Frannie - Song List
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HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
Mb. Tins Walters' Palm Toffee
LIGHTINt3-UP TIME 6.25 p.m. YESfERDAY*S WEATHER . Maximum' Temperature 71.8 Minimum Temperature 65.5 ^DE TABL-TFOR FEB. Rainfall Tree* Sunshine 9.9 hours Data Blab Wnter LQW Water Sua- Sua- til. P -. ' A.M. P.M. ris* set 4 9.39 9.55 3.16 4.00 7.13 7.55 £ljCH\ 011*1 VOL: 30 — NO. 29 HAMILTON. BERMUDA SATURDAY., FEBRUARY 4, 1950 4D PER COPY WOULD WIDEN COURT'S £36,905 VOTES PASSED Plan For Million Gallon FBI Chief Says H*Bomb POWERS FOR MINORS BY HOUSE OF ASSEMBLY Property Realisation Clause Kindley Terminal Facilities Water Reserve Is Placed Queried By Several M.CPs. Need Renovating, Extending Data Given RussianslBy 7 Before House Of Assembly WANT TO KNOW IF IT WILL QUESTI0N~0rTGA-0LS IS SET ASIDE TRUST TERMS LIMITED BY CHAIRMAN Food Regulations A plan to increase tankage The powers of the court in deal The House of Assembly yester faci—ties of Government ing with ^he realisation of pro day approved the expenditure of buildings and churches to pro Arrested Atom Scientist perty owned by minors will be £36,905, £3,000 of which was for Approved By vide a 1,000,000 gallon water widened if the Legislature agrees further subsidy for the Queen of reserve for public distribution WASHINGTON, Feb. 3, (Reu LONDON, Feb. 3 (Reuter).— to an amendment to the Minors Bermuda, £900 for repairs to the The Assembly during droughts was laid be ter). — Senator's quoted F.B.I, An employee at the British At Bill, now under consideration by airline terminal at. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Mongrel Media Presents
Mongrel Media Presents Official Selection: Toronto International Film Festival Official Selection: Sundance Film Festival (97 mins, USA, 2009) Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Short Synopsis Rarely can a film penetrate the glamorous surface of rock legends. It Might Get Loud tells the personal stories, in their own words, of three generations of electric guitar virtuosos – The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented. Concentrating on the artist’s musical rebellion, traveling with him to influential locations, provoking rare discussion as to how and why he writes and plays, this film lets you witness intimate moments and hear new music from each artist. The movie revolves around a day when Jimmy Page, Jack White, and The Edge first met and sat down together to share their stories, teach and play. Long Synopsis Who hasn't wanted to be a rock star, join a band or play electric guitar? Music resonates, moves and inspires us. Strummed through the fingers of The Edge, Jimmy Page and Jack White, somehow it does more. Such is the premise of It Might Get Loud, a new documentary conceived by producer Thomas Tull. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Text-Based Description of Music for Indexing, Retrieval, and Browsing
JOHANNES KEPLER UNIVERSITAT¨ LINZ JKU Technisch-Naturwissenschaftliche Fakult¨at Text-Based Description of Music for Indexing, Retrieval, and Browsing DISSERTATION zur Erlangung des akademischen Grades Doktor im Doktoratsstudium der Technischen Wissenschaften Eingereicht von: Dipl.-Ing. Peter Knees Angefertigt am: Institut f¨ur Computational Perception Beurteilung: Univ.Prof. Dipl.-Ing. Dr. Gerhard Widmer (Betreuung) Ao.Univ.Prof. Dipl.-Ing. Dr. Andreas Rauber Linz, November 2010 ii Eidesstattliche Erkl¨arung Ich erkl¨are an Eides statt, dass ich die vorliegende Dissertation selbstst¨andig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt bzw. die w¨ortlich oder sinngem¨aß entnommenen Stellen als solche kenntlich gemacht habe. iii iv Kurzfassung Ziel der vorliegenden Dissertation ist die Entwicklung automatischer Methoden zur Extraktion von Deskriptoren aus dem Web, die mit Musikst¨ucken assoziiert wer- den k¨onnen. Die so gewonnenen Musikdeskriptoren erlauben die Indizierung um- fassender Musiksammlungen mithilfe vielf¨altiger Bezeichnungen und erm¨oglichen es, Musikst¨ucke auffindbar zu machen und Sammlungen zu explorieren. Die vorgestell- ten Techniken bedienen sich g¨angiger Web-Suchmaschinen um Texte zu finden, die in Beziehung zu den St¨ucken stehen. Aus diesen Texten werden Deskriptoren gewon- nen, die zum Einsatz kommen k¨onnen zur Beschriftung, um die Orientierung innerhalb von Musikinterfaces zu ver- • einfachen (speziell in einem ebenfalls vorgestellten dreidimensionalen Musik- interface), als Indizierungsschlagworte, die in Folge als Features in Retrieval-Systemen f¨ur • Musik dienen, die Abfragen bestehend aus beliebigem, beschreibendem Text verarbeiten k¨onnen, oder als Features in adaptiven Retrieval-Systemen, die versuchen, zielgerichtete • Vorschl¨age basierend auf dem Suchverhalten des Benutzers zu machen. