Clamor Magazine Emily Nielsen Available at PO Box 20128 ECONOMICS EDITOR Sheryl Siegenthaler Toledo, OH 43610

Total Page:16

File Type:pdf, Size:1020Kb

Clamor Magazine Emily Nielsen Available at PO Box 20128 ECONOMICS EDITOR Sheryl Siegenthaler Toledo, OH 43610 NEW QUARTERLY FORMAT! Bee Lavender • Black-Owned Bookstores Ursula Rucker • Leslie Feinberg Purple Heart Photos of Nina Berman Ill* Lt. Ehren Watada & Oil-So-Many Reviews! Your DIY Guide to Everyday Revolution Issue 38 -Fall 2006 tWar iq Soldiers Return Home Activists and Tlieir Bodies INO! The Rape Documentary + Wiien Transgender BecomesJM^ormal" + Tlie Body Worlds Controversy Bodies on Billboards in NYC = Universal Healthcare, WHEN? i II I IU.dmr»UU.r«Ml ^ • ' jVpparei -sewa conflicts labot aH 3'° i ^^exportation bad moio $5.50 US / $6.50 Canada Spc Robert Acosta/20, an 6 3> ammunitions Specialist with >1{IIIIIIIIIIII i"|'|"TnT"ll'T"IT"lirT!'TI 1 the 1st Armored Division "^qMfinoiiiM snonHiiHOO nSl-^hm HO o"''74470"96769""9 auon subscribeonlinefor just $15! www.clamormagazine.org 7/rT m m JJOd •ny¥¥¥¥¥ "How lucky we are to have [the] writer ... of this first-rate book." —KURT VONNEGUT "[An] entirely new world-view for the living." —RACHEL KRAMER BUSSEL, Gothamist.com "Bornstein . shares nearly 60 years of her own strategies and struggles to stay alive in order to make it a little less difficult for the rest of us." —San Francisco Bay Guardian "A don't-hurt guide for anyone who's been tempted to give in to despair." — Time Out New Yorl< "Kate's wisdom, humor and non- judgmental approach to survival is brilliant." —BETTY DODSON, PhD, author of Sex For One SUSTAINABILITY FOR YOUR MIND From the author of Gender Oudow: On Men, Women, and the Rest of Us, here is a one-of-a-kind guide to staying alive outside the box. Hello, Gruel World shares personal and unorthodox methods of survival for all those balancing on the edge of a stifling mainstream culture. Transgender trailblazer Kate Bornstein is the radical role model, the affectionate best friend, and the guiding mentor all in one kind and spirited package. Hello, Cruel World: 1 1 Alternatives to Suicide for Teens, Freaks, and Other Outlaws By Kate Bornstein, with a foreword by Sara Quin of musical group Tegan and Sara ISBN-13: 978-1-58322-720-6/ ISBN-10: 1-58322-720-2 ^^^ $14.95 original trade paperback ^=^^^^C* -"^J^i^S^ Available at bookstores everywfiere / By phone: 1-800-596-7437 I Online: www.sevenstories.com Something's Missing Can you guess what it is? How about those annoying cards that are glued, stapled, or wedged into the magazine to get you to subscribe? Annoying, yeah? We thought so, too. That's why we're simultaneously dropping the bind-in card AND announcing an all new online subscription rate. A year of Clamor delivered to your door used to cost an affordable $18, but now it's an absurdly inexpensive $15 if you subscribe online at www.clamormagazine.org. Using our secure online server to place your subscription saves trees, your time, and our volunteer resources. Like where this is headed? Head over to the library, push your roommate off the iMac, or flip open your laptop and sign up now for one year of "your DIY guide to everyday revolution." {f[7(o)DL[Q ^©DDCP ©(Sntecp You've got aches. You've got pains. But you deal. You do what you have to right now? Sure, that helps sometimes. As people who spend our lives do to get by. Maybe you pop some ibuprofen to get through the work day dreaming of peace and health for everyone, we recognize that we're poor , Maybe you take over-the-counter medicine to keep your chronic allergies role models, but we're working on that, too. at bay. And bizarre as it may sound, many of us know more about the mechanics of our car or computer than of our own body. We can't promise Finally, we challenge you not to be moved by the photos and stories in this that this issue of Clamor will serve as the owner's manual to your body that issue about soldiers returning from Iraq. Some of Nina Berman's photos you wish you had, but we CAN promise that you'll leave the issue thinking ran