Laundering Nazi Loot in the U.S. Thyssen Plus Krupp Equals
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D'antonio, Michael Senior Thesis.Pdf
Before the Storm German Big Business and the Rise of the NSDAP by Michael D’Antonio A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Honors Degree in History with Distinction Spring 2016 © 2016 Michael D’Antonio All Rights Reserved Before the Storm German Big Business and the Rise of the NSDAP by Michael D’Antonio Approved: ____________________________________________________________ Dr. James Brophy Professor in charge of thesis on behalf of the Advisory Committee Approved: ____________________________________________________________ Dr. David Shearer Committee member from the Department of History Approved: ____________________________________________________________ Dr. Barbara Settles Committee member from the Board of Senior Thesis Readers Approved: ____________________________________________________________ Michael Arnold, Ph.D. Director, University Honors Program ACKNOWLEDGMENTS This senior thesis would not have been possible without the assistance of Dr. James Brophy of the University of Delaware history department. His guidance in research, focused critique, and continued encouragement were instrumental in the project’s formation and completion. The University of Delaware Office of Undergraduate Research also deserves a special thanks, for its continued support of both this work and the work of countless other students. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................. -
The Thyssen Art Macabre Chapter II (Page 33) 1900-1915 : the Arrival of the Bornemiszas
Contents Abbreviations (Page xiii) Acknowledgements (Page xv) Introduction (Page 3) Prologue (Page 5) 1996: Heini & Tita ... Lunch on the Costa Brava Meeting in Spain, with the Baron and Baroness Thyssen-Bornemisza prior to the Thyssen v. Thyssen court case in Bermuda : The final chapter in the $3.5 billion legal battle between Heini and his eldest son. Chapter I (Page 13) 1685—1900 : 'Old' August Thyssen ... The myth of the self-made man The Thyssens' rise to power : The birth of August Thyssen: His privileged education: His and his sister's financially motivated marriages: The vital contribution of his brother Josef: The creation of the Thyssen brothers' industrial empire : August's brilliant but ruthless business methods: The birth of his four children : The collapse of his marriage leading to a crippling settlement which resulted in the loss of ownership of his industrial empire : The arrival of the Price family. The Thyssen Art Macabre Chapter II (Page 33) 1900-1915 : The arrival of the Bornemiszas ... Buying into the aristocracy August Thyssen's status as the first German billionaire and one of the richest men in the world : The acquisition of a castle and his foundation of an art collection : His son Heinrich's purchase of the title of Baron from the Bornemisza family and assumption of the role of Hungarian aristocrat as the Baron Heinrich Thyssen-Bornemisza : The first Thyssen v. Thyssen court battle between father and son : Start of company's war production. Chapter III (Page 52) 1915-1926 : Blood & iron ... The profits of war The death of August's brother Josef: August's sons, Heinrich and Fritz's introduction to the business : Founding of Dutch bank : Their profitable survival of the First World War : Heinrich's flight to Holland from the communist revolution in Hungary : Development of family's anti- Semitism : Birth of Heini and separation of parents : Heini's childhood : Beginning of Fritz and Heinrich's involvement with Hitler and the Nazi Party : Founding of Heinrich's American bank : The death of August Thyssen and his dreams of a dynasty. -
Memoria De Sostenibilidad 2017 El Arte Como Forma De Comunicación Índice
