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The Back to the Future Trilogy Available for the Very First Time on Dvd
CONSUMER MEDIA RELEASE MAY 2002 GREAT SCOTT! THE BACK TO THE FUTURE TRILOGY AVAILABLE FOR THE VERY FIRST TIME ON DVD PLANNED RELEASE DATE - AUGUST 21, 2002 Michael J Fox, Christopher Lloyd, Thomas F. Wilson, Lea Thompson, Crispin Glover One of the most eagerly awaited DVD and video collections is almost here. Presented by Steven Spielberg and Robert Zemeckis the legendary 'Back to the Future Trilogy' will be available August 21, 2002 on VHS and for the first time ever, on DVD with over 10 hours of special features including deleted scenes, outtakes, music videos and much, much more! Since it's original cinema release in the 80's, The Back to the Future Trilogy has amassed a staggering worldwide box office revenue of US$926 million. In fact, 'Back to the Future' was the worldwide highest grossing film of 1985. For generations time travel has captivated readers and movie-goers alike, and this August the most revered series of films in this genre will not only be re-lived by those who treasured the original cinema releases - but will be introduced to a whole new generation on DVD. It doesn't matter if you are a fan of the 80's, Michael J Fox, or the technology of DVD - this is an event not to be missed, being one of the most anticipated DVD releases of all-time. Back to the Future follows the amazing adventures of Marty McFly (Michael J Fox), a high-school student in the small Northern California town of Hill Valley. The fun begins when Marty’s friend and mentor, crazed scientist Doc Brown (Christopher Lloyd), invents a time machine in the form of a nuclear-powered DeLorean. -
INSIGHT: Even Without Marty Mcfly Powers, Antitrust Regulators Generally Get It Right by Kristen Limarzi January 3, 2020
INSIGHT: Even Without Marty McFly Powers, Antitrust Regulators Generally Get It Right By Kristen Limarzi January 3, 2020 Antitrust agencies don’t have a back to the whether an independent Instagram or Waze future time machine like Marty McFly’s, but would provide more competition today, they generally do a good job assessing the future but whether there would have been more impact of global mergers, writes Gibson Dunn’s competition absent the mergers. The antitrust Kristen Limarzi. She looks at the Facebook- agencies don’t have a time machine like Instagram and Google-Waze cases and says Marty’s to test the counterfactual. But they the remedy of unwinding long-consummated do have skilled investigators and economists, mergers should be reserved for cases where the and there’s no evidence they are systematically Kristen C. Limarzi loss of competition is clear, and not based on waving through anticompetitive mergers. Partner speculative counterfactuals. Potential Competition Doctrine More than 100 global competition authorities met Dec. 5-6, 2019, in Paris for the OECD Merger review under the Clayton Act is Global Forum on Competition. On the always a forward-looking exercise. The agenda: How best to assess likely future effects statute prohibits mergers the effect of which of mergers in rapidly changing industries. “may be substantially to lessen competition.” As the U.S. Supreme Court observed, the This discussion comes when many are very wording “requires a prognosis of the criticizing the U.S. antitrust agencies for failing probable future effects of the merger.” to block acquisitions of nascent competitors Sometimes merging firms already compete, by large tech platforms. -
Classrooms of the Future Marty Mcfly and Dr Emmett Brown Managed To
Classrooms of the Future Marty McFly and Dr Emmett Brown managed to do it. They transported themselves through time in the film Back to the Future and its sequels. In the second film, on October 26, 1985, Dr. Emmett Brown arrived in the DeLorean time machine and persuaded Marty McFly and his girlfriend, Jennifer Parker, to travel to the future with him and help their forthcoming children. They travelled thirty years ahead to October 26, 2015. The film was actually made in 1989, some 26 years before the futuristic date in the film. The screenwriters, Robert Zemeckis and Bob Gale, attempted to predict the future. According to Zemeckis, the 2015 depicted in the film was not meant to be an accurate representation of the future. However, the film did correctly predict a number of technological and sociological changes that occurred by 2015, including: the rise of ubiquitous cameras; the use of unmanned flying drones for newsgathering; widescreen flat-panel television sets mounted on walls with multiple channel viewing; video chat systems; hands-free video games; talking hologram billboards; wearable technology; tablet computers with fingerprint scanners; and head-mounted displays. Payment on personal portable devices was also depicted. I am also trying to predict a future: that of education, yet I am not looking 26 years hence. Rather I am looking at five to seven years and the change is likely to be just as impressive as in the film, only achieved in fewer years. This is due to the exponential growth in IT and the impact it is likely to have on education. -
