BIOGRAPHIES 34th Annual BenefitAuction 34th Annual August 9&10,2019 Penland School of Craft receives support for its programs from the North Carolina Arts Council, a division of the Department of Natural & Cultural Resources. Auction Committee Auction Sponsors Catherine Williams, chair Auction Benefactor ($7,500) Cathy Adelman Laura and Mike Grace Judy Alexander SOFA CHICAGO 2019 Lisa Anderson Larry Brady Auction Supporter ($5,000) Wade Brickhouse American Craft Council Laura Babb Grace Frank Kiker, Tryon Distributing Onay Gutierrez David H. Ramsey Commercial Photography Amy Hockett Society of North American Goldsmiths Priscilla Kistler and Metalsmith magazine Virginia Kraus WNC magazine Kari Rinn Auction Patron ($2,500) Fred Sanders

AUCTION COMMITTEE & SPONSORS Center for Carolina Living and Tim Tate CarolinaLiving.com The Laurel of Asheville magazine Artist Table Sponsor ($1,500) Larry Brady Classic Event Rental EbenConcepts Norman Sound & Productions, Inc. Sculpture magazine US Foods Beverage Sponsors Highland Brewing Wicked Weed Brewing Auction Contributors Blue Ridge Printing Blue Ridge Soap Shed Clif Bar and Company Edwina Bringle Grassy Creek Hardware Ingles Markets, Inc. Massive Booth Mountain City Coffee Roasters Sysco Foods of Knoxville

Post Office Box 37 Penland, NC 28765–0037 828.765.2359 • penland.org 2 WELCOME 3

Auction,

chair Steve Miller, Steve director Have a great weekend, and thanks again for being part of the wonder that is that wonder the of part being for again thanks and weekend, great a Have As you enjoy the many activities and events, make sure you also take time to visit with visit to time take also you sure make events, and activities many the enjoy you As Mia Hall, Mia old friends, get to know new ones, to laugh, and to enjoy the spectacular view. As you view. As spectacular the enjoy to and laugh, to ones, new know to get friends, old often so turmoil and difficulty the that hope we road, winding the up way your make you time the that and turn, each at more little a just dissipate will life everyday in found fulfilling. and uplifting be always will Penland at spend Craft. of School Penland Dear FriendsDear of Penland, Benefit Annual 34th Penland’s to all you welcome to pleasure a and honor an is It which is happening during the school’s 90th year (see page 15). This is a gathering of the of gathering a is This 15). page (see year 90th school’s the during happening is which who staff, and volunteers the artwork; their donated generously whom of many artists, and weekend event-filled an enjoy to come who guests, our and possible; event this make this of energy the place, this for love our is here all us brings What school. the support to are We itself. making of power the and education, lifelong of importance the community, col- our share to and event fundraising this through Penland celebrate and support to here make. can humans things beautiful the at awe lective Volunteers and staff, 2018 edition. 2018 staff, and Volunteers 4 SCHEDULE OF EVENTS THUR F R IDAY

4:00 –6:00 6:00 3:00 –4:00 2:00 –6:00 2:00 –4:00 1:00 –7:30 guests. LucyMorganLeaderscontribute$1,000ormoretoPenland’sannualfundeachyear. The galleryreception,dinner,andpreviewarebyinvitationtoLucyMorganLeadersspecial 7:00 –9:00 5:00 –6:30 7:15 –8:30 7:45 –8:45 8:30 –9:00 8:30 –10:00 1:00 8:45 6:45 6:15 PM SDAY PM PM PM PM Buffet Tent DinnerAuction Exhibition andGalleryReceptionPenland Gallery

