2009 FMIC Accessory Guide
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Mysticism, Implicit Religion and Gravetemple's Drone Metal By
1 The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal by Owen Coggins 1.1 On 18th April 2013, an extremely slow, loud and noisy “drone metal” band Gravetemple perform at the Roadburn heavy metal and psychedelic rock festival in Tilburg in the Netherlands. After forty-five minutes of gradually intensifying, largely improvised droning noise, the band reach the end of their set. Guitarist Stephen O’Malley conjures distorted chords, controlled by a bank of effects pedals; vocalist Attila Csihar, famous for his time as singer for notorious and controversial black metal band Mayhem, ritualistically intones invented syllables that echo monastic chants; experimental musician Oren Ambarchi extracts strange sounds from his own looped guitar before moving to a drumkit to propel a scattered, urgent rhythm. Momentum overtaking him, a drumstick slips from Ambarchi’s hand, he breaks free of the drum kit, grabs for a beater, turns, and smashes the gong at the centre of the stage. For two long seconds the all-encompassing rumble that has amassed throughout the performance drones on with a kind of relentless inertia, still without a sonic acknowledgement of the visual climax. Finally, the pulsating wave from the heavily amplified gong reverberates through the corporate body of the audience, felt in physical vibration more than heard as sound. The musicians leave the stage, their abandoned instruments still expelling squalling sounds which gradually begin to dissipate. Listeners breathe out, perhaps open their eyes, raise their heads, shift their feet and awaken enough to clap and shout appreciation, before turning to friends or strangers, reaching for phrases and gestures, often in a vocabulary of ritual, mysticism and transcendence, which might become touchstones for recollection and communication of their individual and shared experience. -
2014 Fmic Accessories Product Guide
2014 FMIC ACCESSORIES PRODUCT GUIDE 2014 PRODUCT GUIDE | EFFECTIVE JANUARY 1, 2014 LIST PRICE 2014 FMIC Accessories Product Guide Strings .........................................................................................4 Picks ...........................................................................................6 Cables .........................................................................................9 Straps ........................................................................................ 11 Pickups ...................................................................................... 13 Effect Pedals ............................................................................... 19 Stands ....................................................................................... 20 Tuners & Capos ............................................................................ 21 Slides, String Winders & Power Products ............................................. 22 Care Products .............................................................................. 23 Ear Plugs & Mini Amplifiers ............................................................. 25 Cases ........................................................................................ 26 Gig Bags ..................................................................................... 27 Books, Books with CDs & DVDs ......................................................... 28 Pickguards ................................................................................. -
15 / Maijs 16 / Maijs 22 / Maijs 23 / Maijs
