Caracol, Belize, and Changing Perceptions of Ancient Maya Society
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Tik 02:Tik 02
2 The Ceramics of Tikal T. Patrick Culbert More than 40 years of archaeological research at Tikal have pro- duced an enormous quantity of ceramics that have been studied by a variety of investigators (Coggins 1975; Culbert 1963, 1973, 1977, 1979, 1993; Fry 1969, 1979; Fry and Cox 1974; Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). It could be argued that the ceram- ics of Tikal are better known than those from any other Maya site. The contexts represented by the ceramic collections are extremely varied, as are the formation processes to which they were subjected both in Maya times and since the site was abandoned. This chapter will report primarily on the ceramics recovered by the University of Pennsylvania Tikal Project between 1956 and 1970. The information available from this analysis has been significantly clar- ified and expanded by later research, especially that of the Proyecto Nacional Tikal (Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). I will make reference to some of the results of these later stud- ies but will not attempt an overall synthesis—something that must await Copyrighted Material www.sarpress.org 47 T. PATRICK C ULBERT a full-scale conference involving all of those who have worked with Tikal ceramics. Primary goals of my analysis of Tikal ceramics were to develop a ceramic sequence and to provide chronological information for researchers. Although a ceramic sequence was already available from the neighboring site of Uaxactun (R. -
The Marco Gonzalez Maya Site, Ambergris Caye, Belize: Assessing the Impact of Human Activities by Examining Diachronic Processes at the Local Scale
Elsevier Editorial System(tm) for Quaternary International Manuscript Draft Manuscript Number: QUATINT-D-15-00289R1 Title: The Marco Gonzalez Maya Site, Ambergris Caye, Belize: Assessing the impact of human activities by examining diachronic processes at the local scale Article Type: Socio-ecology, small-scale Keywords: Anthrosols; Maya; Belize; Soil micromorphology; Archaeobotany; Plant communities Corresponding Author: Prof. Elizabeth Graham, PhD Corresponding Author's Institution: University College London First Author: Elizabeth Graham, PhD Order of Authors: Elizabeth Graham, PhD; Richard MacPhail, Ph.D.; Simon Turner, Ph.D.; John Crowther, Ph.D.; Julia Stegemann, Ph.D.; Manuel Arroyo-Kalin, Ph.D.; Lindsay Duncan; Richard Whittet; Cristina Rosique; Phillip Austin Manuscript Region of Origin: BELIZE Abstract: Research at the Maya archaeological site of Marco Gonzalez on Ambergris Caye in Belize is socio-ecological because human activities have been a factor in the formation and fluctuation of the local marine and terrestrial environments over time. The site is one of many on Belize's coast and cayes that exhibit anomalous vegetation and dark-coloured soils. These soils, although sought for cultivation, are not typical 'Amazonian Dark Earths' but instead are distinctive to the weathering of carbonate-rich anthropogenic deposits. We tentatively term these location-specific soils as Maya Dark Earths. Our research seeks to quantify the role of human activities in long-term environmental change and to develop strategies, specifically Life Cycle Assessment (LCA), that can be applied to environmental impact modelling today. *Manuscript Click here to view linked References Graham et al., Page 1 The Marco Gonzalez Maya site, Ambergris Caye, Belize: Assessing the impact of human activities by examining diachronic processes at the local scale Elizabeth Grahama, Richard MacPhaila, Simon Turnerb, John Crowtherc, Julia Stegemannd, Manuel Arroyo-Kalina, Lindsay Duncana, Richard Whittete, Cristina Rosiquee, and Phillip Austina. -
With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
The Toltec Invasion and Chichen Itza
Other titles of interest published by Thames & Hudson include: Breaking the Maya Code Mexico: From the Olmecs to the Aztecs Angkor and the Khmer Civilization India: A Short History The Incas The Aztecs See our websites www.thamesandhudson.com www.thamesandhudsonusa.com 7 THE POSTCLASSIC By the close of the tenth century AD the destiny of the once proud and independent Maya had, at least in northern Yucatan, fallen into the hands of grim warriors from the highlands of central Mexico, where a new order of men had replaced the supposedly more intellectual rulers of Classic times. We know a good deal about the events that led to the conquest of Yucatan by these foreigners, and the subsequent replacement of their state by a resurgent but already decadent Maya culture, for we have entered into a kind of history, albeit far