March 2020 | Adar-Nisan 5780 | Volume 68 Number 2
March 2020 | Adar-Nisan 5780 | Volume 68 Number 2 THIS PURIM WE'RE GOING INSIDE THIS EDITION: HOW JEWS USE MEMORY AS A TOOL ON PURIM 10 REASONS YOU WON’T WANT TO MISS THIS YEAR’S SPIEL ANNUAL PURIM CARNIVAL HAMANTASCHEN BAKE RenewHow Jews Use Memory Our as a Tool Days on Purim By: Brandon Chiat, Digital Media Manager Jews are a people of memory. In many ways, the past Purim calls to mind the verse from Lamentations: Restore grounds Jewish identity, infusing Jewish life with context, us to You, O Lord, that we may be restored! Renew our purpose, and meaning. days as of old." Jewish memory is why Beth El gathers every year on Rabbi Schwartz explains the bizarrely worded phrase Purim to hear the words of Megillat Esther read aloud in "renew our days as of old" ("chadeish yameinu its entirety. Uniquely, Purim is the only Jewish holiday in k'kedem"): "We have a natural yearning for the past. We which the tradition explicitly commands Jews to listen to look back to happy moments in our life, like sitting next the story in full. to Zadie at Passover Seder, or eating Bubbie's matzah ball soup. These are moments that speak to our identity, "The Megillah is a story of secular, non-religious, our understanding of who we are and where we came unobservant Jews, who find themselves directly from." responsible for the fate of Jewish identity in their part of the diaspora," explained Rabbi Steve Schwartz. "The While it is natural to idealize the past, reflection in powerful message of Purim is that even if you're on the Judaism is more purposeful. -
European Journal of American Studies, 12-4
European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). -
All the Things That Back to the Future Got Right (And Wrong)
All the things that Back to the Future got right (and wrong) Posted 7 days ago by i100 staff in ents Upvote Wednesday 21st October 2015 marks the date that Marty McFly and Doc Brown flew through time to visit in the 1989 classic Back to the Future II. While the film, directed by Robert Zemeckis and starring Michael J Fox and Christopher Lloyd, made many fanciful predictions which we're still waiting for, it was surprisingly correct in some aspects. Here's what it got right and what it got wrong about the world we live in, in 2015: Right Fingerprint scanners Fingerprint recognition, like that used to pay for a taxi in the film, can be found on the latest iPhones and at US passport control. Fuelling cars on rubbish While you can't exactly scavenge through a wheelie-bin and force feed it through your car's petrol cap (as Doc does to the DeLorean), using waste as a fuel - in the form of biogas, is something we use in 2015. There's even a bus in Bristol that runs entirely on human and food waste. Hoverboard transportation The kind with wheels may be banned on British streets, but inventors in the US have managed to create a real hoverboard using powerful electromagnets and a metal course. The Hendo II, fronted by renowned skateboarder Tony Hawk will be launched on Wednesday. Hands-free games A young Elijah Wood and his pal denounce Marty for using a video game that needs a handset in the film, suggesting that by 2015 hands-free computer games would be mainstream. -
Ovul Durmusoglu
!By Ovul Durmusoglu ! “…the archive […] determines that all these things said do not accumulate endlessly in an amorphous mass, nor are they inscribed in an unbroken linearity, nor do they disappear at the mercy of chance external accidents; but they are grouped together in distinct figures, composed together in accordance with multiple relations, maintained or blurred in accordance with specific regularities.” - Michel Foucault, The Archaeology of Knowledge, 1972, London: Tavistock, and New York: !Pantheon, 128. “History is hysterical: it is constituted only if we consider it, only if we look at it – and in order to look at it, we must be excluded from it.” - Roland Barthes, Camera Lucida: Reflections on Photography, 1981, New York: Hill and Wang, !65. !“Nothing Is.” - Sun Ra ! !I. We were able to experience cinematic spectacle in the cinemas that hadn’t yet been tucked inside shopping malls. I remember taking in the catchy iconography of the science fiction comedy Back to the Future (1985) starring Michael J. Fox in a popular cinema in Ankara where I grew up. A crazy professor named Doc Brown transforms a DeLorean DMC-12 into a time machine. The main protagonist Marty McFly finds himself instantaneously transported from 1985 to 1955 shortly after being introduced to the time machine by his friend. Marty spends his time in 1955 to better his family history – ultimately, in order to better his present. No wonder it was a favorite of the US president at the time, Ronald Reagan: the film’s message is typical of 1980s Hollywood, espousing a good, happy American family and the preservation of social values based on that good !family. -