ЛEС ЗВУКОВ / KLANGWALD / LA FÔRET DES SONS / SOUND FOREST / LYDSKOG / ÄÄNIMETSÄ / HLJÓÐ SKÓGUR 15.MAIJS, RĪGAS MĀKSLAS TELPA 22.MAIJS, ANGLIKĀŅU BAZNĪCA 23.MAIJS, ANGLIKĀŅU BAZNĪCA SADARBĪBĀ AR SPIRE / TOUCH MUSIC Platons Buravickis (20) ir viens no Latvijas elektroniskās mūzikas jaunajiem talantiem. 1998.gadā viņš sāka apgūt kompozīciju pie Viļņa Šmīdberga, pēc Sunn O))), kas ar 22.maija koncertu aizsāks īsu Eiropas tūri, ir amerikāņu kulta grupa, kura ar savu mistisko, minimālistisko un unikālo metāla mūzikas 23.maija koncerta sadarbības partneri, leģendāro britu eksperimentālās mūzikas izdevniecību Touch Music, 1981.gadā dibināja dizaineris Džons tam pie Pētera Vaska. Trīskārtējs Latvijas Mūzikas skolu jaunrades valsts konkursa laureāts. Pētera Vaska un Borisa Avrameca iedvesmots, iepazina elektroni- interpretāciju ir šajā žanrā īstenojusi (burtiski) lēnu revolūciju. Iespējams pilnīgi pamatoti saka, ka Sunn O))) piederot lēnākā un zemākā skaņa pasaulē. Viņu Vozenkrofts ar mūzikas izdevēja Maika Hārdinga palīdzību. Tā ir kalpojusi par radošu “tramplīnu” tādiem māksliniekiem kā New Order, Cabaret Voltaire, Džā sko mūziku. 2007.gadā sāka strādāt Betona rūpnīcā un tajā laikā arī apmeklēja kompozīcijas meistarklases Berlīnē pie profesora Dītera Maka, sāka spēlēt nosaukums aizgūts no vecajiem Sunn O))) ģitāras pastiprinātājiem. Jāpiebilst, ka vēloties panākt autentisku skanējumu, grupa priekš sava koncerta uz Rīgu Voublam, Robertam Vaietam, Einstürzende Neubauten un Current 93. Izdevniecība publicēja arī Eitnes Ni Bhraonainas pirmos ierakstus. Vēlāk viņa kļuva progroka grupā Olive Messa un sakrāja lielu industriālo skaņu kolekciju, ko izmanto savos elektroakustiskajos darbos. speciāli ved šos pastiprinātājus. Jābilst, ka koncerts, ar kuru viņi atzīmē savai desmitajai jubilejai veltītā albuma Monoliths & Dimensions izdošanu, ir Baltijā pazīstama kā īru popzvaigzne Enja. Platons Buravickis (20) is one of the young talents in Latvia’s electronic music. -
Telecaster Buying Guide
Telecaster Buying Guide Posted on Sunday, 01 December 2013 16:19. From: Musiciansfriend’s hub The Electric Guitar that Transformed American Music Table of Contents A Brief History of the Telecaster Tele Players: a Who’s Who of Guitar Wizardry Basic Telecaster Features Squier Telecasters Fender Telecasters USA Made Telecaster Guitars Fender Custom Shop So, Which Telecaster is Right for You? A Brief History of the Telecaster In 1951 the Telecaster was introduced to the world by Leo Fender, a Southern California inventor and businessman. Now a legendary instrument available in dozens of variations, the iconic “Tele” became the world’s first successfully mass-produced solid body electric guitar. Fender's Esquire guitar was the first prototype for the Telecaster and was produced in limited numbers. It was introduced in 1950 and renamed the Broadcaster shortly after. To avoid confusion and trademark issues with Gretsch Broadkaster drums, the guitar was renamed as the Telecaster. The Esquire was brought back as a single-pickup version of the Telecaster in 1951. The Telecaster’s simple, straightforward design along with its versatility and playability have led to its longevity. It features a single cutaway body and two single-coil pickups that produce the Tele’s bright and twangy trademark tone. The headstock has six single-side tuners, and the original design featured three innovative barrel-shaped saddles that allowed guitarists to adjust the string height for better playability. Fender incorporated production techniques no other guitar builder had used previously. Bodies were built using solid pieces of wood, referred to as blanks, and cavities for the electronics were made using a router. -
