ASIA NOW FIAC YIA Art Fair GUIMET MUSEUM HOM NGUYEN

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ASIA NOW FIAC YIA Art Fair GUIMET MUSEUM HOM NGUYEN N°5 - OCTOBER 2017 SPECIAL ISSUE ASIA NOW YIA Art Fair New edition Taïwan at fair New schedule FIAC Asian galleries GUIMET under the nave of Grand Palais MUSEUM Carte blanche to India HOM CERNUSHCI NGUYEN MUSEUM New trajectory Lee Ungno Man of crowds WEBSITE OF CONTEMPORARY ART MARKET BETWEEN FRANCE & ASIA 法国和亚洲之间的当代艺术市场的网站 WWW.HASHT-ART.COM HASHT-ART hasht_art @HASHT_ART Hasht Art Thanks to : IN PARTNERSHIP WITH : Mélanie Baltazar Jean-François Cazeau Yves Choukroun Quentin Franco Jérôme Lehmann Barthélemy Martinon WITH THE SUPPORT OF : Sarah Meyer Mélanie Robert Françoise Schmitt Jean-Marie Schmitt Christina Schumacher Raphaël Tecucianu And to all professionnals presents in this special issue CREATOR : Sophie Mahon Couverture : T : (+33) 6 79 72 61 91 Liu Bolin, View of “When you see me, I see you”, 2017 M : [email protected] © Courtesy Magda Danysz Editorial For its fifth edition, HASHT-ART examines the place of Asian art and its market this year. Between history, traditions and innovations, emerging and confirmed Asian galleries and artists continue to make their own mark in the worldwilde art market, through exhibitions and fairs. According to the latest Artprice World Market report, China and the USA are tied on the market: "In the soft-power that opposes the Republic of China to the USA, the balance has never been so perfect, never have the two balance sheets been so close both in terms of volume of transactions and turnover. ” Each year, since the rise of the Chinese Art Market, one of the two superpowers necessarily took over the other. But in the first half of 2017, the difference is so little that it is impossible to decide between them. Today, China accounts for 29% of the world market. A question then arises: how will this year present the Paris fairs that show artists, galleries and Asian collectors? FIAC, ASIA NOW, YIA Art Fair, museums, galleries, the range of possibilities is very wide. This important period in the art market is an opportunity to take the temperature of the market, meet galleries and their new selections, and follow future sales and artists that will be best sold this year. For its new special issue, HASHT-ART reveals this month selections of Asian galleries presented at Parisian fairs, new Asian artists, and Parisian galleries specialized in Asian arts, searching innovation, blending Asian antiques rich of history with contemporary works realized by confirmed or emerging artists. Sophie MAHON Creator of HASHT-ART #HASHT-ART | 3 Contents 9 FIAC 2017 Asian galleries 12 ASIA NOW New edition New program 16 YIA ART FAIR Taïwan at fair 18 Carte Blanche to INDIA At Guimet Musem 22 LEE UNGNO Man of crowds At Cernuschi Museum 24 HOM NGYUEN New trajectory A2Z Art Gallery Grand Palais © Marc Domage #HASHT-ART | . A Thousand Plateaus Art Space A3 AIKE DELLARCO ART’LOFT Lee-Bauwens-Gallery BANK Gallery Baton Chi-Wen Gallery CHOI&LAGER Gallery Fabien Fryns Fine Art ifa gallery J: Gallery Leo Xu Projects Galerie Liusa Wang Magda Danysz Gallery Galerie Maria Lund New Galerie Galerie NOEJ ON/gallery Pierre-Yves Caër Gallery PIFO Gallery Primo Marella Gallery & Primae Noctis Gallery Richard Koh Fine Art Galerie Sator SinArts Gallery Gallery SoSo Gallery Su: Tang Contemporary Art The Columns Gallery Accès The Drawing Room Stations Charles-de-Gaulle-Étoile (L 1, 6, RER A) Courcelles (L2) Vanguard Gallery Bus 30, 31, 43, 84, 93 ; Parking 18 av Hoche ou 51 rue de Courcelles Yavuz Gallery www.asianowparis.com Courtesy 2016, vidéo. the artist Park, Stairway to Heaven, of Kun Kyung Kelvin Grand Palais © Marc Domage & ASIAN GALLERIES October 19-22, 2017 The 44th edition of FIAC takes place in Paris from the 19th to 22nd October. The Grand Palais hosts 193 of the most important international galleries, covering both modern and contemporary periods. This year, a dozen Asian galleries are present, with a very varied panel of artists. Japan, Singapore, Hong Kong, Shanghai, etc. Asian galleries come to the capital to represent countries on the other side of the world. First, Japan is represented by the galleries Tomio Koyama and SCAI the Bathhouse. The gallery was founded in 1996 by Tomio Koyama (owner and director). Since then, it has opened three exhibition spaces in Tokyo. The gallery features emerging artists from Japan and around the world, such as Mika Ninagawa, Reiko Otake, Makoto Saito and Kisho Suga, present on their booth at FIAC. SCAI The Bathhouse, also established in Tokyo and inaugurated in 1993, is a gallery known for introducing avant-garde artists to the Japanese art market. And in the other direction it allowed foreign artists to settle in Japan. On their booth, the gallery exhibits artists Lee Ufan, Toshikatsu Endo, Apichatpong Weerasethakul, Nobuko Tsuchiya, He Xiangyu, Reijiro Wada. Mixing Lee Ufan, Dialogue, 2017 Oil on canvas, 162 x 130 cm (100F) several media such as painting on paper, wood Courtesy : SCAI THE BATHHOUSE or photography. #HASHT-ART | 9 South Korea is also well represented on the fair this year. Among the 4 galleries present, regulars of the fair Tina Kim Gallery and Kukje Gallery. This year, the galleries will also present Lee Ufan, but also the Korean artist Haegue Yang (exhibited at the Center Pompidou Paris in 2016), Seo-Bo Park, but also Western artists world famous as Bill Viola or Jean- Michel Othoniel. South Korea is also represented in the fair this year. Among the 4 galleries present, regulars of the fair Tina Kim Gallery and Kukje Gallery. This year, the galleries exhibit Lee Ufan, but also the Korean artist Haegue Yang (exhibited at the Center Pompidou Paris in 2016), Seo- Bo Park, but also Western artists world famous as Bill Viola or Jean-Michel Othoniel . Among other Korean galleries, PKM Gallery, founded in 2001 by Park Kyung- Mee (former curator of the Korean Pavilion at the 49th Venice Biennale in 2001), shows a range of sophisticated Haegue Yang, Little Bliss Brackets - Trustworthy #304, 2017 various envelope security patterns, graph paper, sandpaper, framed and varied artists: Hyong-Keun Yun, Young- Do Jeong, 72.2 x 72.2 cm courtesy the artist and dépendance, Brussels the very famous Olafur Eliasson, Hong Kong is represented this year by the French gallerist Édouard Malingue, established for several years in the district of Central. On this occasion the gallery exposes the artist Wang Wei on the site On Site of the FIAC, located at the Petit Palais. About Singapore, the STPI Gallery (already present at Art Paris Art Fair 2017) exhibits on its booth its specialty: printing on paper, in collaboration with various local and international artists. On his stand are the artists Jane Lee, Zhu Wei, Haegue Yang, Ja Hyuk Yim, Ahmad Zakii Anwar, etc. The STPI Gallery wants to promote the art market in Singapore, thanks to its various collaborations, but also to the support of collectors and the artistic community of the island. FIAC October 19-22, 2017 Grand Palais Avenue Winston Churchill – 75008 Paris Opening hours: From Thursday to Friday 12pm-8pm, From Saturday to Sunday 12pm-7pm www.fiac.com Kyungah Ham, What you see is the unseen /Chandeliers for Five Cities SR01-01, 2015-2016 North Korean hand embroidery, silk threads on cotton, middle man, anxiety, censorship, ideology, wooden frame, approx. 1900hrs/2persons, 180 x 268 cm #HASHT-ART | .10 Courtesy of the artist and Kukje Gallery Image provided by Kukje Gallery Jane Lee, COILING I (detail), 2016 60 x 60 x 5 cm Hand-coiled tracing paper, insert pins, STPI handmade cotton paper, archival foam board Courtesy : Jane Lee/STPI ASIAN GALLERIES & SELECTION October 18-22, 2017 For its 3rd edition, ASIA NOW hosts some thirty Asian and Western galleries, recognized as the most influential in the field, and for their support to contemporary artists from Asia. ASIA NOW insists on the value of artists coming from a group of more than 10 countries, and presents the new perspectives and stakes of the contemporary Asian art market: the artists' value, and their potential for development. ASIA NOW reaffirms its determination to decipher this Asian art scene, to understand its evolution, its transformations, its stakes and above all its true nature. This fair is an ideal platform for dialogue and exchanges devoted to contemporary Asian creation. This year, the Korean artistic scene is being further developed, with a special program coordinated by the Korean curator Joanne Kim in collaboration with the curatorial team of the Busan Biennale. Among the regulars of fair, Magda Danysz (French gallery based in Paris, Shanghai and London), renewed the experience with a selection of artists, focused on the Asian garden. This garden, anchored in Buddhist philosophy, conceals details that the visitor does not see at first glance, but then leads to various interpretations, and inner meditation. The selected artists are Liu Bolin (opposite), Zhang Dali, The Parisian gallery Maria Lund also brings an original artistic touch to the fair. For this 3rd edition, the gallery presents three Korean artists whose works have in common a great sensuality and a form of animality. The artist Min Jung-Yeon (opposite) explores the fluctuating space of memory through memories of places and specific situations, imaginary and incursions of reality. Another artist Yoo Hye-Sook, guided by intuition and instinct, leaves forms and questions emerging from matter. Marked by humor, Shoi's works are based on memory, emotion, the reactivation of memories, and obey a subjective logic, an expression of personal mythology. #HASHT-ART | 12 Liu Bolin, When you see me I see you, 2017 Installation de circuits électroniques, fils de cuivre, caméras, CCTV, écrans, dimensions variables Courtesy : Magda Danysz Min Jung-Yeon, Lumiere de 17h, 2017 40 x 30 cm Acrylique sur toile Courtesy : Maria Lund Richard Koh Fine Art (based in Kuala Lumpur and Singapore) comes to Paris with a collective exhibition of Malaysian artists, Anne Samat, Heffendi Anuar, Hasanal Isyraf Idris and Yeoh Choo Kuan (opposite).
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