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the or copy submitted. Thus, some thesis and dissertation copies are in typemiter face, Mile men may be ftom any type of cornputer printer. The quality of mis repmduction is dependent upori the quality of the copy submitted. Broken or indistinct @nt, colored or poor quality itlustrations and photographs, print Meedthrough, substandard margins, and improper alignrnent can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manusuipt and there are missing pages, these will be noted. Also, if unauttiarized copyright material had to be removed, a note will indikate the deletion. Oversize materials (e-g., maps, drawings, charb) are reproduced by sectiming the original, beginning at the upper left-hand corner and contirwing from left to n'ght in equal sedons with small werlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographie pnnts are available for any photographs or illustrations appeamg in this copy for an additional charge. Contact UMI directly to order. Bell 8 Howell Inforniaticri and Leaming 300 North Zeeb Road, Ann Arbor, MI 48106-1346 USA 800-521- TRADE UNION INTERNATIONAL SOLIDARITY: EXPLORING THE UNEVEN DEVELOPMENT OF GRASSROOTS SOLIDARITY FUNDS WITHIN CANADIAN UNIONS by Karen M. Brown Submitted in partial fulfillment of the requirements for the degree of Master of Arts Dalhousie University Halifax, Nova Scotia August, 1999 Copyright by Karen M. Brown, 1999 National Library Bibliothegue nationale m*I of Canada du Canada Acquisitions and Acquisitions et Bi bliographic Services services bibliographiques 395 W Jlington Street 395. -
Grammy Countdown U2, Nelly Furtado Interviews Kedar Massenburg on India.Arie Celine Dion "A New Day Has Come"
February 15, 2002 Volume 16 Issue 781 $6.00 GRAMMY COUNTDOWN U2, NELLY FURTADO INTERVIEWS KEDAR MASSENBURG ON INDIA.ARIE CELINE DION "A NEW DAY HAS COME" The premiere single from "A New Day Has Come," her first new album in two years and her first studio album since "Let's Talk About Love," which sold over 28 million copies worldwide. IMPACTING RADIO NOW 140 million albums sold worldwide 2,000,000+ cumulative radio plays and over 21 billion in combined audience 6X Grammy' winner Winner of an Academy Award for "My Heart Will Go On" Extensive TV and Press to support release: Week of Release Jprah-Entire program dedicated to Celine The View The Today Show CBS This Morning Regis & Kelly Upcoming Celine's CBS Network Special The Tonight Show Kicks off The Today Show Outdoor Concert Series Single produced by Walter Afanasieff and Aldo Nova, with remixes produced by Ric Wake, Humberto Gatica, and Christian B. Video directed by Dave Meyers will debut in early March. Album in stores Tuesday, March 26 www.epicrecords.com www.celinedion.com I fie, "Epic" and Reg. U.S. Pat. & Tm. Off. Marca Registrada./C 2002 Sony Music Entertainment (Canada) Inc. hyVaiee.sa Cartfoi Produccil6y Ro11Fair 1\lixeJyJo.serli Pui3 A'01c1 RDrecfioi: Ron Fair rkia3erneit: deter allot" for PM M #1 Phones WBLI 600 Spins before 2/18 Impact Early Adds: KITS -FM WXKS Y100 KRBV KHTS WWWQ WBLIKZQZ WAKS WNOU TRL WKZL BZ BUZZWORTHY -2( A&M Records Rolling Stone: "Artist To Watch" feature ras February 15, 2002 Volume 16 Issue 781 DENNIS LAVINTHAL Publisher LENNY BEER THE DIVINE MISS POLLY Editor In Chief EpicRecords Group President Polly Anthony is the diva among divas, as Jen- TONI PROFERA Executive Editor nifer Lopez debuts atop the album chart this week. -
Top 40 Singles Top 40 Albums
01 February 1987 CHART #554 Top 40 Singles Top 40 Albums Good Times Shake You Down Revenge The Final 1 Jimmy Barnes & INXS 21 Gregory Abbott 1 Eurythmics 21 Wham Last week 9 / 4 weeks FESTIVAL Last week 40 / 2 weeks CBS Last week 1 / 23 weeks Platinum / RCA Last week 18 / 22 weeks Platinum / SONY Ain't Nothin' Going On But The Rent Heartache All Over The World Genesis Infected 2 Gwen Guthrie 22 Elton John 2 Genesis 22 The The Last week 1 / 5 weeks POLYGRAM Last week 32 / 6 weeks POLYGRAM Last week 4 / 99 weeks Platinum / POLYGRAM Last week 28 / 6 weeks CBS Walk Like An Egyptian Bye Baby Every Breath You Take - Singles Notorious 3 The Bangles 23 Ruby Turner 3 The Police 23 Duran Duran Last week 2 / 8 weeks FESTIVAL Last week - / 1 weeks FESTIVAL Last