List of CBC Radio Materials on John Weinzweig
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Walter Pitman Fonds Inventory #241
page 1 Walter Pitman fonds Inventory #241 File: Title: Date(s): Note: Call Number: 2009-049/001 (1) C.M.C. [Canadian Music Centre] [ca. 2002-2004] Freedman - Morrison - The Music Makers (2) Donors- C.M.C., Laidlaw, Dundurn Press : 1999-2006 correspondence re. Music Makers (3) Gail Dixon Musical Analysis : [re. Freedman] ca. 2003 (4) Mary Morrison [biographical notes] [2002-2004?] (5) Harry Freedman basic materials - H.F. biography - CV ca. 1989, 1996. 2002-2005 (6) Thematic materials - H.F. themes : research notes ca. 1977-2003 (7) Interviews - H.F. [Freedman] and others ca. 2003-2004 (8) Research notes - CBC Archives - Freedman daughters ca. 2005 (9) Lyric Arts Trio - Compositions [60s-90s] : research notes for Freedman work (10) David Jaegar : Freedman research and drafts ca. 2005 (11) [Freedman] : research notes ca. 2003 (12) [Freedman] : research notes and clippings ca. 196- (13) C.M.C. Archives 1970s : Freedman research notes and ca. 197- clippings (14) [Freedman] : research clippings ca. 198- (15) [Freedman] : research clippings ca. 199- (16) Notes - National Archives [of Canada] 2004 Call Number: 2009-049/002 (1) National Archives [of Canada] : research notes 2004 (2) National Archives [of Canada] : research notes 2004 (3) National Archives [of Canada] : research notes ca. 2004 (4) Early scribblings [mostly Freedman] (5) Early written materials - Freedman : manuscript draft ca. 2004 1 of 2 (6) Early written materials - Freedman : manuscript draft ca. 2004 2 of 2 (7) Harry and Mary : Making music in Canada's twentieth 2004-2005 -
[email protected] N
FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No. -
Weinzweig Long
John Weinzweig (1913-2006) Born in 1913 to Polish-Jewish immigrants, John Weinzweig became a noted Canadian composer, educator and advocate. He began music study at the age of 14, learning mandolin at the Workmen’s Circle Peretz School, a Jewish community school in North Toronto. During his high school years at Harbord Collegiate, Weinzweig joined the orchestra playing the violin parts on the mandolin but eventually learned the tuba, tenor saxophone, and bass. Weinzweig’s early musical training led to an interest in composition and he spent between 1934-37 studying at the University of Toronto with Healy Willan, Leo Smith, and Sir Ernest McMillan. During his time at the University of Toronto Weinzweig founded and conducted the University of Toronto Symphony Orchestra. Following the completion of his education in Toronto, Weinzweig moved to Rochester, NY to study with Howard Hanson at the Eastman School of Music. There he was first introduced to serial compositional techniques. Upon his return to Toronto, Weinzweig experimented with serialism in his Piano Suite no. 1 (1939) and in incidental music for docudrama radio programming at the growing CBC. For the remainder of his career, Weinzweig continued to use serialism as the governing structure behind his compositions even when he experimented with other musical ideas. Following a decade long tenure at the CBC (1941-51), Weinzweig’s compositional interests returned to concert music. He began composition of his Divertimenti, with Divertimento no. 1 winning an award for chamber music at the 1948 Olympics. Works such as String Quartet no. 1 and Suite for Piano no. -
A Note from the Composer
Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Friday, December 6, 2019 at 7:30pm Saturday, December 7, 2019 at 2:00pm Saturday, December 7, 2019 at 7:30pm Constantine Kitsopoulos, conductor Resonance Youth Choir Bob Anderson, director As a courtesy to musicians, guest artists, and fellow concertgoers, please put your phone away and on silent during the performance. A NOTE FROM THE COMPOSER Ever since Home Alone appeared, it has held a unique place in the affections of a very broad public. Director Chris Columbus brought a uniquely fresh and innocent approach to this delightful story, and the film has deservedly become a perennial at holiday time. I took great pleasure in composing the score for the film, and I am especially delighted that the magnificent Toronto Symphony Orchestra has agreed to perform the music in a live presentation of the movie. I know I speak for everyone connected with the making of the film in saying that we are greatly honoured by this event…and I hope that the audience at this performance will experience the renewal of joy that the film brings with it, each and every year. John Williams DECEMBER 6 & 7, 2019 17 TWENTIETH CENTURY FOX Presents A JOHN HUGHES Production A CHRIS COLUMBUS Film HOME ALONE Starring MACAULAY CULKIN JOE PESCI DANIEL STERN JOHN HEARD and CATHERINE O’HARA Music by JOHN WILLIAMS Film Editor RAJA GOSNELL Production Designer JOHN MUTO Director of Photography JULIO MACAT Executive Producers MARK LEVINSON & SCOTT ROSENFELT and TARQUIN GOTCH Written and Produced by JOHN HUGHES Directed by CHRIS COLUMBUS Soundtrack Album Available on CBS Records, Cassettes and Compact Discs Color by DELUXE® Tonight’s program is a presentation of the complete filmHome Alone with a live performance of the film’s entire score, including music played by the orchestra during the end credits. -
