2011-12 Annual Report
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Songbook October 2015
Žižkov Karaoke! Song Lists October 2015: • General Song List 1 • Duets 57 • Musicals, Movies and TV etc. 59 • Czech & Slovak Songs 63 • Other Languages 67 Find a song you'd like to sing. Find a piece of paper and a pen. Write down: • The name of the song. • The name of the artist. • And your name! Give the piece of paper to the host or the KJ. Karaoke tips: Sing by yourself, unless you're singing a duet. Put in multiple songs at once if you know already what you want to sing next. It's easier for the KJ and you'll be up sooner. Be patient, if you arrived late there will probably be a lot of people singing before you. Asking the KJ will not help, arriving early will. Enjoy! www.zizkovkaraoke.com 1 www.zizkovkaraoke.com 1 General Song List General Song List 10cc 98 Degrees ABBA Donna Because Of You Thank Abba For The Dreadlock Holiday Hardest Thing Music (Mix) (With Im Mandy Way You Want Me To Vocals) Im Not In Love A Teens Thank You For The Music Rubber Bullets Upside Down Voulez-Vous Things We Do For Love A1 Waterloo Wall Street Shuffle Caught In The Middle Winner Takes It All 112 No More ABC Dance With Me Nothing Look Of Love 2 Eivissa Ready Or Not ACDC Oh La La La Summertime Of Our Back In Black 2 Unlimited Lives Big Balls No Limit Aaliyah Big Gun 21st Century Girls More Than A Woman Dirty Deeds Done Dirt 21st Century Girls Rock The Boat Cheap 3 Doors Down Try Again For Those About To Rock Away From The Sun Aaron Tippin Have A Drink On Me Be Like That Always Was Heatseeker Here Without You Door Hells Bells Kryptonite I Get A Kick Out -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki Permalink https://escholarship.org/uc/item/97g9d23n Author Mewhinney, Matthew Stanhope Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki By Matthew Stanhope Mewhinney A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Alan Tansman, Chair Professor H. Mack Horton Professor Daniel C. O’Neill Professor Anne-Lise François Summer 2018 © 2018 Matthew Stanhope Mewhinney All Rights Reserved Abstract The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki by Matthew Stanhope Mewhinney Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Alan Tansman, Chair This dissertation examines the transformation of lyric thinking in Japanese literati (bunjin) culture from the eighteenth century to the early twentieth century. I examine four poet- painters associated with the Japanese literati tradition in the Edo (1603-1867) and Meiji (1867- 1912) periods: Yosa Buson (1716-83), Ema Saikō (1787-1861), Masaoka Shiki (1867-1902) and Natsume Sōseki (1867-1916). Each artist fashions a lyric subjectivity constituted by the kinds of blending found in literati painting and poetry. I argue that each artist’s thoughts and feelings emerge in the tensions generated in the process of blending forms, genres, and the ideas (aesthetic, philosophical, social, cultural, and historical) that they carry with them. -
Tokimeku: the Poetics of Marie Kondo's Konmari Method
Flowers, Johnathan. “Tokimeku: The Poetics of Marie Kondo’s KonMari Method.” SPECTRA 7, no. 2 (2020): pp. 5–12. DOI: https://doi.org/10.21061/spectra.v7i2.146 ARTICLE Tokimeku: The Poetics of Marie Kondo’s KonMari Method Johnathan Flowers Worcester State University, US [email protected] Mono no aware is a poetic term developed by Motoori Norinaga to refer to the driving force behind aesthetic works, specifically poetry, and to refer to the human awareness of the qualitative nature of our experience in the world. For Norinaga, the cultivation of mono no aware necessarily leads to heightened sensitivity to both natural and man-made objects. As mono no aware is the natural response of the cultivated heart to the world around us, Norinaga takes it to be fundamental to human experience. Norinaga’s interpretation of the term aware as “to be stirred” bears striking similarities to the concept of “sparking joy” or tokimeku as used by Marie Kondo in her KonMari system. In Japanese, Kondo’s phrase “spark joy” is written as tokimeku, a word whose literal translation means “throb,” “pulsate,” or “beat fast,” as in the heart’s response to anticipation or anxiety. The aim of the present work is to make clear the connection between tokimeku in the KonMari system and Norinaga’s poetics of mono no aware. Specifically, this paper indicates the ways in which the KonMari system functions in line with a tradition of Japanese aesthetics of experience. This philosophy informs Japanese aesthetic practices and is articulated throughout Japanese poetics. This paper places Kondo in conversation with Norinaga’s work on aware and mono no aware towards a conceptualization of the KonMari system as an implement for cultivating a mindful heart. -
