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VOCAL 78 rpm Discs Mme. JOSÉ GRAYVILL(E) [s]. Who was this mysterious singer? The Columbia Catalogues of the period (1906) mention that she was a friend of Massenet (as were a number of female singers). Was José (sometimes Josè) Graville (or Grayville) her husband’s name (as with Mme. Charles Cahier) or a nom-du-disque? There seems to be no trace of anyone with this name in music journals of the period, yet this is obviously a more than competent singer with particularly able coloratura skills. 1138. 12” Vinyl Columbia 30067 [M55-1]. MIREILLE: O légère hirondelle (Gounod). Just about 1-2. $40.00. HARRY PLUNKET GREENE [b] 4126. 10” Red vinyl Victor (HMV) 3-2336 [2121e]. LITTLE MARY CASSIDY (arr. Somer- vell). Piano acc. This 1905 recording, although here pressed by Victor, never appeared in a Victor catalogue. Just about 1-2. $25.00. FERNANDO GUARNERI [b]. Napoli, 1888-New York City, 1940. Guarneri studied in Naples and appeared in opera in Europe, coming to the U.S. around 1915. He sang here with the touring San Carlo Opera and other companies and was popular in leading U.S. music festivals. His career after 1915 appears to have been exclusively in America, where he also became a citizen. He made a few records for several companies, including Edison, Victor, vertical Aeolian-Vocalian and Columbia. The reviewer of a 1920 performance of Cavalleria Rusticana gave Guarneri the following praise: “May Barron sang the part of Lola with a pretty voice, but we are tempted to wonder why she preferred Turiddu, sung by Eugenio Cibelli, to the virile and excellent Alfio of Fernando Guarneri, who sang with fervor and gave a good portrayal of the part. He displayed a fine voice of excellent quality, very well produced. He has a good stage presence, and his work was satis- factory in all respects.” 4853. 10” Blk. acous. Victor 78169. L’INNO ALLA SICILIA (Fernando Guarneri) / FERNANDO GUARNERI ANTONIO NICHINI [b] [nom-du- disque for ERNESTO BADINI]. LA CANZONE DEL GRAPPA (Mene-ghetti). Just about 1-2. $12.00. MARINA GURINA [s] 4748. 10” White lbl. Vla 52122 [7075-F]. EL REY QUE RABIÓ: Couplets de los Segadores (Chapì). With PURA MARTINEZ [c]. 1902 Spanish G&T matrix. Piano acc. IMs. Just about 1-2. $15.00. JEANNE GUYLA [s]. See: CÉSAR VEZZANI [t] CHARLES HACKETT [t]. See also: ROSA PONSELLE [s], RICCARDO STRACCIARI [b] 4291. 10” Purple acous. Columbia 4017-M [81412-3/81430-6]. THANK GOD FOR A GAR- DEN (del Riego) / I HEAR A THRUSH AT EVE (Cadman). Lovely pressing as are all these “M” series Columbias. Just about 1-2. $12.00. 5156. 10” Purple Viva-Tonal Columbia 4040-M [W144856-3/W144857-3]. A BROWN BIRD SINGING (Barrie-Wood) / DUNA (McGill). Just about 1-2. $10.00. LILLY HAFGREN-DINKELA [s] 1375. 12” Blk. acous. Polydor 65644 [329as/339as]. TANNHÄUSER: Dich, teure Halle / DER FLIEGENDE HOLLÄNDER: Senta-Ballade (both Wagner). Excellent copy. Small lbl. stkr., one minor rub side two, otherwise just about 1-2. $40.00. REYNALDO HAHN [t] 4356. 10” Blk. acous. French Gram. P404 [20841u/20861u]. LA PAIX (Hahn) / LES LARMES (Reyer). Self-accompanied. Just about 1-2. $50.00. 4401. 10” Brown elec. French Col. D2029 [WL1070/WL1090]. SI TU VEUX MIGNONNE (Massenet) / LE PARFUM IMPERISSABLE (Fauré). Piano acc. Giuseppe Benvenuti. Just about 1-2. $20.00. - 91 - VOCAL 78 rpm Discs GEORGE HAMLIN [b] 4010. 10” Red Victor 64348. UNDER THE ROSE (Stoddard-Fisher). Only form of issue. Just about 1-2. $8.00. 1808. 12” Red Pats. “A” plate Victor 74248. LOLITA (Buzzi-Peccia). Just about 1-2. $10.00. ORVILLE HARROLD [t] 2049. 