Did Kustom Copy Peavey Amp Designs???
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HEADRUSH MODELS LIST ALL MODELS and REAL REFERMENT TABLE Headrush Firmware 2.1.1
HEADRUSH MODELS LIST ALL MODELS AND REAL REFERMENT TABLE Headrush Firmware 2.1.1 AMPLIFIERS MODEL NAME TYPE BASED ON 1 59 TWEED BASS Combo Fender ’59 Bassman 2 59 TWEED DELUXE Combo Fender Tweed Deluxe 59 DELUXE GAIN Fender Tweed Deluxe 3 Combo MOD (Gain Mod) 4 59 TWEED PRINCE Combo Fender ’59 Princeton Fender Deluxe Reverb 5 64 BLACK LUX NORM Combo (Normal) Fender Deluxe Reverb 6 64 BLACK LUX VIB Combo (Vibrato) 7 64 BLACK VIB Combo Fender Vibroverb 8 65 BLACK MINI Combo Fender Champ 6w 9 65 BLACK PRINCE Combo Fender Princeton www.robyrocks.it 12.10.2019 - Roby Rocks 65 BLACK PRINCE 10 Combo Fender Princeton Reverb REV Fender Super Reverb 11 65 BLACK SR Combo “Blackface” Fender Twin Reverb 12 67 BLACK DUO Combo “Blackface” 13 67 BLACK SHIMMER Stack Fender Dual Showman 14 66 AC HI BOOST Combo Vox AC30 Top Boost 66 AC HI BOOST Vox AC30 Top Boost 15 Combo MOD (Mod) 16 66 FLIP BASS Stack Ampeg Portaflex B15-N 17 BLUE LINE BASS Stack Ampeg SVT 300w 69 BLUE LINE Ampeg SVT 300w 18 Stack SCOOP (Scooped) 19 65 J45 Stack Marshall JTM45 Marshall Super Lead Plexi 20 67 PLEXIGAS VARI Stack (Variac Mod) Marshall Super Lead Plexi 21 68 PLEXI EL84 MOD Stack (EL34 tubes mod) www.robyrocks.it 12.10.2019 - Roby Rocks Marshall Super Lead Plexi 22 68 PLEXIGLAS 100W Stack 100W Marshall Super Lead Plexi 23 68 PLEXIGLAS 50W Stack 50W Marshall JCM800 24 82 LEAD 800 100W Stack (Normal) 25 82 LEAD 800 50W Stack Marshall JCM800 50w 82 LEAD 800 BASS Marshall JCM800 (Bass 26 Stack MOD Mod) 82 LEAD 800 27 Stack Marshall JCM800 (Bright) BRIGHT 82 LEAD 800 TS Marshall -
ELECTRIC GUITARS: Fender Custom Shop
Studio Contact 4 Union Street (+1) 207.756.9599 Camden, ME 04843 [email protected] GUITARS / BASSES / AMPS / STOMP-BOXES (SEE WEBSITE “GUITARSENAL” LINK FOR COMPLETE PHOTO GALLERY) ELECTRIC GUITARS: GUITAR AMPS / CABINETS: Fender Custom Shop ‘63 Tele Goldtop K&M 50 Watt Analog Design Custom (Dumble Circuit) Fender Custom Shop ‘52 Tele K&M 2x12 Cabinet (EVM 12L Black Label Speakers) Fender Custom Shop Tele Fender Super Reverb (Vintage Blackface circa ‘66) Fender Custom Shop ‘60s Strat Fender Super Reverb (Vintage Blackface circa ‘65) Fender Custom Shop ‘60s Relic Strat Fender Princeton Reverb (Vintage Silverface) Fender Strat Plus (Lace Pickups) Fender Deluxe Reverb (Jenson Special Design Speaker) Fender MIJ Squier Strat Fender Twin Reverb ’65 Reissue Fender Squire Strat Fender Blues Junior (EVM 12L Speaker) Gibson ES335 (Trapeze / Original PU / Circa 1966 Fender Princeton Chorus Gibson Les Paul Junior (Original P90s / Circa 1957) Fender Deluxe 90 DSP Gibson Reverse Firebird 3 (Circa 1964) Marshall 100 Watt Head (circa 1965) Gibson ES 120T (Jazzbox / Single Coil PU / Circa 1962) Marshall 1960a Cab (Cherry / Original Speakers / circa Gibson ES-335 Memphis Dot Reissue Custom Shop 1965) Gibson Les Paul Classic 1960 Reissue Marshall 1960b Cab (Original Speakers / circa 1965) Gibson Les Paul Studio Marshall 8x10 Cab (Original Speakers / circa 1966) CP Thornton Blues Queen Vox AC30 w/ Top Boost (Original Speakers / circa 1964) CP Thornton Elite E1 Soldano Speedster Head and Matching 1x12" Cab ESP Series 400 Strat-styled (Rosewood Fretboard) -
Mustang GTX 100 Manual