more shaky than that which was recorded on the monuments of the Classic Period. The traditional annals of the peoples of Yucatan, and also of the Guatemalan highlanders, transcribed into Spanish letters early in Colonial times, apparently reach back as far as the beginning of the Postclassic era and are very important sources. But such annals should be used with much caution, whether they come to us from Bishop Landa himself, from statements made by the native nobility, or from native lawsuits and land claims. These are often confused and often self-contradictory, not least because native lineages seem to have deliberately falsified their own histories for political reasons. Our richest (and most treacherous) sources are the K’atun Prophecies of Yucatan, contained in the “Books of Chilam Balam,” which derive their name from a Maya savant said to have predicted the arrival of the Spaniards from the east. -
Descargar Este Artículo En Formato
Foias, Antonia E. y Ronald L. Bishop 1994 El colapso Clásico Maya y las vajillas de Pasta Fina en la región de Petexbatun. En VII Simposio de Investigaciones Arqueológicas en Guatemala, 1993 (editado por J.P. Laporte y H. Escobedo), pp.469-489. Museo Nacional de Arqueología y Etnología, Guatemala. 42 EL COLAPSO CLÁSICO MAYA Y LAS VAJILLAS DE PASTA FINA EN LA REGIÓN DE PETEXBATUN Antonia E. Foias Ronald L. Bishop Una teoría prominente sobre el Colapso Clásico Maya de las Tierras Bajas Centrales se refiere a invasiones extranjeras de la región del río Pasión. Clave a esta hipótesis de invasiones extranjeras es un grupo de cerámica llamado vajillas de pasta fina: Gris Fino y Naranja Fino. Se propuso que estas vajillas fueron traídas del área de la Chontalpa por los invasores Putunes (Thompson 1970; Adams 1971, 1973; Sabloff 1973, 1975; Kowalski 1989; Ball y Taschek 1989; Schele y Freidel 1990). Este grupo viajó por el Usumacinta y después por el Pasión donde conquistaron los dos sitios de Ceibal y Altar de Sacrificios. La importancia de estas pastas finas queda entonces como marcador de esta invasión extranjera en las Tierras Bajas Mayas del Oeste. Seguidamente, presentamos nuevos datos sobre estas vajillas (Naranja Fino y Gris Fino) en la región de Petexbatun y discutiremos su significado dentro del problema del colapso en el drenaje del río Pasión. La región Petexbatun se localiza en el suroeste de Petén, Guatemala, entre el río Petexbatun al este, el río Pasión al norte y el río Chixoy-Salinas al oeste (Figura 1). Esta región ha sido el enfoque del Proyecto Arqueológico Regional Petexbatun de la Universidad de Vanderbilt y de la Fundación Mario Dary, bajo la dirección general de Dr. -
Ancient Maya: the Rise and Fall of a Rainforest Civilization Arthur Demarest Index More Information
Cambridge University Press 0521592240 - Ancient Maya: The Rise and Fall of a Rainforest Civilization Arthur Demarest Index More information Index Abaj Takalik (Guatemala) 64, 67, 69, 72, animals 76, 78, 84, 102 association with kings and priests 184, aboriculture 144–145 185 acropoli see epicenters and bird life, rain forests 123–126 agriculture 117–118 and rulers 229 animal husbandry 145 apiculture 145 Classic period 90, 146–147 archaeology effects of the collapse, Petexbatun 254 and chronology 17, 26 operations in relation to the role of elites and cultural evolution 22–23, 26, 27 and rulers 213 history 31 post-Spanish Conquest 290 genesis of scientific archaeology 37–41 Postclassic period, Yucatan 278 multidisciplinary archaeology 41–43 in relation to kingship 206 nineteenth century 34–37 specialization 166 Spanish Conquest 31–33 and trade 150 processual archaeology 23, 26 see also farming practices; gardens; rain settlement pattern archaeology 50, 52 forests architecture 99 Aguateca 230, 251, 252, 259, 261 corbeled vault architecture 90, 94, 95 craft production 164 northern lowlands, Late Classic period destruction 253 235–236 specialist craft production 168 Puuc area, Late Classic period 236 Ajaw complex 16 roof combs 95 ajaws, cult 103 talud-tablero architectural facades alliances, and vassalages 209 (Teotihuacan) 105, 108 Alm´endariz, Ricardo 33 Arroyo de Piedras (western Pet´en)259 alphabet 46, 48 astronomy 201 Alta Vista 79 and astrology 192–193 Altar de Sacrificios (Petexbatun) 38, 49, Atlantis (lost continent) 33, 35 81, 256, -
“Charlie Chaplin” Figures of the Maya Lowlands
