Industry Guide

Total Page:16

File Type:pdf, Size:1020Kb

Industry Guide TV SERIES FESTIVAL SEASON 5 28-30 January 2016 at Ciné Lumière, London INDUSTRY GUIDE @TSerialized #TotallySerialized www.institut-francais.org.uk/totallyserialized ACKNOWLEDGEMENTS Totally Serialized is organised by the Institut français du Royaume-Uni, curated by Lorraine Sullivan and coordinated by Priscilla Gessati. Special thanks to: About Premium Content, Les Armateurs, ARTE, Atlantique Productions, Blue Spirit Studio, CALT, CANAL+, Channel4, Cyber Group Studios, Federation Entertainment, France Télévisions, Kudos, Kwaï, Mandarin Télévision, Mon Voisin Production, Mother Production, TF1 International, The Oligarchs Production, Shine France Films, Sky, Sky Atlantic, Studio Canal, SVT, Warp Films 2 CONTENTS INDUSTRY DAY (28/1): PRODUCTION p.4 2.00pm PRODUCER’S MASTERCLASS: Warp Films 3.00pm CO-PRODUCTION CASE-STUDY: Midnight Sun 4.30pm PANEL: Why Is Foreign Drama More In Demand? 6.15 pm SCREENING: Baron noir (International premiere) 7.30pm SCREENING: The Tunnel - Series 2, episode 1 (Special preview) 9.00pm INDUSTRY DINNER COCKTAIL INDUSTRY DAY (29/1): SCREENWRITING p.6 2.30pm TV SCREENWRITING PANEL: How Does the Writers' Room Work? 4.00pm SCREENING & CASE STUDY: Writing TV Comedy with A Very Secret Service (UK premiere) 6.00pm BAFTA MASTERCLASS: Screenwriting Continuing Drama 8.00pm SCREENING: Call My Agent! (UK premiere) PUBLIC PROGRAMME (30/1) p.8 10.30am DEBATE: Café Philo on TV Series (in English) 2.00pm KIDS SCREENING: The Long Long Holiday (UK premiere) 3.30pm SCREENING: The Bureau (UK premiere) 6.00pm All-Night Marathon SCREENING: This Is England '86, '88 & '90 WHO'S WHO p.10 PRACTICAL INFO p.15 3 INDUSTRY EVENTS: THURSDAY 28 JANUARY 2pm – 2.45pm | PRODUCER'S MASTERCLASS: Warp Films with Mark Herbert and Peter Carlton, joint-CEOs, Warp Films Warp Films is one of the most respected and exciting production company in the UK. Its joint-CEOs, Mark Herbert and Peter Carlton will talk about the role of producers and nurturing talent. 3pm – 4pm | CO-PRODUCTION CASE-STUDY: Midnight Sun with Stefan Baron, Head of International Co-productions / Nice Entertainment Group, Olivier Bibas, Co-CEO Atlantique Productions, Dominique Jubin, Director of French Drama and Co-productions at CANAL+, Christian Wikander, Head of Drama, SVT. Chaired by Neil Midgley, Media commentator, Forbes.com Midnight Sun is the first ever TV drama co-production between France and Sweden (Canal+/SVT). This high-concept thriller from Mårlind & Stein (Bron/Broen) stars French actress Leïla Bekhti (The Prophet, All that Glitters) and Gustaf Hammarsten (Bruno, The Girl With the Dragon Tattoo). Kahina Zadi (Leïla Bekhti), a French police officer, travels to Kiruna, a small mining community in remote northern Sweden, to investigate the brutal murder of a French citizen. With the help of Anders Harnesk (Gustaf Hammarsten), a Swedish DA and a member of the Sami, an ancient, mysterious indi- genous tribe of Scandinavia, they are faced with new killings. with Creative Europe UK 4pm-4.30pm | COFFEE BREAK: Networking Session 4.30pm – 5.45pm | PANEL: Why Is Foreign Drama More In Demand? with Toby Etheridge, Head of Programming, Fox International Channels UK, Walter Iuzzolino, Chief Creative Office of Global Series Network (GSN), Frédérique Rouault, VP International Sales at TF1 International and Charles Touboul, Content Development Manager at AB International, chaired by Ed Waller, C21 Media Discussion followed by a screening of a selection of recent French TV series promo reels. with TV France International 6.15pm | SCREENING: Baron noir (International premiere) Opening Ceremony with CANAL+ introduced by Dominique