Jealous Guy–John Lennon–Notes

Total Page：16

File Type：pdf, Size：1020Kb

Jealous Guy–John Lennon–Notes Activity type: gap fill, rhyming words. Grammar: Past Continuous. Write on the board: “I dreamed of the past and my heart beat fast, from 6 o’clock to 7 o’clock. At half past six I began to lose control” Ask students to produce a sentence using the Past Continuous – the first lines of the song give the correct answer. Time: 20 mins 1) Write the following verbs on the board: cry - eyes - fast - guy - hide - past 2) Students match the rhyming pairs (note that here there are in fact four rhyming words, and one rhyming pair!). 3) Play the song. Students listen and tick the words they hear. 4) Give each student a copy of the worksheet. Before playing the song again ask them to try to insert the missing words, as listed above, in the correct gaps, based on context and the rhymes. 5) Play the song. Students complete the text. 6) Allow them to check their answers with other students, and then play the song again. 7) Correct, and sing together. Follow up: Have you been hurt by anyone? Students discuss, or write. This worksheet is to be used for educational purposes only Activity © Tune into English 2005 – www.tuneintoenglish.com Jealous Guy – John Lennon I was dreaming of the __________ And my heart was beating ________ I began to lose control I began to lose control Chorus: I didn't mean to hurt you I'm sorry that I made you ________ Oh no, I didn't want to hurt you I'm just a jealous ________ I was feeling insecure You might not love me anymore I was shivering inside I was shivering inside Repeat Chorus (whistle) Repeat Chorus I was trying to catch your ________ Thought that you was trying to ________ I was swallowing my pain I was swallowing my pain Repeat Chorus x 2 watch out I'm just a jealous guy, look out babe I'm just a jealous guy cry eyes fast guy hide past This worksheet is to be used for educational purposes only Activity © Tune into English 2005 – www.tuneintoenglish.com Jealous Guy–John Lennon–Complete I was dreaming of the past And my heart was beating fast I began to lose control I began to lose control Chorus: I didn't mean to hurt you I'm sorry that I made you cry Oh no, I didn't want to hurt you I'm just a jealous guy I was feeling insecure You might not love me anymore I was shivering inside I was shivering inside Repeat Chorus (whistle) Repeat Chorus I was trying to catch your eyes Thought that you was trying to hide I was swallowing my pain I was swallowing my pain Repeat Chorus x 2 watch out I'm just a jealous guy, look out babe I'm just a jealous guy This worksheet is to be used for educational purposes only Activity © Tune into English 2005 – www.tuneintoenglish.com .

Copy Link

Recommended publications

John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I ﬁ rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
[Show full text]
Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon...
[Show full text]
Infomail Nr. 730: JOHN LENNON Lps Und Cds: ORIGINAL MASTER RECORDING
InfoMail Nr. 730: JOHN LENNON LPs und CDs: ORIGINAL MASTER RECORDING Donnerstag, 29. November 2007 (Datum dieser InfoMail) Hallo M.B.M., hallo BEATLES Fan, heute informieren wir Dich ueber JOHN LENNON-Alben, die als ORIGINAL MASTER RECORDING-LPs und CDs erschienen sind: ORIGINAL MASTER RECORDING LP LIVE PEACE IN TORONTO. MFSL 1-283 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD LIVE PEACE IN TORONTO. UDCD 763 Stereo, EMI. 34,90 Euro 13. SEPTEMBER 1969: VARSITY STADIUM, TORONTO, CANADA: THE PLASTIC ONO BAND: Blue Suede Shoes (live); Money (That's What I Want) (live); Dizzy Miss Lizzie (live); Yer Blues (live); Cold Turkey (live); Give Peace A Chance (live). / Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow) (live); John John (Let's Hope For Peace) (live). ORIGINAL MASTER RECORDING LP JOHN LENNON – PLASTIC ONO BAND. MFSL 1-280 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD JOHN LENNON – PLASTIC ONO BAND. UDCD 760 Stereo, EMI. 34,90 Euro Mother; Hold On (John); I Foud Out; Working Class Hero; Isolation (2:48). / Remember (4:29); Love (3:17); Well Well Well (5:52); Look At Me (2:49); God (4:04); My Mummy's Dead (0:48); Power To The People; Do The Oz. ORIGINAL MASTER RECORDING LP IMAGINE. MFSL 1-277 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD IMAGINE. UDCD 759 Stereo, EMI. 34,90 Euro Imagine; Crippled Inside; Jealous Guy; It’s So Hard; I Don’t Want To Be A Soldier. / Give Me Some Truth; Oh My Love; How Do You Sleep?; How ?; Oh Yoko.