RITUAL USE OF THE HUMAN FORM: A CONTEXTUAL ANALYSIS OF THE “CHARLIE CHAPLIN” FIGURES OF THE MAYA LOWLANDS by LISA M. LOMITOLA B.A. University of Central Florida, 2008 A thesis in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2012 ©2012 Lisa M. Lomitola ii ABSTRACT Small anthropomorphic figures, most often referred to as “Charlie Chaplins,” appear in ritual deposits throughout the ancient Maya sites of Belize during the late Preclassic and Early Classic Periods and later, throughout the Petén region of Guatemala. Often these figures appear within similar cache assemblages and are carved from “exotic” materials such as shell or jade. This thesis examines the contexts in which these figures appear and considers the wider implications for commonly held ritual practices throughout the Maya lowlands during the Classic Period and the similarities between “Charlie Chaplin” figures and anthropomorphic figures found in ritual contexts outside of the Maya area. iii Dedicated to Corbin and Maya Lomitola iv ACKNOWLEDGMENTS I would like to thank Drs. Arlen and Diane Chase for the many opportunities they have given me both in the field and within the University of Central Florida. Their encouragement and guidance made this research possible. My experiences at the site of Caracol, Belize have instilled a love for archaeology in me that will last a lifetime. Thank you Dr. Barber for the advice and continual positivity; your passion and joy of archaeology inspires me. In addition, James Crandall and Jorge Garcia, thank you for your feedback, patience, and support; your friendship and experience are invaluable. -
**Hay Referencia a 1 Figura, Con Listado Al Final
Vidal Lorenzo, Cristina 1998 Tikal, un siglo de arqueología. En XI Simposio de Investigaciones Arqueológicas en Guatemala, 1997 (editado por J.P. Laporte y H. Escobedo), pp.5-9. Museo Nacional de Arqueología y Etnología, Guatemala (versión digital). 2 TIKAL, UN SIGLO DE ARQUEOLOGÍA Cristina Vidal Lorenzo "Tikal, un siglo de arqueología" es el título de una exposición monográfica, en la que hemos pretendido reunir las imágenes más representativas del descubrimiento, excavación y restauración de esta importante ciudad de la antigüedad Maya. En realidad, la exposición está concebida como un paseo a través de las intervenciones a las que fueron sometidos sus edificios principales a lo largo de estos últimos cien años. Para ello, hubo que recurrir a las excelentes fotografías tomadas por los incansables exploradores y viajeros del siglo XIX, los primeros que dieron a conocer los vestigios de una ciudad que había permanecido más de mil años sepultada por la selva. Nos referimos a las célebres imágenes captadas por A. Maudslay y T. Maler a finales del siglo pasado, cuyas placas de vidrio originales se conservan en el Museo Británico y en el Museo Peabody de la Universidad de Harvard, respectivamente, No es nuestra intención relatar ahora cómo se llevaron a cabo tales trabajos -información contenida en los paneles explicativos de la muestra- pero sí nos gustaría realizar una pequeña reflexión acerca del impacto que tuvo en la arquitectura de Tikal todo este cúmulo de actuaciones. Deberíamos empezar por su descubrimiento en 1848, ya que con ocasión de esa expedición se cortaron muchos árboles y se despejó parte de la espesa maleza en la que estaban sumergidas las ruinas, con el fin de realizar los primeros dibujos hasta ahora conocidos de Tikal, a cargo del artista Eusebio Lara. -
The Significance of Copper Bells in the Maya Lowlands from Their
The significance of Copper bells in the Maya Lowlands On the cover: 12 bells unearthed at Lamanai, including complete, flattened and miscast specimens. From Simmons and Shugar 2013: 141 The significance of Copper bells in the Maya Lowlands - from their appearance in the Late Terminal Classic period to the current day - Arthur Heimann Master Thesis S2468077 Prof. Dr. P.A.I.H. Degryse Archaeology of the Americas Leiden University, Faculty of Archaeology (1084TCTY-F-1920ARCH) Leiden, 16/12/2019 TABLE OF CONTENTS 1. INTRODUCTION ......................................................................................................................... 5 1.1. Subject of The Thesis ................................................................................................................... 6 1.2. Research Question........................................................................................................................ 7 2. MAYA SOCIETY ........................................................................................................................... 10 2.1. Maya Geography.......................................................................................................................... 10 2.2. Maya Chronology ........................................................................................................................ 13 2.2.1. Preclassic ............................................................................................................................................................. 13 2.2.2. -