ATribute toRobertEbendorf, Penland School ofCraft Payment Table Closes PinesPorch SilentAuctionClosesPhotoStudio 2019 OutstandingArtistEducator Preview FridayLiveAuctionWorkPreview PhotoStudio in theFocusGallery.GallerytalkwithHossHaleybeginsat1:30 in theJohnandRobynHornGalleryWear|ContemporaryJewelry Join ustoviewtheexhibitionHossHaley|CorrectionLine the Penlandkitchenstaff,followedbyapreviewofFridayandSaturdayauctionwork. Mia HallhostsspecialguestsincludingLucyMorganLeadersfordinnerpreparedby Focus Gallery.HossHaleywillbeinattendance. in theJohnandRobynHornGalleryWear|ContemporaryJewelry Join usforcocktailsandtoviewtheexhibitionHossHaley|CorrectionLine Gorelick SocialHall,Northlight 2019 OutstandingArtistEducator August 9 PM PM PM PM PM PM PM PM PM PM PM

Auction Tent LiveAuction Registration Table OpenPenland Gallery Payment Table OpenPinesPorch Exhibition andGalleryCocktail Reception

Purchases Availablefor Purchases Pick-Up Print Studio August 8 MassivePhotoBooth Core Fellows Northlight North, OpenHouseGallery Cocktails,SilentAuction, Saturday Dessert/Coffee AuctionPreview, Reception, LiveMusic Director’s DinnerandExhibition MainCampus Preview Honoring RobertEbendorf, Penland SchoolofCraft

Northlight

Auction TentAuction Gorelick SocialHall,Northlight

Penland Gallery pm .

SCHEDULE OF EVENTS 5

Dye Shed Dye

Penland Gallery Penland

Penland Gallery Penland

Gallery North, Northlight

Registration Table Open Table Registration

PM Resident Artist Resident at The Barns Studios Coffee Auction Purchases Available for Pick-Up Pick-Up Auction Purchases for Available Gallery Reception Penland Payment Table Open Pines Porch Table Payment Live Auction Auction Tent AM August 10 August PM PM PM PM Cynosures* Available for Purchase Auction Tent Available for Cynosures* Y – Noon

NorthlightMassive Photo Booth Gorelick Social Hall, NorthlightSilent Auction Gorelick Open House Fellows Core Make a purchase of $100 or more at the Penland Gallery on Friday or Saturday Make a purchase of $100 or more at the Penland a drawing for a $500 of auction weekend, and you will be entered into Penland Gallery gift certificate. Details on page 8. Resident artists welcome guests to their studios for light fare and coffee served in studios for light fare welcome guests to their Resident artists mugs by Nicki Strouss. handmade souvenir Cynosures* Available for Pick-Up Pines Porch Pick-Up Available for Cynosures* A Buffet Lunch Begins Auction Lunch Tent Buffet – 12:30 Gorelick Social Hall, Northlight Gorelick Silent Auction Closes AM AM

AM AM Noon 1:00 – 4:30 3:30 – 5:00 1:00 – 3:30 11:45 While you are at Penland over the weekend, we encourage you to visit we encourage you to visit While you are at Penland over the weekend, at the Penland Gallery. artist studios in the area. Information is available to the refers it is a person or thing that is the center of attention. In this case cynosure *A details. beautiful at the center of the tables under the tent. See page 8 for objects

10:00 8:30 10:00 9:00 – 10:30 9:00 – 10:30

3:30 – 5:00 D TUR SA 6 MAP

Photo (upstairs) Gallery North (ground level) Northlight Gorelick Social Hall

Drawing/Painting Print

Books Porch

Main Office

Supply Dye Shed Store The Pines AUCTION TENT The Roost Accessible Auction Registration Parking Resident Artist Studios Penland Gallery 1/2 mile Parking 1/2 mile SPECIAL INFORMATION 7

