Made Outside London Programme Titles Register 2011
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The Secret Crimes of the Cuckoo
springwatch the con is on The CON isON Cavan Scott investigates the crimes of the star of this year’s Springwatch David Kjaer /naturepl.com Photo: may 2009 COUNTRYFILE 49 springwatch the con is on such extraordinary lengths, and worldwide only around 1 percent “Within hours of hatching of all birds share its methods. the blind and naked cuckoo After 23 years studying the cuckoo’s sinister plans in Wicken chick pushes any remaining Fen, Britain’s foremost expert on cuckoo behaviour, Dr Nicholas eggs from the nest” Davies of the University of Cambridge, is able to shed some light on the matter. 1 “Foisting your parental duties on somebody else may seem to be a wonderful thing to do,” he explains. “But over evolutionary time, the hosts fight back so that the poor cuckoo has to work 2 3 incredibly hard to be lazy, simply because it has to overcome all of these defences. What we witness is a fantastic arms race between parasite and host.” 4 5 This titanic battle commences with that famous bird call. In May, A host of hosts the blue-grey male cuckoo arrives In Britain, five main hosts account for on our shores from Africa and 90 percent of the parasitised nests. booms out his distinctive ‘cuc-coo’, In heathland the cuckoo will choose thereby establishing himself as the dunnock (1), in marshland it picks God’s gift to the slightly browner the reed warbler (2), while in open female. Nature takes its course and country it’s the pied wagtail (3). The meadow pipit (4) falls foul of the the female’s work begins. -
Jurassic Park" Have Come to Pass
JURASSIC WORLD and INDOMINUS REX 0. JURASSIC WORLD and INDOMINUS REX - Story Preface 1. EARLY DINOSAUR DISCOVERIES 2. THE JURASSIC PERIOD 3. JURASSIC-ERA DINOSAURS 4. FOSSILIZED AMBER 5. THE SOLNHOFEN LIMESTONE 6. TYRANNOSAURUS REX 7. T-REX - SUE 8. PTERANODON 9. TRICERATOPS 10. VELOCIRAPTOR 11. SPINOSAURUS 12. DINOSAUR TRACKS AND DISPUTES 13. NEW DINOSAUR DISCOVERIES 14. JURASSIC WORLD and INDOMINUS REX What do you do when you want to boost visitor attendance to your dinosaur-dominated, Jurassic World theme park? Use DNA, from four different dinosaurs, and “in the Hammond lab” create something entirely new and fearsome. Then ... give the new creature a name which signifies its awesome power: Indominus rex. At least ... that’s how the story theme works in the 2015 film “Jurassic World.” So ... let’s travel back in time, to the age of the dinosaurs, and meet the four interesting creatures whose DNA led to this new and ferocious predator: Rugops; Carnotaurus; Giganotosaurus; Majungasaurus. If—contrary to plan—Indominus rex becomes a killing machine, we have to ask: Did she “inherit” that trait from her “ancestors?” Let’s examine the question, starting with Rugops (ROO-gops). What we know about this theropod, from a physical standpoint, comes from a single, nearly complete and fossilized skull. With its weak but gaping jaw and skull, Rugops—which means “wrinkle face”—is not a predator like the Cretaceous-Period Spinosaurus. Instead, Rugops is a natural-born scavenger, likely waiting in the wings for what’s left of a Spinosaurus-caught, Cretaceous-era fish known as Onchopristis. Living off the scraps of meals, killed by another creature, could be enough for a Rugops. -
The Journal of William Morris Studies
The Journal of William Morris Studies volume xx, number 3, winter 2013 Editorial – Fears and Hopes Patrick O’Sullivan 3 William Morris and Robert Browning Peter Faulkner 13 Two Williams of one medieval mind: reading the Socialist William Morris through the lens of the Radical William Cobbett David A. Kopp 31 Making daily life ‘as useful and beautiful as possible’: Georgiana Burne-Jones and Rottingdean, 1880–1904 Stephen Williams 47 William Morris: An Annotated Bibliography 2010–2011 David and Sheila Latham 66 Reviews. Edited by Peter Faulkner Michael Rosen, ed, William Morris, Poems of Protest (David Goodway) 99 Ingrid Hanson, William Morris and the Uses of Violence, 1856–1890 (Tony Pinkney) 103 The Journal of Stained Glass, vol. XXXV, 2011, Burne-Jones