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11. STRATIGRAFIA E RESTAURI AL BROLETTO DI BRESCIA.Pdf
ARCHEOLOGIA DELL’ARCHITETTURA Supplemento di «Archeologia Medievale» diretta da Gian Pietro Brogiolo e Sauro Gelichi (responsabile) Comitato di direzione: Segreteria di redazione: GIAN PIETRO BROGIOLO Lea Frosini FRANCESCO DOGLIONI c/o Edizioni All’Insegna del Giglio s.a.s. ROBERTO PARENTI e-mail [email protected] GIANFRANCO PERTOT Edizione e distribuzione: Redazione: ALL’INSEGNA DEL GIGLIO s.a.s. GIOVANNA BIANCHI via della Fangosa, 38; 50032 Borgo San Lorenzo (FI) ANNA BOATO tel. +39 055 8450216 fax +39 055 8453188 web site www.edigiglio.it e-mail [email protected]; ANNA DECRI [email protected] FABIO GABBRIELLI PRISCA GIOVANNINI Abbonamenti: ALESSANDRA QUENDOLO GIAN PAOLO TRECCANI «Archeologia dell’Architettura»: € 28,00 «Archeologia dell’Architettura» + volume annuale RITA VECCHIATTINI «Archeologia Medievale»: € 70,00 Per gli invii in contrassegno o all’estero saranno addebitate le Coordinamento di redazione: spese postali. Giovanna Bianchi – [email protected] I dati forniti dai sottoscrittori degli abbonamenti vengono Anna Boato – [email protected] utilizzati esclusivamente per l’invio della pubblicazione e non Alessandra Quendolo – [email protected] vengono ceduti a terzi per alcun motivo. ARCHEOLOGIA DELL’ARCHITETTURA XIV 2009 All’Insegna del Giglio ISSN 1126-6236 ISBN 978-88-7814-433-0 © 2011 All’Insegna del Giglio s.a.s. Stampato a Firenze nel dicembre 2011 Nuova Grafica Fiorentina s.r.l. Edizioni All’Insegna del Giglio s.a.s via della Fangosa, 38; 50032 Borgo S. Lorenzo (FI) tel. +39 055 8450 216; fax +39 055 8453 188 e-mail [email protected]; [email protected] sito web www.edigiglio.it INDICE I. ASPETTI TEORICO-METODOLOGICI E LAVORI DI SINTESI 9 M. -
Different Faces of One ‘Idea’ Jean-Yves Blaise, Iwona Dudek
Different faces of one ‘idea’ Jean-Yves Blaise, Iwona Dudek To cite this version: Jean-Yves Blaise, Iwona Dudek. Different faces of one ‘idea’. Architectural transformations on the Market Square in Krakow. A systematic visual catalogue, AFM Publishing House / Oficyna Wydawnicza AFM, 2016, 978-83-65208-47-7. halshs-01951624 HAL Id: halshs-01951624 https://halshs.archives-ouvertes.fr/halshs-01951624 Submitted on 20 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Architectural transformations on the Market Square in Krakow A systematic visual catalogue Jean-Yves BLAISE Iwona DUDEK Different faces of one ‘idea’ Section three, presents a selection of analogous examples (European public use and commercial buildings) so as to help the reader weigh to which extent the layout of Krakow’s marketplace, as well as its architectures, can be related to other sites. Market Square in Krakow is paradoxically at the same time a typical example of medieval marketplace and a unique site. But the frontline between what is common and what is unique can be seen as “somewhat fuzzy”. Among these examples readers should observe a number of unexpected similarities, as well as sharp contrasts in terms of form, usage and layout of buildings. -
Milan and the Lakes Travel Guide
MILAN AND THE LAKES TRAVEL GUIDE Made by dk. 04. November 2009 PERSONAL GUIDES POWERED BY traveldk.com 1 Top 10 Attractions Milan and the Lakes Travel Guide Leonardo’s Last Supper The Last Supper , Leonardo da Vinci’s 1495–7 masterpiece, is a touchstone of Renaissance painting. Since the day it was finished, art students have journeyed to Milan to view the work, which takes up a refectory wall in a Dominican convent next to the church of Santa Maria delle Grazie. The 20th-century writer Aldous Huxley called it “the saddest work of art in the world”: he was referring not to the impact of the scene – the moment when Christ tells his disciples “one of you will betray me” – but to the fresco’s state of deterioration. More on Leonardo da Vinci (1452–1519) Crucifixion on Opposite Wall Top 10 Features 9 Most people spend so much time gazing at the Last Groupings Supper that they