8. percent discount at the the at discount percent 10

PM in the John and Robyn Horn Robyn and John the in

PM Hoss Haley|Correction Line Haley|Correction Hoss 5:00 – 6:30 5:00 – 6:30

invited to the following events on Thursday, August Thursday, on events following the to invited or more per year to the Penland annual fund fund annual Penland the to year per more or $1,000 contribute Leaders Morgan Lucy at Office Development Penland’s contact Leader, Morgan Lucy a become To Enjoy a special meal made by the Penland kitchen followed by a preview of the of preview a by followed kitchen Penland the by made meal special a Enjoy work. auction Saturday and Friday are group giving important this of Members needs. operating unrestricted support to a receive they and events, special in participate to invited events. and activities about updates as well as store supply and Gallery Penland 1206ext. 828.765.2359, penland.org/support. online: contribute or Lucy Morgan Leaders Morgan Lucy support, generous your celebrate To Leaders. Morgan Lucy our of all to you Thank you areyou Reception Gallery Cocktail Penland’s terrain is steep and uneven. Although we are engaged in an ongoing effort toeffort ongoing an in engaged are we Although uneven. and steep is terrain Penland’s can this and campus, over all place take events auction accessible, more campus our make drivers shuttle and attendants parking the let please arrive, you When challenges. present here time your make to you with work will we and needs, access special have you if know possible. as enjoyable and easy as Accessibility Gallery auction of Saturday or Friday on Gallery Penland the at more or $100 of purchase a Make certificate. gift Gallery Penland $500 a for drawing a into entered be will you and weekend, Director’s Dinner and Exhibition Preview 7:00 – 9:00 Director’s Dinner and Join us to view the exhibition the view to us Join in be will Haley Hoss Gallery. Focus the in Jewelry Wear|Contemporary and Gallery attendance. 8 CYNOSURES will beunique.Variationsaretoexpected. Cynosures are$395each.Theseimagesrepresentative,buteachpieceattheauction win the piece, we will ship it after the event. Shipping cost will be added; allow 4–6 weeks. can’t guarantee they will be the first one to that centerpiece when purchasing begins. If you centerpiece of their choice. Our team will do their best to secure the centerpiece, but we Saturday. Friday attendees may visit the registration tent and place an absentee bid for the who studied with this year’s Outstanding Artist Educator, the inimitable Bob Ebendorf. and all remarkable. They have been made just for the auction by a handful of Penland artists tent. This year, each table will feature cynosures in metal—some sculptural, some functional, fit for the creative, eye-catching, often unconventional artworksthat adorn the tables under the After years of referring to them as “centerpieces,” we’ve decided to use a term that’s a better its brilliance, interest, etc. cynosure (noun): a center of attraction; something that strongly draws attention by Cynosures

The pieces will be available for purchase under the tent beginning at 10:00

(wrapped three times) 27 x 8 x 11/4 inches Sterling silver, paracord, rubber Stack/wrap Caroline Gore

Charity Hall

Kinetic Dragonflyno.5 Brass, copper, silver, steel, garnet, 71/2 x 51/2 x 8inches spinel, dolomite, enamel 31/8 x 31/8 x 1/4inches cord linoleum, Brass, sterling silver, Floors Gregonis Jana

on am on

CYNOSURES 9

Laura Wood Candy Corsage Tara Locklear Parallel Parures necklace: 10 x 8 inches 8 x 10 necklace: countertops), dyed maple veneer, maple dyed countertops), silver sterling oxidized 2 inches; x 31/2 brooch: inches; 1 x 2 earrings: coat, powder silver, sterling Brass, calcite cobalt inches 11/4 x 4 x 4 Recycled skateboards, Recycled plastic (post-consumer Durat

Kathryn Osgood Ocean Lace beads seed fabric, sterling, enamel, Copper, x 1/2 inches x 33/4 33/4

Copper; hand-raised vessel with vessel hand-raised Copper; chasing and forming hammer inches 23/4 x 3 Tim Lazure Tim Vessel Untitled 10 OUTSTANDING ARTIST EDUCATOR Robert Ebendorf, 2019 Outstanding Artist Educator Artist Robert Ebendorf,2019 Outstanding Achievement Award from the Society of North American Goldsmiths (SNAG), of which fellowship, and he is a fellow of the American Craft Council. He’s received a Lifetime fellowship, a Louis Comfort Tiffany Foundation grant, a National Endowment for the Arts Artist Educator, and no title could better fit jeweler and metalsmith Robert Ebendorf. community asamaker,teacher,mentor,andinspiration.WecallthispersonourOutstanding Each year at the auction, Penland honors an artist for their exceptional contributions to our Penland workshop. With co-teacher Jim Cotter and the students in their 2011 Robert’s list of credentials and honors is extensive. He has received a Fulbright