Special Issue. (Peter Faulkner) 106 the journal of william morris studies . winter 2013 Rosie Miles, Victorian Poetry in Context (Peter Faulkner) 110 Talia SchaVer, Novel Craft (Phillippa Bennett) 112 Glen Adamson, The Invention of Craft (Jim Cheshire) 115 Alec Hamilton, Charles Spooner (1862–1938) Arts and Crafts Architect (John Purkis) 119 Clive Aslet, The Arts and Crafts Country House: from the archives of Country Life (John Purkis) 121 Amy Woodhouse-Boulton, Transformative Beauty. Art Museums in Industrial Britain; Katherine Haskins, The Art Journal and Fine Art Publishing in Vic- torian England, 1850–1880 (Peter Faulkner) 124 Jonathan Meades, Museum without walls (Martin Stott) 129 Erratum 133 Notes on Contributors 134 Guidelines for Contributors 136 issn: 1756–1353 Editor: Patrick O’Sullivan ([email protected]) Reviews Editor: Peter Faulkner ([email protected]) Designed by David Gorman ([email protected]) Printed by the Short Run Press, Exeter, UK (http://www.shortrunpress.co.uk/) All material printed (except where otherwise stated) copyright the William Morris Society. -
Guide to the Betty J. Meggers and Clifford Evans Papers
Guide to the Betty J. Meggers and Clifford Evans papers Tyler Stump and Adam Fielding Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund. December 2015 National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland, Maryland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 5 Arrangement..................................................................................................................... 5 Bibliography...................................................................................................................... 6 Names and Subjects ...................................................................................................... 6 Container Listing ............................................................................................................. 8 Series 1: Personal, 1893-2012................................................................................. 8 Series 2: Writings, 1944-2011............................................................................... -
Laura Morrod Resume
LAURA MORROD – Editor FATE Director: Lisa James Larsson. Producer: Macdara Kelleher. Starring: Abigail Cowen, Danny Griffin and Hannah van der Westhuysen. Archery Pictures / Netflix. LOVE SARAH Director: Eliza Schroeder. Producer: Rajita Shah. Starring: Grace Calder, Rupert Penry-Jones, Bill Paterson and Celia Imrie. Miraj Films / Neopol Film / Rainstar Productions. THE LAST KINGDOM (Series 4) Director: Sarah O’Gorman. Producer: Vicki Delow. Starring: Alexander Dreymon, Ian Hart, David Dawson and Eliza Butterworth. Carnival Film & Television / Netflix. THE FEED Director: Jill Robertson. Producer: Simon Lewis. Starring: Guy Burnet, Michelle Fairlye, David Thewlis and Claire Rafferty. Amazon Studios. ORIGIN Director: Mark Brozel. Executive Producers: Rob Bullock, Andy Harries and Suzanne Mackie. Producer: John Phillips. Starring: Tom Felton, Philipp Christopher and Adelayo Adedayo. Left Bank Pictures. THE GOOD KARMA HOSPITAL 2 Director: Alex Winckler. Producer: John Chapman. Starring: Amanda Redman, Amrita Acharia and Neil Morrissey. Tiger Aspect Productions. THE BIRD CATCHER Director: Ross Clarke. Producers: Lisa Black, Leon Clarance and Ross Clarke. Starring: August Diehl, Sarah-Sofie Boussnina and Laura Birn. Motion Picture Capital. BRUCE SPRINGSTEEN: IN HIS OWN WORDS Director: Nigel Cole. Producer: Des Shaw. Starring: Bruce Springsteen. Lonesome Pine Productions. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] HUMANS (Series 2) Director: Mark Brozel. Producer: Paul Gilbert. Starring: Gemma Chan, Colin Morgan and Emily Berrington. Kudos Film and Television. AFTER LOUISE Director: David Scheinmann. Producers: Fiona Gillies, Michael Muller and Raj Sharma. Starring: Alice Sykes and Greg Wise. Scoop Films. DO NOT DISTURB Director: Nigel Cole. Producer: Howard Ella. Starring: Catherine Tate, Miles Jupp and Kierston Wareing. -
Ways of Seeing Animals Documenting and Imag(In)Ing the Other in the Digital Turn