[Show full text]
Roxy Music Live at the Apollo Mp3, Flac, Wma
Roxy Music Live At The Apollo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live At The Apollo Country: South Korea Released: 2002 Style: New Wave MP3 version RAR size: 1146 mb FLAC version RAR size: 1645 mb WMA version RAR size: 1331 mb Rating: 4.5 Votes: 409 Other Formats: DMF AC3 RA AU MPC MP1 WAV Tracklist 1 Re-Make / Re-Model 2 Street Life 3 Ladytron 4 While My Heart Is Still Beating 5 Out Of The Blue 6 A Song For Europe 7 My Only Love 8 In Every Dream Home A Heartache 9 Oh Yeah! 10 Both Ends Burning 11 Tara 12 Band Introductions 13 Mother Of Pearl 14 Avalon 15 Dance Away 16 Jealous Guy 17 Editions Of You 18 Virginia Plain 19 Love Is The Drug 20 Do The Strand 21 For Your Pleasure 22 Exclusive Documentary Notes Recorded live @ The Apollo Theater, London, 2001. Tot. time 125 min. Barcode and Other Identifiers Barcode: 8 809092 445063 Other versions Category Artist Title (Format) Label Category Country Year Live At The Apollo Roxy (DVD-V, Warner Music 0927-45214-2 0927-45214-2 Germany 2002 Music Multichannel, PAL, Vision DTS) Live At The Apollo Roxy STAR 226-9 (Blu-ray-R, Album, Starlight Film STAR 226-9 Russia 2011 Music Unofficial) Live At The Apollo Roxy Warner Music 4670001546003 (DVD, Multichannel, 4670001546003 Russia 2002 Music Vision, Никитин PAL, DTS) Warner Music Live At The Apollo Roxy Vision, Фирма 4670001546003 (DVD, Multichannel, 4670001546003 Russia 2002 Music Грамзаписи PAL) Никитин Live At The Apollo Roxy (DVD-V, Warner Music USA & 0087WIDVD 0087WIDVD 2002 Music Multichannel, NTSC, Vision Canada DTS) Related Music albums to Live At The Apollo by Roxy Music Roxy Music - Concerto Roxy Music - Heart Still Beating Roxy Music - MP3 Collection Roxy Music - Viva! Roxy Music Bryan Ferry + Roxy Music - The Platinum Collection Roxy Music - Viva! Roxy Music - The Live Roxy Music Album Toots & The Maytals - Sailin' On - Live At The Roxy Theater LA 1975 Roxy Music - Inside Roxy Music 1972-1974 Yello - The Yello Video Show - Live At The Roxy NY Dec 83 Roxy Music - Virginia Plain / Street Life.
[Show full text]
John Lennon Reality,’ He Sang in a Still, Small Voice on Been the Enemy of Pretence
ICON OF THE MONTH or some, afterlife begins at 40. In knows what else, did not lessen his cannabis, acid and heroin flexed and Fthe final years before he died, John desire to be real. He believed in a twisted into a dozen contradictory Lennon was a fading star: eccentric, hundred and one different things, but shapes – to all of which his songwriting reclusive, his talent and his passion he was always a believer in truth. gave a voice. apparently burnt out as he devoted Not that the truth of him was ever Perhaps this is one reason for his himself to making bread in the easy to get at. The other dead gods of enduring popularity: there is a Lennon luxurious home he shared with his popular culture – Marilyn, Jimi, Elvis, for every taste. When Liam Gallagher dominant wife and cute little son. He prostrated himself on stage before a no longer seemed even vaguely hip. vast back-projection of him a few years His murder (some called it an ago, the question that springs to mind assassination) changed all that. His is not so much ‘Why?’ as ‘Which?’ death at the hands of a disillusioned Was it the man who wrote ‘Girl’ or fan transmuted even the base metal of the one who wrote ‘God’? The poet, Double Fantasy , his final collaboration the peacenik or the wit, the cynic or the with Yoko Ono, into platinum. sentimentalist, the idealist, the realist, Instant karma finally got him. the surrealist, the lover of the Goons or Weeping crowds kept vigil in Central the lover of Yoko, the drunk or the Park, burning candles in devotion to a health freak, the innocent or the bully, man who had always rejected such the Liverpudlian, the New Yorker or adulation.