12” Red Vla 6151. LA BOHÈME: Che gelida manina (Puccini) / LOUISE: Depuis longtemps j’habitais cette chamber (Charpentier). Side two with EVA GAUTHIER [s]. Two of Harrold’s most effective operatic sides. Just about 1-2. $12.00. FANNY HELDY [s]. See also: FERNAND ANSSEAU [t], MARCEL JOURNET [bs] 1837. 12” Red PW Disque Gram. DB 1512 [2G340-II/CF2942-II]. MANON: Restons ici pusiqu’il le faut (Mass- enet) / L’HEURE ESPAGNOLE: Oh, la pitoyable aventure (Ravel). Side two with LOUIS MORTURIER [bs], PIERRE FAV(E)REAU [b]. Orch. dir. Piero Coppola. Lbls. scuffed in trade- mark area, otherwise just about 1-2. $12.00. EDITH HELENA [s] 5237. [as HELEN JENYNGE]. 7” Berliner 360V. COMIN’ THRO’ THE RYE (Scottish Air). Exceptionally nice copy FANNY HELDY of this 1898 recording. Few MGTs, 3. $60.00. 1797. 12” Blk. Pats. Victor 35214. LUCIA: Mad Scene (Donizetti) / TROVATORE: Tacea la notte placida (Verdi). In English. Few lightest mks., cons. 2. $10.00. FRIEDA HEMPEL [s]. See also: ENRICO CARUSO [t], HERMANN JADLOWKER [t] 4807. 10” Red Victor 87250. MELODY IN F [VOICES OF HE WOODS] (Rubinstein- Watson)). In English. Just about 1-2. $7.00. 1095. 11” Brown Odeon 50249/50254 [XB2273/XB2270]. IL BACIO (Aldighieri-Arditi) / MARTHA: Letzte Rose (Flotow). Lovely copy. One mk., just about 1-2. $15.00. 1091. 11” Purple Okeh 70101 [BX2272-2]. TRAVIATA: Sempre libera (Verdi). In German. Just about 1-2. $12.00. 1854. 12” Odeon 76901/76900 [XXB5058-4/XXB5059-3]. BARBIERE DI SIVIGLIA: Una voce poco fa (Rossini). Two sides. In German. Lt. rubs, 2. $12.00. 1785. 12” Blk. Opera Disc 76240 (033128) [2249c]. MUETTE DI PORTICI: O jour de joie divine (Auber). Just about 1-2. $12.00. 1661. 12” Red ’12 Pats. Vla 88383 [2229c]. ERNANI: Ernani involami (Verdi). European master (replaced under same catalogue number a year later by a Victor version). Just about 1-2. $7.00. 2017. 12” Red Victor 88476. IL BACIO (Arditi). In Italian. Just about 1-2. $7.00. 2015. 12” Red Vla 88588. WINE, WOMAN AND SONG (Strauss). In Italian. Just about 1-2. $7.00. 1826. 12” Lime Green Grammophon 78543 [781av/746av]. LOHENGRIN: Du Ärmste. With VELICIA KASZOWSKA [ms] / LILLY HALFGREN-DINKELA [s], MARIA OLSZEWSKA [ms], FRITZ SOOT [t], JOS. VON MANOWARDA [bs]. MEISTERSINGER: Quintet (Wagner). Excellent later ‘20s pressing. Small lbl. stkr. Just about 1-2. $15.00. - 92 - VOCAL 78 rpm Discs HEINRICH HENSEL [t]. Neustadt, 1874-Hamburg, 1935. Hensel was encouraged to study voice by Felix Mottl, which he did with Gustav Walter in Vienna, Eduard Bellwidt in Frankfurt and F. Emerich in Milan. His debut was in Freiburg in 1897, where he remained until 1900. He had great success at Frankfurt and Wiesbaden, and also as Parsifal at Bayreuth. Also singing with the Metropolitan (debut as Lohengrin, 1911) and the Chicago Opera in the U.S. and at Covent Garden, Hensel served as the leading Heldentenor at the Hamburg Opera from 1912 through 1929. 5082. 10” Blk. Dog Schall. Grammophon 4-42451/4-42452 [11086L/11085½L]. WINTERLIED (Henning v. Koss) / FRÜHLINGSLIED (Gounod). Piano acc. IMs. Just about 1-2. $15.00. 5143. 10” Green Dog Schall. Gram. 14459 (4-42449/4-42450) [11083L/11084L]. AUF FLÜGELN DES GESANGES / FRÜHLINGSLIED (both Mendelssohn). Piano acc. Just about 1-2. $15.00. 1066. 