in Mother Jones a few years ago, and they're unfortunately even more a little differently about that thing you lug around with you more places than poignant now. After five years of listening to platitudes about "making the you take your iPod. world safer," we're ready for the Commander-in-Chief to start talking about how his war is affecting the families of thousands of soldiers. Berman's This "body" issue hits home for us in more ways than one. First, we'll come photos and Socket's article about amputees retuming home from war might right out and note that Clamor has printed its shirt designs on American just be the conversation starters we're looking for Apparel shirts for about as long as they've been in business. How could we resist the hippest company out there working their magic with half-naked While we're being frank about our vices, let's air a little more of our not- models and a progressive "sweat-free" rallying cry? Well, we realize when so-secret side. Clamor, like most independent magazines these days, the gig is up. And while Clamor isn't the first to call Dov Charney out on struggles financially. Yes. despite that glossy veneer, the credible and com- his shit, the articles by Dez Williams, Keeley Savoie, and Jim Straub in the pelling content, the nationwide distribution, and the host of amazing adver- special American Apparel section are some of the most incisive and con- tisers, it still comes down to the basics. Clamor is still run by hard-working crete stories we've read about the slippery Charney Carnival. Big thanks volunteers who are dependent on you. the reader, to help make sure their to Grace Martinez and Kim Hoeckele for their help with the design and hard work can be printed in a magazine four times a year The single most photography (respectively) in the special section. important thing you can do to support independent media is to vote with your dollars and encourage your friends to do the same. Magazines like And when we read Adrienne Maree Brown's essay (p. 16) on how activists Clamor need you to subscribe, to renew when we send you notices, and treat their bodies - boy could we relate. As we wrap up production on the to buy subscriptions for every friend and family member you can think of. issue, we've been hunched over keyboards, staying up all hours, depriving We won't survive without you. To show you we mean it. just flip this page our bodies of the nutrition they need - maybe even self-medicating with caf- over, and you'll see how we've made it even cheaper and easier to support feine and alcohol to keep the juggernaut moving (we'll leave you to guess Clamor with your subscription. which staffer that is). And for what? The big paycheck? We're all volun- teers. The fabulous healthcare benefits? No such thing. The satisfaction of working on one of the leading social justice magazines on the newsstand EDITORS/PUBLISHERS POLITICS EDITORS ADVERTISING Clamor is also available through these Jen Angel & Mariana Ruiz Rates and deadlines available at: fine distribution outlets: AK Press. Jason Kucsma Chad Jones www.clamormagazine.or^advertise Armadillo News, Disticor. Don Olson. or call 419.410.7744 Ingram, Kent News, OneSource, Small ASSOCIATE PUBLISHERS REVIEW EDITOR Changes, Stickfigure. Tower Records. & Mandy Van Deven & Keith McCrea PRINTING Ubiquity Nomy Lamm Westcan Printing Group COPYEDITOR Winnipeg, Manitoba. Canada ADVISORY BOARD Will Gorham Phone: 866-669-9914 Clamor (ISSN 15-34-9489) is Ailecia Ruscin, Leah Lakshmi Plepzna- published four times a year (Spring, Samaraslnha, Mordecal, LAYOUT & DESIGN Clamor is a quarterly magazine. Single Summer. Fall, Winter). ©2006 in the Eric Zassenhaus, Joshua Breitbart, Jason Kucsma copies are $5.50 ppd and 4-issue US by: Kpoene' Kofi Bruce. Tre Vasquez, subscriptions are $18 ppd in the US. Become The Media Incorporated Alex White, Brian Bergen-Aurand, WEB DESIGN International subs are $25 in Canada PO Box 20128 Joanne Smith, gabriel olga khougaz Derek Hogue and $30 (surface) and $40 (airmail) Toledo. OH 43610 sayegh elsewhere in the worid. Checks