[Show full text]
A Description of Theme of Hope in Selected Songs from John Lennon's Imagine Album a Paper by Emil Iswandi Hutasuhut Reg.No
A DESCRIPTION OF THEME OF HOPE IN SELECTED SONGS FROM JOHN LENNON’S IMAGINE ALBUM A PAPER BY EMIL ISWANDI HUTASUHUT REG.NO : 162202026 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL SCIENCE UNIVERSITY OF SUMATERA UTARA MEDAN 2019 i Universitas Sumatera Utara ii Universitas Sumatera Utara iii Universitas Sumatera Utara AUTHOR’S DECLARATION I am EMIL ISWANDI HUTASUHUT, declare that I the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : i Universitas Sumatera Utara COPYRIGHT DECLARATION Name : EMIL ISWANDI HUTASHUT Title of Paper : A Description of Theme of Hope in Selected Songs from John Lennon’s Imagine Album Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Faculty of Cultural Study University of Sumatera Utara the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed : Date : ii Universitas Sumatera Utara ABSTRACT Music is a literary work that is sound and has meaning. Music is also a medium for expressing one's feelings which is expressed in the form of beautiful words and tones, creating a beautiful blend of human voice and musical instruments.
[Show full text]
Stardigio Program
スターデジオチャンネル:４５０洋楽アーティスト特集放送日：２０１９/０３/０４～２０１９/０３/１０｢番組案内（８時間サイクル）｣開始時間：4：00～/12：00～/20：00～楽曲タイトル演奏者名 ■ROXY MUSIC 特集 (1) RE-MAKE/RE-MODEL ROXY MUSIC LADYTRON ROXY MUSIC IF THERE IS SOMETHING ROXY MUSIC VIRGINIA PLAIN ROXY MUSIC PYJAMARAMA (POLYDOR MIX) ROXY MUSIC IN EVERY DREAM HOME A HEARTACHE ROXY MUSIC DO THE STRAND ROXY MUSIC FOR YOUR PLEASURE ROXY MUSIC EDITIONS OF YOU ROXY MUSIC JUST LIKE YOU [君の如く] ROXY MUSIC A SONG FOR EUROPE [ヨーロッパ哀歌] ROXY MUSIC MOTHER OF PEARL ROXY MUSIC ■ROXY MUSIC 特集 (2) STREET LIFE ROXY MUSIC AMAZONA ROXY MUSIC THE THRILL OF IT ALL (EDIT) ROXY MUSIC ALL I WANT IS YOU ROXY MUSIC OUT OF THE BLUE ROXY MUSIC PRAIRIE ROSE ROXY MUSIC SHE SELLS ROXY MUSIC LOVE IS THE DRUG [恋はドラッグ] ROXY MUSIC BOTH ENDS BURNING ROXY MUSIC MANIFESTO ROXY MUSIC TRASH ROXY MUSIC DANCE AWAY ROXY MUSIC ANGEL EYES ROXY MUSIC SPIN ME ROUND ROXY MUSIC ■ROXY MUSIC 特集 (3) IN THE MIDNIGHT HOUR ROXY MUSIC OH YEAH! ROXY MUSIC SAME OLD SCENE ROXY MUSIC MY ONLY LOVE ROXY MUSIC OVER YOU ROXY MUSIC Jealous Guy ROXY MUSIC MORE THAN THIS ROXY MUSIC THE SPACE BETWEEN ROXY MUSIC AVALON ROXY MUSIC TO TURN YOU ON ROXY MUSIC TAKE A CHANCE WITH ME (7" VERSION) ROXY MUSIC TRUE TO LIFE ROXY MUSIC LIKE A HURRICANE (LIVE) ROXY MUSIC ■BRYAN FERRY 特集 (1) A HARD RAIN'S A-GONNA FALL [はげしい雨が降る] BRYAN FERRY IT'S MY PARTY [涙のバースデイ・パーティー] BRYAN FERRY DON'T WORRY BABY BRYAN FERRY I LOVE HOW YOU LOVE ME [わすれたいのに] BRYAN FERRY SYMPATHY FOR THE DEVIL [悪魔を憐れむ歌] BRYAN FERRY THESE FOOLISH THINGS [愚かなり、わが恋] BRYAN FERRY The 'In' Crowd BRYAN FERRY Smoke Gets In Your Eyes [煙が目にしみる]
[Show full text]
Muziek Voor Volwassenen / Johan Derksen Zaterdag 14 November 2020
