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Download Booklet JOHANN SEBASTIAN BACH Flauto traverso obbligato! Arias from cantatas PETER–LUKAS GRAF, flute Vocal & instrumental soloists Bach-Collegium Stuttgart Helmuth RILLING JOHANN SEBASTIAN BACH CD 1 3. Cantata BWV 125 Mit Fried und Freud ich Fahr dahin (Leipzig, 1725) 7 :17 1. Cantata BWV 151 2. Aria – Ich will auch mit gebrochnen Süßer Trost, mein Jesus kömmt Augen, for alto, flute, oboe d’amore (Leipzig, 1725) 9:49 and basso continuo 1. Aria – Susser Trost, mein Jesus kommt, Marga Hoeffgen, alto for soprano, flute, oboe d’amore, Hanspeter Weber, oboe d’amore strings and basso continuo Continuo: Jürgen Wolf, cello Nobuko Gamo–Yamamoto, soprano Manfred Gräser, double-bass Ingo Goritzki, oboe d’amore Martha Schuster, harpsichord Bach-Collegium Stuttgart, Helmuth Rilling 1973 Continuo: Hannelore Michel, cello Manfred Gräser, double–bass 4. Cantata BWV 110 Martha Schuster, harpsichord Unser Mund sei voll Lachens 1971 (Leipzig, 1725) 3:51 2. Aria – Ihr Gedanken und ihr Sinnen, 2. Cantata BWV 113 for tenor, 2 flutes, strings and basso continuo Herr Jesu Christ, du Höchst Gut Aldo Baldin, tenor (Leipzig, 1724) 4:57 Bach-Collegium Stuttgart, Helmuth Rilling 4. Aria – Jesus nimmt die Sünder an, Sibylle Keller–Sanwald, 2. flute for tenor, flute and basso continuo Continuo: Klaus Thunemann, bassoon Adalbert Kraus, ténor Martha Schuster, harpsichord Continuo: Kurt Etzold, bassoon 1974 Manfred Gräser, double–bass Martha Schuster, harpsichord 5.–6. Cantata BWV 115 1973 Mache dich, mein Geist, bereit (Leipzig, 1724) 3:53 1. Choir – Mache dich, mein Geist, bereit (flute, oboe d’amore, strings and basso continuo) 2 PETER–LUKAS GRAF 4. Aria – Jesus Bete aber auch dabei, 8. Cantata BWV 130 for soprano, flute, violoncello piccolo Herr Gott, dich loben alle wir and basso continuo 5 :29 (Leipzig, 1724) 4 :27 Arleen Augér, soprano – Gächinger Kantorei 5. Aria – Laß, o Fürst der Cherubinen, Bach-Collegium Stuttgart, Helmuth Rilling for tenor, flute and basso continuo Günther Passin, oboe d’amore Adalbert Kraus, tenor August Wenzinger, violoncello piccolo Continuo: Hermann Herder, bassoon Walter Forchert, solo violin Martha Schuster, harpsichord Continuo: Gerhard Mantel, cello 1974 Thomas Lom, double–bass Harro Bertz, double–bass (Aria) 9. Easter Oratorio BWV 249 Hans–Joachim Erhard, positive organ Kommet, eilet und laufet 1980 (Leipzig, 1725) 8 :23 5. Aria – Seele, deine Spezereien, 7. Cantata BWV 8 for soprano, flute and basso continuo Liebster Gott, wenn werd ich sterben? Arleen Augér, soprano (Leipzig, 1724) 5 :17 Continuo: Hans Häublein, cello 4. Aria – Doch weichet, ihr tollen, Harro Bertz, double–bass vergeblichen Sorgen!, for bass, flute, strings Hans–Joachim Erhard, harpsichord and basso continuo 1981 Philippe Huttenlocher, bass Bach-Collegium Stuttgart, Helmuth Rilling 10. Cantata BWV 180 Continuo: Martin Ostertag, cello Schmücke dich, o liebe Seele Thomas Lom, double–bass (Leipzig, 1724) 5 :58 Hans–Joachim Erhard, harpsichord 2. Aria – Ermuntre dich, dein Heiland klopft, 1979 for tenor, flute and basso continuo Adalbert Kraus, tenor Continuo: Kurt Etzold, basson Hans–Joachim Erhard, harpsichord, 1979 3 JOHANN SEBASTIAN BACH 11. Cantata