may be phone: 419.259.9051 VOLUNTEERS/INTERNS made payable to Become The Media. CULTURE EDITOR Tony Jayne Postmaster: Send address changes to: Kenyon Farrow Imani Lateef BACK ISSUES Clamor Magazine Emily Nielsen Available at www.clamormapzine.org PO Box 20128 ECONOMICS EDITOR Sheryl Siegenthaler Toledo, OH 43610. Arthur Stamoulis DISTRIBUTION PROOFREADERS Clamor is distributed to stores and Penodicals Postage Paid at Toledo, MEDIA EDITOR Elliot Adams, Jennifer Ashley distributors by Ohio and additional mailing offices. Cathenne Komp Siobhan Boyer Gortiam, Hal Hixon Indy Press Newsstand Sen/ices Andrew Petonak, Kristen Schmidt 65 Battery St. 2nd Roor, Pnnted in Canada. PEOPLE EDITOR Erin Schwiderson San Francisco, CA 94 1 1 1 554 7 Jessica Hoffman newsstand#indypress.org COVER THIS ISSUE SEX &GENDER EDPfOR Nina Berman Bnan Bergen-Aurand " UPROAR 5 Clamor readers have their say 7 Purple Hearts: Back from Iraq by Nina Berman POLITICS 10 The New Wartime Body: Amputees Return From Iraq by Socket 16 My Body My Self, by Adrienne Maree Brown 18 Black Bookstores by Leslie Ann Murray CULTURE 22 The Power of NO! byTamara K. Nopper 26 When We Became Normal by Shana Agid 28 Holding the Mic ... and Power by Billy Bloodtruck 30 Science & Spectacle: The Body Worlds Controversy by Ren Hsieh SPECIAI. FEATURE: American Apparel Exposed 32 Who's Your Daddy? by Jim Straub 37 When the Sideshow Becomes the Main Attraction by Dez Williams 38 F*&cking Progressives by Keeley Savoie 42 It's a Front by Irina Contreras IVIEbli\ 44 Ursula Rucker: Bodies of Truth by Irina Contreras 48 Behind the Scenes of Made In Secret by Kyle Harris 50 The Business of Bodies by Roderick Graham PEOPLE 54 Activism Embodied: A Roundtable Discussion by Nomy Lamm '^a 58 No Hierarchy of Suffering: Talking with Bee Lavender by Laura Fokkena 60 Hottentot, Hotties, & History by StaceyTolbert ECONOMICS 62 SoThis Guy Walks Into The Emergency Room: byTara Bracco m: " Mi 67 War in the Store: Center for the Science of Public Interest by Edward Burch 69 Rethinking Stem Cell Research by Joseph Reynolds & Parita Shah w SEX & GENDER il ii 72 I Will Always Be Your Daughter/Son by Ellen Marie Hinchcliffe 76 Resource: Spread Magazine by Ari Paul 77 New Men About Town: A Photo Essay in Four Parts MURMURS 84 What We're Talking About..
Recommended publications
  • Coastal Climate Stories Documentary
    Fall 2019 Sustainability Grant Proposal Coastal Climate Stories Fellowship Documentary Initiative Project Leader: Sean Jackson Amount Requested $2,876 Overview and Goals: During the Spring of 2019 I was a recipient of the first Paul Smith’s Climate Fellowship grant. The focal point of the fellowship was to work in conjunction with the climate stories project to collect interviews pertaining to the implications of climate change on different social and environmental factors through the lived realities of interviews subjects. The Climate Fellowship was granted on the grounds of a loose project proposal which I would later work to develop and hone over the course of the Spring 2019 semester. My initial project proposal was to work within the confines of the coastal communities travelling along the East Coast of the United States to collect climate stories along this gradient to see if we noticed any particular trends as our body of interviews grew. Because this was the first year of the program, output goals were relatively flexible. The primary objective for final products was to be in the form of interview transcripts and reflective writings. This was an adequate outlet for much of what the fellowship was trying to capture but was largely confined by a lack of a distributable medium. For this reason, I wanted to build upon the fellowship’s potential reach in order to make sure that these important stories pertaining to climate change were not just being collected, but also shared, and discussed. The objective of the climate stories project is to develop a comprehensive body of climate change related stories and in doing so create a network of individuals to work towards a more sustainable future.