Muziek voor volwassenen / Johan Derksen Zaterdag 14 november 2020 Album van de Week: The blues White Album ARTIEST TITEL TIJD COMPONIST PLATENLABEL LABELNO CD TITEL 09.00 - 10.00 uur 1 The Beatles Any time at all 2.10 John Lennon/Paul McCartney Parlophone/EMI Records 7 46437 2 A hard day's night 2 John Lennon Starting over 3.56 John Lennon Parlophone/EMI Records 0946 3 40080 2 0 Working class hero, the definitive Lennon 3 The Beatles No reply 2.16 John Lennon/Paul McCartney Parlophone/EMI Records C2 0777 7 46438 2 5 Beatles for sale 4 Wee Willie Walker Ticket to ride 2.30 John Lennon/Paul McCartney ACE CDCHD 1300 Come together, Black America sings Lennon & McCartney 5 John Lennon Imagine 3.02 John Lennon/Paul McCartney Parlophone/EMI Records 0946 3 40080 2 0 Working class hero, the definitive Lennon 6 The Beatles I'm a loser 2.33 John Lennon/Paul McCartney Parlophone/EMI Records C2 0777 7 46438 2 5 Beatles for sale 7 Roy Redmond Good day sunshine 2.39 John Lennon/Paul McCartney ACE CDCHD 1300 Come together, Black America sings Lennon & McCartney 8 John Lennon Watching te wheels 3.30 John Lennon Parlophone/EMI Records 0946 3 40080 2 0 Working class hero, the definitive Lennon 9 The Beatles Mr. Moonlight 2.36 Johnson Parlophone/EMI Records C2 0777 7 46438 2 5 Beatles for sale 10 Chairmen of the Board Come together 3.49 John Lennon/Paul McCartney ACE CDCHD 1300 Come together, Black America sings Lennon & McCartney 11 Lucky Peterson Yer blues 5.20 John Lennon/Paul McCartney Telarc Telarc CD-83553 The blues white album 12 The Beatles I don't want to spoil the party 2.35 John Lennon/Paul McCartney Parlophone/EMI Records C2 0777 7 46438 2 5 Beatles for sale 13 R.B.
[Show full text]
Apple Label Discography
Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.
[Show full text]
The Accent of John Lennon 5: British and American Pronunciation in the Songs
1 The Accent of John Lennon 5: British and American pronunciation in the songs Shinji Sato 1.1 Introduction British rock singers seem to use a certain amount of American pronunciation in their songs. Considering the fact that a style of music called ‘rock’n’roll’ is said to have been originated in the United States in the nineteen fi fties, it is not surprising that British youngsters who listened to it were infl uenced in their style of singing. However, this phenomenon seems to be limited to a certain number of phonemes and lexical items. This study aims to investigate this issue in detail, using the songs of John Lennon as its material. 1.2 RP, GA and Liverpool accent John Lennon’s native accent is that of Liverpool, and there are some differences from the British standard accent sometimes referred to as Received Pronunciation（ RP）, and similarities to the accent called General American（ GA）. Some of the main diff erences and similarities are shown below. 2 Table 1 RP, GA and Liverpool accent Liverpool RP GA examples accent LOT vowel / 㷜 / / ɑ: / / 㷜 / got, not, want, what BATH vowel（1） / ɑ: / / æ / / æ / dance, laugh, path BATH vowel（2） / ɑ: / / æ / / ɑ: / can't, part, bar STRUT vowel / ʌ / / ʌ / / 㷚 / love, sun, come rhoticity non-rhotic rhotic non-rhotic hard, girl, more, there intervocalic /t/[ t ] [ 㶵（] tap）[ 㶵 ]（ tap） better, getting, let it Note: LOT, BATH, and STRUT represent the keywords used by Wells（1982） . See Watt, Trudgill & Hughes（2013） for diff erent sets of words belonging to BATH vowel.
