Wendell Castle 1932 – 2018
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Education Guide – Community
CRAFT INeducation AMERICA guide: community 1 contents introduction Craft in America Mission Statement 3 Craft in America, Inc. 3 Craft in America: The Series 3 Viewing the Series 3 Ordering the DVD and Companion Book 3 Audience 3 Craft in America Educator Guides 4 How to Use the Guides 4 Scope and Sequence 4 themes Show Me 5 Hand in Hand 12 Continuity and Change 19 Worksheets 26 Additional Web Resources 34 National Art Education Standards 35 Credits & Copyright 35 On the cover Amy Rueffurt, Log #4 (JFK), 2007, Sibila Savage Photography 2 educator guide information Craft in America, Inc. Craft In America Inc. is a non-profit organization dedicated to the exploration of craft in the United States and its impact on our nation’s cultural heritage. The centerpiece of the company’s efforts is the production of a nationally broadcast television documentary series celebrating American craft and the artists who bring it to life. The project currently includes a three-part television documentary series supported by CRAFT IN AMERICA: Expanding Traditions, a nationally touring exhibition of exceptional craft objects, as well as a companion book, and a comprehensive Web site. Carol Sauvion is the founder and director of Craft in America. Craft in America Mission Statement The mission of Craft in America is to document and advance original handcrafted work through programs in all media made accessible to all Americans. Craft in America: The Series Craft in America’s nationally broadcast PBS documentary series seeks to celebrate craft by honoring the artists who create it. In three episodes entitled Memory, Landscape and Community, Craft in America television viewers will travel throughout the United States visiting America’s premier craft artists in their studios to witness the creation of hand- made objects, and into the homes, businesses and public spaces where functional art is employed and celebrated. -
Craft in America Mission Statement 3
CRAFT INeducators AMERICA guide: memory Sam Maloof, Double Rocker, Gene Sasse Photo 1 contents introduction Craft in America Mission Statement 3 Craft in America, Inc. 3 Craft in America: The Series 3 Viewing the Series 3 Ordering the DVD and Companion Book 3 Audience 3 Craft in America Educator Guides 4 How to Use the Guides 4 Scope and Sequence 4 themes Fragments 5 Roots 12 Hand to Home 19 Worksheets 26 Additional Web Resources 36 Credits & Copyright 37 2 educator guide information Craft in America, Inc. Craft In America Inc. is a non-profit organization dedicated to the exploration of craft in the United States and its impact on our nation’s cultural heritage. The centerpiece of the company’s efforts is the production of a nationally broadcast television documentary series celebrating American craft and the artists who bring it to life. The project currently includes a three-part television documentary series supported by CRAFT IN AMERICA: Expanding Traditions, a nationally touring exhibition of exceptional craft objects, as well as a companion book, and a comprehensive Web site. Carol Sauvion is the founder and director of Craft in America. Craft in America Mission Statement The mission of Craft in America is to document and advance original handcrafted work through programs in all media made accessible to all Americans. Craft in America: The Series Craft in America’s nationally broadcast PBS documentary series seeks to celebrate craft by honoring the artists who create it. In three episodes entitled Memory, Landscape and Community, Craft in America television viewers will travel throughout the United States visiting America’s premier craft artists in their studios to witness the creation of hand- made objects, and into the homes, businesses and public spaces where functional art is employed and celebrated. -
CRAFT in Americacommunity: Show Me