MUSTANG GTX50 MUSTANG GTX100 EXPANDED OWNER’S MANUAL REV. B CONTENTS Introduction 1 Control Panel 2 Rear Panel 3 Presets Preset Basics 4 Editing and Saving Presets 5 Editing Preset Amplifier Control Knob Settings 6 Replacing Preset Amplifier Models 8 List of Amplifier Models 9 List of Cabinet Models 10 Editing Effects 12 Editing Effects Settings 20 List of Effects Types 24 Menu Functions 28 Setlists 29 WiFi Use 32 Bluetooth Use 35 Built-in Tuner 37 Auxiliary and Headphone Jacks 38 USB Connectivity 38 Line Out and FX Send/Return 38 Footswitch Use GTX-7 Footswitch 39 Looper 42 EXP-1 Expression Pedal 45 EQ & Amp Settings 49 Global EQ 49 Line Out/USB Gain 50 Preset Organizer 51 Restore Settings and Restore All 53 About this Amp 54 Cloud Presets 54 Backup/Restore for Presets and Setlists 56 Firmware Updates and Factory Restore 60 Fender Tone™ App 62 Specifications 63 INTRODUCTION This expanded owner’s manual is a thorough user’s guide to the features and functions of the Mustang GTX50 and GTX100 amplifiers. As a complement to the Mustang GTX Quick Start Guide that comes with each amplifier, this manual pres- ents a deeper, more detailed look at Mustang GTX’s many versatile capabilities. This includes navigation and modification of the many onboard presets, and comprehensive descriptions of the many amplifier and effect models. It also includes step-by-step and fully illustrated instructions for using Mustang GTX’s Setlist, WiFi, Bluetooth, USB, onboard tuner, GTX-7 footswitch, EXP-1 Expression Pedal and looping functions. Mustang GTX’s tonal possibilities are virtually endless, especially when paired with the Fender Tone™ app (page 62). -
Sound Productions Backline Rentals Production Smaller Dec
BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P. -
Boss Gt-100 Amp Effects Processor Training Guide
BOSS GT-100 AMP EFFECTS PROCESSOR TRAINING GUIDE Contents 1. FEATURES 2. QUICK DEMO 3. GOING DEEP 4. FIVE FEATURES TO KNOW and SHOW 5. ACCESSORIES 6. GT-100 AMPS, EFFECTS BOSS GT-100 Training Guide 1. FEATURES The best sounding and easiest to use GT ever! All new incredible high-resolution COSM amp and effect models New dual LCD operating system for supreme ease of use 25 COSM amplifier models including eight all new Advanced amps 9 effects groups: Comp, OD/DS, Preamp, EQ, FX1, FX2, Delay, Chorus, Reverb 21 OD/DS effects, FX1/FX2 each contain 30 effects User customizable Amps, OD/DS Manual Mode instantly turns the GT-100 into a row of simple stompboxes Built in Phrase Looper w/ unlimited overdubs New ACCEL effects provides new real-time tone changes 400 programs: 200 user, 200 preset Built-in assignable Expression and CTL pedal Additional EXP or 2xCTL pedal inputs for more real time control USB-audio interface Built-in chromatic tuner and metronome Tough metal case BOSS GT-100 Training Guide 2. QUICK DEMO The Quick Demo is a way to get a customer interested in a product in less than 60 seconds. Before You Start 1. Connect the MONO (L) Gt. AMP output of the GT-100 to the clean channel of a good amp, such as a Roland JC-120 or other pro quality amp. NOTE: It is very important to use a pro quality guitar amp. Why run a high- end effect through a low-end amp? 2. Set the amp’s tone controls for a flat response. -
Guitar and Amp Tone
Jim Gleason’s GUITAR ENCYCLOPEDIA Guitar And Amp Tone By Jim Gleason Version 1. 0 © 1994-2006 Rock Performance Music. All Rights Reserved www.guitarencyclopedia.com PAGE 2 ALIGNING REFERENCES IN THIS MANUAL TO THE VIDEO CASSETTE On your video recorder (or with the remote), set the counter to zero (0:00:00) exactly at the beginning of the video, exactly where the title screen shown below first appears. It must be a REAL TIME COUNTER. GUITAR and AMP TONE By Jim Gleason ©1994 RPM All Rights Reserved You can then cue sections of the video by refering to the column on the far right of the Contents pages. CONTENTS PAGE 3 All entries in italics below are guitar and amp tone setups. Page Videotape Preview Of Sounds................................................................................................ on videotape only 0:00:04 Alligning Real Time Contents References To The Video Cassette Tape ................................ 