Jubin, Director French Drama and Co-productions CREATION ORIGINALE, CANAL+ 7.30pm | SCREENING: The Tunnel, Series 2 (Special preview) Courtesy of SKY and CANAL+ Introduced by Anne Mensah, Head of Drama, SKY - Followed by a Q&A with writer Ben Richards and director Gilles Bannier chaired by James Rampton (The Independent) 9pm - 10.30pm | IndustrY Dinner Cocktail in association with CANAL+ 4 6.15pm - BARON NOIR Series 1, episode 1 | 52 mins | in French with English subtitles with Kad Merad, Niels Arestrup, Anna Mouglalis, Astrid Whettnall, Hugo Becker France | 2015 | 8×52 mins | created and written by Éric Benzekri and Jean-Baptiste Delafon | directed by Ziad Doueiri | produced by Kwaï | broadcaster France: CANAL+ | international sales: StudioCanal TV France, between the two rounds of the presidential election. Philippe Rickwaert, Socialist mayor of Dunkirk and MP, supports with fervour the left-wing candidate, his mentor Francis Laugier. Four days to the second round, as the final candidates are about to contend with one another on a TV Debate, Rickwaert is warned by a policeman friend of his that a search will take place in the headoffice of the Dunkirk council estate which served as slush fund for the campaign. Rickwaert will have to gather the missing funds before the arrival of the police if he wants to stop the events in motion from spiralling into a total media disaster. 7.30pm - THE TUNNEL, series 2 - Followed by a Q&A Series 2, episode 1 | 48 mins | in English and French with Clémence Poésy, Stephen Dillane, William Ash, Thibault de Montalembert, Juliette Navis France/UK | 2015 | 8×48 mins | written by Ben Richards | directed by Mike Barker, Gilles Bannier, Tim Mielants, Carl Tibbetts | produced by Kudos, Shine France Films | broadcaster UK: Sky Atlantic HD | broadcaster France: CANAL+ Clémence Poésy and the International Emmy award winning Stephen Dillane return for the second series of Ben Richards’ multi-award winning The Tunnel. A high-volume, geo-politi- cal, bi-lingual thriller, the series moves between the coasts of Kent and Northern France via the Eurotunel, against a back- drop of a continent in crisis. Commander Elise Wasserman and DCI Karl Roebuck reunite to investigate the case of a French couple abducted from the Eurotunnel. But the case is compli- cated when a plane carrying British and French passengers crashes into the Channel killing everyone on board. In a ter- rifying game of brinkmanship, Karl and Elise risk everything in the pursuit of true justice. 5 INDUSTRY EVENTS: FRIDAY 29 JANUARY Free screening ticket available at the Box Office 45 mins prior to the screening. Subject to availability. 2.30pm – 3.30pm | TV SCREENWRITING PANEL: How does the Writers’ Room Work? A discussion between screenwriters Camille de Castelnau (The Bureau) and Smita Bhide (Hunted) chaired by James Rampton (The Independent), who will compare their writing techniques and group working methods. with SACD, French Society of Dramatic Authors and Composers 4pm - 4.30pm | COFFEE BREAK: Networking Session 4pm – 5.30pm | SCREENING & CASE STUDY: Writing TV Comedy A Very Secret Service (UK premiere) - Followed by a discussion with screenwriters Claire Lemaréchal and Jean-André Yerlès, chaired by James Rampton (The Independent) 6pm – 7.15pm | BAFTA MASTERCLASS: Screenwriting Continuing Drama with writer Jeff Povey (credits include over 150 episodes of Eastenders), script editor Sophia Rashid (Eastenders and Holby City) and Stuart Blackburn series producer at ITV Studios (Coronation Street and Emmerdale), chaired by Anne Edyvean Continuing Drama series constitute some of the most popular, talked about and accessible drama on British television. Eastenders, Coronation Street, Hollyoaks, Holby City all reach audiences of millions of viewers each week. With hundreds of hours produced annually, working on a continuing drama is hugely collaborative and often the training ground for top TV talent. In this session, a writer, a script editor and an executive producer will dismantle the process of writing on these long-running and much-loved programmes. 