CRAFT IN AMERICAcommunity: show me Preview Craft forms known to us to today would not exist if it were not for the artists. For thousands of years they have carried on tradi- tions; some remain true to long established practice while others add their own twist. In this section of Educator Guide: Com- munity, students will learn that artists such as Mary Jackson and instructors at craft schools like Penland School of Craft have an innate desire to share what they have learned. Artists and schools like these function with the understanding that in order for craft traditions to exist in the future, they must share what they know. They must teach others. Featured Artists Penland School of Craft (fiber/Community) Mary Jackson (basket maker/Memory) Related Artists Mira Nakashima (wood/Landscape) Denise Wallace (jewelry/Community) 1 contents show me Introduction 5 Penland School of Craft 6 Mary Jackson 7 The Craft Connection 8 Craft in Action 9 Craft in the Classroom 10 Make 11 Worksheets 12 Additional Web Resources 36 Credits & Copyright 37 2 education guide information Craft in America, Inc. Craft In America Inc. is a non-profit organization dedicated to the exploration of craft in the United States and its impact on our nation’s cultural heritage. The centerpiece of the company’s efforts is the production of a nationally broadcast television documentary series celebrating American craft and the artists who bring it to life. The project currently includes a three-part television documentary series supported by CRAFT IN AMERICA: Expanding Traditions, a nationally touring exhibition of exceptional craft objects, as well as a companion book, and a comprehensive Web site. -
Oral History Interview with Michael W. Monroe, 2018 January 22-March 1
Oral history interview with Michael W. Monroe, 2018 January 22-March 1 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Michael Monroe on January 22 and March 1, 2018. The interview took place at the home of Michael Monroe in Bellevue, WA, and was conducted by Lloyd Herman for the Archives of American Art, Smithsonian Institution. Michael Monroe and Lloyd Herman have reviewed this transcript. Their corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview LLOYD HERMAN: This is Lloyd Herman interviewing Michael Monroe at his home in Bellevue, Washington, on January 22, 2018 [for the Archives of American Art, Smithsonian Institution]. Michael, would you tell us when and where you were born and your parents' names? MICHAEL MONROE: My name is Michael Wesley Monroe, and I was born in Racine, Wisconsin, on the shores of Lake Michigan, on February 12, 1940. My father's name was Wesley Robson Monroe, and my mother's name was Margaret Petersen Monroe. I was one of five children growing up in the Midwest. LLOYD HERMAN: Were your siblings older or younger, and male or female? MICHAEL MONROE: Well, as I said, I'm one of five children. So I have an older brother born in 1936; myself, male, in 1940; and then a child in 1944, a brother; 1948, a sister; and 1952, another brother. -
2017 APRIL 27-30, 2017 NATIONAL BUILDING MUSEUM WASHINGTON, DC Bring the Beautiful World of Handmade Clothing, Jewelry and Beads Into Your Life
Smithsonian Craft Show 35th anniversary 2017 APRIL 27-30, 2017 NATIONAL BUILDING MUSEUM WASHINGTON, DC Bring the Beautiful World of Handmade Clothing, Jewelry and Beads Into Your Life 5 ISSUES 1-YEAR PRINT/DIGITAL $29.99 DIGITAL $25.00 David Freda ORNAMENT 39.2 Globally Inspired. Crafted in America. Subscribe Today. 800.888.8950 ◆ ornamentmagazine.org Smithsonian2017.indd 1 2/16/17 4:48 PM Celebrating the 35th Bring the Beautiful World Smithsonian Craft Show APRIL 27-30, 2017 | NATIONAL BUILDING MUSEUM | WASHINGTON, DC of Handmade Clothing, Jewelry and Beads Into Your Life CONTENTS PREVIEW NIGHT BENEFIT 2 Friends Night Out WEDNESDAY, APRIL 26 Reception | Awards | Cocktail Buffet 3 Special Events 5 Letter from the Secretary 5:00–6:00 pm RECEPTION FOR HONORARY CHAIR 5 ISSUES 1-YEAR 7 Letter from the Craft Show 2nd floor Commissioner’s Suite Co-Chairs 6:00–6:30 pm 7 Craft Show Committee PRINT/DIGITAL VISIONARY AND EXHIBITOR AWARD CEREMONIES 9 Honorary Chair Craft Show Floor $29.99 11 Visionary Award 6:30–9:30 pm 12 Highlights of Grants Funded by the COCKTAIL BUFFET DIGITAL Smithsonian Women’s Committee Craft Show Floor and Auditorium $25.00 14 Online Auction 15 Raffle FRIENDS NIGHT OUT 16 Smithsonian Craft Show Awards THURSDAY, APRIL 27 | 5:00–8:00 pm 17 Selection Process and Jurors David Freda 19 Smithsonian Craft Show Sponsors CRAFT SHOW HOURS ORNAMENT 39.2 THURSDAY, APRIL 27 10:30 am–8:00 pm 21 Program Partners FRIDAY, APRIL 28 10:30 am–5:30 pm 23 Thank Yous SATURDAY, APRIL 29 10:30 am–5:30 pm 24 Map of Exhibition Hall / SUNDAY, APRIL 30 11:00 am–5:00 pm Exhibitors by Category 26 Exhibitor Directory ONLINE INFORMATION 41 Smithsonian Women’s SmithsonianCraftShow.org | SmithsonianAuctions.org Committee Members 48 Advertisers Index Smithsonian Women’s Committee Globally Inspired. -
