Super Reverb Reissue Schematic

Total Page:16

File Type:pdf, Size:1020Kb

Super Reverb Reissue Schematic Super Reverb Reissue Schematic For sale here is my '65 Fender Super Reverb Blackface Reissue. Com for schematics Also looking for trades American made fender Gibson gretsch guitars. For sale here is my '65 Fender Super Reverb Blackface Reissue. Com for schematics Also looking for trades American made fender Gibson gretsch guitars. This faithful recreation of the renowned Super Reverb of 1963-1968 is a must-have for vintage enthusiasts and Stratocaster® guitar slingers, although players. Fender '63 Reverb Amp · Fender '65 Deluxe Reverb Reissue Amp · Fender '65 Princeton Reverb Reissue Amp · Fender '65 Super Reverb Reissue Amp. Fender Support. Home, Amplifier Schematics Amplifier Schematics. Fender® Amplifier Modification · '57 Champ® Schematic · '57 Deluxe™ Head Schematics. A lot of Super Reverb players like a mix of alnico and ceramic speakers, so this could be a good setup :thumbsup:. Hope the shipping quote comes. Super Reverb Reissue Schematic Read/Download Fender Quad Reverb near mint Conditions SUPER ! Fender Super Twin Reverb Schematic Tube Complement for Fender 65 Princeton Reverb Reissue. I love my '66 Super and owned a Blackface Twin too, and I gotta say, this new amp is Needed a smaller Fender amp and a backup for my currently blown '66 Super Reverb. I've built and worked on quite a few hardwired and reissue Fenders, so I was able to locate and tweak I have the schematic if anyone needs it. For sale here is my '65 Fender Super Reverb Blackface Reissue. Com for schematics Also looking for trades American made fender Gibson gretsch guitars. I think there is a Super Reverb 65 reissue as well. I would recommend staying away Schematic wise, I would agree with you. I was talking about from a tone. I am an amp whore and a Fender super whore when it comes to amplifiers. I have not yet received the amp or seen a schematic, but what I suspect is that it is had hoped would be made) an actual reissue of the classic BF Vibrolux Reverb. 1965 reissue Super Reverb Amplifer. Description: Tube Amplifier for guitar. 4- 10" Jensen Green back speakers. Has tilt legs but the tilt legs are missing. 1 1959SLP JUMP (based on Marshall Super Lead 1959), 2 1959SLP 184 SUPER VERB (based on Fender Super Reverb) (NOT G3'd YET) Based on: Marshall 1987X Vintage Series, reissue of the Marshall 50w JMP Lead 1987. The Ojai has the same schematic as the famous "Tan" boutique amp played by Robben. Alan from Mountainking electronic looked at the old schematics and rewired tI am playing. Reverb Hum on Fender Blues Deluxe Reissue (self.Guitar) Obtain schematic/service manual. The reverb on the blues deluxe is IC driven, not tube driven. Audio- Hifi service manuals and schematics - Electronics Service & Repair Forum. FENDER 1965- SUPER-REVERB, FENDER 1965-TWIN-REVERB-REISSUEE73 FENDER CHAMPION-30 SCH, FENDER CHAMPION-600 REISSUE SM. Black Face Bassman/Super Reverb/Vibroverb/Mojotone 5F4 5E7 Pro/Super Power Transformer *HOLES DO NOT LINE UP WITH THE REISSUE CHASSIS. This is a premium retube kit for the Fender '65 Princeton Reverb Reissue tube amp. 68 Custom Vibrolux Reverb Early silverface super reverb or twin reverb I. I have seen the schematic for the SF '68 vibrolux Reverb. I have the scheamtics. This is a vintage 1969 Fender Super Reverb electric guitar amplifier. Quite similar to the schematic as those produced with the