Baking Pot Codex Restoration Project, Belize
FAMSI © 2005: Carolyn M. Audet Baking Pot Codex Restoration Project, Belize Research Year: 2003 Culture: Maya Chronology: Late Classic Location: Belize Site: Baking Pot Table of Contents Abstract Resumen Section I Discovery of Tomb 2, Baking Pot, Belize Tomb 2 Section II - Harriet Beaubien Excavation of the Artifacts Goals of Conservation and Technical Analysis Description of the Artifacts Goals of the Project Artifact Conservation Stabilization for Transport List of Components Conservation of Artifact R at SCMRE Technical Study of Paint Flakes Paint Layer Composition Ground Layer Composition Painting Technique and Decorative Scheme Indicators of the Original Substrate(s) Preliminary Interpretation of the Artifacts Object Types Contributions to Technical Studies of Maya Painting Traditions List of Figures Sources Cited Abstract During the 2002 field season a decayed stuccoed artifact was uncovered in a tomb at the site of Baking Pot. Initially, we believed that the painted stucco could be the remains of an ancient Maya codex. After funds were secured, Harriet Beaubien traveled to Belize to recover the material and bring it to the Smithsonian Institute for conservation and analysis. After more than a year of painstaking study Beaubien determined that the artifact was not a codex, but rather a number of smaller artifacts, similar in style and composition to gourds found at Cerén, El Salvador. Resumen Durante la temporada 2002, se encontró un artefacto de estuco en mal estado de preservación en una tumba de Baking Pot. En un principio, pensamos que el estuco pintado podrían ser los restos de un códice maya. Una vez asegurados los fondos necesarios, Harriet Beaubien viajó a Belice para recuperar el material y llevarlo al Instituto de Conservación de la Smithsonian para su conservación y análisis. -
Archaeological Investigations in the Holmul Region, Peten Results of the Fourth Season, 2003
ARCHAEOLOGICAL INVESTIGATIONS IN THE HOLMUL REGION, PETEN RESULTS OF THE FOURTH SEASON, 2003 Edited by Francisco Estrada-Belli With contributions by: Jeremy Bauer, Molly Morgan, Angel Castillo, Nick Bentley, Jonathan Rodgers, Rush Clark (Cival), Jennifer Foley, Nina Neivens (La Sufricaya), Chris Hewitson, Judith Valle, Edy Barrios, Justin Ebersole, Juan Carlos Pere Calderón, Antonlin Velasquez (Holmul). Conservation reports by Angelyn Rivera and LeslieRainer Artelab s.r.l., Italy Preclassic mask on Structure 1, Group 1, at Cival. Address: Vanderbilt University Department of Anthropology Box 306050 St at ion B Nashville, TN 37235 INTRODUCTION ....................................................................................................................4 Synthesis of analyses of mural fragments by Artelab, s.r.l., Italy.........................................................6 HOLMUL 2003 REPORTS PART I........................................................................................... 13 Conservation and Excavations at La Sufricaya.............................................................................. 14 FIGURES.............................................................................................................................. 16 La Sufricaya- ST 18 and SL07................................................................................................... 43 ST18 –Illustrations.................................................................................................................. 46 Informe Preliminar -
On the Origin of the Different Mayan Calendars Thomas Chanier
On the origin of the different Mayan Calendars Thomas Chanier To cite this version: Thomas Chanier. On the origin of the different Mayan Calendars. 2014. hal-01018037v1 HAL Id: hal-01018037 https://hal.archives-ouvertes.fr/hal-01018037v1 Submitted on 3 Jul 2014 (v1), last revised 14 Jan 2015 (v3) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. On the origin of the different Mayan Calendars T. Chanier∗1 1 Department of Physics, University of Namur, rue de Bruxelles 61, B-5000 Namur, Belgium The Maya were known for their astronomical proficiency. Whereas Mayan mathematics were based on a vigesimal system, they used a different base when dealing with long periods of time, the Long Count Calendar (LCC), composed of different Long Count Periods: the Tun of 360 days, the Katun of 7200 days and the Baktun of 144000 days. There were three other calendars used in addition to the LCC: a civil year Haab’ of 365 days, a religious year Tzolk’in of 260 days and a 3276- day cycle (combination of the 819-day Kawil cycle and 4 colors-directions). Based on astronomical arguments, we propose here an explanation of the origin of the LCC, the Tzolk’in and the 3276-day cycle.