7.15pm - 8pm | Networking Session 8pm | SCREENING: Call My Agent! (UK premiere) Episodes 1&2 followed by a Q&A with director Antoine Garceau, screenwriter Benjamin Dupas and producer Harold Valentin, chaired by James Rampton (The Independent) 6 4pm - A VERY SECRET SERVICE | Au service de la France Series 1, episodes 2&5 | 2×26 mins | in French with English subtitles with Hugo Becker, Wilfred Benaïche, Christophe Kourotchkine, Bruno Paviot, Karim Barras France | 2014 | 12×26 mins | created by Jean-François Halin | written by Jean-François Halin, Claire Lemaréchal, Jean-André Yerlès | directed by Alexandre Courtès | produced by Mandarin Télévision - Gilles de Verdière | broadcaster France: ARTE | international sales: About Premium Content 1960. The world is dominated by a powerful, WWII victorious nation: la belle France, which the entire planet entrusts to keep the Cold War from spiralling into WWIII. Young André Merlaux is thrilled when he’s accepted into the French secret service, obviously the crème de la crème in intelligence. From the creator of OSS 117, A Very Secret Service is a chauvinistic comedy show and the French missing link between James Bond and The Office. 8pm - CALL MY AGENT! | Dix pour cent - followed by a Q&A Series 1, episodes 1&2 | 2×52 mins | in French with English subtitles with Camille Cottin, Grégory Montel, Liliane Rovère Thibault de Montalembert, Cécile de France, Line Renaud, Françoise Fabian, Fanny Siney France | 2014 | 6×52 mins | created by Fanny Herrero | written by Fanny Herrero, Nicolas Mercier, Quoc Dang Tran, Sabrina B. Karine, Camille Chamoux, Eliane Montane, Anaïs Carpita, Cecile Ducrocq, Benjamin Dupas, Camille de Castelnau | directed by Cédric Klapisch, Lola Doillon, Antoine Garceau | produced by Mon Voisin Productions, Mother Production | broadcaster France: France Télévi- sions
Recommended publications
  • NOMINATIONS in 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall
    NOMINATIONS IN 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall – BBC Two STEPHEN GRAHAM This is England ’90 – Channel 4 LEADING ACTRESS CLAIRE FOY Wolf Hall – BBC Two RUTH MADELEY Don’t Take My Baby – BBC Three SHERIDAN SMITH The C Word – BBC One SURANNE JONES Doctor Foster – BBC One SUPPORTING ACTOR ANTON LESSER Wolf Hall – BBC Two CYRIL NRI Cucumber – Channel 4 IAN MCKELLEN The Dresser – BBC Two TOM COURTENAY Unforgotten - ITV SUPPORTING ACTRESS CHANEL CRESSWELL This is England ’90 – Channel 4 ELEANOR WORTHINGTON-COX The Enfield Haunting LESLEY MANVILLE River – BBC One MICHELLE GOMEZ Doctor Who – BBC One ENTERTAINMENT PERFORMANCE GRAHAM NORTON The Graham Norton Show – BBC One LEIGH FRANCIS Celebrity Juice – ITV2 ROMESH RANGANATHAN Asian Provocateur – BBC Three STEPHEN FRY QI – BBC Two FEMALE PERFORMANCE IN A COMEDY PROGRAMME MICHAELA COEL Chewing Gum – E4 MIRANDA HART Miranda – BBC One SIAN GIBSON Peter Kay’s Car Share – BBC iPlayer SHARON HORGAN Catastrophe – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME HUGH BONNEVILLE W1A – BBC Two JAVONE PRINCE The Javone Prince Show – BBC Two PETER KAY Peter Kay’s Car Share –BBC iPlayer TOBY JONES Detectorists – BBC Four House of Fraser British Academy Television Awards – Nominations Page 1 SINGLE DRAMA THE C WORD Susan Hogg, Simon Lewis, Nicole Taylor, Tim Kirkby – BBC Drama Production London/BBC One CYBERBULLY Richard Bond, Ben Chanan, David Lobatto, Leah Cooper – Raw TV/Channel 4 DON’T TAKE MY BABY Jack Thorne, Ben Anthony, Pier Wilkie,