Visual and Material Culture at Hōkyōji Imperial Convent: the Significance of “Women’S Art” in Early Modern Japan
Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gregory P. A. Levine, Chair Professor Patricia Berger Professor H. Mack Horton Fall 2010 Copyright by Sharon Mitsuko Yamamoto 2010. All rights reserved. Abstract Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto Doctor of Philosophy in History of Art University of California, Berkeley Professor Gregory Levine, Chair This dissertation focuses on the visual and material culture of Hōkyōji Imperial Buddhist Convent (Hōkyōji ama monzeki jiin) during the Edo period (1600-1868). Situated in Kyoto and in operation since the mid-fourteenth century, Hōkyōji has been the home for women from the highest echelons of society—the nobility and military aristocracy—since its foundation. The objects associated with women in the rarefied position of princess-nun offer an invaluable look into the role of visual and material culture in the lives of elite women in early modern Japan. Art associated with nuns reflects aristocratic upbringing, religious devotion, and individual expression. As such, it defies easy classification: court, convent, sacred, secular, elite, and female are shown to be inadequate labels to identify art associated with women. This study examines visual and material culture through the intersecting factors that inspired, affected, and defined the lives of princess-nuns, broadening the understanding of the significance of art associated with women in Japanese art history. -
Modifying the Hague Convention? US Military Occupation of Korea and Japanese Religious Property in Korea, 1945–1948
Modifying the Hague Convention? US Military Occupation of Korea and Japanese Religious Property in Korea, 1945–1948 An Jong-Chol Acta Koreana, Volume 21, Number 1, June 2018, pp. 205-229 (Article) Published by Keimyung University, Academia Koreana For additional information about this article https://muse.jhu.edu/article/756456 [ Access provided at 27 Sep 2021 11:27 GMT with no institutional affiliation ] ACTA KOR ANA VOL. 21, NO. 1, JUNE 2018: 205–229 doi:10.18399/acta.2018.21.1.008 © Academia Koreana, Keimyung University, 2018 MODIFYING THE HAGUE CONVENTION? US MILITARY OCCUPATION OF KOREA AND JAPANESE RELIGIOUS PROPERTY IN KOREA, 1945–1948 By AN JONG-CHOL After World War II, the United States established the US Army Government in Korea (USAMGIK, 1945–48) in South Korea, and tried to justify its military occupation by international law, particularly the Hague Convention IV (1907). The Convention stipulates an occupant’s right to take all the measures necessary to restore public order and safety and his or her duty to respect the indigenous law. Considering the changed situation during World War II, however, where the military institutions of the Axis Powers drove their aggression into other countries, it was inevitable that the Allied Powers would modify the convention to apply it to the occupied countries. Since Japanese public or private property comprised the most wealth in colonial Korea, one of the key issues that USAMGIK faced in liberated Korea was how to handle former Japanese property, ultimately culminating in the confiscation of all Japanese property into the possession of USAMGIK. Thus, this article expounds this thorny issue by dealing with the rationale of this change of the international law, specifically a religious one, with the cy pres (as near as possible) principle, a category that USAMGIK handled with discretion compared to commercial or government property. -