InMedia The French Journal of Media Studies 8.1. | 2020 Ubiquitous Visuality Ways of Seeing Animals Documenting and Imag(in)ing the Other in the Digital Turn Diane Leblond Electronic version URL: http://journals.openedition.org/inmedia/1957 DOI: 10.4000/inmedia.1957 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference Diane Leblond, “Ways of Seeing Animals”, InMedia [Online], 8.1. | 2020, Online since 15 December 2020, connection on 26 January 2021. URL: http://journals.openedition.org/inmedia/1957 ; DOI: https:// doi.org/10.4000/inmedia.1957 This text was automatically generated on 26 January 2021. © InMedia Ways of Seeing Animals 1 Ways of Seeing Animals Documenting and Imag(in)ing the Other in the Digital Turn Diane Leblond Introduction. Looking at animals: when visual nature questions visual culture 1 A topos of Western philosophy indexes animals’ irreducible alienation from the human condition on their lack of speech. In ancient times, their inarticulate cries provided the necessary analogy to designate non-Greeks as other, the adjective “Barbarian” assimilating foreign languages to incomprehensible birdcalls.1 To this day, the exclusion of animals from the sphere of logos remains one of the crucial questions addressed by philosophy and linguistics.2 In the work of some contemporary critics, however, the tenets of this relation to the animal “other” seem to have undergone a change in focus. With renewed insistence that difference is inextricably bound up in a sense of proximity, such writings have described animals not simply as “other,” but as our speechless others. This approach seems to find particularly fruitful ground where theory proposes to explore ways of seeing as constitutive of the discursive structures that we inhabit. -
Report on Future Funding of Public Service Broadcasting
Tithe an Oireachtais An Comhchoiste um Chumarsáid, Gníomhú ar son na hAeráide agus Comhshaol Tuarascáil ón gComhchoiste maidir leis Craoltóireacht Seirbhíse Poiblí a Mhaoiniú sa Todhchaí A leagadh faoi bhráid dhá Theach an Oireachtais 28 Samhain 2017 Houses of the Oireachtas Joint Committee on Communications, Climate Action and Environment Report of the Joint Committee on the Future Funding of Public Service Broadcasting Laid before both Houses of the Oireachtas 28 November 2017 32CCAE002 Tithe an Oireachtais An Comhchoiste um Chumarsáid, Gníomhú ar son na hAeráide agus Comhshaol Tuarascáil ón gComhchoiste maidir leis Craoltóireacht Seirbhíse Poiblí a Mhaoiniú sa Todhchaí A leagadh faoi bhráid dhá Theach an Oireachtais 28 Samhain 2017 Houses of the Oireachtas Joint Committee on Communications, Climate Action and Environment Report of the Joint Committee on the Future Funding of Public Service Broadcasting Laid before both Houses of the Oireachtas 28 November 2017 32CCAE002 Report on Future Funding of Public Service Broadcasting TABLE OF CONTENTS Brollach .............................................................................................................. 3 Preface ............................................................................................................... 4 1. Key Issue: The Funding Model – Short Term Solutions .......................... 6 Recommendation 1 - Fairness and Equity ............................................................ 6 Recommendation 2 – All Media Consumed ........................................................... -
Report of the Inter-Agency Task Force on Financing for Development
Report of the Inter-agency Task Force on Financing for Development FINANCING FOR SUSTAINABLE DEVELOPMENT REPORT 2019 asdf United Nations New York, 2019 This report is a joint product of the members of the Inter-agency Task Force on Financing for Devel- opment (a full list of members can be found on page x). The Financing for Sustainable Development Office of then U ited Nations Department of Economic and Social Affairs serves as the coordinator and substantive editor of the Financing for Sustainable Development report. The online annex of the Task Force (http://developmentfinance.un.org) comprehensively monitors progress in implementation of the Financing for Development outcomes, including the Addis Ababa Action Agenda and relevant means of implementation