Museum of Wales. Boston, and the National the Museum of Fine Arts Décoratifs (Montreal), the Musée des Arts Albert Museum (London), (NYC), the Victoria and Metropolitan Museum worldwide including the His work is in collections of the Medium award. him with their Masters Renwick Alliance honored past president. The James he is a co-founder and

OUTSTANDING ARTIST EDUCATOR ARTIST OUTSTANDING

In 2004, his work was the subject of a forty-year retrospective exhibition at the Smithsonian’s Renwick Gallery (DC). Robert was a pioneer in the use of common materials and found objects in jewelry, and in doing so, he raised questions about the very nature of preciousness. “I’m a great gleaner,” he said in an interview for the Form and Concept Gallery in Santa Fe. “When I’m walking I’m picking things up that something ran over, a stone in the dumpster, it’s going to go to the landfill, and reconstructing it into my world and bringing it back out into the universe for another journey…. My work is not about intrinsic value. I think the value is in my sense of design and my language.” That lan- guage is playful, thoughtful, surprising, and sometimes gleefully excessive but always grounded in a deep knowledge of traditional metalwork. Through it all, he has been a teacher—a dynamic, invested, encouraging teacher. He has inspired thousands of artists during nearly six decades as a university professor—at University of Georgia-Athens, State University of New York-New Paltz, and East Carolina University—and a workshop instructor (including fifteen Penland workshops!). Many of these students, including metals studio coordinator Nadia Massoud, have found their way into the Penland metals community. “He is incredibly invested in his students,” Nadia explains. “He has this way of taking your insecurities and In a barrel at University of Georgia in 1968. framing them as assets. His approach is very nurturing, very conscious of the challenges we face in the creative process. But his big thing is always being playful.” Nurturing, playful, and deeply respected in his field. Congratulations, Robert Ebendorf, on your many accomplishments, and a rousing thank you for everything you’ve given our community!

11 12 FEATURED ARTIST “In this piece, I’m pulling from the idea of the Native American dream catcher, but what I was really York-New Paltz, as well as Haystack (ME) and Penland. We hope you will watch the short video about Lola at penland.org/auction. The work of metalsmith Lola Brooks has been exhibited at the Tacoma Art Museum (WA) 2 x 21/2 x 1 inches plus chain 14K gold solder, 10K gold, vintage rose cut garnets Lot 412, Lola Brooks, Featured Artist: LolaBrooks Island School of Design, University of the Arts (Philadelphia), and State University of New Dorsky Museum (NY). She has taught at Cranbrook (MI), University of Georgia, Rhode interested in was just the phrase “dream catcher” and how evocative that is. What does it mean to the Museum of Arts and Design (NYC), the Racine Museum of Art (WI), and the Samuel a retainer for your hopes and dreams. I just fell in love with this antique fishing creel, which is a of your dreams.” contain or catch a dream? And the idea that it can catch the darkest dreams, but it could also be and the Metal Museum (TN) and is in the collections of the Metropolitan Museum (NYC), basket thatyoukindofweartoputyourfishin.Sothepieceisthis emptybaskettocatchandletgo dreamcatcher, stainless steel,