Core 1..48 Committee (PRISM::Advent3b2 10.50)
House of Commons CANADA Standing Committee on Canadian Heritage CHPC Ï NUMBER 033 Ï 2nd SESSION Ï 39th PARLIAMENT EVIDENCE Tuesday, June 3, 2008 Chair Mr. Gary Schellenberger Also available on the Parliament of Canada Web Site at the following address: http://www.parl.gc.ca 1 Standing Committee on Canadian Heritage Tuesday, June 3, 2008 Ï (1535) year, the concert was aired for the first time on Radio 2's Canada [English] Live as a result of the opening up of broadcast opportunities for more than classical music. We welcome that change. The Chair (Mr. Gary Schellenberger (Perth—Wellington, CPC)): Good afternoon, everyone. Welcome to meeting number 33 of the Standing Committee on Canadian Heritage. ln 1988, CBC Radio producers of the now defunct The Entertainers approached me, in my role as artistic director of Pursuant to Standing Order 108(2), we are undertaking a study on Toronto's Harbourfront Centre summer concert season, regarding an the dismantling of the CBC Radio Orchestra, on CBC/Radio- opportunity to record elements of the then-just-Iaunched WOMAD Canada's commitment to classical music, and the changes to CBC —Worlds of Music Arts and Dance—festival. It was a revelation. Radio 2. The partnership involved a model whereby a $25,000 blanket fee I welcome all our witnesses here today. Our witnesses are Derek would give CBC the right to record performances. Thirty-three Andrews, president of the Toronto Blues Society; Dominic Lloyd, concerts were recorded that year, and thus began a partnership that artistic director of the West End Cultural Centre; Katherine Carleton, involved many further concert recordings over the years. -
Faculty of Music Directory
Faculty of Music Calendar Contents Dean’s Welcome Statement 2 Schedule of Dates 3 Faculty of Music Staff Listing 4 Undergraduate Admission Information 9 Programs of Study 11 Degree Programs Diploma Programs Degree Course Requirements 13 Bachelor of Music in Education Bachelor of Music in History, Culture & Theory Bachelor of Music in Composition Bachelor of Music in Comprehensive Studies Bachelor of Music in Performance Artist Diploma Program Requirements 26 ACP Program Requirements 30 Undergraduate Course Offerings 31 Advanced Certificate in Performance Course Offerings 47 Opera Division 49 Financial Assistance 52 Bursaries and Scholarships Student Services & Resources 64 Counselling, Advice and Help Rules and Regulations 67 Important Notices Course Enrolment & Canceling Registration Course Marks Final Examinations Academic Standing & Grading Regulations Fees 74 University Policies 76 Appendix: Program Charts for students admitted prior 77 to the 2017-18 academic year 1 From the Dean Welcome to UofT Music 2019–2020. The 2018–2019 season marked the 100th anniversary of Music as a Faculty in the University of Toronto. An innovative ensemble of performers, composers, scholars, and educators, UofT’s Faculty of Music has long been a Canadian leader. We are excited to have you join as we step forward together into our second century. The Faculty has just passed the midpoint in the implementation of its Strategic Academic Plan 2016–2021, which can be found on the Faculty website. The Plan articulates our Mission of commitment “to being an internationally significant institution for artistic and academic excellence in music creation, performance, education, and research.” At UofT Music, “we affirm the transculturally transformative power of music in human experience and the capacity of the arts to build healthier societies. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
Symphony Nova Scotia Fonds (MS-5-14)
Dalhousie University Archives Finding Aid - Symphony Nova Scotia fonds (MS-5-14) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/symphony-nova-scotia-fonds Symphony Nova Scotia fonds Table of contents Summary information ...................................................................................................................................... 4 Administrative history / Biographical sketch .................................................................................................. 4 Scope and content ........................................................................................................................................... 5 Notes ................................................................................................................................................................ 5 Access points ................................................................................................................................................... 6 Collection holdings .......................................................................................................................................... 7 Administration and finance records of Symphony Nova Scotia (1984-2003) ............................................. 7 Budgets records of Symphony -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