targets of the Sustainable Development Goals. It provides the complete evidence base for the Task Force’s annual report on progress in the seven action areas of the Addis Agenda (chapters III.A–III.G). The report is by necessity more concise and selective and should thus be read in conjunction with the online annex. The online annex also covers several key cross-cutting initiatives that build on the synergies of the Sustainable Development Goals: Delivering social protection and essential public services Ending hunger and malnutrition Closing the infrastructure gap Promoting inclusive and sustainable industrialization Generating full and productive employment for all Protecting ecosystems Promoting peaceful and inclusive societies Gender equality Investing in children and youth Addressing the diverse needs and challenges faced by countries in special situations Global partnership Inquiries about the Task Force or its report and online annex can be sent to: Financing for Sustainable Development Office Department of Economic and Social Affairs 2 United Nations Plaza (DC2- 2170) New York, N.Y. -
Alexandra Caulfield - Costume Designer
AMANDA McALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44(0)207 244 1159 www.ampmgt.com • e-mail: [email protected] ALEXANDRA CAULFIELD - COSTUME DESIGNER EMMY Award Nomination, BAFTA & RTS Nominations Best Costume Design www.alexandracaulfield.co.uk FEATURE CREDITS: PRISONERS OF PARADISE Director Mitch Jenkins Coming of age Love story set in 1925 Producers Jim Mooney, Mike Elliott colonial Mauritius Exec. Producers Alan Govinden, Maria J Govinden (Covid shoot) Production Co. AMG International Film / Sega Media Pty Ltd THE FLYING SCOTSMAN Director Douglas Mackinnon Bio Drama Producers Peter Broughan, Claire Chapman, Sara Giles Featuring Jonny Lee Miller, Stephen Berkoff, Brian Cox Production Co. ContentFilm / Scottish Screen / Scion Films / MGM BAFTA Nominated Scotland Award Best Film THE BEST MAN Director Stefan Schwartz Contemporary Comedy Drama Producer Neil Peplow Featuring Stuart Townsend, Amy Smart, Simon Callow Production Co. Endgame Ent. / Insider Films / Redbus Pictures SPARKLE Directors Tom Hunsinger, Neil Hunter Contemporary Comedy Drama Producers Martin Pope, Michael Rose Featuring Bob Hoskins, Stockard Channing, Anthony Head, Lesley Manville Production Co. Magic Light Pictures / Revolver Ent. / Vertigo Films BLACKBOOK (Prep only) Director Paul Verhoeven Period Drama Producer Teune Hilte Featuring Carice van Houten, Sebastian Koch Production Co. Fu Works CAPONE’S BOYS Director Richard Standeven Period Drama Producer Peter Barnes Featuring Marc Warren, Ralph Little, Richard Rowntree Production Co. Alchemy Films THE PAROLE OFFICER Director John Duigan Contemporary Crime Comedy Producer Duncan Kenworthy Featuring Steve Coogan, Omar Sharif, Jenny Agutter Production Co. DNA Films / Figment / Toledo / UK Film / Universal LIAM Director Stephen Frears Period Drama Producer Colin McKeown Featuring Ian Hart, Anne Reid Production Co. -
Statista European Football Benchmark 2018 Questionnaire – July 2018
Statista European Football Benchmark 2018 Questionnaire – July 2018 How old are you? - _____ years Age, categorial - under 18 years - 18 - 24 years - 25 - 34 years - 35 - 44 years - 45 - 54 years - 55 - 64 years - 65 and older What is your gender? - female - male Where do you currently live? - East Midlands, England - South East, England - East of England - South West, England - London, England - Wales - North East, England - West Midlands, England - North West, England - Yorkshire and the Humber, England - Northern Ireland - I don't reside in England - Scotland And where is your place of birth? - East Midlands, England - South East, England - East of England - South West, England - London, England - Wales - North East, England - West Midlands, England - North West, England - Yorkshire and the Humber, England - Northern Ireland - My place of birth is not in England - Scotland Statista Johannes-Brahms-Platz 1 20355 Hamburg Tel. +49 40 284 841-0 Fax +49 40 284 841-999 [email protected] www.statista.com Statista Survey - Questionnaire –17.07.2018 Screener Which of these topics are