Memoria de Sostenibilidad 2017 El arte como forma de comunicación Índice 04 PRESENTACIÓN 06 NUESTRA HISTORA E HITOS 08 ARTE, TIEMPO Y BELLEZA: La colección, nuestra razón de ser 08 25 aÑOS DE HISTORIA Museo Nacional Thyssen -Bornemisza: 10 50 UN LUGAR DE ENCUENTRO Educathyssen: educación, diálogo, 51 una misión que nos trasciende innovación e integración Celebrando el 25 Aniversario 11 Contribuyendo a construir 57 una sociedad mejor Nuestro Patronato 14 Un museo accesible para todos 59 16 UN EQUIPO QUE Nuestros profesionales 17 El Museo Thyssen y los Objetivos 60 LO HACE POSIBLE de Desarrollo Sostenible Conciliación y equilibrio 20 Arte y sostenibilidad. Algunos retos 62 Igualdad y diversidad 21 sociales desde la colección Thyssen -Bornemisza Desarrollo personal y profesional 22 Otras vías de participación social 63 Fomento de la Comunicación Interna 24 Con la familia 25 64 AMIGOS Y COLABORADORES Programa de Amigos del Museo 64 Cuidando la salud y la seguridad 26 Los amigos corporativos 66 Entidades colaboradoras 67 28 DONDE EL ARTE Y LA Exposiciones 2017 28 EXCELENCIA CONVERGEN Eventos corporativos 69 Otros servicios del Museo 34 Modelos de gestión 36 70 ANEXo 1: SOBRE LA MEMORIA 2 3 PRESENTACIÓN Presentación Es una satisfacción comprobar que, gracias a la actividad del Museo, contribuimos al crecimiento económico de la ciudad de Madrid y a la proyección internacional de DIRECTOR GERENTE Evelio Acevedo España como destino turístico cultural DIRECTOR ARTÍSTICO Es una gran satisfacción poder presentar la primera memoria de sostenibilidad El Museo también trabaja con el objetivo de convertirse en un espacio abierto, Guillermo Solana del Museo Nacional Thyssen-Bornemisza correspondiente al ejercicio 2017. -
Erich Mercker and “Technical Subjects”: Industrial Painting in the Eras of Weimar and Nazi Germany
H-Labor-Arts Erich Mercker and “Technical Subjects”: Industrial Painting in the Eras of Weimar and Nazi Germany Discussion published by Patrick Jung on Saturday, October 7, 2017 (Copyright 2008, Society of Industrial Archeology and reprinted with permission) From the author: This article was published earlier in Industrial Archaeology: The Journal of the Society for Industrial Archeology, vol. 34, nos. 1 & 2. It is reproduced here on H-Labor Arts to make it available to a wider audience. I wrote this article while I was in the midst of finishing a book-length manuscript on Erich Mercker, who was, undoubtedly, one of the top industrial artists in Germany from 1919 to 1945. He and his contemporaries (e.g., Fritz Gärtner, Franz Gerwin, Ria Picco-Rückert, Leonhard Sandrock, and Richard Gessner) constituted a school of artists who I have provisionally labeled the “Heroic School” of German industrial art from 1919 to 1945. The Grohmann Museum in Milwaukee, Wisconsin has paintings produced by virtually all of these artists. It also has more than 90 paintings by Erich Mercker, more than any other art museum in the world. Thus, it is fitting this article should appear on the H-Labor Arts site titled “From the Grohmann….” I also hope this essay will spur more research into Mercker and his “Heroic School” contemporaries, all of whom produced some of the most stunning examples of industrial art during the course of the early twentieth century. Those interested in reading the full-length biography on Erich Mercker (for which this article paved the way) should contact the Grohmann Museum at [email protected]. -
Guides to German Records Microfilmed at Alexandria, Va
GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA. No. 32. Records of the Reich Leader of the SS and Chief of the German Police (Part I) The National Archives National Archives and Records Service General Services Administration Washington: 1961 This finding aid has been prepared by the National Archives as part of its program of facilitating the use of records in its custody. The microfilm described in this guide may be consulted at the National Archives, where it is identified as RG 242, Microfilm Publication T175. To order microfilm, write to the Publications Sales Branch (NEPS), National Archives and Records Service (GSA), Washington, DC 20408. Some of the papers reproduced on the microfilm referred