never notice the 1495 fresco by Donato 1 Leonardo was at the time studying the effects of Montorfano on the opposite wall, still rich with colour sound and physical waves. The groups of figures reflect and vivid detail. the triangular Trinity concept (with Jesus at the centre) as well as the effect of a metaphysical shock wave, Example of Ageing emanating out from Jesus and reflecting back from the 10 Montorfano’s Crucifixion was painted in true buon walls as he reveals there is a traitor in their midst. fresco , but the now barely visible kneeling figures to the sides were added later on dry plaster – the same method “Halo” of Jesus Leonardo used. -
Seconde Lezioni Selvatico
MONZA 44 d.C. – 1444 - UOMINI, ARCHITETTURE, DIADEMI IL DUOMO ANTECEDENTE ALL’ATTUALE – al tempo di Federico II, dei Torriani e dei Visconti. Federico II, imperatore del sacro romano impero (1194–1250) manifesta le proprie mire sul controllo dell’Italia. Nel nord risorge la Lega Lombarda e a Milano nel 1228, in previsione di un attacco imperiale di Federico, si rinforzano in più punti le mura, si crea la Società Dei Forti per la custodia del carroccio con a capo Enrico Da Monza. Nella diatriba fra papa e imperatore intanto si sono inserite le città della Lega Lombarda e riprende la secolare divisione fra guelfi e ghibellini. Nel 1231 Federico convoca una dieta a Ravenna dalla quale riafferma l'autorità imperiale sui comuni, ma ciò non ha alcuna influenza sugli eventi successivi. La Chiesa è minacciata da tempo dai movimenti eretici. Nel 1231 l’imperatore germanico firma la “Constitutio Haereticos Lombardiae “, che prevede il rogo per gli eretici e il taglio della lingua per i bestemmiatori. In sede locale l’arciprete Leone da Perego (Ministro Francescano Provinciale della Lombardia) nel 1233 pubblica una serie di statuti contro le sette di eretici, ordinando al Podestà di arruolare guardie per la ricerca e l’arresto degli eretici, a spese della comunità. La principale setta eretica del tempo sono i Catari. Essi intendono tornare al modello ideale di chiesa descritto nei Vangeli e negli Atti Degli Apostoli. Si auto definiscono Catari o «Uomini Puri». in genere vengono chiamati in modi diversi, prendendo il nome dal luogo in cui vivono: albigesi da Albi, concorezziani da Concorezzo, ecc. -
Ratiocinium in the Architectural Practice of Giuseppe Terragni Arian
Ratiocinium in the Architectural Practice of Giuseppe Terragni & its role in the relationship between architecture and the city during the modern movements in Italy Arian Korkuti Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Architecture and Design Research Steven R. Thompson Paul F. Emmons Committee Co-Chairs Mark E. Schneider Marc J. Neveu William U. Galloway III 07/31/2020 Blacksburg, Virginia Keywords: logos, type, rational, spirit, form copyright © 2020 arian korkuti Ratiocinium in the Architectural Practice of Giuseppe Terragni & its role in the relationship between architecture and the city during the modern movements in Italy Arian Korkuti ABSTRACT The architectural practice of Giuseppe Terragni (1904 - 1943) takes place during the twentieth century modern social movements, as architecture and urban form follow a major shift in the political conditions, in Italy and beyond. This dissertation is a demonstration of the quest for the rational in the architectural practice of Giuseppe Terragni. Furthermore, it sorts out the role of Terragni’s practice in the dichotomous relationships between city and architecture as well as state and project. Initially, it is the obligation of this dissertation to address questions of principles, in order to build a plenum1 for the relationship between the city and architecture. It traces movements 1 Assembled, staged grounding from where the building erects. through translatio and transformatio of architectural impression, in form and type, and its meta2 in concinnitas,3 in terms of legacy, legitimacy,4 and the rational5 in idea. -
Copyrighted Material