2 Contents ................................................................................................................................ 3 Introduction A. The Proceedure Suggested By This Video and Book................................................... 5 B. Volume Control ............................................................................................................ 5 C. Distortion ...................................................................................................................... 6 D. Tone Control ................................................................................................................ -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings. -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 7pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 7pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Model Packs Pilot's Handbook
Model Packs Pilot’s Handbook Chapter 1 ...................................................... Metal Shop Model Set Chapter 2 ........................................... Collector Classics Model Set Chapter 3 .........................................................FX Junkie Model Set Chapter 4 ......................................................Power Pack Model set Chapter 5 ............................................................Bass Expansion set Learn about Model Packs: www.line6.com/modelpacks Get License Key activation instructions: www.line6.com/store/activate.html Please Note: Line 6®, POD®, POD® xt, POD® xt Live, Bass POD® xt Live, POD® xt Pro, A.I.R.™, FBV™, FBV Express™, FBV Shortboard™, FB4™, FBV2™, Amp Farm®, Line 6 Monkey™, Line 6 Edit™, and Variax® are trademarks of Line 6, Inc. All product names, trademarks, and artist names are the property of their respective owners, which are in no way associated or affiliated with Line 6. Product names, images, and artist’ names are used solely to identify the products whose tones and sounds were studied during Line 6’s sound model development. The use of these products, trademarks, images and names does not imply any cooperation or endorsement. Model Packs Pilot’s Handbook Electrophonic Limited Edition © 2006, Line 6, Inc. Revision D. Metal Shop Bomber Uber: Based on* a Bogner Uberschall METAL SHOP 1• 1 These 18 punishingly high gain Amp Models were wrenched kicking, screaming and breathing fire from our metal monster HD147. They also happen to be a part of the model set of our flagship amplifier, Vetta II. And by adding the Metal Shop Model Pack, you’ll harness their fearsome power to create your own monster of mayhem! Let’s learn a little about these fearsome fiends that hath such fury, shall we? Bomber Uber: Based on* a Bogner Uberschall Much like the Bogner Extacy, the Uberschall dishes up serious tone for high gain players. -
Yek's Guide to the Fractal Audio Amplifier Models
Yek’s Guide to the Fractal Audio Amplifier Models Original content by Yek AdditionalContent: Alexander content by van Simviz Engelen (yek) Firmware:Additional Q3.03 content by Simviz Revision: April 2017 Firmware: Quantum 7.02 Fractal Audio Amplifier Models Table of Contents Table of Contents ..................................................................................................................................... 1 Introduction by simviz ............................................................................................................................. 7 Introduction by yek .................................................................................................................................. 8 Disclaimers ............................................................................................................................................... 