[email protected] BRAMWELL TOVEY And
FOR IMMEDIATE RELEASE November 15, 2017 Contact: Katherine E. Johnson (212) 875-5700; [email protected] BRAMWELL TOVEY and YEFIM BRONFMAN TO RETURN TO NEW YORK PHILHARMONIC BARTÓK’s Piano Concerto No. 2 MUSORGSKY’s Pictures at an Exhibition SMETANA’s The Bartered Bride Overture December 27–30, 2017 Bramwell Tovey will conduct the New York Philharmonic in Bartók’s Piano Concerto No. 2, with Yefim Bronfman as soloist; Musorgsky’s Pictures at an Exhibition (in Ravel’s orchestration); and Smetana’s The Bartered Bride Overture, Wednesday, December 27, 2017, at 7:30 p.m.; Thursday, December 28 at 7:30 p.m.; Friday, December 29 at 8:00 p.m.; and Saturday, December 30 at 8:00 p.m. Yefim Bronfman — a Philharmonic Board Member and the 2013–14 season Mary and James G. Wallach Artist-in-Residence, who made his debut with the Orchestra almost 40 years ago — won a 1997 Grammy Award for his recording of Bartók’s complete piano concertos with the Los Angeles Philharmonic led by Esa-Pekka Salonen, now the Philharmonic’s Marie-Josée Kravis Composer-in- Residence. The Los Angeles Times wrote of Mr. Bronfman’s performance of Bartók’s Piano Concerto No. 2 with the Los Angeles Philharmonic in 2009: “This happens to be one of the most virtuosic concertos in the standard repertory and Bronfman’s playing was a finely spun whirl of notes that verged on the unbelievable.” Bramwell Tovey will also conduct Members of the New York Philharmonic in New Year’s Eve: Bernstein on Broadway, December 31, 2017, featuring vocalists Annaleigh Ashford, Christopher Jackson, Laura Osnes, and Aaron Tveit. -
BBC MAG Spring 2018 32P A5 FC DS 90Gsm W + 4P 250Gsm Gloss
SOIRÉES MUSICALES Spring 2018 ~ Edition 58 Bramwell Tovey The Magazine of the BBC Concert Orchestra’s Supporters Club President: Richard Baker OBE Vice Presidents: Nigel Blomiley, Cynthia Fleming & Martin Loveday Editor / Chairman: Brian Crouch 57A Chilvers Bank, Baldock Herts. SG7 6HT Tel : 01462 892 670 Other Ed and Photos: Jenny Thomas Treasurer: James McLauchlan Accounts: Jenny Thomas Minute Secretary: James Connelly Membership Secretary: Jenny Thomas Tours & Visits: John Harding Website: Stephen Greenhalgh Constitution: Jan Mentha Orchestra Representative: Marcus Broome Soirées Musicales is the Magazine of the BBC Concert Orchestra's Supporters Club, which is an independent body set up in 1983 for the purpose of promoting and supporting the Members of the BBC Concert Orchestra. We are not affiliated to the BBC, neither do we receive any financial support from them. Disclaimer: The views expressed by the contributors to this Magazine are not necessarily the views of the Chairman, the Orchestra or the BBC. All material © 2018 BBC Concert Orchestra's Supporters Club ED LINES. The old saying tells us that absence makes the heart grow fonder but when absence is prolonged perhaps the fondness becomes somewhat diminished. I write this as a consequence of many phone calls in recent years regarding the scant appearances on Radio2 of the BBC Concert Orchestra. A few years ago, we had 2 or3 regular broadcasts every week by our favourite orchestra, but now it is just usually one a week and sometimes not even that. I know that they appear from time to time on Radio3, but not in my opinion playing the type of music which they do best or indeed the music for which they were originally intended. -
CBC Times 490508.PDF
Jl' Miss Verna E. Web.el"'l- B8:RG8:N, Alta. PRAIRIE REGION SCHEDULE May 8 -14,1949 Issued Each Week by the Canadian Broadcasting Corporation VOLUME II-No. 19 ISSUED AT WNNIPEG. APRIL 29 5c PER COpy $1.00 PER YEAR This Week: Winnipeg Sunday Concert (Page 2) * Kerry Wood, Naturalist (Page 3) CBC Wednesday* Night- Gentlemen of the Jury (Page 5) * Summer Concert (Pace 7) Horse Racing-* The Preakness (Page 8) * Radio Actress ~ OU WOULD never guess it from the photo Y graph, but this young Toronto radio actress, SANDRA SCOTT, says she seldom sees a microphone without feeling a pang of fcar. Her ambition is clear and straightfoTward-"to become a better actress" and judging from the demand for her talent, which has been steady ever since her debut in the spring of 1945, she is well on the way. At present she has roles in three weekly dramas: She is John's wife, Christine, in JOHN AND JUDY on Thursdays; Brenda Walker, the woman next door, in ALAN A!\'D ME on Sundays; and Emily \Vardle in the PICKWICK PAPERS on Mondays. This week, and every third week, she replac..'Cs Dorothy Jane Coulding as the teacher on KnmERGARTEN VF/~ AIR; and she will be heard May 8 0!l STACE.:?t' A DOLL'S HOUSE, by Ibsen. Her ne?'t big J~ be a lead in TUE SAGA OF BOB EDWAR~'.Jklle drama series about the famous ~r of""th CalglU)' Eye-Opener. starting May 23. '"'&3'6 Taylor, CBC producer at Winnipeg whose chief SERVA PADRONA (The Maid as Mistress) writ interest is serious music.