    [Show full text]
  • The Long History of Indigenous Rock, Metal, and Punk
    UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories.
    [Show full text]
  • WP3 D9 3.1 Thematic Itineraries Brochure
    EUROPEAN TRANSNATIONAL ITINERARY Film Festivals around UNESCO Sites FILM FESTIVALS Lyon - France Thessaloniki, Greece Liguria, Italy La Valletta, Malta Ibiza, Spain Limassol & Nicosia, Cyprus 65 FAMOUS - FILM FESTIVALS AND MOVIE TOURISM ACROSS UNESCO SITES Notre Dame de Fourvière The basilica is at the top of “the hill which prays”. It is named EUROPEAN after the Virgin Mary and is listed as a historical monument. Today, considered as the emblem of the city of Lyon, the basilica welcomes millions of pilgrims and visitors each TRANSNATIONAL year. Its architects are Pierre Bossan and Sainte-Marie Perrin. It was built thanks to a public subscription in 1872 and ITINERARY consecrated in 1896. Primatiale Saint-Jean and its Astronomical Clock Film Festivals Lyon, France After having followed the same route as Philippe Noiret through the city, you will arrive at the Saint-Jean cathedral. Lumière Festival Here is the primatial Saint-Jean built from 1170 until the around 15th century. The apse and the choir are of Romanesque Since 2009 the Lumière Festival, dedicated to the 7th art style while the transept and the nave are of Gothic style. UNESCO Sites and open to the general public, has become one of the largest international festivals of classic cinema. The lower part includes the three important gothic portals each surmounted by rosettes with quatrefoils. Once a year in Lyon, the birthplace of the Cinematograph, Degradations suffered by missing or decapitated statues the cinema world celebrates the vitality and memory of film, are the work of the soldiers of Baron desAdrets in 1562. taking a contemporary journey through works of the past Fortunately, the sumptuous decoration of 320 carved (restored films, retrospectives, tributes...).
    [Show full text]
  • Directing Change Full Booklet Size
    The Sixth Annual Directing Change Program and F ilm Contest To keep up with the latest updates, visit: www.facebook.com/DirectingChangeCA CALLING ALL YOUNG FILMMAKERS SHORT FILMS THAT WILL BE USED TO RAISE AWARENESS AND CHANGE AGENTS! MAKE A DIFFERENCE AND WIN CASH PRIZES BY CREATING SUICIDE PREVENTION • MENTAL HEALTH MATTERS AND HELP YOUNG PEOPLE SUBMISSION CATEGORIES: ACROSS CALIFORNIA. ANIMATED SHORT • THROUGH THE LENS OF CULTURE • SANAMENTE SUBMISSIONS ARE DUE MARCH 1, 2018. Visit www.DirectingChangeCA.org for contest rules and educational resources. Table of Contents 1. Directing Change Getting Started 2. Program and Contest Rules 3. Regional Map 4. Submission Check list 5. Suicide Prevention Category 6. Suicide Prevention Fact Sheet 7. Mental Health Matters Category 8. Mental Health Fact Sheet 9. Through the Lens of Culture Category 10. Animated Short Category 11. SanaMente Category 12. Entry Form 13. Release Forms For questions or technical support contact [email protected]. www.DirectingChange.org Directing Change – How to Get Started 1. Bookmark our new URL- www.DirectingChangeCA.org • And follow us on social media to receive notifications and announcements about the program and post questions to the Directing Change team. If at any time you are 2. Review the contest rules and FAQ experiencing an The contest is open to young people in California in two groups: emotional crisis, are • Middle and High School students (grades 7-12) thinking about suicide • Youth and young adults ages 14-25 who are submitting in partnership with a college, or are concerned about university, community-based organization, program, club or other agency.