9 Guide Revisions ......................................................................................................................................10 The Amps ...............................................................................................................................................11 5F1 Tweed (Fender Narrow Panel Tweed Champ, 5F1) ....................................................................12 5F8 Tweed (Keith Urban's Fender Narrow Panel high-powered Tweed Twin, 5F8) .........................14 6G4 Super ('60 brown Fender Super, 6G4)........................................................................................17 6G12 Concert -
FENDER INTRODUCES 60Th ANNIVERSARY TELECASTER
FOR IMMEDIATE RELEASE Contact: Jason Farrell 480.596.7130 [email protected] FENDER® INTRODUCES 60th ANNIVERSARY TELECASTER® AND PRECISION BASS® MODELS Richly crafted homage to original pair of revolutionary instruments features best of old and new, and a brand-new finish for the occasion SCOTTSDALE, Ariz. (Jan. 4, 2011) — Fender is proud to introduce a new guitar and bass that commemorate six decades of the company’s original pair of groundbreaking instruments—the Telecaster and Precision Bass guitars. Early 2011 sees the release of the 60th Anniversary Telecaster and 60th Anniversary Precision Bass, both of which feature a new “Blackguard Blonde” finish created especially for the occasion. The rich history of Fender guitars begins with the instrument that was officially named the Telecaster in February 1951. It was the world’s first successful solid-body electric guitar, transforming the role of the guitar in popular music and becoming an enduring model of form and function in the process. Still elegantly simple after 60 years, it remains the versatile voice of diverse and creative guitarists worldwide. The 60th Anniversary Telecaster honors its predecessors by packing more than half a century of classic sound and design into one collectible U.S.-made instrument, with a striking combination of vintage looks and modern Telecaster technology. Features include an ash body with a Blackguard Blonde thin-skin lacquer finish, tinted maple neck and fretboard with modern 9.5” radius and medium jumbo frets, American Vintage Telecaster single-coil pickups, black pickguard, American Standard bridge with bent steel saddles and stamped brass plate, modern tuners, commemorative neckplate and Fender/SKB® molded case. -
Two Louies July 2002
OREGON MUSIC / JULY 2002 photo Pat Snyder TWO LOUIES, July 2002 - Page 3 ho bassist John Entwistle flies red-hot local band, the Dan Reed Network. Dan on to a major label career and on a tour open- into Portland to get his gear and the boys welcome John onstage where he ing for the Rolling Stones, Dan Reed ran into Wtogether during pre-produc- jams with the band for twenty minutes in front Entwistle in the lobby of the Continental Hyatt tion for his 6th solo album, “The Rock” of an awestruck crowd. Drummer Dan Pred, House on the Sunset Strip in Hollywood. The featuring Ringo Starr’s teen-aged son Zak on himself a mere lad at the time, says he had no rising young star and the legend that knew- drums. He bunks at the Two Louies mansion idea who John Entwistle was. “ Years later, when him-when…meet in the lobby that Keith and samples the Portland nightlife with a trip I was out in the world, I realized what a heavy mooned. downtown to the Last Hurrah to see a new cat I had been sittin’ with.” The Network went LL photos Jayne Jablonski TWO LOUIES, July 2002 - Page 3 Page 4 - TWO LOUIES, July 2002 TWO LOUIES, July 2002 - Page 5 THE DIFFERENT KINDS OF DEALS “Piggyback” Deals: Used when an indie label catalog that may have a very small current audi- BETWEEN LABELS AND DISTRIBUTORS: doesn’t have the clout to get its own distribution ence, because it may not be worth it to the major A THUMBNAIL SKETCH deal.