2017 Guitars •Custom Shop • Artist Signature Series • Usa Select Series • Pro-Mod Series 2 Custom Shop Custom Custom Built
2017 GUITARS •CUSTOM SHOP • ARTIST SIGNATURE SERIES • USA SELECT SERIES • PRO-MOD SERIES 2 CUSTOM SHOP CUSTOM CUSTOM BUILT Where do you go when your dream guitar is a Charvel® and money is no object? To Charvel’s U.S.A. Custom Shop. We build the very best of the top-line best for the world’s greatest artists, and also for you. Many of the SHOP talented craftsmen who founded the shop are still a part of our valued team, creating the epitome of Charvel style and performance. 3 WARREN DEMARTINI NEW! WARREN DEMARTINI SERIES USA SIGNATURE FRENCHIE Fans have long clamored for a replica of Warren DeMartini’s famed and beloved “Frenchie” guitar, seen live on tour and ARTIST on a slew of magazine covers throughout Ratt’s reign in the 1980s. Charvel has responded with a Snow White and a Gloss Black finish, both detailed with Snow White cross decals and a tribute quote to James Dean in French that reads “too fast to live, too young to die.” Features include a Dinky™ alder body, one-piece bolt-on quartersawn maple neck, 12”- 16” compound radius maple fingerboard with 22 jumbo stainless steel frets and black dot inlays, Seymour Duncan® Custom Warren DeMartini RTM Tommy Williams Tommy (“Rattus Tonus Maximus”) humbucking bridge pickup and SSL-4 Quarter Pound™ Photo: neck pickup, three-way toggle switch, single volume control knob, Floyd Rose® Original locking bridge and Gotoh® tuning machines. 2865005803 - Gloss Black 2865055876 - Snow White Legendary lead guitarist Warren DeMartini led glam metal sensation Ratt to the top of the charts in the 1980s, co-writing several of the band’s biggest hits that earned multiple platinum albums. -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings. -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
TWO LOUIES, July 2000
Y 2000 OREGON MUSIC / JUL AV BILL EC WONDERFUL WORKS 4 HIRE PDX TO NYC FERNANDO photo Pat Snyder STUDIO/MASTERING GUIDE NORTH BY NORTHWEST MUSIC & NEW MEDIA CONFERENCE September 20-23, 2000 Embassy Suites Hotel Portland, Oregon 3 DAYS OF PANELS • 3 DAYS OF TRADE SHOW • 3 DAYS OF DV SHORTS • 3 NIGHTS OF MUSIC North by Northwest 2000 offers the best in new music at Portland’s finest venues, SXSW holds a conference/trade show addressing the role of the internet in today’s changing music business, and presents a cutting-edge digital video shorts festival. To register online or to learn more about NXNW, go to www.nxnw.com. NXNW headquarters: PO Box 4999, Austin TX 78765 tel: 512/467-7979 • fax: 512/451-0754 • e-mail: [email protected] July Fourth, 1993. Richard Berry, the writer of “Louie Louie”, headlines the Waterfront Blues Festival. While Berry was in town, the Oregon Historical Society honored him and members of the Kingsmen with the installation of a plaque at 411 S.W. 13th Ave, the original location of Northwestern recording stu- dios, where the Kingsmen’s epic hit “Louie Louie” was recorded on April 13, 1963. Berry wrote “Louie Louie” in 1955 in Los Angeles and recorded it with the Pharoahs as a calypso-tinged R&B number. In 1960, Seattle’s Rockin’ Robin Roberts covered it with the Wailers. The Kingsmen heard the Wailers version on a jukebox and decided to record it themselves. Paul Re- vere & The Raiders recorded “Louie Louie” at North- western the day after, for Columbia Records. -
Brad Paisley Road Worn® Telecaster® (014-5902-Xxx) Parts Layout