STAMPA DISPONIBILITA' ARTICOLI - Ordinata Per Descrizione DADO S.A.S
STAMPA DISPONIBILITA' ARTICOLI - Ordinata per descrizione DADO S.A.S. DI DEMARCHI Selezioni Da Codice: 8002455033710 Da Descrizione: Da Produttore: A Codice: ZV 9061 A Descrizione: ZV 8016 1/72 A Produttore:ì Gruppo Mer.: 57 AUTOMEZZI 1/24 Fornitore: Tutti Cat.Omogenee: Tutte Magazzino: 00 MAGAZZINO PRINCIPALE Descrizione Codice UM Moltip. 2^UM GrM Esistenza Dispon. Carichi Scarichi ABARTH 500 ASSETTO CORSE N. 49 BU 28101 PZ x 57 ABARTH 500 ESSEESSE BU 22121 PZ x 57 ABARTH 500 NEW BU 22111 PZ x 57 ABARTH 500 RALLY R3T MONDO 51143 PZ x 57 ABARTH 695 TRIBUTO FERRARI KIT MONDO 60037 PZ x 57 ABARTH GRANDE PUNTO RALLYS2000 BU 28103 PZ x 57 AC SHELBY SERIE 1 1999 8002455015235 PZ x 57 ALFA ROMEO 156 G. DI FINAZA 8002455001870 PZ x 57 ALFA ROMEO 156 CA2405 PZ x 57 ALFA ROMEO 156 CARABINIERI 8002455001863 PZ x 57 ALFA ROMEO 156 CARABINIERI CA2403 PZ x 57 ALFA ROMEO 156 CARABINIERI KIT 8002455055866 PZ x 57 ALFA ROMEO 156 GRAN TURISMO BU 15108 PZ x 57 ALFA ROMEO 156 GUARDIA FINANZA BU24001 PZ x 57 ALFA ROMEO 156 POLIZIA 8002455001856 PZ x 57 ALFA ROMEO 156 POLIZIA CA2404 PZ x 57 ALFA ROMEO 156 POLIZIA 99 KIT 8002455055859 PZ x 57 ALFA ROMEO 156 SUPERTUR.98 KIT 8002455055187 PZ x 57 ALFA ROMEO 156 TAXI 8002455001221 PZ x 57 1,00 1,00 ALFA ROMEO 156 TAXI CA2442 PZ x 57 ALFA ROMEO 156 VIGILI DEL FUOC 8002455015082 PZ x 57 ALFA ROMEO 159 CARABINIERI BU24008 PZ x 57 ALFA ROMEO 159 POLIZIA BU24007 PZ x 57 ALFA ROMEO 159 S.W. -
East Bristol Auctions
East Bristol Auctions Games, Trains & Automobiles TOY SALE - Worldwide 1 Hanham Business Park Postage, Packing & Delivery Available On All Items, see Memorial Road www.eastbristol.co.uk Bristol BS15 3JE United Kingdom Viewing Friday 28th July 9am - 5pm Started 29 Jul 2017 09:55 BST Lot Description An original 1:18 scale diecast model 1974 Dodge Monaco Sedan Police Car ' The Bluesmobile ' from The Blues Brothers movie. 1 Appears mint, within the original display box. Made by Joyride ERTL. A rare and original 1985 Dr Who Annual panel of artwork. Depicting Colin Baker as The Doctor. Measures approx; 33cm x 44cm. 2 Watercolour and ink. Can be seen on pages 6 and 7 of the 1985 annual. An original vintage 1980's Kenner made The Real Ghostbusters carded action figure of Peter Venkman 'And Ghoulgroan Ghost.' The 3 figure still sealed to the original cardback, untouched. A Scalextric ' Vintage Collection ' C305 4 1/2 Litre Bentley ' 1:32 scale slot racing car. Appears mint, within a very near mint original 4 display box (the rear flap never having been folded). An original vintage Corgi diecast model Chipperfields Circus 511 ' Performing Poodles .' Contents appear near mint, likely unused, 5 within a very near mint original box. An original vintage Japanese made ' Modern Toys Co.' battery operated tinplate ' Space Ranger No.3 ' with spaceman UFO toy. No. 6 4722. Within its original box with original card top protector. Contents mint. Rare. 7 A Hornby 00 gauge railway trainset locomotive R078 Flying Scotsman. Appears unused, within the original box. A fantastic original precision diecast Sun Star made 1:24 scale Routemaster model bus '2908 RM 870 - WLT 870 First Production 8 Routemaster With A Leyland Engine'. -
Chapter 11), Making the Events That Occur Within the Time and Space Of
CHAPTER I INTRODUCTION: IN PRAISE OF BABBITTRY. SORT OF. SPATIAL PRACTICES IN SUBURBIA Kenneth Jackson’s Crabgrass Frontiers, one of the key histories of American suburbia, marshals a fascinating array of evidence from sociology, geography, real estate literature, union membership profiles, the popular press and census information to represent the American suburbs in terms of population density, home-ownership, and residential status. But even as it notes that “nothing over the years has succeeded in gluing this automobile-oriented civilization into any kind of cohesion – save that of individual routine,” Jackson’s comprehensive history under-analyzes one of its four key suburban traits – the journey-to-work.1 It is difficult to account for the paucity of engagements