to in this and other guides of the same series may have been of private origin. The fact of their seizure is not believed to divest their original owners of any literary property rights in them. Anyone, therefore, who publishes them in whole or in part without permission of their authors may be held liable for infringement of such literary property rights. Library of Congress Catalog Card No. 58-9982 AMERICA! HISTORICAL ASSOCIATION COMMITTEE fOR THE STUDY OP WAR DOCUMENTS GUIDES TO GERMAN RECOBDS MICROFILMED AT ALEXAM)RIA, VA. No* 32» Records of the Reich Leader of the SS aad Chief of the German Police (HeiehsMhrer SS und Chef der Deutschen Polizei) 1) THE AMERICAN HISTORICAL ASSOCIATION (AHA) COMMITTEE FOR THE STUDY OF WAE DOCUMENTS GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA* This is part of a series of Guides prepared -
The Life and Times of Karola Szilvássy, Transylvanian Aristocrat and Modern Woman*
Cristian, Réka M.. “The Life and Times of Karola Szilvássy, A Transylvanian Aristocrat and Modern Woman.” Hungarian Cultural Studies. e-Journal of the American Hungarian Educators Association, Volume 12 (2019) DOI: 10.5195/ahea.2019.359 The Life and Times of Karola Szilvássy, Transylvanian Aristocrat and Modern Woman* Réka M. Cristian Abstract: In this study Cristian surveys the life and work of Baroness Elemérné Bornemissza, née Karola Szilvássy (1876 – 1948), an internationalist Transylvanian aristocrat, primarily known as the famous literary patron of Erdélyi Helikon and lifelong muse of Count Miklós Bánffy de Losoncz, who immortalized her through the character of Adrienne Milóth in his Erdélyi trilógia [‘The Transylvanian Trilogy’]. Research on Karola Szilvássy is still scarce with little known about the life of this maverick woman, who did not comply with the norms of her society. She was an actress and film director during the silent film era, courageous nurse in the World War I, as well as unusual fashion trendsetter, gourmet cookbook writer, Africa traveler—in short, a source of inspiration for many women of her time, and after. Keywords: Karola Szilvássy, Miklós Bánffy, János Kemény, Zoltán Óváry, Transylvanian aristocracy, modern woman, suffrage, polyglot, cosmopolitan, Erdélyi Helikon Biography: Réka M. Cristian is Associate Professor, Chair of the American Studies Department, University of Szeged, and Co-chair of the university’s Inter-American Research Center. She is author of Cultural Vistas and Sites of Identity: Literature, Film and American Studies (2011), co-author (with Zoltán Dragon) of Encounters of the Filmic Kind: Guidebook to Film Theories (2008), and general editor of AMERICANA E-Journal of American Studies in Hungary, as well as its e-book division, AMERICANA eBooks. -
The Hitler Project Shut the Bank Down
Click here for Full Issue of EIR Volume 33, Number 37, September 15, 2006 Prescott S. Bush and the UBC today, typified by Cheney, Shultz, Rumsfeld, and the foolish In that context, LaRouche reminded Rumsfeld that the George W. Bush, who are the real Nazi appeasers? Isn’t that current President’s own grandfather Prescott S. Bush was a the truth, Mr. Rumsfeld?” director of the Union Banking Corporation, an asset of Ger- LaRouche concluded: “I call upon the U.S. Congress to man steel cartel boss Fritz Thyssen, who proudly admitted launch immediate hearings into this whole issue of appease- that he was Adolf Hitler’s earliest and biggest financial ment. These hearings should take place prior to the November backer, in his book I Paid Hitler (1941). From 1924-1942, midterm elections. Nothing on the agenda of the U.S. Con- the UBC was the New York City bank holding company for gress should take higher priority than this matter. Donald all of Thyssen’s U.S. corporate operations. The arrangement Rumsfeld, a top official of the Bush Administration, has made was made with Thyssen by W. Averell Harriman, and several this an issue of national debate, and the record must be set Brown Brothers Harriman directors, including Roland Harri- straight. Congress is the proper venue.” man and Prescott Bush, were directors and shareholders of UBC, even after Hitler took power in Germany and invaded Eastern Europe. Bush remained a managing director of UBC right up to the moment that the U.S. government moved to The Hitler Project shut the bank down. -