    [Show full text]
  • The Journal of the Association for Journalism Education
    Journalism Education ISSN: 2050-3903 Journalism Education The Journal of the Association for Journalism Education Volume Nine, No: One Spring 2020 Page 2 Journalism Education Volume 9 number 1 Journalism Education Journalism Education is the journal of the Association for Journalism Education a body representing educators in HE in the UK and Ireland. The aim of the journal is to promote and develop analysis and understanding of journalism education and of journalism, particu- larly when that is related to journalism education. Editors Sallyanne Duncan, University of Strathclyde Chris Frost, Liverpool John Moores University Deirdre O’Neill Huddersfield University Stuart Allan, Cardiff University Reviews editor: Tor Clark, de Montfort University You can contact the editors at [email protected] Editorial Board Chris Atton, Napier University Olga Guedes Bailey, Nottingham Trent University David Baines, Newcastle University Guy Berger, UNESCO Jane Chapman, University of Lincoln Martin Conboy, Sheffield University Ros Coward, Roehampton University Stephen Cushion, Cardiff University Susie Eisenhuth, University of Technology, Sydney Ivor Gaber, University of Sussex Roy Greenslade, City University Mark Hanna, Sheffield University Michael Higgins, Strathclyde University John Horgan, Ireland Sammye Johnson, Trinity University, San Antonio, USA Richard Keeble, University of Lincoln Mohammed el-Nawawy, Queens University of Charlotte An Duc Nguyen, Bournemouth University Sarah Niblock, CEO UKCP Bill Reynolds, Ryerson University, Canada Ian Richards,
    [Show full text]
  • Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
    Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'.
    [Show full text]
  • Jeremy Corbyn Under Attack but Enthusiastic Support Continues
    Jeremy Corbyn under attack but enthusiastic support continues The furore over revelations in Lord Ashcroft's biography of David Cameron has temporarily driven attacks on Jeremy Corbyn from the front pages of the mainstream media - though only to the inside pages! But accusations about upper class debauchery in Cameron's student life, as well as that he knew about Ashcroft's tax-dodging non-dom status, serve to highlight why so many working class people have rallied behind Corbyn. He is seen to represent a different kind of politics. And the more the press attack his off- centre ties and his lack of adherence to 'tradition', the more firm his support becomes from those who are sick of establishment drone politicians. To ensure the anti-austerity politics that have won Corbyn such support are not imprisoned with just a few isolated individuals within the Labour Party leadership, his supporters must get organised. Movement This means a movement built in every town and city of the country and both inside and outside the structures of the Labour Party. Such an approach can appeal to the mass of working class people and take the first steps towards developing a party for the millions, not the millionaires. The media's ferocious attacks on Jeremy Corbyn have been unrelenting. The possibility of a left-wing Labour leader becoming prime minister at the next general election has sent many pro-capitalist commentators into a frenzy. Jeremy mustn't retreat in the face of this onslaught but should make a bold appeal to the over 250,000 people who elected him and his supporters beyond them, to ensure he has the necessary back-up to stand firm on his policies.