with suburban transportation and everyday experiences like commuting, even in excellent histories like Jackson’s. In 2005, the average American spent slightly more than twenty-five minutes per day commuting, a time investment that, over the course of a year, translates to more time commuting than he or she will likely spend on vacation.2 Highway-dependent suburban sprawl perpetually moves farther across the map in search of cheap available land, often moving away from both traditional central 1 In the introduction, Jackson describes journey-to-work’s place in suburbia with average travel time and distance in opposition to South America (home of siestas) and Europe, asserting that “an easier connection between work and residence is more valued and achieved in other cultures” (10). 2 One 2003 news report calculates the commuting-to-vacation ratio at 5-to-4: “Americans spend more than 100 hours commuting to work each year, according to American Community Survey (ACS) data released today by the U.S. -
NATIVE CINEMA SHOWCASE Welcome to Native Cinema Showcase and The
20 15 NATIVE CINEMA SHOWCASE Welcome to Native Cinema Showcase and the It is with great pleasure that we announce an exciting line up of films for our 2015 Native Cinema Showcase highlighting the past 15 years. The museum is proud to celebrate this important milestone by bringing the best of Native filmmak- ing to Santa Fe, N.M., far beyond our museum locations in Washington, D.C. and New York City. present We are pleased to offer new films and fan favorites and we hope that you will find the post-screening conversations with the filmmakers both provocative and engaging. In addition to great films selected by the NMAI’s Native Cinema Showcase team, SWAIA’s Indian Market Moving Image Classification X program continues to attract new, diverse and cutting-edge works through their annual competition. As in past years, visitors will be able to see the screenings of the Classification X winners in Narrative Short, Documentary Short, Animation Short, Experimental Short, Youth, Music Video and Feature categories during the week. The Native Cinema Showcase hosts free screenings THE FIFTEENTH ANNUAL at the New Mexico History Museum and on Sat- urday night at the Santa Fe Railyard Park. We are grateful to both venues for their continued support NATIVE to bring these films to a wide audience. On behalf of the SWAIA Indian Market and the Smithsonian’s National Museum of the American CINEMA Indian boards and staff, thank you for joining us SHOWCASE at this year’s Native Cinema Showcase! Kevin Gover (Pawnee) Director, National Museum of the American Indian AUGUST 17–23, 2015 1 Presenting Organizations The Smithsonian’s The Southwestern Association National Museum for Indian Arts (SWAIA) and of the American Indian Santa Fe Indian Market A diverse and multifaceted cultural and educational SWAIA’s mission is to bring Native arts to the world enterprise, the National Museum of the American by inspiring artistic excellence, fostering education, Indian is an active and visible component of the and creating meaningful partnerships. -
Brands Eye Big Bucks with 'Back to the Future' Nostalgia 20 October 2015
Brands eye big bucks with 'Back to the Future' nostalgia 20 October 2015 The dog-walking drones and flying cars of Marty Not to be outdone, Nike has also leapt—hoverboard- McFly's fictional 21st century are still the stuff of sci- like—on the "Back to the Future" memory fi in real-life 2015—but savvy brands from Pepsi to bandwagon, saying earlier this year it was releasing Toyota have rolled out gadgets and gimmicks a version of the self-lacing Nike Mag shoes that tapping into "Back to the Future" nostalgia. were featured in the movie. Details though remain sketchy. Fans of the film on Wednesday will mark "Back to the Future" Day—characters Doc Brown 'Jaws 19'? (Christopher Lloyd) and McFly (Michael J. Fox) blasted their way in the 1989 part two of the trilogy Major car manufacturers are also getting in on the to what was then the great unknown future, act. October 21, 2015. Toyota, which makes a brief appearance in the film And major companies are not missing a trick in in the form of a retro pick-up truck, has launched a taking advantage of the occasion, which will campaign linking its launch of the Mirai, a car that feature screenings of "Back to the Future: Part II" runs on hydrogen fuel cells, with the film's vision of and other events to commemorate the day. cars running on fuel cells powered by garbage. Take Pepsi. On Wednesday, it will sell limited- It even has a website (www.toyota.com/outatime/) edition "Pepsi Perfect"—McFly's soda of choice in with the words: "ON OCTOBER 21, 2015 THE the blockbuster movie series.