Black Face control panel, the This particular Super Reverb sounds better than any reissue and just as good. Super rare, I think somebody here owns one. Although a 6V6 driver tube is used in the 90's reissue, the power tube biasing Fender Support Site schematic. Fromel Electronics Vintage Fender Twin Reverb, , Pro Reverb, Super Reverb and Bandmaster Recap kit · $69.95 Fender '65 Reissue Twin Reverb image. Fender 68 Custom Vibrolux Reverb Reissue Printed Circuit Board PCB set. Fender 0217600000 '65 Super Reverb 4x10-Inch Guitar Combo Amplifier. $ Fender Guitar Amplifier Diagrams and Manuals and Schematics on CD. Layouts. Fender layout diagrams · Marshall layout diagrams · Valve Junior Layouts. Schematics. Ampeg schematics · Fender schematics · Supro schematics. fender super reverb reissue manual fender 65 twin reverb reissue manual fender amp schematic heaven fender jazzmaster manual fender passport 500 pro. There are basically two flavours, original blackface/silverface and reissue. The main reitzel.com/schematics/Fender..ifications.pdf. To mod or FWIW, my vintage '65 Deluxe Reverb is super quiet with pretty well zero hiss when at idle. TP20 120mA power transformer, TO20 output transformer, and TR reverb transformer. Clips played by Jason Butler on a 50's reissue Tele, or K.W. Miller on a 50's reissue Champ, Vibro Champ, Super Reverb, Pro Reverb, Vibrolux Reverb. Replacement reverb driver for Deluxe Reverb, Pro Reverb, Super Reverb, and Twin Reverb. 8 ohms Note: Does not fit Reissue '65 Reverb. Read MorePDF:. I just picked up a Fender Twin Reverb 65 Reissue amp - very clean - /0. The owner But even back then, I thought the amp came with 6L6GC tubes- that is what the schematic shows. 65 Fender Super Reverb reissue presence control mod..
Recommended publications
  • HEADRUSH MODELS LIST ALL MODELS and REAL REFERMENT TABLE Headrush Firmware 2.1.1
    HEADRUSH MODELS LIST ALL MODELS AND REAL REFERMENT TABLE Headrush Firmware 2.1.1 AMPLIFIERS MODEL NAME TYPE BASED ON 1 59 TWEED BASS Combo Fender ’59 Bassman 2 59 TWEED DELUXE Combo Fender Tweed Deluxe 59 DELUXE GAIN Fender Tweed Deluxe 3 Combo MOD (Gain Mod) 4 59 TWEED PRINCE Combo Fender ’59 Princeton Fender Deluxe Reverb 5 64 BLACK LUX NORM Combo (Normal) Fender Deluxe Reverb 6 64 BLACK LUX VIB Combo (Vibrato) 7 64 BLACK VIB Combo Fender Vibroverb 8 65 BLACK MINI Combo Fender Champ 6w 9 65 BLACK PRINCE Combo Fender Princeton www.robyrocks.it 12.10.2019 - Roby Rocks 65 BLACK PRINCE 10 Combo Fender Princeton Reverb REV Fender Super Reverb 11 65 BLACK SR Combo “Blackface” Fender Twin Reverb 12 67 BLACK DUO Combo “Blackface” 13 67 BLACK SHIMMER Stack Fender Dual Showman 14 66 AC HI BOOST Combo Vox AC30 Top Boost 66 AC HI BOOST Vox AC30 Top Boost 15 Combo MOD (Mod) 16 66 FLIP BASS Stack Ampeg Portaflex B15-N 17 BLUE LINE BASS Stack Ampeg SVT 300w 69 BLUE LINE Ampeg SVT 300w 18 Stack SCOOP (Scooped) 19 65 J45 Stack Marshall JTM45 Marshall Super Lead Plexi 20 67 PLEXIGAS VARI Stack (Variac Mod) Marshall Super Lead Plexi 21 68 PLEXI EL84 MOD Stack (EL34 tubes mod) www.robyrocks.it 12.10.2019 - Roby Rocks Marshall Super Lead Plexi 22 68 PLEXIGLAS 100W Stack 100W Marshall Super Lead Plexi 23 68 PLEXIGLAS 50W Stack 50W Marshall JCM800 24 82 LEAD 800 100W Stack (Normal) 25 82 LEAD 800 50W Stack Marshall JCM800 50w 82 LEAD 800 BASS Marshall JCM800 (Bass 26 Stack MOD Mod) 82 LEAD 800 27 Stack Marshall JCM800 (Bright) BRIGHT 82 LEAD 800 TS Marshall
    [Show full text]