    [Show full text]
  • Miptv 2020 Producers to Watch Contents
    MIPTV 2020 PRODUCERS TO WATCH CONTENTS DOC & FACTUAL 3 DRAMA / FICTION 36 FORMATS 112 KIDS & TEENS 149 DOC & FACTUAL DOC & FACTUAL PRODUCERS LISTED BY COUNTRY AUSTRIA FINLAND HUNGARY SOUTH AFRICA COLLABORATE: IDEAS & IMAGES GS FILM FILM-& FERNSEHPRODUKTION AITO MEDIA SPEAKEASY PROJECT HOMEBREW FILMS Lauren Anders Brown E.U. Erna AAlto László Józsa Jaco Loubser EMPORIUM PRODUCTIONS Gernot Stadler GIMMEYAWALLET PRODUCTIONS OKUHLE MEDIA Emma Read Phuong Chu Suominen IRELAND Pulane Boesak IMPOSSIBLE DOC & FACTUAL BELGIUM RAGGARI FILMS FELINE FILMS Adam Luria CLIN D’ŒIL Minna Dufton Jessie Fisk SPAIN WOODCUT MEDIA Hanne Phlypo BRUTAL MEDIA Matthew Gordon FRANCE JAPAN Raimon Masllorens BELGIUM COLLABORATION INC 4TH DOC & FACTUAL TAMBOURA FILMS UNITED STATES EKLEKTIK PRODUCTION Bettina Hatami Toshikazu Suzuki Xaime Barreiro CREATIVE HEIGHTS ENTERTAINMENT Tatjana Kozar Jaswant Dev Shrestha BLEU KOBALT KOREA ZONA MIXTA CANADA Florence Sala GINA DREAMS PRODUCTION Robert Fonollosa GALAXIE Sunah Kim DBCOM MEDIA SWITZERLAND Nicolas Boucher Thierry Caillibot GEDEON PROGRAMMES PERU SLASH PRODUCTION TORTUGA Jean-Christophe Liechti Adam Pajot Gendron Maya Lussier Seguin PACHA FILMS URBANIA MÉDIAS HAUTEVILLE PRODUCTIONS Luis Del Valle UNITED KINGDOM Philippe Lamarre Karina Si Ahmed POLAND ALLEYCATS ILLEGITIME DEFENSE Desmond Henderson CHINA Arnaud Xainte KIJORA FILM Anna Gawlita BIG DEAL FILMS - UNSCRIPTED DA NENG CULTURE MEDIA YUZU PRODUCTIONS Thomas Stogdon Hengyi Zhi Christian Popp PORTUGAL CHALKBOARD TV ENCOUNTER MEDIA Simon Cooper Qi Zhao PANAVIDEO Diana Nunes SHUTTER BUG STUIO(BEIJING) Hongmiao Yu GS FILM FILM-& FERNSEHPRODUKTION E.U. AUSTRIA My previous works & partners : We have produced over 70 documentaries/docu-dramas and documentary series on various topics such as human interest, history, culture and nature.
    [Show full text]
  • Eduqas a Level Film Studies Knowledge Organiser
    COMPONENT 1A: HOLLYWOOD 1930- COMPONENT 1B: HOLLYWOOD COMPONENT 1C: BRITISH FILM 1990 (VERTIGO & ONE FLEW OVER THE AFTER 2005 (INCEPTION & AFTER 1995 (TRAINSPOTTING & CUCKOO’S NEST) FRANCES HA) THIS IS ENGLAND) Auteur (Bazin) Auteur (Bazin) Spectatorship Spectatorship Narrative Narrative Studio System New Hollywood Ideology Ideology Ideology Ideology Art of blocking a scene Social realism Postmodernism Mumblecore Performance Performance ‘The Hitchcock Blonde’ Anti-authoritarian Simulation Persona Social Realism Social Realism Fetishism & necrophilia Psychoanalysis Mise-en-abyme B/W cinematography Britpop Nationalism Voyeurism Dystopia Demographics Spectatorship Character arc Thatcherism Femme fatale Analogy – Vietnam Alignment Indie Hollywood Aesthetic Character arc Patriarchy Distinctive stylistic Allegiance Demographics Feminist critique Aesthetic Hays Code features Audience positioning Feminist critique Auteur Auteur Vertigo/Acrophobia Binary oppositions (Levi- Passive/active Mass/niche Cult fandom Political context Aesthetic Strauss) Preferred, negotiated, Preferred, negotiated, Adaptation – Irvin Welsh Franchise? Classical Formalism Ideology oppositional oppositional Counter-culture Far Left vs Far Right Hitchcock Blonde Subvert/challenge Auteur Auteur - dialogue Franchise? Open/closed ending Zolly shoot (dolly zoom) Postcolonial (Gilroy) Spectacle Dystopia Dramatic irony Intertextuality Composition Psychoanalytic Male gaze (Mulvey) Vertigo One Flew Over The Inception Frances Ha Trainspotting This is England (1958, dir: Alfred Hitchcock,