    [Show full text]
  • The Ocean Sunburst Treachery
    The Ocean Sunburst Treachery 1 Waikiki Beach, Hawaii, January 20th Waikiki Beach resort was destroyed at five forty-four in the morning. Christopher Wyatt ran along the beach, bare feet pounding into the warming sand, to- wards Diamond Head. He was wearing a garish Hawaiian shirt that would make Linda laugh when she called. The sky was becoming lighter, the rising sun radiating vast streaks of pale red and purple through wispy clouds and outshining the few remaining visible stars. The range of tall square hotels loomed against the burgeoning dawn, windows speckling with electric lights. The breeze was light and cool, the sea restless, long rolling waves topped with white spume rushing up the sand to gradually stop and retreat like frightened creatures. Wyatt expected to be alone on the beach at this early hour but he was surprised by the number of people jogging, sightseeing, surfing and fishing off the rocks. Wyatt enjoyed the sensation of sweat rolling down his back. He was in good shape, his work was near comple- tion, and he was in love. He was excited about Linda’s call and was not sure whether his heart was racing hard from the exercise or with the anticipation of seeing her face again, albeit on the screen of a cell phone. Linda Marquez called as Wyatt reached the foot of Diamond Head. Wyatt smiled as Linda’s face appeared on screen. ‘Wow,’ Linda said. ‘Can this be my husband, up this early? It’s a quarter after ten here in Washington so it must be real early there.’ Wyatt sat down on a grassy tuft of sand below Diamond Head Road.
    [Show full text]
  • The Best of Korean Cinema Returns to London
    THE BEST OF KOREAN CINEMA RETURNS TO LONDON 제 9회 런던한국영화제 / OFFICIAL FESTIVAL BROCHURE / 6-21 NOVEMBER 2014 14�OZE�454 .pdf 1 10/10/14 1:53 PM An introduction by Tony Rayns You wouldn’t know it from the pro- It’s a sad fact that not many of these gramming of this year’s other film fes- films will go into distribution in Britain, tivals in London, but 2014 has been a not because they lack audience ap- terrific year for Korean cinema. Two peal but because the ever-rising cost home-grown blockbusters have domi- of bring films into distribution in this nated the domestic market (one of country makes it hard for distributors to them has been seen by nearly half the take chances on unknown quantities. entire population of South Korea!), Twenty years ago the BBC and Chan- C and there have also been outstanding nel 4 would have stepped in to help, M achievements in the art-film sector, the but foreign-language films get less and indie sector, the student sector – and less exposure on our television. Maybe Y in animation and documentary. And just the decline in the market for non-Hol- CM as you begin to salivate over all those lywood films will mark the start of new films you’re afraid you’ll never get to initiatives in on-demand streaming and MY see, along comes the London Korean downloading, but those innovations are CY Film Festival to save the day. still in their infancy. And so the London CMY I’ve said this before, but it bears Korean Film Festival has an absolutely repeating: London is extremely lucky crucial role in bringing new Korean K to have the largest and most ambitious movies to the people who want to see of all the Korean Film Festivals staged them.
    [Show full text]
  • 83 Orange Peels
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 83 Orange Peels Klara Hammoud University of Central Florida Part of the Film Production Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Hammoud, Klara, "83 Orange Peels" (2017). Electronic Theses and Dissertations, 2004-2019. 5390. https://stars.library.ucf.edu/etd/5390 83 ORANGE PEELS A MICRO-BUDGET EXPERIMENTAL DOCUMENTRAY FEATURE by KLARA HAMMOUD BA. University of Damascus, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Entrepreneurial Digital Cinema in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2017 © 2017, Klara Hammoud ii ABSTRACT 83 ORANGE PEELS is a feature-length film written and directed by Klara Hammoud and produced by Biddayat as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The project aims to challenge existing conventions of the documentary filmmaking on multiple levels – aesthetic, narrative, and technical– while also examining growing importance of workflow throughout all aspects of production. These challenges were both facilitated and necessitated by the limited resources available to the production team and the academic context of the production.