  • ELECTRIC GUITARS: Fender Custom Shop
    Studio Contact 4 Union Street (+1) 207.756.9599 Camden, ME 04843 [email protected] GUITARS / BASSES / AMPS / STOMP-BOXES (SEE WEBSITE “GUITARSENAL” LINK FOR COMPLETE PHOTO GALLERY) ELECTRIC GUITARS: GUITAR AMPS / CABINETS: Fender Custom Shop ‘63 Tele Goldtop K&M 50 Watt Analog Design Custom (Dumble Circuit) Fender Custom Shop ‘52 Tele K&M 2x12 Cabinet (EVM 12L Black Label Speakers) Fender Custom Shop Tele Fender Super Reverb (Vintage Blackface circa ‘66) Fender Custom Shop ‘60s Strat Fender Super Reverb (Vintage Blackface circa ‘65) Fender Custom Shop ‘60s Relic Strat Fender Princeton Reverb (Vintage Silverface) Fender Strat Plus (Lace Pickups) Fender Deluxe Reverb (Jenson Special Design Speaker) Fender MIJ Squier Strat Fender Twin Reverb ’65 Reissue Fender Squire Strat Fender Blues Junior (EVM 12L Speaker) Gibson ES335 (Trapeze / Original PU / Circa 1966 Fender Princeton Chorus Gibson Les Paul Junior (Original P90s / Circa 1957) Fender Deluxe 90 DSP Gibson Reverse Firebird 3 (Circa 1964) Marshall 100 Watt Head (circa 1965) Gibson ES 120T (Jazzbox / Single Coil PU / Circa 1962) Marshall 1960a Cab (Cherry / Original Speakers / circa Gibson ES-335 Memphis Dot Reissue Custom Shop 1965) Gibson Les Paul Classic 1960 Reissue Marshall 1960b Cab (Original Speakers / circa 1965) Gibson Les Paul Studio Marshall 8x10 Cab (Original Speakers / circa 1966) CP Thornton Blues Queen Vox AC30 w/ Top Boost (Original Speakers / circa 1964) CP Thornton Elite E1 Soldano Speedster Head and Matching 1x12" Cab ESP Series 400 Strat-styled (Rosewood Fretboard)
    [Show full text]
  • Mustang GTX 100 Manual
    MUSTANG GTX50 MUSTANG GTX100 EXPANDED OWNER’S MANUAL REV. B CONTENTS Introduction 1 Control Panel 2 Rear Panel 3 Presets Preset Basics 4 Editing and Saving Presets 5 Editing Preset Amplifier Control Knob Settings 6 Replacing Preset Amplifier Models 8 List of Amplifier Models 9 List of Cabinet Models 10 Editing Effects 12 Editing Effects Settings 20 List of Effects Types 24 Menu Functions 28 Setlists 29 WiFi Use 32 Bluetooth Use 35 Built-in Tuner 37 Auxiliary and Headphone Jacks 38 USB Connectivity 38 Line Out and FX Send/Return 38 Footswitch Use GTX-7 Footswitch 39 Looper 42 EXP-1 Expression Pedal 45 EQ & Amp Settings 49 Global EQ 49 Line Out/USB Gain 50 Preset Organizer 51 Restore Settings and Restore All 53 About this Amp 54 Cloud Presets 54 Backup/Restore for Presets and Setlists 56 Firmware Updates and Factory Restore 60 Fender Tone™ App 62 Specifications 63 INTRODUCTION This expanded owner’s manual is a thorough user’s guide to the features and functions of the Mustang GTX50 and GTX100 amplifiers. As a complement to the Mustang GTX Quick Start Guide that comes with each amplifier, this manual pres- ents a deeper, more detailed look at Mustang GTX’s many versatile capabilities. This includes navigation and modification of the many onboard presets, and comprehensive descriptions of the many amplifier and effect models. It also includes step-by-step and fully illustrated instructions for using Mustang GTX’s Setlist, WiFi, Bluetooth, USB, onboard tuner, GTX-7 footswitch, EXP-1 Expression Pedal and looping functions. Mustang GTX’s tonal possibilities are virtually endless, especially when paired with the Fender Tone™ app (page 62).
    [Show full text]
  • Sound Productions Backline Rentals Production Smaller Dec
    BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P.
