LINCOLN CENTER Introduction
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SPRING 10 Alice TULLY HALL and the Juilliard School / City College of NEW YORK School of Architecture / FRANK SINATRA School OF
Prsrt STD U.S. POSTAGE THE STEEL INSTITUTE OF NEW YORK THE ornamental metal INSTITUTE OF NEW YORK paid 211 EAST 43RD STREET, SUITE 804 PUBLISHED BY THE STEEL INSTITUTE OF NEW YORK AND THE ORNAMENTAL METAL INSTITUTE OF NEW YORK NEW YORK NY 10017 PERMIT NO. 161 LANCASTER, PA SPRING 10 ALICE Tully HALL AND THE JUILLIARD SCHOOL / CITY COLLEGE OF NEW YORK SCHOOL OF ARCHITECTURE / FRANK sinatra SCHOOL OF THE arts / NEW YORK LAW SCHOOL / 41 COOPER SQUARE / ONE JACKSON SQUARE / PUBLISHED BY THE standard HOTEL / MONROE HIGH SCHOOL ANNEX CONTENTS EDITOR’S NOTE SPRING 10 Test of strength 1 OVER THE YEARS, OUR introduce its own testing is EDITOR’S NOTE building codes have expanded unlikely to reduce them. Since beyond their traditional focus on virtually every structural material 2 AliCE Tully Hall and life safety to include requirements must undergo strength testing, THE JUILLIARD SCHOOL for social initiatives such as it’s reasonable to ask why steel energy conservation, accessibility isn’t also at risk of testing fraud. 8 for the disabled, and historic Because of how it is produced, City College of New York preservation under their regulatory steel is able to be certified and SCHOOL OF ARCHITECTURE umbrella. Given this evolution, verified as conforming to the 14 it is disturbing to find that one required shape, size, composition, Frank Sinatra SChool of the most fundamental of and strength before it’s ever OF THE Arts code concerns—validating the delivered to a job site. Two strength of structural materials— separate inspections provide this 20 is dominating industry headlines. -
NYC Student Discounts
NYC Student Discounts The Chamber Music Society of Lincoln Center Alice Tully Hall (Broadway at 65th Street)/ Daniel and Joanna S. Rose Studio (165 West 65th Street between Broadway and Amsterdam) The Chamber Music Society of Lincoln Center (CMS) presents an annual series of concerts. Students may purchase tickets at a 50% discount in advance at the Alice Tully Hall box Office, pending availability. Student rush tickets are $10 on the day of the performance, pending availability. Present a valid student ID beginning one hour prior to curtain for two $10 tickets. https://www.chambermusicsociety.org/nyc/ticketing-information/student-tickets/ Jazz at Lincoln Center Rose Theater, The Allen Room, Dizzy’s Club Coca-Cola at Frederick P. Rose Hall, Home of Jazz at Lincoln Center (Broadway at 60th Street) Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. Fill out the online registration form and submit a copy of your student ID to [email protected]. Be sure to include your expected month and year of graduation in the email. Please note that for Dizzy's Club Coca-Cola reservations, you will need to create a new account separate from your student account when making your reservation. The student rate varies by performance and will be listed on the specific event page. Once your reservation is made, a student ID is required to be shown upon arrival at the res- ervation desk. http://www.jazz.org/students/ New York City Ballet David H. Koch Theater (Columbus Avenue at 63rd Street) New York City Ballet is one of the foremost dance companies in the world, with a roster of nearly 100 spectacular dancers, a 62-piece orchestra, and a repertory of modern masterpieces. -
February 2006 Minutes Full Board Meeting Sheldon Fine, Chairperson
February 2006 Minutes Full Board Meeting Sheldon Fine, Chairperson February 7, 2006 Red Oak Apartments Mr. Fine called the meeting to order at 7:24 PM. Minutes from previous full board meeting were approved, as amended: 39:0:0. The minutes erroneously listed Helen Rosenthal as absent. Chairman’s Report: Sheldon J. Fine · Although there has been a lot of activity on the Community Board, the Chairman expressed concern about spotty attendance at meetings. He designated February as Attendance Month. If a member is going to be absent from or late to a Full Board meeting, he or she should contact the Board office by 1 PM. After that time please contact Bobbie Katzander on her cell phone—917-971-1759. Members and Co-Chairs should contact each other about attendance at committee meetings. · Manhattan Borough President and Borough Board will hold public hearings on the City’s budget on 2/13 and 2/16. The community is invited to testify. · Mr. Fine presented to Shanifah Rieara, MCB7 Community Associate, a gift in gratitude for five years of dedicated service. She is joining the Manhattan Borough President’s staff as the Director of the Northern Manhattan office. · George Zeppenfeldt-Cestero, Co-Chairperson of the Business & Consumer Issues Committee, reported that three years ago, the Board created the Commerce Committee with a mandate to look at business and consumer issues. Committee is also responsible for approving multi-block street fairs. The following meeting agendas have been scheduled: February 9 - Con Ed rates; March 8 - Department of Consumer Affairs; April - Area Banks; May 19 - Community Pharmacies; June - Restaurant Bike Messengers. -