Oral History Interview with Eugene V. Thaw, 2007 October 1-2
Oral history interview with Eugene V. Thaw, 2007 October 1-2 Funding for this interview provided by Art Dealers Association of America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a digitally-recorded interview with Eugene Thaw on October 1 and 2, 2007. The interview took place at the dealer's home in New York, New York, and was conducted by James McElhinney for the Archives of American Art, Smithsonian Institution. Funding for this interview was provided by a grant from the Art Dealers Association of America. Eugene Thaw and James McElhinney have reviewed the transcript and have made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview JAMES MCELHINNEY: This is James McElhinney interviewing Eugene Thaw at his home at 726 Park Avenue in New York, on October 1, 2007. Good morning, sir. EUGENE THAW: Good morning. MR. MCELHINNEY: Where and when were you born? MR. THAW: I was born October 27, 1927. And I was born in New York, uptown, in the Washington Heights area. And it's just 80 years ago. MR. MCELHINNEY: Well, happy birthday. That was just a few days ago. MR. THAW: No, it will be the 27th of October. MR. MCELHINNEY: Oh, of October. -
The Persistence of Elites and the Legacy of I.G. Farben, A.G
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 5-7-1997 The Persistence of Elites and the Legacy of I.G. Farben, A.G. Robert Arthur Reinert Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the History Commons Let us know how access to this document benefits ou.y Recommended Citation Reinert, Robert Arthur, "The Persistence of Elites and the Legacy of I.G. Farben, A.G." (1997). Dissertations and Theses. Paper 5302. https://doi.org/10.15760/etd.7175 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. THESIS APPROVAL The abstract and thesis of Robert Arthur Reinert for the Master of Arts in History were presented May 7, 1997, and accepted by the thesis committee and department. COMMITTEE APPROVALS: Sean Dobson, Chair ~IReard~n Louis Elteto Representative of the Office of Graduate Studies DEPARTMENT APPROVAL: [)fl Dodds Department of History * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ACCEPTED FOR PORTLAND STATE UNIVERSITY BY THE LIBRARY by on ct</ ~~ /997 ABSTRACT An abstract of the thesis of Robert Arthur Reinert for the Master of Arts in History presented May 7, 1997. Title: The Persistence of Elites and the Legacy of LG. Farben, A.G .. On a massive scale, German business elites linked their professional ambitions to the affairs of the Nazi State. By 1937, the chemical giant, l.G. Farben, became completely "Nazified" and provided Hitler with materials which were essential to conduct war. -
Open Windows 10
Leticia de Cos Martín Martín Cos de Leticia Beckmann Beckmann Frau than Quappi, much more more much Quappi, pages 47 — 64 47 — 64 pages Clara Marcellán Marcellán Clara in California in California Kandinsky and Klee Klee and Kandinsky of Feininger, Jawlensky, Jawlensky, of Feininger, and the promotion promotion the and Galka Scheyer Galka Scheyer ‘The Blue Four’: Four’: Blue ‘The pages 34 — 46 34 — 46 pages Manzanares Manzanares Juan Ángel Lpez- Ángel Juan ~' of modern art as a collector as a collector Bornemisza’s beginnings beginnings Bornemisza’s - ~~.·;•\ Thyssen Baron On ~ .. ;,~I il~ ' r• , ~.~ ··v,,,:~ ' . -1'\~J"JJj'-': . ·'-. ·•\.·~-~ . 13 — 33 pages Nadine Engel Engel Nadine Expressionist Collection Collection Expressionist Thyssen-Bornemisza’s German German Thyssen-Bornemisza’s Beginning of Hans Heinrich Heinrich Hans of Beginning 1, 1 ~- .,.... Museum Folkwang and the the and Folkwang Museum ,..~I,.. '' i·, '' ·' ' ' .·1,.