    [Show full text]
  • NAFA-Network 15.1
    Contents Editorial . 2 Presentation of new co-editor: Christian Suhr Nielsen . 3 News from the Commission on Visual Anthropology . 5 NAFA 2008: Festival and Conference, 29/5–1/6-2008 . 7 New Films in the NAFA Film Archives . 8 nafa:// The 10th Biennial Conference of the European Association of Social Anthropologists: Call for papers . 14 Announcement of DEF - Days of Ethnographic Film, Ljubljana, May 19-23, 2008 . 17 19th edition of Beeld voor Beeld, Documentary Film Festival 2008, June 4-8, 2008: final call for films . 17 Programme of Jean Rouch International Film Festival, network Paris, March 2008 . 18 Programme of the 9th Göttingen International Film vol. 15.1 (February 2008) Festival, April 30-May 4, 2008 . 22 Newsletter of the Nordic Anthropological Film Association International Visual Sociology Association: Conference Incorporating the Commission of Visual Anthropology (CVA) Circular August 2008: Announcement and call for panels . 24 Visual and Critical Studies Graduate Symposium: Call for Web version: http://www.nafa.uib.no projects . 25 ISSN: 0805 - 1046 Call for papers for a special issue of Accounting, Auditing and Accountability Journal: “Accounting and the Visual” 27 Please send news, articles and announcements to: The 5th Cosmobilities Conference: Tracing the New Berit Madsen, Anne Mette Jorgensen and Christian Suhr Nielsen Mobilities Regimes, Munich, October 16-17, 2008 . 28 Department of Anthropology Review of the 1st VIDOVIN: open festival of Moesgaard ethnographic and documentary film from the Periphery, 8270 Hoejbjerg 2007, Tolmin, Slovenia . 29 Denmark Fax: +45 89424655 NOTICE BOARD . 31 E-mail: [email protected] ; [email protected] CALENDAR . 33 NAFA Network vol.
    [Show full text]
  • Order Form Full
    PUNK ARTIST TITLE LABEL RETAIL 100 DEMONS 100 DEMONS DEATHWISH INC RM90.00 4-SKINS A FISTFUL OF 4-SKINS RADIATION RM125.00 4-SKINS LOW LIFE RADIATION RM114.00 400 BLOWS SICKNESS & HEALTH ORIGINAL RECORD RM117.00 45 GRAVE SLEEP IN SAFETY (GREEN VINYL) REAL GONE RM142.00 999 DEATH IN SOHO PH RECORDS RM125.00 999 THE BIGGEST PRIZE IN SPORT (200 GR) DRASTIC PLASTIC RM121.00 999 THE BIGGEST PRIZE IN SPORT (GREEN) DRASTIC PLASTIC RM121.00 999 YOU US IT! COMBAT ROCK RM120.00 A WILHELM SCREAM PARTYCRASHER NO IDEA RM96.00 A.F.I. ANSWER THAT AND STAY FASHIONABLE NITRO RM119.00 A.F.I. BLACK SAILS IN THE SUNSET NITRO RM119.00 A.F.I. SHUT YOUR MOUTH AND OPEN YOUR EYES NITRO RM119.00 A.F.I. VERY PROUD OF YA NITRO RM119.00 ABEST ASYLUM (WHITE VINYL) THIS CHARMING MAN RM98.00 ACCUSED, THE ARCHIVE TAPES UNREST RECORDS RM108.00 ACCUSED, THE BAKED TAPES UNREST RECORDS RM98.00 ACCUSED, THE NASTY CUTS (1991-1993) UNREST RM98.00 ACCUSED, THE OH MARTHA! UNREST RECORDS RM93.00 ACCUSED, THE RETURN OF MARTHA SPLATTERHEAD (EARA UNREST RECORDS RM98.00 ACCUSED, THE RETURN OF MARTHA SPLATTERHEAD (SUBC UNREST RECORDS RM98.00 ACHTUNGS, THE WELCOME TO HELL GOING UNDEGROUND RM96.00 ACID BABY JESUS ACID BABY JESUS SLOVENLY RM94.00 ACIDEZ BEER DRINKERS SURVIVORS UNREST RM98.00 ACIDEZ DON'T ASK FOR PERMISSION UNREST RM98.00 ADICTS, THE AND IT WAS SO! (WHITE VINYL) NUCLEAR BLAST RM127.00 ADICTS, THE TWENTY SEVEN DAILY RECORDS RM120.00 ADOLESCENTS ADOLESCENTS FRONTIER RM97.00 ADOLESCENTS BRATS IN BATTALIONS NICKEL & DIME RM96.00 ADOLESCENTS LA VENDETTA FRONTIER RM95.00 ADOLESCENTS
    [Show full text]
  • 6523 Papadimitriou & Grgic.Indd
    CONTEMPORARY BALKAN CINEMA 66523_Papadimitriou523_Papadimitriou & GGrgic.inddrgic.indd i 001/10/201/10/20 33:27:27 PPMM Traditions in World Cinema General Editors Nordic Genre Film Linda Badley (Middle Tennessee State Tommy Gustafsson and Pietari Kääpä (eds) University) Contemporary Japanese Cinema Since R. Barton Palmer (Clemson University) Hana-Bi Adam Bingham Founding Editor Chinese Martial Arts Cinema (2nd edition) Steven Jay Schneider (New York University) Stephen Teo Titles in the series include: Slow Cinema Tiago de Luca and Nuno Barradas Jorge Traditions in World Cinema Expressionism in Cinema Linda Badley, R. Barton Palmer and Steven Jay Olaf Brill and Gary D. Rhodes (eds) Schneider (eds) French Language Road Cinema: Borders, Japanese Horror Cinema Diasporas, Migration and ‘New Europe’ Jay McRoy (ed.) Michael Gott New