11” Blue/Multi-Color Odeon X52691/X52128 [XB5684/XB5881]. TIEFLAND: Ich gruß’ noch einmal meine Berge (d’Albert) / MICHAEL NASTA [t]. BALLO IN MASCHERA: O sag’, wenn ich fahre (Verdi). IMs. Just about 1-2. $30.00. EVELYN HERBERT [t]. Philadelphia, PA, 1898-Newport Beach, CA, 1975. Herbert (born Hostetter) studied for an operatic career. With no prior stage experience she made a very successful debut with the Chicago Opera in 1920 as Mimi in Puccini’s La Boheme with tenor Alessandro Bonci. The strain of operatic singing, however, created vocal problems and she subsequently restudied for operetta, making her Broadway debut in 1923. For the next eleven years she was hailed as one of the leading operetta stars of the period, creating many works including four Sigmund Romberg operettas alone. She retired in 1934 at the point when interest in operetta on Broadway began to decline. 1034. 11” Black no-label unfinished test Victor mat. BVE-49924-4. THE NEW MOON: Wanting You (Romberg). Rec. Feb. 5, 1929. Unpublished. Only known copy. Creator performance (NY premiere Sept. 19, 1928). There were seven takes, none of which was issued. Superficial rubbing, 3-4. $200.00. 4372. 10” Blk. Orth. Victor 20995. MY MARY- EVELYN HERBERT LAND: Mother / MY MARYLAND: Silver Moon (Romberg). Another Evelyn Herbert creator disc. Side two with FRANKLYN BAUR [t]. Lt. superficial rubs, cons. 2-3. $12.00. VILHELM HEROLD [s] 4424. 10” Green Dog Concert Gramophone 2-82473/2-82643 [9973b/8014e]. FLYV FLUGL FLYV (Hartmann) / OG JEG HAR OTTE KAERSTER (Krause). In Danish. Side one orch. acc. Side two with piano. Just about 1-2. $15.00. Cantor MORDECHAI HERSHMAN [t] 1912. 12” Blk. acous. Victor 68661. LEOLOM YEHEI ODOM [ALWAYS BE A MAN] (Hershman?). Two sides. Just about 1-2. $15.00. BRITA HERTZBERG [s] 1200. 12” Dk. Blue elec. PW Odeon AA210212 [XXSto2524-2/XXSto2525-3]. I CAVALIERI DI EKEBÙ: Gå din väg, jag levde lycklig [Go away, I’ve lived happily] / I CAVALIERI DI EKEBÙ: Moder, moder, förbarma dig [Mother, mother, have mercy] (Riccardo Zandonai). Side two with IRMA BJÖRCK [ms]. In Swedish. Orch. dir. Nils Grevillius. Minor lbl. stain, cons. 2. $20.00. 1217. 12” PW Plum HMV Z185 [CS2970-II/CS2971-IIT1]. I CAVALIERI DI EKEBÙ: Mariannes och Göstas Duett [Öppna nu dina ögon [Open your eyes] (Zandonai). Two sides. With EINAR BEYRON [t]. Orch. dir. Nils Grevillius. Superficial rubs, 3-4. $12.00. - 93 - VOCAL 78 rpm Discs JOSEPH HISLOP [t]. See also: LOTTE SCHÖNE [s] 4608. 10” Red SR SS HMV 5-2565 [Bb1350-I]. HERDING SONG (Lawson). Piano acc.
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    Lim Antiqua s.a.s - Studio bibliografico Via della Chiesa IX, 44 Loc. Monte San Quirico 55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 333 2551758 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Compositori p. 2 Direttori d’orchestra p. 26 Strumentisti e pianisti p. 38 Cantanti d’opera p. 43 5. Pierre Boulez Compositori 1. Franco Alfano (Napoli 1875 – Sanremo 1954) Lettera autografa firmata del compositore napoletano noto per aver completato Turandot di Puccini, indirizzata al giornalista Giorgio Pillon. Dat. 12 gennaio 1946: “Chiarissimo Professore, la notizia della morte di Romualdo Pantini, mio vecchio caro amico, mi è giunta di sorpresa …Io devo a Pantini innumerevoli consigli se non altrettante reali collaborazioni. “Eliana” datosi al Teatro Reale di Roma, dopo l’estero, due anni fa, appartiene a queste ultime. Anche per “Sakuntala” egli mi è stato largo di suggerimenti”. Franco Alfano rivestì prestigiosi incarichi tra i quali ricordiamo l'insegnamento al Liceo di Bologna, nel 1918 la direzione del Conservatorio di Bologna e dal 1923 la direzione del conservatorio "Giuseppe Verdi" di Torino che mantenne sino al 1939.
  • American 1Wusic Has Not Yet Uarrived'', Declares