For the Creative Professional Working in Hot, Warm, and Cold Glass November/December 2015
For the Creative Professional Working in Hot, Warm, and Cold Glass November/December 2015 $7.00 U.S. $8.00 Canada Volume 30 Number 6 www.GlassArtMagazine.com Pro Series THE ARTIST WHY RYAN LIKES THIS KILN Ryan Staub is a glass artist who has • Best one on the market. blown glass in 11 different coun- • Gathering port is just right, not so tries and territories, working with all small it’s hard to gather out of, not kinds of glass and glass equipment. so big it dumps all the heat when He currently owns and operates you gather. his own studio in his hometown of • Great for a small home or garage Seattle, Washington. His work can studio. be found in many collections world- • Good addition to a full sized glass- wide as well as online at: blowing studio as an affordable www.ryanstaub.com color pot. • Easy to ramp down slowly, minimiz- ing risk to your crucible. Find out more at • Small and easy to store when not in skutt.com use. • Easily programmable controller with indefinite hold. • Easy to install. • Low energy use, high efficiency. (Average cost is $15/day) staub Gas.indd 1 1/15/14 1:31 PM Letter from the Editor 4 Reaping the Benefits of Shared Learning by Shawn Waggoner Historical Perspectives Tina Oldknow November/December 2015 Volume 30,Number 6 6 A Curator’s Legacy by Shawn Waggoner GAS News 16 Gas Announces Its 2016 Awards by The Staff of Glass Art Society Glass Talk 18 Pilchuck: A Dance with Fire Airs on PBS by Shawn Waggoner Skills and Techniques 22 Making Cameo Paperweights Design, Fabrication, and Text by Thor Walker Educational Glass The Glass Workshop at ANU Canberra 26 Reciprocity of Ideas and Materials by Colleen Bryan RAGS News 30 RAGSfest 2015 by Stan Price Marketing Easy and Effective Ways to Participate 32 in Social Media Groups by Mark Veit Winning Glass 34 The Glass Craft & Bead Expo 2015 Gallery of Excellence Retailer Profile Janet Parkhurst 40 Business as a Creative Enterprise by Colleen Bryan SGAA News 44 Verdant Beauty, Espresso, and Warm Glass by Bryant J. -
Full Document Preface
Full Document Table of Contents Preface White Paper, Executive Summary of Proceedings Proceedings of the North Carolina Summit Retreat on Craft edited by Lynn Jones Ennis Appendix A: Biographical Sketches of Participants Appendix B: Responses to White Paper Appendix C: Cost Estimates for Strategies Preface Top Over the last three decades the question of how to better Although those attending were unified in their affirmation position craft in academia and the curatorial world has of a strategic approach to the advancement of craft, there been the topic of several national meetings. Although was significant concern that this meeting would end like there has been general agreement on the need to other craft meetingswith no specific direction or next advance craft in the art world, no clear strategies have steps. A skilled facilitator, Randy Seigel, and careful evolved to accomplish this goal. In some of the past recording of the sessions (later to be edited by Lynn efforts, language became a stumbling block with no clear Jones Ennis), gave this retreat structure that resulted in consensus on the definition of "craft" itself. the prioritized strategies outlined in the Proceedings and summarized in the White Paper. Initial planning by the board of the Center for Craft, Creativity and Design suggested a national conference A June 2002 mailing of the White Paper to a listing of where the issues surrounding craft could be debated. more than 80 additional national craft leaders elicited After a meeting of a focus group comprising professional initial responses to the strategies, found in Appendix B. craft artists, museum curators and educators, the board By September 2002 the full proceedings will be decided a "Summit Retreat" format would best serve to distributed nationally to colleges, museums and craft develop concrete strategies that could then be evaluated organizations. -