CHAPTER 1 INTRODUCTION At the beginning of the later Middle Ages, Italy contained more large cities than any other country in Europe. This might not seem particularly remarkable since an increasing proportion of the peninsula’s total population had begun to live in urban settlements as early as 1000 bc. As in the valleys of the Euphrates, Nile, Indus and Yangste millennia before, levels of agricultural production in Italy had started to yield an annual food surplus,1 releasing part of the workforce to make a variety of goods ranging from textiles and pottery to metalware, bricks and wooden artefacts, and allowing some to engage in trade – activities that tend to cluster together in terms of location so as to benefit from economies of scale, including agglomeration economies. Viewed thus, urbanisation was the outcome of the spatial concentration of social surplus production.2 It was a process that, throughout much of the 1st millennium bc, saw urban settlements of between 5,000 and 10,000 inhabitants founded by the Etruscans in northern and central Italy, while Italic tribes such as the Latini and Sabini created settlements throughout the rest of the peninsula, except in its heel and in Sicily where Greek colonisers established trading ports. By the late 4th century bc, the population of Italic Rome had probably reached 10,000 and was broadly similar in size to that of the largest of the Greek ports, Tarentum (present-day Taranto). Urbanisation inCOPYRIGHTED Italy, to a large extent, was MATERIAL reflected in the size of Rome. Dependent on its imperial economy, the population of the city reached a peak of between 1 and 2 million around ad 100, but thereafter for a thousand years it declined as the result of invasion by hostile peoples and the lack of means to sustain its economy. -
Elenco Mostre
Aldo Galli ELENCO MOSTRE Mostre alle quali Aldo Galli partecipò: 1933 - Como, Palazzo del Broletto, Mostra d'arte moderna, 24 maggio - 11 giugno 1935 - Como, Palazzo del Broletto, Mostra sindacale di arte, 2 ottobre 1940 - Como, Mostra sindacale provinciale 1941 - Como, Palazzo del Broletto, Mostra della sezione di Como del Sindacato Fascista di Belle Arti, 26-30 settembre 1942 - Como, Palazzo del Broletto, Mostra della sezione di Como del Sindacato Fascista di Belle Arti, 5-30 settembre 1943 - Como, Galleria Borromini, Artisti comacini, 1-14 novembre 1946 - Milano, Galleria Ciliberi, Mostra degli astrattisti, 8-31 gennaio 1947 - Parigi, Réalités nouvelles 2ème Salon 1948 - Como, Circolo della Stampa, Mostra di Bianco e Nero e di Ex-libris, 17 gennaio - 12 febbraio 1949 - Losanna, Musée Cantonal des Beaux-Arts, Exposition du livre italien, 5-24 marzo 1950 - Como, Palazzo del Broletto, Mostra del Sindacato Belle Arti di Como, 21 ottobre - 15 novembre 1950 - Parigi, Palais des Beaux-Arts, Réalités nouvelles 5ème Salon, 10 giugno - 15 luglio 1951 - Milano, Galleria Bompiani, Mostra storica dell'astrattismo italiano: i primi astrattisti italiani 1913- 1940, 20 marzo - 4 aprile 1951 - Milano, Galleria Bompiani, Astrattisti milanesi e torinesi, 19-26 aprile 1952 - Milano, Sala Bocca, Mostra di Bianco e Nero 1953-1954 - Milano, Palazzo della Permanente, Esposizione Nazionale d'Arte, Biennale di Brera e della Permanente 1954 - Lugano, Mostra di Ex libris 1955 - Losanna, Musée Cantonal des Beaux-Arts, Du futurisme à l'art abstrait. Le mouvement -
Castles Villas Gardens
CASTLES VILLAS GARDENS / Magazine / M a p Mappa_Magazine_COR.pdf 1 12/09/17 16.14 Mappa_Magazine_COR.pdf 1 12/09/17 16.11 Castles, Villas and Gardens #inLombardia Magazine Come and explore castles, royal residences, villas and gardens and discover a different Lombardy on a journey through enchanting scenery, fairytale castles, magnificent mansions and baroque “villas of delights” surrounded by exquisite gardens and botanical wonders. Six thematic itineraries to explore the region in a different light: In Search of an Author, In Leonardo’s Footsteps, Exploring Wine Cellars, Belvederes and Vistas, Family Friendly