered in England and Wales. Company No. 11143767. Registered Office: 54 Hartford House, 35 Tavistock Crescent, Notting Hill, London W11 1AY, United Kingdom. 1 Fiction: New Titles/Authors Nisha Minhas Selected Backlist includes: Rick Mofina Taylor Adams Kirsty Moseley Renita D’Silva Ingrid Alexandra Owen Mullen Helen Durrant J A Baker Steve Parker Joy Ellis TJ Brearton Katie Stephens Charlie Gallagher Ruth Dugdall Mark Tilbury Sibel Hodge Ker Dukey Victoria Van Tiem Ana Johns Hannah Fielding Anita Waller Carol Mason Janice Frost Alex Walters Nicola May Sophie Jackson PP Wong Dreda Say Mitchell Maggie James Dylan H Jones Betsy Reavley Sharon Maas Alison J Waines Selected Bookouture authors (no new submissions, but handling existing deals/publishers only): Mandy Baggot Anna Mansell Rebecca Stonehill Robert Bryndza Angela Marsons Fiona Valpy Colleen, Coleman Helen Phifer Sue Watson Jenny Hale Helen Pollard Carol Wyer Arlene Hunt Kelly Rimmer Louise Jensen Claire Seeber Non-Fiction: New Titles Sally Corner Gerald Posner Marcus Ferrar Patricia Posner Hira Ali Tamsen Garrie Robert J Ray Nick Baldock/Bob Hayward Girl on the Net Tam Rodwell Christopher Lascelles Jonathan Sacks Selected Backlist Jeremy Leggett Grace Saunders -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
Bertelsmann 2018 Summary Plan Descriptions
2 018 Summary Plan Descriptions TABLE OF CONTENTS ....................................................................................... CHAPTER General and Administrative Information .......................................................................... Introduction Medical Plans ........................................................................................................................................................ 1 Medical Coverage During Retirement ................................................................................. 1A Dental Plans ............................................................................................................................................................ 2 Vision Plan................................................................................................................................................................. 3 Disability Plan ....................................................................................................................................................... 4 Life and Accident Insurance Plans.......................................................................................... 5 Health Care Flexible Spending Account Plan .......................................................... 6 Dependent Care Flexible Spending Account Plan ............................................ 7 Long Term Care................................................................................................................................................. -
Graham Greene's Books for Children
Gallix: Graham Greene’s Books for Children 39 Graham Greene’s Books for Children his first children’s book, The Little Train. Graham Greene’s When it was published in 1946 by Eyre and Spottiswoode, it carried only the name of Books for Children the illustrator, Dorothy Craigie.2 For many generations, English-writing François Gallix authors have aimed at a double reader- ship, like Charles Dickens, Robert-Louis The 2011 Graham Greene Stevenson (who was one of Greene’s remote International Festival cousins), Jonathan Swift, Daniel Defoe, in children-adapted illustrated editions. “No one can recover from their childhood.” More recently, J.K. Rowling’s Harry Potter “Nul ne guérit de son enfance.” books were published in most countries —French singer, Jean Ferrat : in two editions, one for children, one for adults. Bloomsbury produced editions with The British actress, Emma Thomson, a different cover picture in Britain and in once declared: “There is in Britain a great the United States of America; in France respect for children’s literature: We take it “Gallimard” and “Folio Junior” carried the very seriously.” same text, but with different illustrations Undoubtedly, the relationship between and at a cheaper price. The most prominent what adults read and books for children has case was Philip Pullman, who surprised always been quite different in France and critics when he won the Whitbread prize in English-speaking countries. Thus, when for adults in 2001 for The Amber Spyglass,3 T.H. White’s agents decided to translate into the third volume of his trilogy intended for French The Sword in the Stone (1938),1 the children, His Dark Materials. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
Picador December 2019
PICADOR DECEMBER 2019 PAPERBACK The Inflamed Mind A Radical New Approach to Depression Edward Bullmore Worldwide, depression will be the single biggest cause of disability in the next twenty years. But treatment for it has not changed much in the last three decades...until now. In this game-changing book, University of Cambridge Professor of Psychiatry Edward Bullmore reveals the breakthrough new science on the link between depression and inflammation of the body and brain. He explains how and why we now know that mental disorders can have their root cause in the immune PSYCHOLOGY / system, and outlines a future revolution in which treatments could be PSYCHOPATHOLOGY / specifically targeted to break the vicious cycle of stress, inflammation, and DEPRESSION depression. Picador | 12/31/2019 9781250318169 | $18.00 / $24.50 Can. Trade Paperback | 256 pages | Carton Qty: 32 The Inflamed Mind goes far beyond the clinic and the lab, representing a whole 8.3 in H | 5.4 in W new way of looking at how mind, brain, and body all work together in a Includes 15 black-and-white illustrations throughout sometimes-misguided effort to help us survive in a hostile world. It offers insights into the story of Western medicine, how we have got it wrong as well as Subrights: UK: Short Books; tr.: The Gener right in the past, and how we could start getting to grips with depression and Company; 1st Ser: Picador, Aud.: Picador other mental disorders much more effectively in the future. Other Available Formats: Hardcover ISBN: 9781250318145 • For readers of Atul