Artist Series – Arnaud Sussmann Program Notes on the Program
ARTIST SERIES – ARNAUD SUSSMANN PROGRAM JOHANN SEBASTIAN BACH (1685-1750) Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Allegro Andante Presto Arnaud Sussmann, violin • Sooyun Kim, flute • Tara Helen O'Connor, flute • Bella Hristova, violin • Francisco Fullana, violin • Richard O'Neill, viola • Dmitri Atapine, cello • Xavier Foley, bass • Hyeyeon Park, piano-harpsichord ERNEST CHAUSSON (1855-1899) Concerto in D major for Violin, Piano, and String Quartet, Op. 21 (1889-91) Décidé—Calme—Animé Sicilienne: Pas vite Grave Très animé Arnaud Sussmann, violin • Wu Han, piano • Kristin Lee, violin • Yura Lee, violin • Richard O'Neill, viola • Nicholas Canellakis, cello NOTES ON THE PROGRAM Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Johann Sebastian Bach (Eisenach, 1685 – Leipzig, 1750) Though Bach practically defined Baroque music as we know it today, he met with a surprising number of setbacks in his own lifetime. The Brandenburg Concertos were one such unsuccessful attempt for recognition. They were named after Christian Ludwig, the Margrave of Brandenburg, who Bach only met once—in 1719 during a trip to Berlin. The Margrave asked for some of his music but it took two years for Bach to deliver, at which time his employer, Prince Leopold of Cöthen, was having financial difficulties and Bach was probably looking for leads on a new job. Bach gathered six concertos with vastly different instrumentations, made revisions, and sent them to the Margrave. Not only did Bach not get a job, there is no record the Margrave ever listened to them or even acknowledged Bach’s gift. The Brandenburgs remained virtually unknown until the Bach revival of the mid-19th century. -
February 2005 Resolutions
C O M M U N I T Y B O A R D 7 Manhattan ______ _________________________________ February 2005 Resolutions Lincoln Center Task Force Lawrence Horowitz, Chair February 1, 2005 Re: Applications to the Department of City Planning related to The Lincoln Center West 65th Street Project C 050098 MMM, C 050170 GFM, C 050219 PQM Vote: 32 In Favor 0 Against 0 Abstaining 0 Present A. Introduction Lincoln Center for the Performing Arts has proposed a number of actions relating to West 65th Street between Amsterdam Avenue and Broadway, which require ULURP action and other approvals from Manhattan Community Board 7. The Lincoln Center Task Force of Community Board 7 has met with representatives of Lincoln Center and their architects and planners on numerous occasions to review each aspect of the proposed actions, and has held a public hearing at which comments were solicited from the public, including members of neighboring community and landmark preservation groups. These actions are sought by Lincoln Center because, if approved, they will permit the institution to enhance, improve and expand access to its cultural facilities and public spaces. The goal of the proposed improvements is to transform the West 65th Street corridor between Amsterdam Avenue and Broadway/Columbus Avenue into a “Street of the Arts” that would create a new “front door” for visitors and for the artists who work and study at Lincoln Center. To accomplish this, Lincoln Center will make changes to the street itself, to the sidewalks and to the public spaces and North Plaza adjacent to West 65th Street. -
Preservationists View Lincoln Center Renovations with Alarm