week 2 / 5 weeks Platinum / FESTIVAL Last week 20 / 4 weeks EMI I Love My Leather Jacket True Blue Graceland Brothers In Arms 4 The Chills 24 Madonna 4 Paul Simon 24 Dire Straits Last week 4 / 3 weeks Flying Nun Last week 27 / 13 weeks WEA Last week 3 / 15 weeks Platinum / WEA Last week 35 / 81 weeks Platinum / POLYGRAM You Oughta Be In Love Missionary Man Fore Raising Hell 5 Dave Dobbyn 25 Eurythmics 5 Huey Lewis & The News 25 Run DMC Last week 6 / 4 weeks CBS Last week 28 / 12 weeks RCA Last week 7 / 9 weeks Platinum / FESTIVAL Last week 27 / 5 weeks Gold / POLYGRAM Don't Leave Me This Way The Way It Is True Colours Good To Go Lover 6 The Communards 26 Bruce Hornsby And The Range 6 Cyndi Lauper 26 Gwen Guthrie Last week 5 / 7 weeks POLYGRAM Last week 23 / 4 weeks RCA Last week 6 / 15 weeks -
Historic Preservation and the New Deal
University of South Carolina Scholar Commons Theses and Dissertations Summer 2019 Restoring America: Historic Preservation and the New Deal Stephanie E. Gray Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the History Commons Recommended Citation Gray, S. E.(2019). Restoring America: Historic Preservation and the New Deal. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5433 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. RESTORING AMERICA: HISTORIC PRESERVATION AND THE NEW DEAL by Stephanie E. Gray Bachelor of Arts Mount Holyoke College, 2013 Master of Arts University of South Carolina, 2016 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2019 Accepted by: Lauren Rebecca Sklaroff, Major Professor Robert Weyeneth, Committee Member Patricia Sullivan, Committee Member Lydia Mattice Brandt, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Stephanie E. Gray, 2019 All Rights Reserved. ii DEDICATION For my mother, Lucy Gray. iii ACKNOWLEDGEMENTS It is said that writing a dissertation is a solitary venture. While that is true to some extent, no dissertation is completed without the support of many people in many places. First, I extend my deepest gratitude to my wonderful committee. To my advisor, Lauren Sklaroff, tremendous thanks for accepting me as a student and teaching me to think and write like a cultural historian. -
Music Video Auteurs: the Directors Label Dvds
i Music Video Auteurs: The Directors Label DVDs and the Music Videos of Chris Cunningham, Michel Gondry and Spike Jonze. by Tristan Fidler Bachelor of Arts (With First Class Honours), UWA ’04. This thesis is presented for the degree of Doctor of Philosophy of the University of Western Australia. English, Communication and Cultural Studies. 2008 ii MUSIC VIDEO AUTEURS ABSTRACT Music video is an intriguing genre of television due to the fact that music drives the images and ideas found in numerous and varied examples of the form. Pre-recorded pieces of pop music are visually written upon in a palimpsest manner, resulting in an immediate and entertaining synchronisation of sound and vision. Ever since the popularity of MTV in the early 1980s, music video has been a persistent fixture in academic discussion, most notably in the work of writers like E. Ann Kaplan, Simon Frith and Andrew Goodwin. What has been of major interest to such cultural scholars is the fact that music video was designed as a promotional tool in their inception, supporting album sales and increasing the stardom of the featured recording artists. Authorship in music video studies has been traditionally kept to the representation of music stars, how they incorporate post-modern references and touch upon wider cultural themes (the Marilyn Monroe pastiche for the Madonna video, Material Girl (1985) for instance). What has not been greatly discussed is the contribution of music video directors, and the reason for that is the target audience for music videos are teenagers, who respond more to the presence of the singer or the band than the unknown figure of the director, a view that is also adhered to by music television channels like MTV. -
Docility, Resistance and the Indie Guitarist: a Foucaultian Interpretation of the Guitar- Hero Joshua Hochman
Docility, Resistance and the Indie Guitarist: A Foucaultian Interpretation of the Guitar- Hero by Joshua Hochman A thesis submitted to the Faculty o f Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree o f Masters in Music and Culture Carleton University Ottawa, Ontario ©2013 Josh Hochman Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94602-2 Our file Notre reference ISBN: 978-0-494-94602-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.