~.... Resonance Chamber. Chamber. Resonance . ~I•.,Ji'•~-., ~. pages 2 — 12 2 — 12 pages ~ -~~- . ., ,.d' .. Ali. .~ .. December 2020 2020 December 10 10 Open Windows Windows Open Open Windows 10 Resonance Chamber. Museum Folkwang and the Beginning of Hans Heinrich Thyssen-Bornemisza’s German Expressionist Collection Nadine Engel Emil Nolde Young Couple, c. 1931–35 22 HollandischerDirektor bracht ✓ Thyssen-Schatzenach Essen Elnen kaum zu bezifiernden Wert bat elne Ausslellung des Folkwang-Museums, die btszum 20. Marz gezelgt wird: sie ent hiilt hundertzehn Melsterwerke der europaisdlen Malerei des 14. bis 18. Jahrhunderts aus der beriihmten Sammlung Sdtlo8 Roboncz, die heute Im Besitz des nodt Jungen Barons H. H. Thys sen-Bornemisza ist und in der Villa Favorlta bei Lugano ihr r Domlzil hat. Insgesamt mnfafll sie 350 Arbeiten. -
View Annual Report
For customers, progress. For people, a future. Annual Report 2002_2003 TK C/1 Working for the future ThyssenKrupp aims to achieve continuous improvements in all areas. That’s a message we also want to put across in our annual reports. Whereas last year the focus was on sustainability and active dialogue, this year we want to take a closer look at innova- tions. Innovations at ThyssenKrupp are also the result of dialogue – with customers and employees. Addressing specific subjects from many different angles enables us to develop commercially successful innovations of the highest quality. For our customers, for our stockholders, for our employees. For people. www.thyssenkrupp.com Cover picture: ThyssenKrupp moving walks in the Seceda ski tunnel, St. Ulrich/Italy C/2 ThyssenKrupp in brief ThyssenKrupp is a global concern with business activities focused on the areas of Steel, Capital Goods and Services. We have over 190,000 employees in more than 70 countries developing products and services to meet the challenges of the future. In all five segments – Steel, Automotive, Elevator, Technologies and Services – they provide high- quality solutions to people’s needs and our customers’ requirements. Steel Capital Goods Services Steel Automotive Elevator Technologies Services The Group in figures 2001/2002 2002/2003 Change Order intake million € 36,404 36,047 – 357 Sales million € 36,698 36,137 – 561 EBITDA million € 2,648 2,454 – 194 EBIT million € 1,046 905 – 141 EBT (Income before taxes and minority interest) million € 762 714 – 48 Normalized -
Growing Together Annual Report
8$& THYSSENKRUPPJ>OII;DAHKFF9ECF79J COMPACT ? I Annual Report On November 21, 2005, the Alfried Krupp von Bohlen und Halbach Foundation purchased 15,339,893 treasury shares of ThyssenKrupp ag – equating to 2.98% of the capital stock – from the Company at the market price of €17.44. As a 2004 2005 result of this transaction and the issue of employee shares in and , 2004_2005 ThyssenKrupp ag has sold all the treasury stock purchased from ific Holding ag in May 2003. addition to disposition of unappropriated profit dispositionofunappropriated addition to THEJ> ;GROUP=HEKF?D<?=KH IN FIGURES;I Due to this event, the following data have changed compared with(&& )%(the&& situation* (&&*%(&&+ at the 9^Wd][ 2003/2004 2004/2005 Change balance sheet date and the time the financial statements were drawn up: 9edj_dk_d]ef[hWj_edie\j^[=hekf Continuing operations of the Group EhZ[h_djWa[ c_bb_edÐ ).".() *("+&. )",.+ Order intakeThe Alfried Krupp von Bohlen und Halbach Foundation million as € the largest38,823 stockholder42,508 now 3,685 IWb[i c_bb_edÐ )-")&) *("&,* *"-,' Salesholds 23.58% of the voting rights in ThyssenKrupp millionag (previously € 37,303 20.6%). 42,064 4,761 ;8?J:7 c_bb_edÐ )"&), )"*+( *', EBITDA million € 3,036 3,452 416 ;8?J ;VXihVcY[^\jgZh# c_bb_edÐ '",.) ("&&' )'. EBIT The free float is reduced from 79.4% to 76.4% million € 1,683 2,001 318 <gdl^c\id\Zi]Zg ;8J_dYec[\hecYedj_dk_d]eÆi]nhhZc`gjeeXdbeVXiÇf[hWj_ediX[\eh[jWn[i XdciV^chVaai]ZcjbWZgh[dg EBT (income from continuing operations before taxes WdZc_deh_jo_dj[h[ij i]Z'%%)T'%%*[^hXVanZVg#>[^iÈhcdi]ZgZ!ndjXVcYdlcadVYc_bb_edÐ