BRAD PAISLEY ROAD WORN® TELECASTER® (014-5902-XXX) PARTS LAYOUT 9 8 7 5 6 2 4 3 28 25 27 1 11 12 26 25 24 10 29 30 31 32 33 34 35 19 18 17 16 36 37 12 23 22 21 20 12 13 14 15 16 Page 1 of 6 COPYRIGHT - 2018 - FENDER MUSICAL INSTRUMENTS CORPORATION FEB 15, 2018 - Rev. B BRAD PAISLEY ROAD WORN® TELECASTER® (014-5902-XXX) PARTS LIST REF # DESCRIPTION PART NUMBER 1 BODY BRAD PAISLEY SILVER FLAKE PNT RDWN 7711831517 2 NECK BRAD PAISLEY ENHANCED V PNT RDWN 7711763000 3 PLATE NECK VINTAGE TELE, CHR RDWN 0078092800 4 SCRW SMA 8x1-3/4 OHP NI RDWN 0015636800 5 STRING TREE VINTAGE NI RDWN 0093569800 6 SCREW SMA #3 X 5/8 RHP RDWN 0018805800 7 KEYS VINT ST PING RDWN 0047912800 8 SCREW # 3 X 3/8 SM RD HD NIC 0011357800 9 BUSHING KEY VINT PING RDWN 0053020800 10 FERRULE STRING RETAINER NI RDWN 0012112000 11 PICKGUARD TELE TRANS PRNTD BRAD PAISLEY 7711755000 12 SCRW SMAB 4x1/2 OHP NCKL RDWN 0015578049 13 PLATE CONTROL TELE RDWN 0033134800 14 BUTTON STRAP RDWN 0012344800 15 SCREW SMAB 5x1 OHP NI RDWN 0015610049 16 BRIDGE PLATE VINT TELE RDWN 0054162800 17 SCREW WOOD 6X1 OHP NCKL RDWN 0016188800 18 SCREW 6-32X1-1/4 RHP RDWN 0015834800 19 SPRING COMPRESSION 1-1/16 RDWN 0018689800 20 BRIDGE SECTION AM PRO TELE STD RDWN 7709970800 21 BRIDGE SECTION AM PRO TELE REVERSE RDWN 7710421800 22 SCREW ST 6-32 x 3/8 OP NI HEX RDWN 7710028800 23 SCREW ST 6-32 x 5/16 OP NI HEX RDWN 7710422800 24 BRAD PAISLEY BRIDGE PICKUP RDWN 7710963800 25 TUBING LATEX CUT .375 x 1/8ID x 1/4OD 0036878000 26 SCREW MA RD HD 6-32 X 5/8 (12) 0015800049 27 PICKUP ASSY TWISTED TELE CHROME 0058128000 28 SCREW WOOD RH 3 X 1 (12) 0016295049 29 ORIG 3-WAY SWITCH VNT STR/TEL 0992041000 30 ORIG.TELE "TOP HAT" SWITCH TIP 0994937000 31 PICKUP/SWITCH SCREWS 0994925000 32 TELE/P.BASS KNOBS CHROME (2) 0991366000 Page 2 of 6 COPYRIGHT - 2018 - FENDER MUSICAL INSTRUMENTS CORPORATION FEB 15, 2018 - Rev. -
Sunn O))) Was Formed in 1998 by Stephen O'malley and Greg
Sunn O))) was formed in 1998 by Stephen O’Malley and Greg Anderson. They were initially based in Seattle, shortly before moving to Los Angeles, and O'Malley now resides in Paris. The band have become known for their very recognisable “drone metal” sound, and extremely loud live performances. Widely considered pioneering, their music can be described as very slow, with distorted guitars, and an emphasis on texture rather than rhythm. Their name, pronounced "sun", is a reference to the Sunn amplifier brand, and their logo is that of the amplifier’s too. Over their seven solo studio albums and scores of EPs, live albums and other releases, Sunn O))) have collaborated and recorded with artists across the globe, including Scott Walker, Attila Csihar (Mayhem), Kim Thayil (Soundgarden), Japan’s Boris, Norway’s Ulver, Nurse With Wound, Petra Hayden, Julian Cope (The Teardrop Explodes), John Wiese, Oren Ambarchi, Malefic, Julian Priester, Eyvind Kang, Dylan Carlson, Stuart Dempster, and many more. Their early releases were met with acclaim across various underground music scenes, and steadily their profile has risen, becoming something of a household name in the alternative music, and arts worlds. The band have played across the world at many prestigious festivals and venues, in the past year at David Byrne’s Meltdown at the Southbank Centre in London, and curating a four day program at Le Guess Who? Festival in Utrecht. Other notable appearances include Barcelona’s Sonar (2009), Krakow’s Unsound (2009), CTM Berlin (2013), Japan’s Earthdom (2007) and Leave Them All Behind (2012), North Carolina’s Hopscotch (2012), Australia’s Totally Huge New Music Festival (2007) and All Tomorrow’s Parties/The Nightmare Before Christmas (2003, 2004, 2007 and 2009) and Supersonic (2007 and 2009) in the UK. -