Preservationists View Lincoln Center Renovations With Alarm... http://www.nytimes.com/2009/06/02/arts/design/02land.html?_r=0# HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Subscribe: Digital / Home Delivery Log In Register Now Search All NYTimes.com WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER When Renovation Meets Redo More Articles in Arts » By ROBIN POGREBIN Published: June 1, 2009 TWITTER Get the TimesLimited E-Mail Amid the chorus of accolades that have greeted Lincoln Center’s continuing physical LINKEDIN transformation — in particular, the new Alice Tully Hall by Diller Scofidio & Renfro — a few discordant voices are raising an alarm with worries that Lincoln Center may be SIGN IN TO E-MAIL changing too much. PRINT Enlarge This Image Having lost the battle against transforming the campus’s north plaza in front of the Vivian REPRINTS Beaumont Theater, laid out in 1965 by the SHARE celebrated landscape architect Dan Kiley, some preservationists say they fear that the rest of the $1.2 billion redevelopment project could end up compromising the original 1960s composition of Lincoln Center as a whole. Sara Krulwich/The New York Times Work in progress on the north plaza These advocates say they are especially worried about Lincoln Center of Lincoln Center, as seen through Theater’s plans to put an experimental theater on the roof of the New York the windows of the Vivian Public Library for the Performing Arts, whose interior and entry pavilion Beaumont Theater. -
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos Future Anterior, Volume 6, Number 1, Summer 2009, pp. 84-97 (Article) Published by University of Minnesota Press DOI: https://doi.org/10.1353/fta.0.0027 For additional information about this article https://muse.jhu.edu/article/364599 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] 1. Juilliard School / Alice Tully Hall, Lincoln Center, New York City. Original building, Pietro Belluschi, architect, 1969. Intervention and restoration, Diller + Scofidio, architects, 2006– 8. Night view from southeast during construction, 2008. Photograph by Iwan Baan. Interview Elizabeth Diller and Ricardo Morphing Lincoln Center Scofidio Interviewed by Jorge Otero - Pailos Elizabeth Diller and Ricardo Scofidio have added their signa- ture to Lincoln Center’s Julliard School building, forty years after Pietro Belluschi’s original design was completed in 1968. Their intervention involved demolishing the eastern façade and extending the footprint of the building over the existing plaza toward Broadway. In this interview, Diller and Scofidio argue that their radical transformation of the historic fabric nevertheless functions as a means of preserving the most his- torically significant features of the original building, including its internal organization, which was previously hidden behind uniform travertine and is now exposed through strategically located glass apertures. In a significant departure from typo- logical and stylistic theories of architectural restoration, Diller and Scofidio advance the notion of morphing as a way to extend the significant elements of a historic building without mimicking or negating them. JORGE OTERO - PAILOS: Let’s start with the question of unity. -
Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974, Trip
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Downloadable 2021 VOWS SUFH
For the past 15 years, the Bob Woodruff Foundation and the New York Comedy Festival have partnered to bring you a one-of-a-kind event experience. Last year was no exception – while we couldn’t gather in person, we brought our iconic night of hope, healing and laughter into your home. This year, our live show is back! Our highest priorities are supporting our veterans and their families and bringing you an unforget- table and safe live event – in 2021, we are going to do both. Please plan to join us at Alice Tully Hall for our 15th Annual Stand Up for Heroes. Mark November 8th on your calendar! Our 15th Annual Show! Monday, November 8th, 2021 Adjacent to the Juilliard School on the Lincoln Center Campus, Alice Tully Hall is one of New York’s premier event venues and will host this year’s Stand Up for Heroes! Alice Tully Hall offers an intimate setting for our show, ensuring that all of our attendees feel close to the show while also ensuring a safe and carefully coordinated experience that complies with all public health and safety guidelines. Our 2021 format not only delivers, but enhances the exclusive and personal feel of Stand Up for Heroes – with a more limited seating capacity, we encourage our VOWS partners to confirm your plans early. Stand Up for Heroes Our Impact Through the generous and visionary support of Veterans On Wall Street (VOWS) and the VOWS partner firms, we are delivering measurable impact today and sustaining our impact at a time when our nation’s veterans and their families need our help more than ever. -
NYCHA Chair Shola Olatoye Arrives at 6 A.M