    [Show full text]
  • Guitar and Amp Tone
    Jim Gleason’s GUITAR ENCYCLOPEDIA Guitar And Amp Tone By Jim Gleason Version 1. 0 © 1994-2006 Rock Performance Music. All Rights Reserved www.guitarencyclopedia.com PAGE 2 ALIGNING REFERENCES IN THIS MANUAL TO THE VIDEO CASSETTE On your video recorder (or with the remote), set the counter to zero (0:00:00) exactly at the beginning of the video, exactly where the title screen shown below first appears. It must be a REAL TIME COUNTER. GUITAR and AMP TONE By Jim Gleason ©1994 RPM All Rights Reserved You can then cue sections of the video by refering to the column on the far right of the Contents pages. CONTENTS PAGE 3 All entries in italics below are guitar and amp tone setups. Page Videotape Preview Of Sounds................................................................................................ on videotape only 0:00:04 Alligning Real Time Contents References To The Video Cassette Tape ................................ 2 Contents ................................................................................................................................ 3 Introduction A. The Proceedure Suggested By This Video and Book................................................... 5 B. Volume Control ............................................................................................................ 5 C. Distortion ...................................................................................................................... 6 D. Tone Control ................................................................................................................
    [Show full text]
  • Yek's Guide to the Fractal Audio Amplifier Models
    Yek’s Guide to the Fractal Audio Amplifier Models Original content by Yek AdditionalContent: Alexander content by van Simviz Engelen (yek) Firmware:Additional Q3.03 content by Simviz Revision: April 2017 Firmware: Quantum 7.02 Fractal Audio Amplifier Models Table of Contents Table of Contents ..................................................................................................................................... 1 Introduction by simviz ............................................................................................................................. 7 Introduction by yek .................................................................................................................................. 8 Disclaimers ............................................................................................................................................... 9 Guide Revisions ......................................................................................................................................10 The Amps ...............................................................................................................................................11 5F1 Tweed (Fender Narrow Panel Tweed Champ, 5F1) ....................................................................12 5F8 Tweed (Keith Urban's Fender Narrow Panel high-powered Tweed Twin, 5F8) .........................14 6G4 Super ('60 brown Fender Super, 6G4)........................................................................................17 6G12 Concert
    [Show full text]
  • Two Louies July 2002
    OREGON MUSIC / JULY 2002 photo Pat Snyder TWO LOUIES, July 2002 - Page 3 ho bassist John Entwistle flies red-hot local band, the Dan Reed Network. Dan on to a major label career and on a tour open- into Portland to get his gear and the boys welcome John onstage where he ing for the Rolling Stones, Dan Reed ran into Wtogether during pre-produc- jams with the band for twenty minutes in front Entwistle in the lobby of the Continental Hyatt tion for his 6th solo album, “The Rock” of an awestruck crowd. Drummer Dan Pred, House on the Sunset Strip in Hollywood. The featuring Ringo Starr’s teen-aged son Zak on himself a mere lad at the time, says he had no rising young star and the legend that knew- drums. He bunks at the Two Louies mansion idea who John Entwistle was. “ Years later, when him-when…meet in the lobby that Keith and samples the Portland nightlife with a trip I was out in the world, I realized what a heavy mooned. downtown to the Last Hurrah to see a new cat I had been sittin’ with.” The Network went LL photos Jayne Jablonski TWO LOUIES, July 2002 - Page 3 Page 4 - TWO LOUIES, July 2002 TWO LOUIES, July 2002 - Page 5 THE DIFFERENT KINDS OF DEALS “Piggyback” Deals: Used when an indie label catalog that may have a very small current audi- BETWEEN LABELS AND DISTRIBUTORS: doesn’t have the clout to get its own distribution ence, because it may not be worth it to the major A THUMBNAIL SKETCH deal.
    [Show full text]
  • TECH SPECS :: January 2020 :: FREELANCE ENGINEERS ARE WELCOME !