    American 1Wusic Has Not Yet Uarrived'', Declares

    ' / 16 MUSICAL AMERICA September 6, 1919 store .employees who have their daily sings are a more efficient and happier lot of workers than those who do not, and American 1Wusic Has Not Yet uArrived'', he is convinced that the same will appl1 to singers in any other vocation. So it will not be a surprising thing Declares New Leader of Boston Symphony to enter the city hall at lunch time hereafter and hear city surveyors, tax Pierre Monteux, Back from F ranee, Begins Rehearsals-" Let Us Forget the War; It H as No Part collectors, policemen off duty and other eaters blending their melodious voices in in the Selection of Programs," Says Parisian the interpretation of a nything from jazz to grand opera. H. P. ~ OSTON, Aug. 29-With the arrival our best in literature and in poetry re­ 'dance s·pir·it' which characterizes Rus­ B her e this week of P ierre Moriteux, ma ins and always will be dear to us. sian music-not of the same style as NOTABLE MU SICIANS that of Russia but with a style char­ the new Boston Symphony Orchest r-a His View of American Music acteristically American. JOIN PEABODY STAFF conductor, the stage is fast being set f or "You ask whether we ar e t o develop "I think it will come. It will be very a Symphony season of rare distinct ion a true American type of music. Yes, or iginal; very American." Baltimore Conservatory Opens on Sept. and success. M. Monteux, with Mme. perhaps so, but the time has not arrived Mr.
  • [T] IMRE PALLÓ

    [T] IMRE PALLÓ

    VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses.
  • The Victor Black Label Discography

    The Victor Black Label Discography

    The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black
  • CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet

    CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet

    CYLINDERS 2M = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. ReproB/T = Excellent reproduction orange box and printed top Any mold on wax cylinders is always described. All cylinders are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual. All cylinders EDISON unless otherwise indicated. “Direct recording” means recorded directly to cylinder, rather than dubbed from a Diamond-Disc master. This is used for cylinders in the lower 28200 series where there might be a question. BLANCHE ARRAL [s] 4108. Edison BA 28125. MIGNON: Je suis Titania (Thomas). Repro B/T. Just about 1-2. $40.00. ADELINA AGOSTINELLI [s]. Bergamo, 1882-Buenos Aires, 1954. A student in Milan of Giuseppe Quiroli, whom she later married, Agostinelli made her debut in Pavia, 1903, as Giordano’s Fedora. She appeared with success in South America, Russia, Spain, England and her native Italy and was on the roster of the Hammerstein Manhattan Opera, 1908-10. One New York press notice indicates that her rendering of the “Suicidio” from La Gioconda on a Manhattan Sunday night concert “kept her busy bowing in recognition to applause for three or four minutes”. At La Scala she was cast with Battistini in Simon Boccanegra and created for that house in 1911 the Marschallin in their first Rosenkavalier. Her career continued into the mid-1920s when she retired to Buenos Aires and taught. 4113. Edison BA 28159. LA TRAVIATA: Addio del passato (Verdi). ReproB/T.