VOL. 46 NO. 6 AUGUST | SEPTEMBER 2016 INSIDE THIS ISSUE 3 4 9 Financial She’s A Rebel: Counseling with Recent College The Girl John Edward Grad Inspires All Group Project Dallas Getting a Kick Out of Camp Big fans of FlexOps: Caretakers Tieysha Leak and Loranzo Brown with Dyckman Resident Association President Nathaniel Green (center). Making Customer Service a Priority FlexOps Pilot Launches at 12 Developments IT’S NOT EVERY day that NYCHA Chair Shola Olatoye arrives at 6 a.m. and greets development staff with donuts and coffee, but July 5 was special: A new pilot program called FlexOps (“flexible operations”) launched that morning at 12 consolidated developments. For four months, service hours at these developments are extended beyond the historical 8 a.m. to 4:30 p.m. shift. Property management offices at these developments will stay open until Saesean Brown, 8, of 830 Amsterdam Avenue, shows international soccer star Christian Fuchs the fancy footwork he learned during 8 p.m. one day a week for scheduled appointments Fuchs’ Fox Soccer Academy summer camp. with residents. And at some developments, front-line NYCHA staff start at 6 a.m. or end later in the day HIS JULY, FIVE YOUNG NYCHA RESIDENTS nearly $3,500 in scholarships to NYCHA participants. at 7:30 p.m. had the opportunity to do something most kids The scholarships were made possible thanks to a new FlexOps is already getting rave reviews—from both T in the U.S. don’t normally get to do—learn soccer partnership between NYCHA, the Fund for Public employees and residents—at Dyckman Houses. -
Unsung Heroes of the Upper West Side ✦ 2016 Awards ✦ Monday, September 19, 2016 Tavern on the Green Program
celebrates UNSUNG HEROES OF THE UPPER WEST SIDE ✦ 2016 AWARDS ✦ MONDAY, SEPTEMBER 19, 2016 TAVERN ON THE GREEN PROGRAM 7:00–9:00 PM Delicious fare provided by Tavern on the Green Upper West “Cider” cocktails, featuring Tito’s Handmade Vodka 7:45–8:15 PM Welcome Kate Wood, President, LANDMARK WEST! Presentation of Awards to Honorees by Justin Davidson, Architecture Critic, New York magazine Super Heroes Ian & Colm McKeever – horse & carriage owners/drivers, for keeping a historic city tradition alive Tavern on the Green – for reviving a beloved restaurant institution and Central Park landmark building Landmark Heroes – for their outstanding value to our neighborhood’s culture and character 67 Wine Albee Baby Barney Greengrass Harry’s Shoes Riverside Chapel Town Shop Zabar’s Heritage Heroes – for their special contributions to our neighborhood’s fabric Apthorp Pharmacy Cleopatra’s Needle Ernesto’s Jewelry The Eye Man Iglarsh Supply Company La Caridad 78 La Mirabelle Martin Bros. Wine & Spirits Murray’s Sturgeon The Plant Shed Westsider Books This year’s Unsung Heroes of the Upper West Side awards celebrate the longstanding, independent, local businesses that make the West Side the West Side. MEET OUR MASTER OF CEREMONIES Justin Davidson Justin Davidson has been the architecture and classical music critic at New York magazine since 2007, writing about a broad range of urban, civic, and design issues. Before that, he spent 12 years as classical music critic at Newsday, where he also wrote about architecture and was a regular commentator on cultural issues. He won a Pulitzer Price for criticism in 2002. -
Hell's Kitchen Upper West Side Central Park
Neighborhood Map ¯ The Apthorp 399 301 239 199 101 American Museum 81 St-Museum of W 78 Street of Natural History Natural History e u e n Broadway v i e r v D A 2197 2192 William Sherman Marina e d School, PS 87 Bank 375 376 376 Tecumseh 53 d n i West End Playground Alexander von Rock Tupelo s E Humboldt Meadow r Bay t Collegiate Statue e s Church v 399 301 233 231 201 101 i e 3 West Park Central Oak Bridge R Columbus Avenue Columbus W W 77 Street W 77 Street Avenue Amsterdam 2 Hotel Belleclaire Azalea 2178 William J. O’Shea New-York Pond 351 46 School, JHS 44 357 356 355 Manhattan 340 Historical Society Waterfront Greenway Neufeld Playground 399 301 299 225 223 201 199 99 W 76 Street W 76 Street West Drive Broadway Fourth JCC Manhattan Universalist M7 Society Classic 36 M104 M10 M7 M11 331 336 M104 M10 Playground M11 Ladies’ Pavilion 399 301 299 225 223 201 199 101 99 1 W 75 Street W 75 Street The Ramble Riverside Drive e u Central Park n e Loop M5 M5 v Beacon LTD LTD A Henry Hudson Parkway Hudson Henry Theater 311 313 314 310 Riverside 315 The San Remo d M5 M5 n E Park t 399 301 s 299 201 199 101 99 e Central Park West Park Central Amsterdam Avenue Amsterdam W W 74 Street Columbus Avenue W 74 Street Lake South Lawn Apple Bank 3 for Savings Bow 293 290 285 Bridge Upper West Side e The Ansonia v i 399 301 299 199 101 99 r D t W 73 Street s W 73 Street e W W 0 Verdi 1 e M s t Square D ri 4 v 2095 e 275 276 273 270 Eleanor 277 Roosevelt Memorial Islamic Cultural Center 1 The Dakota of New York 1 Strawberry 301 M5 1 299 201 199 101 M 99