Backline Wesley Audio and Music As of 8-16

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Backline Wesley Audio and Music as of 8-16 Page 1 1-Marshall year-1972 50 watt head 1-Marshall year 1972 100 watt head 1-Marshall Artist 3203 Tube head (Billy Gibbons) 1-Marshall JTM 30 1x12 combo amp with reverb (good match with Fender deluxe Reverb) 1-Marshall Straight 4x10 closed back cabinet with original Celestions 1-Marshall Vintage Straight 4x12 with original Celestions 1-Marshall Vintage Angle 4x12 with EV 12M Classic 2-Marshall Vintage Straight Cabinet with JBL D120’s 1-Marshall Vintage Angle 4x12 Cabinet with JBL D120’s (hyper-vintage paper to paper edge cone) 1-Marshall Vintage 2x15 bass cabinet 1-Fender Twin Reverb Vintage Silver Face JBL D120 Speakers 1-Fender Quad Reverb (4x12) Vintage Silver Face original speakers 1-Fender Super Reverb Vintage Silver Face original speakers and Celestion 1-Fender Blonde Basman with 2x12 cabinet original 12’s 1-Fender Tweed Deluxe 1955 Vintage original 1-Fender Super Reverb Silver Face 2 original speakers, 2 Celestion vintage (Jimmy Hall used for harp and swooned) 1-Fender Bassman Silver Face vintage head 1-Fender Blackface Deluxe with Altec Lansing 417 speaker (1965 vintage) 1-Traynor 15 watt YBA-2B Vintage Bass Mate tube bass combo 1x15 (great for guitar) 1-Traynor 80 watt tube combo 2x12 2 channel with over-drive (great amp—like a Twin with available overdrive channel) 1-Traynor K1 keyboard amp (3 channel) 1-Traynor Dyna Bass 300 watt bass head 1-Traynor NEO 15 bass cabinet (warm lows and crystal clear highs) 1-Sunn Concert Bass head (vintage) 1-Sunn Coliseum Bass head (vintage) 1-Sunn 2x15 Bass cabinet (vintage) 1-Acoustic 370 bass head 1-Sound City Concord 2x12 Combo Vintage tube amp with reverb (vibe all over) 1-Vox AC15 tube amp (purple) (similar in power and performance to Fender Deluxe Reverb) 1-Vox Vintage 4x12 speaker cabinet (super Beatle) 1-Kustom Vintage 100 head (roll and pleat) bass or guitar 1-Kustom Vintage 100 head (roll and pleat) PA 4 channel with reverb (great for guitar and or keys and bass) 1-Kustom Vintage 2x15 JBL speaker cabinet (roll and pleat) 1-Ampeg SVT bass head 1-Custom 4x12 bass cabinet (monster on wheels) 1-Vintage Kasino 2x15 Bass Cabinet with Altec Lansing speakers (phenomenal) (same as used by Berry Oakley) (Oteil Burbridge, Berry Oakley Jr. used) 1-Custom Wesley design bass speaker cabinet set 1-2x10 cab and 1- 1x15 cab ( both are tuned to 30 Hz for fundamental low B) 1-Vintage 2x15 Marshall bass cabinet 1-Music Man HD130 tube head 1-Music Man 130 combo 1x15 guitar 1-Standel “The Studio X” 2x10 solid state combo amp (sweet) 1-Peavey Classic 30 1x12 tube combo amp 2-Wesley 15 watt tube “Wedgie” 1x12 combo amp (volume/tone--little screamer) page 2 Hammond Organs A,B,C with Leslie 1- GEM 88 weighted classic Promega 2 keyboard (has superb Rhoades, Clav and Wurlitzer) https://www.youtube.com/watch?v=92wPbbe5Tpw 1- GEM 88 key Pro 2 keyboard https://www.youtube.com/watch?v=P3Iii8WYIA4 1-Traynor K1 keyboard amp (3 channel) Drums 1 full set of Yamaha Absolute Maple (brown) 1-Vintage set of Camco (full size 12 13 16 22) 1-vintage set Camco (Jazz 12 14 18) 1-set vintage Arbiter (green) (single screw tuning) 1-vintage set of Premier (black) Numerous snares Variety of cymbals Hardware _______________________________________ Numerous vintage guitars. Acoustic and Electric Acoustic upright pianos Band Instruments Microphones Stands Cables Speakers, passive and powered Anchor (battery powered speakers) Complete Sound packages CALL US FOR PRICING 478-986-7093 .