you interested in? - football - painting - DIY work - barbecue - cooking - quiz shows - rock music - environmental protection - none of the above Interest in clubs (1. League of the respective country) Which of the following Premier League clubs are you interested in (e.g. results, transfers, news)? - AFC Bournemouth - Huddersfield Town - Brighton & Hove Albion - Leicester City - Cardiff City - Manchester City - Crystal Palace - Manchester United - Arsenal F.C. - Newcastle United - Burnley F.C. - Stoke City - Chelsea F.C. - Swansea City - Everton F.C. - Tottenham Hotspur - Fulham F.C. - West Bromwich Albion - Liverpool F.C. -
Films in Production Trailers
FILMS IN PRODUCTION 8:00 AM Title Project 2D/3D Run Time Rehearsal Rehearsal Rep. Contact Company Contact Name Wild Flight 3D 5 FIP 3D 0:02:36 YES Atlantic Productions Melissa Williams Pono: The Secret of Hawaii 5 FIP 3D 0:05:00 YES Creat3 inc. Pierre Hugues Routhier Icarus' Revenge 5 FIP 3D 0:01:30 YES N3D LAND Films Pascal Vuong The Art of Burning Man 5 FIP 3D 0:05:00 YES SysmicFilms Arnaud Paris Batman V Superman: Dawn of Justice 5 FIP 3D 0:02:30 YES imax corporation chase martin The Jungle Book 5 FIP 3D 0:02:30 YES imax corporation chase martin Captain America: Civil War 5 FIP 3D 0:02:30 YES imax corporation chase martin Alice Through The Looking Glass 5 FIP 3D 0:02:30 YES imax corporation chase martin Warcraft 5 FIP 3D 0:02:30 YES imax corporation chase martin Independence Day: Resurgence 5 FIP 3D 0:02:30 YES imax corporation chase martin Mysteries of Ancient China 10 FIP 3D 0:08:00 YES Giant Screen Films Tom Rooney Earthflight 5 FIP 3D 0:05:00 YES Giant Screen Films Tom Rooney Predators 5 FIP 2D 0:05:00 YES Giant Screen Films Tom Rooney Voyage of Time 5 FIP 2D 0:02:00 YES imax corporation chase martin Pondemonium 5 FIP 2D 0:05:00 Archipelago Films Andrew Young THE PILOT 10 FIP 2D 0:10:00 YES CineData, Inc. James Darling Cuba 5 FIP 2D 0:05:00 YES Golden Gate 3D Peter Chang Virus Legion 10 FIP 2D 0:10:00 Joyversal Media Group Guosheng Ming Carrier 5 FIP 2D 0:05:00 K2 Communications Mark Kresser Dream Big: Engineering Wonders of the World 10 FIP 2D 0:10:00 YES MacGillivray Freeman Films Shauna Badheka Extreme Weather 5 FIP 2D 0:05:00 YES National Geographic Antonietta Monteleone Ancient Caves 5 FIP 2D 0:04:59 Oceanic Research Group, Inc. -
Sizing Ocean Giants: Patterns of Intraspecific Size Variation in Marine Megafauna
Sizing ocean giants: patterns of intraspecific size variation in marine megafauna Craig R. McClain1,2 , Meghan A. Balk3, Mark C. Benfield4, Trevor A. Branch5, Catherine Chen2, James Cosgrove6, Alistair D.M. Dove7, Lindsay C. Gaskins2, Rebecca R. Helm8, Frederick G. Hochberg9, Frank B. Lee2, Andrea Marshall10, Steven E. McMurray11, Caroline Schanche2, Shane N. Stone2 and Andrew D. Thaler12 1 National Evolutionary Synthesis Center, Durham, NC, USA 2 Department of Biology, Duke University, Durham, NC, USA 3 Department of Biology, University of New Mexico, Albuquerque, NM, USA 4 Department of Oceanography and Coastal Sciences, Louisiana State University, Baton Rouge, LA, USA 5 School of Aquatic & Fishery Sciences, University of Washington, Seattle, WA, USA 6 Natural History Section, Royal British Columbia Museum, Victoria, BC, Canada 7 Georgia Aquarium, Atlanta, GA, USA 8 Department of Ecology and Evolutionary Biology, Brown University, Providence, RI, USA 9 Department of Invertebrate Zoology, Santa Barbara Museum of Natural History, Santa Barbara, CA, USA 10 Marine Megafauna Foundation, Truckee, CA, USA 11 Department of Biology and Marine Biology, University of North Carolina Wilmington, Wilmington, NC, USA 12 Blackbeard Biologic: Science and Environmental Advisors, Vallejo, CA, USA ABSTRACT What are the greatest sizes that the largest marine megafauna obtain? This is a simple question with a diYcult and complex answer. Many of the largest-sized species occur in the world’s oceans. For many of these, rarity, remoteness, and quite simply the logistics of measuring these giants has made obtaining accurate size measurements diYcult. Inaccurate reports of maximum sizes run rampant through the scientific Submitted 3 October 2014 literature and popular media.