A History of Fender Guitars
A History of Fender Musical Instruments and Founder-Leo Fender (As documented by Wikopedia) Fender Musical Instruments Corporation of Scottsdale, Arizona is a manufacturer of stringed instruments and amplifiers, such as solid-body electric guitars, including the Stratocaster and the Telecaster. The company, previously named the Fender Electric Instru- ment Manufacturing Company, was founded in Fullerton, California, by Clarence Leonidas "Leo" Fender in 1946. Leo Fender also designed one of the first commercially successful solid-body electric bass, the Precision Bass (P-Bass), which has become known in rock, jazz, country, Motown, funk, and other types of music. The company is a privately held corporation, with the controlling majority of its stock owned by a group of its own company officers and managers. William (Bill) Mendello is Chairman of the Board of Directors and Chief Executive Officer and James Broenen is Chief Fi- nancial Officer. Fender's headquarters are in Scottsdale, Arizona with manufacturing facilities in Corona, California (USA) and Ensenada, Baja California (Mexico). History Fender offered the first mass-produced solid-body Spanish-style electric guitar, the Telecaster (originally named the 'Broadcaster'; 'Esquire' is a single pickup version)[1] the first mass-produced electric bass, the Precision Bass (P-Bass); and popular Stratocaster (Strat) guitar. While Fender was not the first to manufacture electric guitars, as other companies and luthiers had produced electric guitars since the late 1920s, none was as commercially successful as Fender's. Furthermore, while nearly all other electric guitars then were either hol- low-body guitars or more specialized instruments such as Rickenbacker's solid-body Hawaiian guitars, Fender had created versatile solid- body electric guitars. -
Intune-Pages-JAN2017-SPREADS.Pdf
“ i just go where the guitar takes me. IN TUNE Angus” Young For my dad who has always inspired and encouraged me. 1 2 15 Eddie Van Halen CONTENTS Frankenstrat 1979 Charvel hybrid VH2 EVH Wolfgang BB King Guitar anatomy 19 5 Gibson Memphis ES-355 7 Jimi Hendrix 21 Slash 1967 Flying V Slash Appitite Les Paul 1968 Fender Stratocaster B.C. Rich Mockingbird 1960 Danelectro 1967 Gibson EDS-1275 11 Jimmy Page 25 Details & Backstories 1959 Les Paul Standard 1959 Fender Telecaster Gibson EDS-1275 Index 3 29 4 Cutaway Anatomy Pickgaurd Control knobs Fingerboard Headstock Neck Pickup Bridge Inlay 5 6 1967 Gibson Flying V Handpainted Arrowhead Stringed backwards: E, B, headstock, G, D, A, E. shortened for balance and elegance. Mahogany neck, grade-a rosewood T-Bone PAF-style tones. fingerboard. They are called PAF becuase gibson had applied for a patent but did not recieve the number, hence Patent Applied For. Iconic “v” styling, slimmed down for Two volume optimum playing controls, master comfort. tone, 3-way selector, with JIMI HENDRIX “witch hat” knobs. 7 8 1968 Fender Stratocaster Betty Jean 1960 Danelectro Alder wood headstock. Bottle headstock. Maple wood Rosewood fingerboard in Bolt-on neck with an fingerboard. a“C” Shape with aluminum neck rod a finished Gloss from the peghead to Polyester. the bridge. Alder wood Sleek Body Shape and Contours. Three expressive 2 NOS lipstick American Vintage pickups. ‘65 Gray-Bottom single-coil pickups. 6-Saddle Vintage-Style 5 Poplar wood Synchronized body. 2 stacked tone tremolo bridge. and volume controls. 9 10 ’59 Les Paul Standard Quarter-sawn, lightweight Les Paul headstock mahogany and rosewood is carefully angled at fingerboard.