BWV 107 13. Cantata BWV 55 Was willst du dich betrüben Ich armer Mensch, ich Sündenknecht (Leipzig, 1724) 3 :29 (Leipzig, 1726) 3 :47 1. Choir – Was willst du dich betrüben 3. Aria – Erbarme dich! (2 flutes, 2 oboes d’amore, horn, Laß die Tränen dich erweichen, for tenor, flute strings and basso continuo) and basso continuo Gächinger Kantorei Adalbert Kraus, tenor Bach-Collegium Stuttgart, Helmuth Rilling Continuo: Ansgar Schneider, cello Sibylle Keller–Sanwald, 2. flute Hans–Joachim Erhard, postive organ Klaus Kärchner & Hedda Rothweiler, 1982 oboes d’amore – Hans Wolf, horn Continuo: Jakoba Hanke, cello 14. Cantata BWV 34 O Thomas Lom, double-bass Ewiges Feuer, O Ursprung Der Liebe Hans–Joachim Erhard, positive organ (Leipzig, 1746/47) 5 :57 1979 3. Aria – Wohl euch, ihr auserwählten Seelen, for alto, 2 flutes, strings (con sordini) 12. Cantata BWV 30 and basso continuo Freue dich, erlöste Schar! Helen Watts, alto (Leipzig, 1738) 5 :38 Bach-Collegium Stuttgart, Helmuth Rilling 5. (prima parte). Aria Peter Thalheimer, 2. flute Kommt, ihr angefocht'nen Sünder, Continuo: Jürgen Wolf, cello for alto, flute, strings and basso continuo Manfred Gräser, double–bass Mechthild Georg, alto Martha Schuster, harpsichord Bach-Collegium Stuttgart, Helmuth Rilling 1972 Continuo: Stefan Trauer, cello Klauz Zimmermann, double-bass Gesamtspielzeit / Total time CD 1 : 78 :22 Hans–Joachim Erhard, harpsichord 1984 4 PETER–LUKAS GRAF CD 2 2. Aria – So schnell ein rauschend Wasser schießt for tenor, flute, violin 1. Cantata BWV 99 and basso continuo Was Gott tut, das ist wohlgetan Adalbert Kraus, tenor (Leipzig, 1724) 4 :41 Wilhelm Melcher, violin 1. Chœur – Was Gott tut, das ist wohlgetan Continuo: Martin Ostertag, cello (flute, oboe d’amore, strings and basso continuo) Hans–Joachim Erhard, harpsichord Gächinger Kantorei 1980 Bach-Collegium Stuttgart, Helmuth Rilling Klaus Kärcher, oboe d’amore 4. Cantata BWV 79 Continuo: Jakoba Hanke, cello Gott der Herr ist Sonn und Schild Thomas Lom, double–bass (Leipzig, 1725) 2 :54 Hans–Joachim Erhard, harpsichord 2. Aria – Gott ist unser Sonn' und Schild!, 1979 for alto, flute and basso continuo Julia Hamari, alto 2. Cantata BWV 100 Continuo: Barbara Haupt–Brauckmann, cello Was Gott tut, das ist wohlgetan Harro Bertz, double–bass (Leipzig, 1732–35) 4 :26 Hans–Joachim Erhard, harpsichord 3. Aria – Was Gott tut, das ist wohlgetan, 1981 er wird mich wohl bedenken, for soprano, flute and basso continuo 5. Cantata BWV 114 Arleen Augér, soprano Ach, lieben Christen, seid getrost Continuo: Stefan Trauer, cello (Leipzig, 1724) 9 :33 Franz Schaffner, positive organ 2. Aria – Wo wird diesem Jammertale, 1983/1984 for tenor, flute and basso continuo Kurt Equiluz, tenor 3. Cantata BWV 26 Continuo: Jürgen Wolf, cello Ach wie flüchtig, ach wie nichtig Thomas Lom, double-bass (Leipzig, 1724) 5 :24 Martha Schuster, harpsichord, 1974 5 JOHANN SEBASTIAN BACH 6.