Adventures and Action! Over 160 attractions to be visited. Endless adventures #inLombardia. Cover_ Villa del Balbianello, Tremezzina (Como) i loghi vannoi allineloghi avtianno ai rispettivi allineati ma ai rgispettiviini este rmani dellagini es pategrniina della pagina Legend page 74 Legend page 74 Castles Reasons to visit… Defence outposts, impregnable fortresses, with enchanting lake views or beautiful terraces overlooking the city. Magical places, where visitors can experience all the delights, art and culture 2 Photo_ Dal Verme Castle, Zavattarello (Pavia) 3 Legend page 74 Legend page 74 Cavernago Bergamo Malpaga Castle San Vigilio Castle and Park Cavernago Bergamo From the outside this castle is an impregnable castle’s defence system to adapt it to the The San Vigilio Castle was the last bastion of surrounding area into a park and reopened the fortress. Inside is ample evidence of a court new technologies. He also renovated the the city’s defences: if San Vigilio fell, so did funicular, generally considered the best way to which enjoyed the finer things in life, with a castle’s interior, with new frescoes portraying Bergamo. -
Welcome to Milano All You Can Do in the City
WHERE MILAN PROJECT IS ENDORSED BY MARCH 2016 THE MONTHLY GUIDE TO Milan ® WELCOME TO MILANO ALL YOU CAN DO IN THE CITY NEW OPENINGS FASHION OUTLETS & FACTORY STORES SIGHTSEEING | MUSEUMS | ENTERTAINMENT | SHOPPING | DINING | MAPS Client -- McAGMcAG TypeType AreaArea -- n/an/a Initials -RS- RS Outlet -- SERAVALLE BleedBleed -- 3mmmm Scale -- 100100 Ad Type -- PRESS Date -- 11–02–201611–02–2016 Effective DPI -- >300 >300 PublicationPublication -- WHERE MILAN FileFile NameName -GL1082_7_SS16_it_Serravalle_Press_WhereMilanMarch_DPS_414x277mm_AW -GL1082_7_SS16_it_Serravalle_Press_WhereMilanMarch_DPS_414x277mm_AW SizeSize -- 414x277mmmm Milan March 2016 the guide 30 SHOPPING Pisa Orologeria has recently opened its new Flagship Store 62 FOOD & WINE 6 HOT DATES A one-of-a-kind food experience at Eataly Smeraldo, in the Porta Nuova district 66 DINING Bar Luce at the Fondazione Prada: a typical Milanese C café boasting a retro atmosphere M Y 74 ENTERTAINMENT 26 NEW OPENINGS 16 FOCUS la Verdi pays homage CM to the cinema with a MY great live synchronized CY performance WHERE MILAN PROJECT IS ENDORSED BY CMY MARCH 2016 THE MONTHLY GUIDE TO Milan ® 80 OUT OF TOWN K Contents Dream lakes lying north of Milan and five day-trip destinations 5 POINTS OF INTEREST 20 EXCLUSIVE STORES Discover the city, starting from Discover the city’s outlying 84 SIGHTSEEING WELCOME its main landmark attractions. fashion outlets. & MUSEUMS TO MILANO ALL YOU CAN DO Car enthusiasts can IN THE CITY NEW OPENINGS FASHION OUTLETS now visit the new & FACTORY STORES 6 HOT DATES 24 GIFT GUIDE SIGHTSEEING | MUSEUMS | ENTERTAINMENT | SHOPPING | DINING | MAPS Alfa Romeo Museum This month’s round-up of shows, Spring with its scents and DR.JAMES M. -
Legittimazione Personale E Costruzione Del Consenso La Statua Equestre Di Oldrado Da Tresseno (1233)
MARIA PIA ALBERZONI Legittimazione personale e costruzione del consenso La statua equestre di Oldrado da Tresseno (1233) 1. Le rappresentazioni plastiche o pittoriche di esponenti dei ceti diri- genti dei comuni, in special modo quelle esposte in luoghi o edifici le- gati all’esercizio del potere, sono decisamente rare, sia perché la carica di console o di podestà era a tempo determinato e limitato sia perché una autorappresentazione in uno spazio pubblico sarebbe potuta appa- rire contrastante con quell’amore alla libertà che, secondo il giudizio di Ottone di Frisinga, costituiva il movente della scelta dei comuni di darsi autonomi ordinamenti e si sarebbe potuta interpretare come una cele- brazione del potere personale e preludio di una signoria1. A prova di ciò basti ricordare che un capitolo del Liber de regimine civitatum di Giovanni da Viterbo (composto tra il 1260 e il 1270) si intitola: «Ut potestas se abstineat a laude sua» e che il frate domenicano milanese e