Re-Assessing the Global Impact of the Russo-Japanese War 1904-05 第0
Volume 10 | Issue 21 | Number 2 | Article ID 3755 | May 19, 2012 The Asia-Pacific Journal | Japan Focus World War Zero? Re-assessing the Global Impact of the Russo-Japanese War 1904-05 第0次世界大戦?1904− 1905年日露戦争の世界的影響を再評価する Gerhard Krebs World War Zero? Re-assessing the Global and Yokote Shinji, eds.,The Russo-Japanese Impact of the Russo-Japanese WarWar in Global Perspective: World War Zero. 1904-05 Bd,1, Leiden: Brill 2005. (History of Warfare, Vol. 29) (hereafter: Steinberg). Gerhard Krebs David Wolff, Steven B. Marks, Bruce W. Menning, David Schimmelpenninck van der Oye, John W. Steinberg and Yokote Shinji, eds., On the occasion of its centennial, the Russo- The Russo-Japanese War in Global Perspective: Japanese War drew great attention among World War Zero. Vol. 2, Ibid. 2007. (History of historians who organized many symposia and Warfare, Vol. 40) (hereafter: Wolff). published numerous studies. What have been the recent perspectives, debates and insights Maik Hendrik Sprotte, Wolfgang Seifert and on the historical impact of the Russo-Japanese Heinz-Dietrich Löwe, ed.,Der Russisch- War on the imperial world order, evolution of Japanische Krieg 1904/ 05. Anbruch einer international society, and global intellectual neuen Zeit? Wiesbaden, Harassowitz Verlag history? Gerhard Krebs provides 2007.a (hereafter: Sprotte). comprehensive historiographical essay introducing the major works published in the Rotem Kowner, ed., The Impact of the Russo- last ten years on the world-historical impact of Japanese War. London and New York: the Russo-Japanese War, including works in Routledge 2007. (Routledge Studies in the Japanese, Russian, English and German. Modern History of Asia, Vol. -
Imperial-Way
BUDDHISM/ZEN PHILOSOPHY/JAPANESE HISTORY (Continued from front flap) IMPERIAL-WAY ZEN IMPERIAL-WAY Of related The Record of Linji his own argument that Imperial-Way Zen interest Translation and commentary by Ruth Fuller Sasaki During the first half of the twentieth centu- can best be understood as a modern instance Edited by Thomas Yūhō Kirchner ry, Zen Buddhist leaders contributed active- 2008, 520 pages of Buddhism’s traditional role as protector ly to Japanese imperialism, giving rise to Cloth ISBN: 978-0-8248-2821-9 of the realm. Turning to postwar Japan, Ives what has been termed “Imperial-Way Zen” examines the extent to which Zen leaders “This new edition will be the translation of choice for Western Zen communities, (Kōdō Zen). Its foremost critic was priest, have reflected on their wartime political college courses, and all who want to know that the translation they are reading is professor, and activist Ichikawa Hakugen stances and started to construct a critical faithful to the original. Professional scholars of Buddhism will revel in the sheer (1902–1986), who spent the decades follow- wealth of information packed into footnotes and bibliographical notes. Unique Zen social ethic. Finally, he considers the ing Japan’s surrender almost single-hand- among translations of Buddhist texts, the footnotes to the Kirchner edition con- resources Zen might offer its contemporary tain numerous explanations of grammatical constructions. Translators of classi- edly chronicling Zen’s support of Japan’s leaders as they pursue what they themselves cal Chinese will immediately recognize the Kirchner edition constitutes a small imperialist regime and pressing the issue have identified as a pressing task: ensuring handbook of classical and colloquial Chinese grammar. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
Music & Entertainment
Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Music & Entertainment Tuesday 18th & Wednesday 19th May 2021 at 10:00 Viewing by strict appointment from 6th May For enquires relating to the Special Auction Services auction, please contact: Plenty Close Off Hambridge Road NEWBURY RG14 5RL Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com David Martin Dave Howe Music & Music & Entertainment Entertainment Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 10. Iron Maiden Box Set, The First Start of Day One Ten Years Box Set - twenty 12” singles in ten Double Packs released 1990 on EMI (no cat number) - Box was only available The Iron Maiden sections in this auction by mail order with tokens collected from comprise the first part of Peter Boden’s buying the records - some wear to edges Iron Maiden collection (the second part and corners of the Box, Sleeves and vinyl will be auctioned in July) mainly Excellent to EX+ Peter was an Iron Maiden Superfan and £100-150 avid memorabilia collector and the items 4. Iron Maiden LP, The X Factor coming up in this and the July auction 11. Iron Maiden Picture Disc, were his pride and joy, carefully collected Double Album - UK Clear Vinyl release 1995 on EMI (EMD 1087) - Gatefold Sleeve Seventh Son of a Seventh Son - UK Picture over 30 years. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
In the Suburbs of Tokyo
English The Best Things to do in the Suburbs of Tokyo Travel back in time - Nature, Anime, Town, Castle, Temple and Shrine Kawagoe & Chichibu History, Food A Boundless Outdoor Paradise with Abundant Nature -- Hanno Discover Endless Possibilities -- Tokorozawa Head to Mountains and Hills on the Seibu Line Discover and Experience Sayama Tea "Only in Japan" Experiences Await Inside Amazing Theme Parks Experience the Spirituality of Japan’s Shrines and Temples Edo-Tokyo Open Air Architectural Museum SEIBU_EN_2020.indd 1 2020/12/03 11:07 Get around the Seibu Line with the All-you-can-ride Pass With the SEIBU 1Day Pass and other discount tickets, issued by Seibu Railway, you can hop on and off the SEIBU Line as often as you want to experience rich Japanese culture and visit sightseeing gems hidden in the suburbs. The Seibu Lines connect directly to the sacred and traditional places of Kawagoe and Chichibu, where you can enjoy the charm of the Edo period to the fullest. These tickets are the best partner for foreign tourists visiting Japan! Ticket Information Price and Type MOOMINVALLEY PARK Ticket & Travel Pass 3,700 yen SEIBU SEIBU * Only valid for the boarding date. Includes a SEIBU 1Day Pass, 1Day Pass 1Day Pass + Nagatoro ZKLFKDOORZVXQOLPLWHGULGHVRQDOO6(Ζ%85DLOZD\OLQHV H[FHSW 1,000 yen 1,500 yen IRUWKH7DPDJDZD/LQH DEXVWLFNHWWRPHWV¦IURP+DQQď 6WDWLRQRU+LJDVKL+DQQď6WDWLRQDQGDSDUNDGPLVVLRQWLFNHW * Some attractions in the park are charged separately. * SEIBU 2Day Pass and SEIBU 2Day Pass + Nagatoro tickets are also available. * Tickets are only valid on the day of use. Valid on the SEIBU KAWAGOE PASS Seibu Line or the Seibu Line + Chichibu Railway Line 700 yen within the stated area including free use between 1RJDPL6WDWLRQDQG0LWVXPLQHJXFKL6WDWLRQb 7LFNHWV * Tickets are valid for only one day of use for are not valid for the Tamagawa Line) arrival or departure from Seibu-Shinjuku Station, * Additional limited express charge is required. -
Appropriating the West in Late Qing and Early Republican China / Theodore Huters
Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 1 of 384 Bringing the World Home Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 2 of 384 3 of 384 BringingÕ the World HomeÕ Appropriating the West in Late Qing 7215 Huters / BRINGING THE WORLD HOME / sheet and Early Republican China Theodore Huters University of Hawai‘i Press Honolulu Tseng 2005.1.17 07:55 © 2005 University of Hawai‘i Press All rights reserved Printed in the United States of Amer i ca Library of Congress Cataloging- in- Publication Data Huters, Theodore. Bringing the world home : appropriating the West in late Qing and early Republican China / Theodore Huters. p. cm. Includes bibliographical references and index. ISBN 0-8248-2838-0 (hardcover : alk. paper) 1. Chinese literature—20th century—History and criticism. 2. Chinese literature—20th century—Western influences. I. Title. PL2302.H88 2005 895.1’09005—dc22 2004023334 University of Hawai‘i Press books are printed on acid- free paper and meet the guidelines for permanence and durability of the Council on Library Resources. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. The open-access ISBN for this book is 978-0-8248-7401-8. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY- NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author.