    TECH SPECS :: January 2020 :: FREELANCE ENGINEERS ARE WELCOME ! MIX DESK: · MCI JH 556c - Analog ‘70 in-line desk with jensen 115k input transformers + Uptown 990 Moving Fader Automation. · Features: 56ch - 32 buss – 12 AUX sends with EQ (10 mono + 1 stereo) - 8 Echo returns (4 with EQ). · 4x Steps EQ: Low Shelf, High Shelf/Peak, 2x semi-parametric Mids, switchable to either the monitor or channel path. · Variable Frequency Hi-Pass filter from 30Hz to 300Hz. · Quad, Stereo and Mono sum mixing capabilities. CUSTOM FEATURES – UPTOWN 990 Moving Fader Automation. This greatly improves the sound quality for a more detailed sound, extended frequency response and low noise, removing the distortion that VCA-based systems introduce. · 6x mono AUX sends (A/F) added in place of the aux small faders 1&2. EQ and Led Meters on sends A/F. · Custom Control Room monitoring system. · Complete the three-way Cue Bus system. · Custom remote microphone panel in place of bantam patch to ensure best electrical connection possible. · The desk sounds fat and punchy. · The metal can Op-amps (MCI 2003) are specially designed for dynamic and transparency of the console. The +/- 32V supplied to them by oversized PSU ensures the highest possible Headroom and clean sound. · List of many great recordings on JH 500 series desk includes “Back in Black” (AC/DC), “Hotel California” (The Eagles) “Imagine” (John Lennon), “I shot the sheriff” (Eric Clapton), Crosby Stills Nash, almost all Bee Gees albums, early Elton John, “Cowboys from hell” (Pantera), Rod Stewart, Guano Apes, Rammstein and many others. ANALOG RECORDERS: · Ampex MM1200 2 inch 24tracks with PURC Bias cards (gapless punch in / out), Varispeed, Remote.
    [Show full text]
  • Report Rick Vito
    Mountainview Publishing, LLC INSIDE the Have you mastered the emotion of tone? The Player’s Guide to Ultimate Tone TM All the guitars $10.00 US, January 2005/VOL.6 NO.3 Report and all the tone – The Rick Vito Interview, live Rick Vito from Nash Vegas… At the very least, the mark of a good guitarist is one who resists getting in the way of the song. Truly extraordinary guitarists play for the song, too, but when the red light is on they seem to pull 9 something profoundly unique from within that lingers in our memories with the passage of time. Rick Vito is a great guitarist. He is also a hopeless gear head, which makes his presence on the ACME Guitar cover of this issue perfectly appropriate, if a bit overdue. Works Finally – Danny Flowers meticulously first gave us a nudge in Vito’s crafted pre-wired direction with pickguards with an e-mail mes- the top custom sage that said, pickups, blender “He’s got all the guitars…” pots & more! Should you take the time to 16 sample Rick The Coil Vito’s varied recordings with Chronicles… Bob Seger, Our recommen- Fleetwood dations for Strat, Mac, Delbert McClinton, Tele & Jackson Humbucking Browne and his Pickups, plus four solo wiring diagrams! records, you’ll also be struck by the fact that he is unencum- 19 bered by any Review stylistic short- comings on the The Headstrong guitar. Vito Lil’ King… clearly knows The ‘64 Princeton all the histori- Reverb returns cal nuances of guitar tone cold and how to create them.
    [Show full text]
  • Backline Wesley Audio and Music As of 8-16
    Backline Wesley Audio and Music as of 8-16 Page 1 1-Marshall year-1972 50 watt head 1-Marshall year 1972 100 watt head 1-Marshall Artist 3203 Tube head (Billy Gibbons) 1-Marshall JTM 30 1x12 combo amp with reverb (good match with Fender deluxe Reverb) 1-Marshall Straight 4x10 closed back cabinet with original Celestions 1-Marshall Vintage Straight 4x12 with original Celestions 1-Marshall Vintage Angle 4x12 with EV 12M Classic 2-Marshall Vintage Straight Cabinet with JBL D120’s 1-Marshall Vintage Angle 4x12 Cabinet with JBL D120’s (hyper-vintage paper to paper edge cone) 1-Marshall Vintage 2x15 bass cabinet 1-Fender Twin Reverb Vintage Silver Face JBL D120 Speakers 1-Fender Quad Reverb (4x12) Vintage Silver Face