cronista Galvano Fiamma, ancora agli inizi del XIV secolo nel Manipulus florum, proprio riferendosi al gruppo equestre collocato sulla facciata del Palaz- zo della Ragione, lo definiva un magnum vituperium 2. Sulla base del sondaggio effettuato da Saverio Lomartire in un fonda- mentale contributo esplicitamente dedicato alle raffigurazioni di espo- nenti del mondo comunale della prima metà del XIII secolo, i ritratti finora noti di podestà in carica si limitano a due disegni a penna en- trambi eseguiti in un manoscritto degli Annali genovesi di Caffaro e dei suoi continuatori, conservato nella Bibliothèque Nationale de France, 1 OTTONIS EPISCOPI FRISINGENSIS ET RAHEWINI Gesta Frederici seu rectius Cronica, hrsg. -
A Province to Be Explored a Province
Monza Coperta Ita.qxp:Layout 1 20-05-2009 17:07 Pagina 1 MONZA AND ITS PROVINCE MONZA AND ITS PROVINCE MONZA AND ITS PROVINCE A PROVINCE TO BE EXPLORED A PROVINCE Four itineraries explore architecture, nature, stately homes and gardens scattered across TO BE EXPLORED the 55 towns and cities in the new Province of Monza & Brianza. A journey through The art, nature and culture the history and traditions that have marked the roots and identity of an area at the centre of one of of Brianza Europe’s most highly industrialised zones. Monza Coperta Ita.qxp:Layout 1 20-05-2009 17:07 Pagina 2 Monza 001-035:Layout 1 20-05-2009 17:34 Pagina 1 MONZA AND ITS PROVINCE A PROVINCE TO BE EXPLORED The art, nature and culture of Brianza Andrea Spiriti – Laura Facchin Monza 001-035:Layout 1 25/05/09 14:26 Pagina 2 F DIREZIONE CENTRALE HEAD OFFICE TURISMO E AGRICOLTURA MONZA AND BRIANZA PROJECT Viale Piceno 60 Piazza Diaz 1 20052 Monza P 20129 Milano ot www.visitamilano.it www.provincia.milano.it/monzabrianza [email protected] Ita General Director - Monza and Brianza Pr oject in General Director Giuseppe Valtorta pr Tourism and Agriculture Pia Benci Project director – society and culture a Monza and Brianza pe Tourism Erminia Zoppè Monica Giudici pl Roberto Barelli Cultural and visitor events promotion tin Colette Perna for Monza and Brianza vi Anna Zetti Gianpiero Bocca Elena Gomiero is Carmen La Malfa ve Press Office Giulia Prada Giuseppe Baselice Alex Tonello za Communication and Press Office tio Marta Caratti co za Texts Andrea Spiriti ve Laura -
Milan 1790-1802: Music, Society and Politics in the City of Many Regimes
MILAN 1790-1802: MUSIC, SOCIETY AND POLITICS IN THE CITY OF MANY REGIMES Alessandra Palidda BA, BMus, MA Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy 2017 School of Music Cardiff University Image on the title page: 1800 engraving depicting the wax statue of Democracy melting under the sunrays emanating from the members of the Second Coalition (Austria, Russia, Portugal and the Ottoman Empire). Abstract Between the end of the eighteenth century and the beginning of the following one, the Napoleonic wars caused the whole of Northern Italy to live an unstable political era, the old absolutist regimes being replaced by republican states strongly subjected to France. In the case of Lombardy and its capital city Milan, for almost a century a part of the Habsburg Monarchy, this era was particularly intense and problematic: following the alternate outcome of the war, the government changed repeatedly from monarchy to republic over rather short time span. In a situation as such, rather unique in the history of the city, the various governments made a programmatic use of the arts and especially music for propaganda and control purposes. In Milan, a prominent venue for operatic performances already during the second half of the eighteenth century, musical theatre was identified as the primary vehicle for the dissemination of the rapidly changing political and social values and the monitoring of public opinion: La Scala opera house, at the very centre of Milan’s both musical and social life already in the Habsburg years, became the centre of diffusion of new cultural policies and social mechanisms.