FEATURED ARTIST 13 blown glass blown Set, Cocktail Featured Artist: Nickolaus Fruin Artist: Featured at the Corning Museum (NY). His work has been exhibited at the National Liberty National the at exhibited been has work His (NY). Museum Corning the at he’s taught at Pilchuck Glass School (WA), Pittsburgh Glass Center, and the Studio the and Center, Glass Pittsburgh (WA), School Glass Pilchuck at taught he’s company. While I was there I started doing a lot of experiments with rare earths and how they’ll how and earths rare with experiments of lot a doing started I there was I While company. in collaboration with Courtney Dodd under the name Shaker and Salt. and Shaker name the under Dodd Courtney with collaboration in make glasses that will shift from one color in daylight to another in fluorescent or tungsten light. tungsten or fluorescent in another to daylight in color one from shift will that glasses make different wavelengths of light. So I’ve been playing with a combination of these rare earths to earths rare these of combination a with playing been I’ve So light. of wavelengths different and you’re left with this crazy spectrum that doesn’t necessarily exist in most of our world.” our of most in exist necessarily doesn’t that spectrum crazy this with left you’re and actually change the wavelengths of light as it goes through the glass and do this differently with differently this do and glass the through goes it as light of wavelengths the change actually the short video about him on our auction page: penland.org/auction. page: auction our on him about video short the Nickolaus Fruin is Penland’s glass studio coordinator. He’s been an instructor here, and here, instructor an been He’s coordinator. studio glass Penland’s is Fruin Nickolaus Museum (PA), the Turchin Center at Appalachian State University (NC), and at and (NC), University State Appalachian at Center Turchin the (PA), Museum Hastings College (NE). Along with his own work, Nick makes a line of functional pieces functional of line a makes Nick work, own his with Along (NE). College Hastings Beaker: 71/2 inches tall inches 71/2 Beaker: light. different in color changes glass this Note: Lot 403, Nickolaus Fruin, Nickolaus 403, Lot Instead of sticking with one element, you can add multiples so that some wavelengths are absorbed are wavelengths some that so multiples add can you element, one with sticking of Instead You can see more of Nickolaus’s work at nickolausfruin.com. We hope you will watch will you hope We nickolausfruin.com. at work Nickolaus’s of more see can You “I spent six months in New Zealand working for a friend whose dad was involved in this glass color glass this in involved was dad whose friend a for working Zealand New in months six spent “I 14 FEATURED ARTIST “I’ve been making this series of diving figures. When I moved to America, I didn’t even speak English, 511/2 x 16 x 11 inches Lot 420, Kensuke Yamada, Featured Artist: KensukeYamada Volume 2 from Lark Books, and You can see more of Kensuke’s work at kensukeyamada.com. We hope you will watch the (Seattle). He was a Ceramic artist Kensuke Yamada is an assistant professor at University of Arkansas- Patricia Rovzar Gallery (Seattle), Nevica Project (Chicago), and Catherine Person Gallery Bray Foundation (MT), and Watershed Center for Ceramic Arts (ME). His work has Little Rock. He has been a resident artist at The Clay Studio (Philadelphia), Archie lenge. And then I have to force myself to dive in.” ures as a platform that we can all share to talk about such a universal emotional change. There’s always excitement but also a nervous feeling in the moments of diving and in moments of new chal- and when people move there’s a nervous feeling, just like in moments of diving. I make childlike fig- by Edith Garcia. been shown in one- and two-person exhibitions at Aegon Gallery (KY), Penland Gallery, published in short video about him on our auction page: penland.org/auction. American Craft, Ceramics Monthly Emerging Artist in 2012, and his work has been Diver, stoneware Sunshine Cobb’s Ceramics and the Human Figure Mastering Handbuilding,

500 Figures in Clay

90TH ANNIVERSARY 15 Inspired. or a short history of the school in our book our in school the of history short a or Hills, the from Gift