    [Show full text]
  • Remediating the Eighties: Nostalgia and Retro in British Screen Fiction from 2005 to 2011
    REMEDIATING THE EIGHTIES: NOSTALGIA AND RETRO IN BRITISH SCREEN FICTION FROM 2005 TO 2011 Thesis submitted by Caitlin Shaw In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2015 2 3 ABSTRACT This doctoral thesis studies a cycle of British film and television fictions produced in the years 2005-2011 and set retrospectively in the 1980s. In its identification and in-depth textual and contextual analysis of what it terms the ‘Eighties Cycle’, it offers a significant contribution to British film and television scholarship. It examines eighties- set productions as members of a sub-genre of British recent-past period dramas begging unique consideration outside of comparisons to British ‘heritage’ dramas, to contemporary social dramas or to actual history. It shows that incentives for depicting the eighties are wide-ranging; consequently, it situates productions within their cultural and industrial contexts, exploring how these dictate which eighties codes are cited and how they are textually used. The Introduction delineates the Eighties Cycle, establishes the project’s academic and historical basis and outlines its approach. Chapter 1 situates the work within the academic fields that inform it, briefly surveying histories and socio-cultural studies before examining and assessing existing scholarship on Eighties Cycle productions alongside critical literature on 1980s, 90s and contemporary British film and television; nostalgia and retro; modern media, history and memory; British and American period screen fiction; and transmedia storytelling. Chapter 2 considers how a selection of productions employing ‘the eighties’ as a visual and audio style invoke and assign meaning to commonly recognised aesthetic codes according to their targeted audiences and/or intended messages.
    [Show full text]
  • 2005-Pages.Pdf
    THE GENERALELECTION ELECTION 2005 ThursdayI Men about the They're the ones who usually ask the questions. This time it's us. Do TV's top political pundits think the election will get us tuning in? Has the election become a bit of a I blame the story. The main reason turn-off? Why should we switch on? for apathy is when voters feel that Andrew Marr (BBC): Because you either the outcome of the election is don't know the result. This election not going to make much difference to depends on how many people them, or they feel they can't make decide to vote. In 2001 we had one much difference to the outcome of of the lowest turnouts in Britain's the election because the result is a democratic history [see panel foregone conclusion. opposite]. This time it could go The best turnout recently was in considerably lower - and if it does 1992, and - guess what - that was a we'll see some very strange results close election. [John Major won a indeed. I talk to a lot of politicians, fourth consecutive Tory victory with and they all say it's weird out there. a 65-seat majority.] Nick Robinson (ITV): I agree. We Robinson: I agree. We shouldn't don't know whether the polls are assume that turnout will go down. right; we don't know how turnout It may not. will affect the result. If Blair is re-elected, the size of his majority If turnout does qo down, will will determine how long he can you be blaming yourselves for stay in office.