–7. Cantata BWV 94 9. Cantata BWV 123 Was frag ich nach der Welt (Leipzig, 1724) Liebster Immanuel, Herzog der Frommen 1. Choir – Was frag ich nach der Welt (flute, (Leipzig, 1725) 6 :14 2 oboes, strings and basso continuo) 3 :58 5. Aria – Laß, o Welt, mich aus Verachtung, 4. Aria – Betörte Welt, betörte Welt!, for alto, for bass, flute and basso continuo flute and basso continuo 5 :14 Philippe Huttenlocher, bass Else Paaske, alto – Gächinger Kantorei Continuo: Hans Häublein, cello Bach-Collegium Stuttgart, Helmuth Rilling Thomas Lom, double-bass Günther Passin & Hedda Rothweiler, oboes Hans–Joachim Erhard, harpsichord Continuo: Jürgen Wolf, cello 1981 Manfred Gräser, double-bass Martha Schuster, harpsichord, positive organ 10. Cantata BWV 101 1974 Nimm von uns, Herr, du treuer Gott (Leipzig, 1724) 5 :29 8. Cantata BWV 146 6. Aria – Gedenk an Jesu bittern Tod Wir müssen durch viel Trübsal for soprano, alto, flute, oboe da caccia (Leipzig, 1726) 6 :04 and basso continuo 5. Aria – Ich säe meine Zähren, for soprano, Arleen Augér, soprano – Helen Watts, alto flute, 2 oboes d’amore and basso continuo Dietmar Keller, oboe da caccia Helen Donath, soprano Continuo: Peter Buck, cello Hanspeter Weber & Hans–Joachim Erhard, harpsichord Hedda Rothweiler, oboes d’amore 1980 Continuo: Kurt Etzold, bassoon Manfred Gräser, double-bass 11. Cantata BWV 102 Martha Schuster, harpsichord Herr, deine Augen sehen nach dem Glauben 1973 (Leipzig, 1726) 3 :25 5 (2nda parte). Aria – Erschrecke doch, du allzu sichre Seele, for tenor, flute and basso continuo 6 PETER–LUKAS GRAF Kurt Equiluz, tenor 14. Cantata BWV 191 Continuo: Jürgen Wolf, cello Gloria in excelsis Deo Manfred Gräser, double–bass (Leipzig, 1740–45) 5 :34 Martha Schuster, harpsichord 2. Aria (Post Orationem) 1972 Gloria Patri et Filio et Spiritui sancto, for soprano, tenor, 2 flutes (unisono), 12. Cantata BWV 164 cordes (con sordini) and basso continuo Ihr, die ihr euch von Christo nennet Nobuko Gamo–Yamamoto, soprano (Leipzig, 1725) 4 :07 Adalbert Kraus, tenor 3. Aria – Nur durch Lieb und durch Erbarmen, Bach-Collegium Stuttgart, Helmuth Rilling for alto, 2 flutes and basso continuo Heidi Indermühle, 2. flute Julia Hamari, alto Continuo: Hannelore Michel, cello Sibylle Keller–Sanwald, 2. flute Martha Schuster, harpsichord Continuo: Barbara Haupt–Brauckmann, cello 1971 Hans–Joachim Erhard, harpsichord 1982 Gesamtspielzeit / Total time CD 2: 76 :25 13. Cantata BWV 96 Herr Christ, der einge Gottessohn (Leipzig, 1724) 9 :13 3. Aria – Ach, ziehe die Seele mit Seilen der Liebe, for tenor, flute and basso continuo Adalbert Kraus, tenor Continuo: Kurt Etzold, bassoon Manfred Gräser, double–bass Martha Schuster, harpsichord 1973 7 8 9 JOHANN SEBASTIAN BACH DEUTSCH BACH FÜR EINEN AUSNAHMEFLÖTISTEN evozieren. So kann ihr Klang, aufs Innigste mit dem menschlichen Atem verbunden, vielleicht wie kein an- Auf die Frage, welche Rolle das Instrument bei Bach deres Instrument Tränen, Seufzer und Klagen heraufbe- spielt, ist man stets versucht zu antworten: sowohl eine schwören (BWV 55, 94, 114, 146). Doch eignet sich wesentliche ... als auch eine unwesentliche. Derart tief- ihr Wohlklang ebenso vortrefflich dazu, Einkehr und gründig ist seine Musik, dass sie das jeweilige Instru- Gebet zu veranschaulichen (BWV 34, 51, 115...), ment weit übersteigt, dies schon ersichtlich an den während ihr virtuoser Elan mal reine spirituelle Freude unterschiedlichen Fassungen, die er selbst von einigen (BWV 8), mal Furcht und Beklemmung (BWV 102)
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