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ЛEС ЗВУКОВ / KLANGWALD / LA FÔRET DES SONS / SOUND FOREST / LYDSKOG / ÄÄNIMETSÄ / HLJÓÐ SKÓGUR 15.MAIJS, RĪGAS MĀKSLAS TELPA 22.MAIJS, ANGLIKĀŅU BAZNĪCA 23.MAIJS, ANGLIKĀŅU BAZNĪCA SADARBĪBĀ AR SPIRE / TOUCH MUSIC Platons Buravickis (20) ir viens no Latvijas elektroniskās mūzikas jaunajiem talantiem. 1998.gadā viņš sāka apgūt kompozīciju pie Viļņa Šmīdberga, pēc Sunn O))), kas ar 22.maija koncertu aizsāks īsu Eiropas tūri, ir amerikāņu kulta grupa, kura ar savu mistisko, minimālistisko un unikālo metāla mūzikas 23.maija koncerta sadarbības partneri, leģendāro britu eksperimentālās mūzikas izdevniecību Touch Music, 1981.gadā dibināja dizaineris Džons tam pie Pētera Vaska. Trīskārtējs Latvijas Mūzikas skolu jaunrades valsts konkursa laureāts. Pētera Vaska un Borisa Avrameca iedvesmots, iepazina elektroni- interpretāciju ir šajā žanrā īstenojusi (burtiski) lēnu revolūciju. Iespējams pilnīgi pamatoti saka, ka Sunn O))) piederot lēnākā un zemākā skaņa pasaulē. Viņu Vozenkrofts ar mūzikas izdevēja Maika Hārdinga palīdzību. Tā ir kalpojusi par radošu “tramplīnu” tādiem māksliniekiem kā New Order, Cabaret Voltaire, Džā sko mūziku. 2007.gadā sāka strādāt Betona rūpnīcā un tajā laikā arī apmeklēja kompozīcijas meistarklases Berlīnē pie profesora Dītera Maka, sāka spēlēt nosaukums aizgūts no vecajiem Sunn O))) ģitāras pastiprinātājiem. Jāpiebilst, ka vēloties panākt autentisku skanējumu, grupa priekš sava koncerta uz Rīgu Voublam, Robertam Vaietam, Einstürzende Neubauten un Current 93. Izdevniecība publicēja arī Eitnes Ni Bhraonainas pirmos ierakstus. Vēlāk viņa kļuva progroka grupā Olive Messa un sakrāja lielu industriālo skaņu kolekciju, ko izmanto savos elektroakustiskajos darbos. speciāli ved šos pastiprinātājus. Jābilst, ka koncerts, ar kuru viņi atzīmē savai desmitajai jubilejai veltītā albuma Monoliths & Dimensions izdošanu, ir Baltijā pazīstama kā īru popzvaigzne Enja. Platons Buravickis (20) is one of the young talents in Latvia’s electronic music.
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Mustang GTX 100 Manual

MUSTANG GTX50 MUSTANG GTX100 EXPANDED OWNER’S MANUAL REV. B CONTENTS Introduction 1 Control Panel 2 Rear Panel 3 Presets Preset Basics 4 Editing and Saving Presets 5 Editing Preset Amplifier Control Knob Settings 6 Replacing Preset Amplifier Models 8 List of Amplifier Models 9 List of Cabinet Models 10 Editing Effects 12 Editing Effects Settings 20 List of Effects Types 24 Menu Functions 28 Setlists 29 WiFi Use 32 Bluetooth Use 35 Built-in Tuner 37 Auxiliary and Headphone Jacks 38 USB Connectivity 38 Line Out and FX Send/Return 38 Footswitch Use GTX-7 Footswitch 39 Looper 42 EXP-1 Expression Pedal 45 EQ & Amp Settings 49 Global EQ 49 Line Out/USB Gain 50 Preset Organizer 51 Restore Settings and Restore All 53 About this Amp 54 Cloud Presets 54 Backup/Restore for Presets and Setlists 56 Firmware Updates and Factory Restore 60 Fender Tone™ App 62 Specifications 63 INTRODUCTION This expanded owner’s manual is a thorough user’s guide to the features and functions of the Mustang GTX50 and GTX100 amplifiers. As a complement to the Mustang GTX Quick Start Guide that comes with each amplifier, this manual pres- ents a deeper, more detailed look at Mustang GTX’s many versatile capabilities. This includes navigation and modification of the many onboard presets, and comprehensive descriptions of the many amplifier and effect models. It also includes step-by-step and fully illustrated instructions for using Mustang GTX’s Setlist, WiFi, Bluetooth, USB, onboard tuner, GTX-7 footswitch, EXP-1 Expression Pedal and looping functions. Mustang GTX’s tonal possibilities are virtually endless, especially when paired with the Fender Tone™ app (page 62).
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Guitar and Amp Tone

Jim Gleason’s GUITAR ENCYCLOPEDIA Guitar And Amp Tone By Jim Gleason Version 1. 0 © 1994-2006 Rock Performance Music. All Rights Reserved www.guitarencyclopedia.com PAGE 2 ALIGNING REFERENCES IN THIS MANUAL TO THE VIDEO CASSETTE On your video recorder (or with the remote), set the counter to zero (0:00:00) exactly at the beginning of the video, exactly where the title screen shown below first appears. It must be a REAL TIME COUNTER. GUITAR and AMP TONE By Jim Gleason ©1994 RPM All Rights Reserved You can then cue sections of the video by refering to the column on the far right of the Contents pages. CONTENTS PAGE 3 All entries in italics below are guitar and amp tone setups. Page Videotape Preview Of Sounds................................................................................................ on videotape only 0:00:04 Alligning Real Time Contents References To The Video Cassette Tape ................................ 2 Contents ................................................................................................................................ 3 Introduction A. The Proceedure Suggested By This Video and Book................................................... 5 B. Volume Control ............................................................................................................ 5 C. Distortion ...................................................................................................................... 6 D. Tone Control ................................................................................................................