    [Show full text]
  • Rivista Digitale Di Cultura Cinematografica RC Numero29
    numero28 . speciale 2010 Rapporto ConFidenziale rivista digitale di cultura cinematografica RC numero29. novembre 2010 IN QUESTO NUMERO: Álex de la Iglesia, Lisa Cholodenko, Istituto Micropunta, Luca Rea, Park Chan-wook, Christopher Nolan, Saverio Costanzo, Giorgio Diritti, Christoph Schlingensief, Marco Berger, Nomadica, David Zamagni, Nadia Ranocchi, Eitan Zur, Denis Villeneuve, Kelly Reichardt, Marion Hänsel, Pablo Larraín Rapporto Confidenziale. rivista digitale di cultura cinematografica. www.rapportoconfidenziale.org 1 numero28 . speciale 2010 numero28 . speciale 2010 Rapporto Confidenziale Rapporto Confidenzialerivista digitale di cultura cinematografica Rapporto Confidenzialerivista digitale di cultura cinematografica rivista digitale di cultura cinematografica nasce nel novembre 2007 da un’esigenza di Alessio Galbiati e Roberto non è un prodotto editoriale ai sensi della legge n. 62 del 7 marzo 2001 Rippa. e non persegue alcuna finalità di lucro. La rivista vuole essere una numero29 - novembre 2010 voce libera ed indipendente di critica cinematografica: libera da ogni L’esigenza di cui si parla era ed è quella di trattare il cinema ed i condizionamento ed indipendente nell’espressione del proprio senso www.rapportoconfidenziale.org film con assoluta libertà, svincolati dai diktat del mercato, in primis critico. Le immagini utilizzate provengono dalla rete e sono pertanto [email protected] editoriale, dalla schiavitù delle uscite settimanali, dalla noia delle sale da considerarsi di dominio pubblico. Per ogni possibile
    [Show full text]
  • Ben Drury Editor
    Shepperton Studios, Studios Road, Shepperton, Middx, TW17 OQD Tel: +44 (0)1932 571044 Website: www.saraputt.co.uk Ben Drury Editor TV Drama SAVE ME World Productions Exec: Jess Sykes Series II Sky Atlantic Exec: Simon Heath Episodes 1 & 3 Prod: Lizzie Rusbridger Dir: Jim Loach COBRA New Pictures Exec Prod: Charlie Pattinson Episodes 4 & 6 Sky One Exec Prod: Ben Richards Prod: Joe Donaldson Dir: Al Mackay DEEP WATER Kudos Productions Exec Prod: Karen Wilson Series I ITV Studios Exec Prod: Diederick Santer Episodes 5 & 6 Prod: Rebecca Hodgson Dir: Jim Loach BRITANNIA Vertigo Films Exec Prod: James Richardson Series II Sky Atlantic Exec Prod: Tom Butterworth Episodes 7 & 8 Exec Prod: Jez Butterworth Prod: Rupert Ryle-Hodges Dir: Lisa James Larsson TIN STAR Kudos Productions Exec Prod: Rowan Joffe Series II Sky Atlantic Prod: Liz Trubridge Episodes 4 & 5 Dir: Jim Loach HUMANS Kudos Productions Exec Prod: Derek Wax Series III AMC Exec Prod: Emma Kingsman-Lloyd Episodes 5 & 6 Channel 4 Prod: Vicki Delow Dir: Ben A Williams VICTORIA Mammoth Screen Exec Prod: Damien Timmer Series II ITV Studios Exec Prod: Kate McKerrell Episodes 1, 2, 5, 6 & Christmas Special Prod: Paul Frift Dir: Lisa James Larsson Dir: Jim Loach SNATCH Little Island Productions Exec Prod: Alex De Rakoff Series I AMC Prod: Helen Flint Episodes 3 & 4 Dir: Lawrence Gough Dir: Nick Renton Dir: Geoff Sax ENDEAVOUR Mammoth Screen Exec Prod: Tom Mullens Series IV ITV Studios Exec Prod: Damien Timmer Episode 4 Prod: Helen Ziegler Dir: Jim Loach NO OFFENCE Abbott Vision Exec Prod: Martin Carr Series II Channel 4 Prod: Simon Meyers Episodes 3 & 4 Dir: Sarah O'Gorman BRIEF ENCOUNTERS CPL Productions Exec Prod: Arabella McGuigan Episodes 1 & 2 ITV Studios Exec Prod: Danielle Lux Prod: Jo Willett Dir: Jill Robertson Page 1 of 3 BEOWULF ITV Studios Exec Prod: Tim Haines Episodes 5, 8 & 9 Exec Prod: Katie Newman Prod: Stephen Smallwood Dir: Stephen Woolfenden Dir: Kerric MacDonald DA VINCI'S DEMONS Starz & Adjacent FX Exec Prod: David S.