[Show full text]
Ballant Amb Roxy Music
Ballant amb Roxy Music DAVID CASTILLO AVUI, 21/06/10 28 anys després de la seva última actuació a Barcelona, Roxy Music tornava a la ciutat en la segona cita de la gira de reunificació, que es va iniciar fa un parell de dies a Hèlsinki. L'agost del 1982 van triomfar en la presentació d'Avalon a l'estadi del Sant Andreu, telonejats pels experimentals King Crimson de Robert Fripp. Aquella va ser una nit magnífica, quan Barcelona bullia en projectes, s'acabaven els fantasmes dels anys setanta i la majoria dels músics internacionals importants passaven pels nostres escenaris amb tota normalitat. El concert del 82, amb l'entrada amb una reproducció de les dues noies rosses de la portada del disc Flesh and blood, va ser una de les últimes actuacions del grup junts. En un moment d'un dels solos, a Manzanera li va saltar la corda d'una guitarra i va continuar tocant mentre el públic l'ovacionava. Han passat moltes coses des d'aleshores, fins i tot entre nosaltres. Dels quatre amics amb què vaig anar al concert només en sobreviu un, Pere Boluña, a qui no vaig veure dissabte a la nit en la immensa sala de la Fira de l'Hospitalet, on se celebren les actuacions nocturnes del Sónar. Públic majoritàriament jove el que es va concentrar a veure una formació que comptava amb quatre supervivents: Bryan Ferry, el guitarrista Phil Manzanera, el saxofonista Andy Mackay i el bateria Paul Thompson, acompanyats d'una banda d'instrumentistes brillants, tres coristes negres i una violinista i teclista amb una minifaldilla vertiginosa.
[Show full text]
(A) Data in the Life: Authorship Attribution of Lennon-Mccartney Songs
(A) Data in the Life: Authorship Attribution of Lennon-McCartney Songs Mark E. Glickman∗ Department of Statistics Harvard University [email protected] Jason I. Brown Department of Mathematics and Statistics Dalhousie University [email protected] Ryan B. Song School of Engineering and Applied Sciences Harvard University [email protected] Abstract The songwriting duo of John Lennon and Paul McCartney, the two founding mem- bers of the Beatles, composed some of the most popular and memorable songs of the last century. Despite having authored songs under the joint credit agreement of arXiv:1906.05427v1 [cs.SD] 12 Jun 2019 Lennon-McCartney, it is well-documented that most of their songs or portions of songs were primarily written by exactly one of the two. Furthermore, the authorship of some Lennon-McCartney songs is in dispute, with the recollections of authorship based on previous interviews with Lennon and McCartney in conﬂict. For Lennon-McCartney songs of known and unknown authorship written and recorded over the period 1962-66, we extracted musical features from each song or song portion. These features consist of the occurrence of melodic notes, chords, melodic note pairs, chord change pairs, and four-note melody contours. We developed a prediction model based on variable ∗Address for correspondence: Department of Statistics, Harvard University, 1 Oxford Street, Cambridge, MA 02138, USA. E-mail address: [email protected]. Jason Brown is supported by NSERC grant RGPIN 170450-2013. The authors would like to thank Xiao-Li Meng, Michael Jordan, David C. Hoaglin, and the three anonymous referees for their helpful comments.
[Show full text]

Jealous Guy–John Lennon–Notes 

Jealous Guy–John Lennon–Notes