DVD Catalog 2021-2022
DVD/VHS Catalog – Visual Resources Library TITLE DESCRIPTION RUNTIME TYPE LOC ITEM or CALL # 10 Buildings That Changed America tells the story of 10 influential works of architecture, the people who imagined them, and the way these landmarks ushered in innovative cultural shifts throughout our society. From American architectural stalwarts like Louis Sullivan and Frank Lloyd Wright, to modern revolutionaries 10 Buildings That Frank Gehry and Robert Venturi, this program examines the most prominent 60min DVD VRL Changed America buildings designed by the most noteworthy architects of our time. Includes: Virginia State Capitol, Trinity Church, Wainwright Building, Robie House, Highland Park Ford Plant, Southdale Center, Seagram Building, Dulles International Airport, Vanna Venturi House, and Walt Disney Concert Hall. Each building can be viewed separately. (PBS Home Video) The National Gallery of Art's East Building is a constantly changing mosaic where the expanding collection of twentieth-century art on view includes paintings, sculpture, and works on paper by American artists such as Calder, Smith, de 20th-Century Kooning, Bearden, and Lichtenstein. Titles include: Mobile by Alexander Calder 1hr54min DVD VRL DV338 American Art (24min), David Smith, American Sculptor, 1906-1965 (28min), Willem de Kooning: Paintings (12min), The Art of Romare Bearden (30min), and Roy Lichtenstein: The Art of the Graphic Image (20min). (National Gallery) Among the collections of the National Gallery of Art are outstanding paintings and sculpture by twentieth-century European artists Rousseau, Matisse, Picasso, and Moore. These five documentary programs were produced in conjunction with major retrospective exhibitions organized by the Gallery. Each video incorporates 20th-Century biographical information, in-depth looks at individual works of art, archival 1hr59min DVD VRL DV337 European Art photographs, and interviews with curators and scholars. -
Silent Auction
Sponsorship Opportunities Available Partner with Penland and become an official sponsor of this event! If your company is interested, please reach out to us at 828.765.2359 x1205 We can’t wait to hear from you! Penland School of Craft receives support for its programs from the North Carolina Arts Council, a division of the Department of Natural & Cultural Resources. Auction Committee Auction Sponsors Catherine Williams, chair SOFA Chicago 2020 Cathy Adelman American Craft Council Judy Alexander David H Ramsey Commercial Photography Lisa Anderson WNC magazine Larry Brady Society of North American Goldsmiths/ Amy Hockett Metalsmith magazine Priscilla Kistler The Laurel of Asheville magazine Steve Miller Sculpture magazine Rich Osborne EbenConcepts Kari Rinn Sysco Foods of Knoxville Fred Sanders Highland Brewing Tim Tate Blue Ridge Printing Clif Bar & Company AUCTION COMMITTEE & SPONSORS Post Office Box 37 Penland, NC 28765–0037 828.765.2359 • penland.org 2 Dear Friends of Penland, WELCOME Welcome to Penland’s 35th Annual Benefit Auction! As we began, some months ago, to come to grips with the many things we would not be able to offer our community this year, we decided that one thing we could do was put on this event—in a radically altered form if need be. Of course, Penland School has an urgent need for support right now, but we also need chances to come together, to share, and to celebrate. Even in a time like this, Penland is a point of connection for people who want to make a better world through the care, attention, and skill that is craft. -
Art & Other Tactics