    [Show full text]
  • This Is England It's 1983 and School Is Out
    MOVIE INFO This is England It's 1983 and school is out. Twelve-year-old (2007) Shaun is a lonely boy growing up in a grim coastal town in northern England, whose father died fighting in the Falklands War. Over the course of the summer holiday he TOMATOMETER befriends a group of local skinheads. With his pent-up rage and frustration, Shaun finds ALL CRITICS exactly what he needs in the gang-mischief, mayhem and brotherhood. He also meets the volatile and boorish Combo, an older skinhead who sees himself in Shaun. Adopting Shaun as his protege, Combo 93% leads the gang down a hate spewing path Average Rating: 7.7/10 that culminates in an irreversible act of Reviews Counted: 89 violence. Fresh: 83 Rotten: 6 Rating: Unrated TOP CRITICS Genre: Art House & International, Drama Directed By: Shane Meadows Written By: Shane Meadows In Theaters: Jul 27, 2007 Wide 93% On DVD: Nov 13, 2007 US Box Office: $95.8k Average Rating: 7.7/10 Runtime: 1 hr. 42 min. Reviews Counted: 30 IFC First Take - Official Site Fresh: 28 Rotten: 2 [www.rottentomatoes.com] Critics Consensus: A moving coming-of-age tale that captures the despair among England's working-class youth in the 1980s. AUDIENCE SCORE 90% Theatrical release poster liked it Wikipedia Average Rating: 4.1/5 User Ratings: 54,241 a white nationalist meeting. After Pukey expresses doubt over their racist and This Is England nationalistic politics, Combo throws him out [from Wikipedia, the free encyclopaedia] of the group and sends him back to Woody.
    [Show full text]
  • Charlotte Walter Costume Designer
    Charlotte Walter Costume Designer Agents Alice Dunne Assistant +44 (0) 20 3214 0949 Flora Line [email protected] Credits Film Production Company Notes BELFAST Lizziepop Films Ltd Dir: Kenneth Branagh Prod: Célia Duval BLITHE SPIRIT British Lion Films Dir: Edward Hall Prod: Hilary Bevan Jones, Meg Leonard, Nick Moorcroft, Peter Snell, James Spring (with Judi Dench, Isla Fisher, Dave Johns) MISBEHAVIOUR Left Bank Pictures/Pathé! Dir: Philippa Lowthorpe Prod: Suzanne Mackie and Sarah Wheale (with Keira Knightley, Keeley Hawes, Gugu Mbatha-Raw, Jessie Buckley, Rhys Ifans and Lesley Manville) RED JOAN Trademark Films Dir: Trevor Nunn Prod: David Parfitt (with Judi Dench, Sophie Cookson and Tom Hughes) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes GUERNSEY Blueprint Pictures/Studio Canal Dir: Mike Newell Prod: Graham Broadbent, Paula Murza and Celia Duval (with Lily James, Jessica Brown Findlay, Michiel Huisman, Matthew Goode, Penelope Wilton and Tom Courtenay) BREATHE Imaginarium Films Dir. Andy Serkis Prod: Jonathan Cavendish (with Andrew Garfield and Claire Foy THEIR FINEST HOUR Number 9 Films Dir. Lone Scherfig AND A HALF Prod: Finola Dwyer, Amanda Posey and Stephen Woolley (with Gemma Arterton, Sam Claflin and Bill Nighy) PRIDE Pathe Films Dir. Matthew Warchus Prod: David Livingstone (with Andrew Scott, George MacKay, Faye Marsay, Paddy Considine and Dominic West) NOBLE Destiny Films Dir. Stephen Bradley Prod: Stephen Bradley and Melanie Gore- Grimes (with Deirdre O'Kane, Ruth Negga, Sarah Greene and Brendan Coyle) I GIVE IT A YEAR Working Title Films Dir.
    [Show full text]