original speakers 1-Fender Super Reverb Vintage Silver Face original speakers and Celestion 1-Fender Blonde Basman with 2x12 cabinet original 12’s 1-Fender Tweed Deluxe 1955 Vintage original 1-Fender Super Reverb Silver Face 2 original speakers, 2 Celestion vintage (Jimmy Hall used for harp and swooned) 1-Fender Bassman Silver Face vintage head 1-Fender Blackface Deluxe with Altec Lansing 417 speaker (1965 vintage) 1-Traynor 15 watt YBA-2B Vintage Bass Mate tube bass combo 1x15 (great for guitar) 1-Traynor 80 watt tube combo 2x12 2 channel with over-drive (great amp—like a Twin with available overdrive channel) 1-Traynor K1 keyboard amp (3 channel) 1-Traynor Dyna Bass 300 watt bass head 1-Traynor NEO 15 bass cabinet (warm lows and crystal clear highs) 1-Sunn Concert Bass head (vintage) 1-Sunn Coliseum Bass head (vintage) 1-Sunn
    [Show full text]
  • Poteg-10-Guitar-Amps-B
    10.5 Power Stage 10-75 10.5 Power-Stage The power-stage is the last amplification stage in the signal chain; it delivers the power required to drive the loudspeaker. In most cases, it operates with rather pathetic efficiency because normally less than half of the power produced by the power stage is actually fed to the loudspeaker – the remainder is converted into heat within the power-tube(s). In order to be able to sufficiently dissipate this power loss, the tube(s) deployed in the power-stage is (are) larger than typical preamplifier tubes. The thermal load capacity of power tubes typically amounts to 12 – 45 W with their physical volume up to 10 times that of a preamp-tube. Since power-tubes can deal with high voltages but not with high currents, they are almost never directly connected to the loudspeaker. Rather, the plate-currents of the power-tubes are fed to the output transformer that takes care of an impedance matching towards the speaker. A good overview is provided by the family of output characteristics of the power-tube (Fig. 10.5.1) showing the relation between plate-voltage and plate-current. Multiplying these two quantities yields the power-dissipation at the plate Pa, i.e. the power heating up the plate of the tube (in addition to the heating done by the tube filament). If the specified maximum dissipation at the plate is exceeded for long periods of time, the tube begins to glow and may be destroyed. The so-called power-hyperbola is given in Fig.
    [Show full text]
  • Mic Kaczmarczik's Tubeinformation
    Mic Kaczmarczik's Tube Information This directory contains USENET articles Mic has saved about guitars, equipment, pickup, techniques, players, and so on. Mic has graciously granted permission to post the stuff on the JT30 page on the off chance that it might be useful in the context of Blues Harmonica. Mic is not responsible for the content, just the collection. He must have quite alot of free time. 12AX7-Comparisons 26-Mar-1998 15:31 2k 12AX7-gain-test 26-Mar-1995 14:37 2k 12AX7-vs-12AT7 20-Aug-1995 09:53 3k 12AX7-vs-5751 19-Aug-1995 20:34 1k 12AX7-vs-7025 27-Aug-1994 09:01 2k 5881-in-Deluxe 20-Dec-1994 11:19 3k 5881=6L6GB 20-Nov-1994 09:58 3k 5AR4-Typing 01-Mar-1996 16:52 3k 5AR4-data 14-Dec-1995 11:50 14k 5V4-for-5AR4 06-Apr-1996 14:18 1k 62-Twin-Speakers 17-Dec-1995 17:15 3k 6550s-in-Twin 03-Sep-1996 09:41 2k 6EY6 09-Jan-1997 10:39 1k 6EY6-Characteristics 21-May-1997 16:43 1k 6EY6-close-to-6V6 05-Jan-1997 22:03 1k 6EY6-rating-vs-6V6 03-Dec-1997 20:24 2k 6L6-GC-meaning 28-May-1995 10:32 1k 6L6-Taste-Tests 31-Jul-1999 10:39 11k 6L6-Types 20-Jan-1996 15:41 3k 6L6GC-ID 27-Aug-1998 09:02 2k 6L6WGB-vs-7581 12-May-1997 10:22 6k 6MB8-tube-specs 30-Jan-1995 10:35 1k 6V6-6L6-swaps 14-Jan-1997 10:42 3k 6V6-NOS-vs-Sovtek 27-Sep-1996 15:27 2k 6V6-Ratings 29-Jul-1996 10:38 4k 6V6-Russian-RCA-Copies 29-Jan-1999 12:36 2k 6V6-Types 07-Nov-1998 10:50 3k 6V6-duty-cycle 25-Nov-1995 00:12 4k 6V6-to-EL84-Cathode-..> 08-Nov-1998 11:37 3k 6V6=7408 09-Jul-1996 01:03 1k 6V6EH-Taste-Test 21-Dec-1999 13:14 13k 6V6EH-vs-RCA-Blackpl..> 19-Apr-2000 14:02 1k 6V6GT-Types
    [Show full text]