Punk Cinema Transnational Film Remakes Nicholas Rombes (ed.) Iain Robert Smith and Constantine Verevis (eds) African Filmmaking Coming of Age in New Zealand Roy Armes by Alistair Fox Palestinian Cinema New Transnationalisms in Contemporary Nurith Gertz and George Khleifi Latin American Cinemas Czech and Slovak Cinema Dolores Tierney Peter Hames Celluloid Singapore: Cinema, Performance and The New Neapolitan Cinema the National Alex Marlow-Mann Edna Lim American Smart Cinema Short Films from a Small Nation: Danish Claire Perkins Informational Cinema 1935–1965 C. Claire Thomson The International Film Musical Corey Creekmur and Linda Mokdad (eds) B-Movie Gothic: International Perspectives Justin D. Edwards and Johan
    [Show full text]
  • Exegesis (877.1Kb)
    Theo The production and promotion of a microfilm exploring the experience of a Chinese immigrant in Auckland Wenrui Dai An exegesis submitted to Auckland University of Technology in partial fulfillment of the requirements for the degree of Master of Creative Technologies (MCT) 2014 Theo The production and promotion of a microfilm exploring the experience of a Chinese immigrant in Auckland Wenrui Dai 2014 2 Table of Contents Attestation of Authorship ............................................................................................................................... 4 Acknowledgements ........................................................................................................................................ 5 Abstract .......................................................................................................................................................... 6 Introduction .................................................................................................................................................... 7 Chapter 1: Literature Review ......................................................................................................................... 9 1.1 Chinese emigrants and Chinese immigrants .................................................................................... 9 1.2 The Protagonist .............................................................................................................................. 11 1.3 Microfilm in China ........................................................................................................................
    [Show full text]
  • Documentary Production-Sem 4-For BA(H) Journalism by Shamita Harsh for 01.04.2020
    Unit 4 | Documentary ProductionFestivals & International Market !1 | Shamita Harsh Unit 4- Festivals & International Market What is a film festival? Film festivals are events staged by universities, private organizations, local governments, arts associations and/or film societies. They provide an opportunity for unknown filmmakers to get their movies in front of a real live audience and to have their films reviewed by professional critics. Filmmakers whose movies get accepted into a festival also get valuable press attention and exposure to prospective agents and buyers, not to mention a sometimes sizeable cash award if they win. Some festivals are broad in scope -- they welcome a wide range of subject matter and film lengths. But other festivals are far more specialized: They may accept only comedies, only Jewish films or only films made by female directors, for example. Some festivals are specific to one film genre, such as documentaries, or to one length, such as shorts. What differentiates a film festival from, say, the Academy Awards, is the open submission policy. Most festivals accept submissions from any filmmaker, regardless of his or her past experience or budget. A number of festivals even invite students to enter and may have a special award category for student films. As technology races forward, film festivals are evolving to keep pace. Many new filmmakers are starting to produce and edit their films on computers rather than on celluloid. And many film buffs are looking to the Internet for the latest independent releases. Following this trend, a number of festivals have expanded into the online arena. Toronto and Sundance are just two of the film festivals that have an online branch.
    [Show full text]