ART & OTHER TACTICS CONTEMPORARY CRAFT BY ARTIST VETERANS S EPTEMBER 26, 2015 — M ARC H 27, 2016 This exhibition is co-presented with Craft in America, the Craft and Folk Art Museum, Los Angeles and the Museum of Craft and Design, San Francisco. Seg- ments from the Service episode can be viewed on monitors located in the gallery. the greatest generation: harrison Mcintosh—Army Medic (1942-1944) WWii Veterans 10 the silent generation: Peter Voulkos—Army Airforce Nose-Gunner korean War Veterans (1943–1946) 2 and the cold War earl Pardon— Army First Sergeant (1944-1946) JaMes bassler—Army (1951-1953) 3 12 Frances senska—Navy Lieutenant (1942-1946) Val cushing —Army Police Officer (1952-1954) 4 13 Jb blunk—Army Lieutenant (1949-1951) arthur esPenet carPenter—Navy 14 Lieutenant (1942-1945) 4 JiM leedy—Army Military photographer (1951–1952) Warren Mackenzie—Army silk-screen Techni- 15 cian (1943-1946) 5 dolPh sMith—Army Intelligence Officer (1954-1957) otto heino—Airforce Crew Chief and Gunner 16 (1941-1946) 5 John Marshall—Army Paratrooper (1954-1957) raMona solberg—Women’s Army Corps 17 Information and Education Sergeant (1943-1950) 6 PhiliP cornelius—Army (1957-1960) 18 WilliaM daley—Army Air Corps Staff Sergeant (1943-1945) 7 don reitz—Navy Diver (1948-1952) 19 Paul soldner—Army Medic (1942-1945) 7 hidden scars: artist Veterans Who serVed in harVey littleton—Army Signal Corps VietnaM Intelligence Corporal (1942-1945) 8 robin shores— Navy Machinist (1963-1969) ed rossbach—Army Signal Corp (1942-1945) 22 9 Combat Paper Drew Cameron roger horner—Army -
Newglass Review 22
eview The Corning Museum of Glass NewGlass Review 22 The Corning Museum of Glass Corning, New York 2001 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made between der Voraussetzung ausgewahlt, dass sie zwi- October 1, 1999, and October 1, 2000. schen dem 1. Oktober 1999 und dem 1. Okto- ber 2000 entworfen und gefertig wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Review konnen angefordert werden bei: The Corning Museum of Glass Buying Office One Museum Way Corning, New York 14830-2253 Telephone: (607) 974-6479 Fax: (607) 974-7365 E-mail: [email protected] To Our Readers An unsere Leser Since 1985, New Glass Review has been printed by Seit 1985 wird New Glass Review won der Ritterbach Ritterbach Verlag GmbH in Frechen, Germany. This Verlag GmbH in Frechen, Deutschland, gedruckt. Dieser firm also publishes NEUES GLAS/NEW GLASS, a Verlag veroffentlicht seit 1980 auBerdem NEUES GLAS/ quarterly magazine devoted to contemporary glass- NEW GLASS, eine zweisprachige (deutsch/englisch), making. vierteljahrlich erscheinende Zeitschrift, die uber zeitge- New Glass Review is published annually as part of the nossische Glaskunst weltweit berichtet. April/June issue of NEUES GLAS/NEW GLASS. It is Die New Glass Review wird jedes Jahr als Teil der Mai- also available as an offprint. Both of these publications, ausgabe von NEUES GLAS/NEW GLASS veroffentlicht. as well as subscriptions to New Glass Review, are avail Sie ist aber auch als Sonderdruck erhaltlich. -
Wendell Castle
1 Wendell Castle Born: November 6, 1932 Birthplace: Emporia, Kansas Education 1961 UNIVERSITY OF KANSAS, Sculpture MFA 1958 UNIVERSITY OF KANSAS, Industrial Design BFA Academic Appointments 1984-present ROCHESTER INSTITUTE OF TECHNOLOGY, School for American Craftsmen, Artist-in-Residence, Rochester, NY 1980-1988 WENDELL CASTLE SCHOOL, Scottsville, NY 1969-1980 STATE UNIVERSITY OF NEW YORK, Brockport, NY 1962-1969 ROCHESTER INSTITUTE OF TECHNOLOGY, School for American Craftsmen, Rochester, NY 1959-1961 UNIVERSITY OF KANSAS, Lawrence KS Grants and Honors 2013 The Eastman Medal, THE UNIVERSITY OF ROCHESTER, Rochester, NY. 2013 Honorary Degree, Doctor of Fine Arts, THE UNIVERSITY OF KANSAS, Lawrence, KS. 2012 Lifetime Achievement Award. ARTS & CULTURAL COUNCIL, Rochester, NY. 2010 Induction into the ROCHESTER INSTITUTE OF TECHNOLOGY “Innovation Hall of Fame. “ 2007 Lifetime Achievement Award. BROOKLYN MUSEUM/MODERNISM AWARD for Excellence in Design. 2003 Outstanding Achievement Award. THE NATIONAL ASSOCIATION OF SCHOOLS OF ART AND DESIGN, Los Angeles, CA. 2001 Fine Arts Distinguished Achievement Award. UNIVERSITY OF KANSAS, Lawrence, Kansas. 2001-2004 Honorary Board Member. CENTER FOR FURNITURE CRAFTSMANSHIP, Rockport, Maine. 2001 Award of Distinction, THE FURNITURE SOCIETY. NELSON FINE ARTS CENTER, Arizona University, Tempe. 1999 Master of the Medium by THE JAMES RENWICK ALLIANCE of The National Museum of American Art, D.C. 1998 Lifetime Achievement Award, THE ARTS & CULTURAL COUNCIL FOR GREATER ROCHESTER, NY 1997 Gold Medal, AMERICAN CRAFT COUNCIL AWARDS. 1997 Honorary Degree, Doctor of Fine Arts, STATE UNIVERSITY OF NEW YORK, College at Brockport 1994 Visionaries of the American Craft Movement. AMERICAN CRAFT MUSEUM 1973-1999 WHO'S WHO IN AMERICAN ART 2 1993 Trustee Emeritus, AMERICAN CRAFT COUNCIL, NYC.