Edward F. Worst, the director of manual education in the Chicago public schools, public Chicago the in education manual of director the Worst, F. Edward were logs and crafts, other include to expanded had program summer the 1935, By know to like you’d If it. of bit a quite there’s history—and is say, they as rest, The Ninety Years 0f Penland! 0f Years Ninety Both are available at the gallery and supply store. supply and gallery the at available are Both We’ll roll out the big celebration in 2029, but it seems worth noting that this summer this that noting worth seems it but 2029, in celebration big the out roll We’ll this on happened exactly, what, So founding. Penland’s of anniversary ninetieth the marks Morgan Lucy named woman young a when 1920, in starts story That 1929? in mountain founded school mission Episcopal an School, Appalachian the at teach to Penland to came by Willis Bonnie named girl local a accompanied Morgan 1923, of winter the In brother. her Morgan College. Berea at education her continue to Kentucky, Berea, to traveled she as basics the learning to addition In weaving. studied and months several for Berea in stayed and women local of homes the in looms placed that program a saw she craft, the of to returned she When incomes. small their supplement to goods woven their marketed looms, build to community the in men getting program, this replicated Morgan Penland, Church. Episcopal the through goods their selling and weave, to women teaching was considered the country’s leading expert on hand weaving. Morgan invited him to him invited Morgan weaving. hand on expert leading country’s the considered was called publication small a in visit that of account An 1928. of summer the in Penland visit inquiring country the of parts other from letters generated Handcrafter The about coming to the with work to returned he when 1929, of summer the In Worst. from learn to Penland joined by a few students from other places. Morgan Penland weavers for a week, they were formally she 1930, In workshop. that to School Penland of birth the date later would announced a numbera again and Worst, of direction the under institute” “weaving summer weavers. local the join to Penland to traveled students of Craft Worst F. Edward the as known still structure fifty-by-eighty-foot the for raised nonprofit. a as incorporated was Handicrafts of School Penland the 1938, In House. where Gallery, Penland the at Gallery Center Visitors the in is start to place great a more, Lucy read also can You timeline. graphic a and exhibition history-related a see can you memoir, Morgan’s 16 FUND-A-NEED Windows and insulation need to be upgraded, and the heating, electrical, and plumbing To appreciate the importance of these studios, just consider that in the summer of 2018, This year’s Fund-A-Need supports Penland’s efforts to improve accessibility, efficiency, and complex problem that will take some careful thought. Penland’s beloved weaving studio is accessible only by stairs or chair lift. Making it fully accessible is a Fund-A-Need invites your direct support during the auction weekend for important and Fund-A-Need this cannot be done effectively without architectural and technical guidance, so we have them. they served 46 percent of our students. technologies have created the potential for energy-efficiency and environmental enhance- that need upgrades and present accessibility challenges. Even in recently built studios, new the work environment in our studios. Many of our workshops are taught in older buildings intelligently to meet the needs of the entire Penland community. identified a firm with the right expertise. Now we need your help tobring them into the its to anyone dependent on a wheelchair, and none of them have accessible bathrooms. including the six studios that house clay, metals, and textiles workshops—from the stand- process as soon as possible. Their input will help ensure that this campus hub will evolve point of accessibility, energy-efficiency, functionality, and optimal support for programs. ment that could improve the Penland experience for all. timely needs on the Penland campus. has been charged with creating an overall long-term plan for the buildings. It is clear that systems are outdated and overtaxed. Assessing the functionality of these buildings also creates an opportunity to re-examine the network of roads and paths that create access to Three of these studios are accessible only by stairs or chair lift, making them off lim- Rather than attempting to deal with these issues piecemeal, a board and staff committee Rather than attempting to deal with these issues piecemeal, a board and staff committee Penland has recently initiated a thorough assessment of our older studio buildings—

FUND-A-NEED 17 $35,000 $65,000 $100,000

At the same time we would like to address the efficiency of our lighting technology lighting our of efficiency the address to like would we time same the At across campus. This technology has advanced dramatically in recent years, and we are we and years, recent in dramatically advanced has technology This campus. across and $250 with a goal of raising $100,000. raising of goal a with $250 and our studios. This upgrade will reduce energy costs and consumption, and the versatility the and consumption, and costs energy reduce will upgrade This studios. our LED spaces. work different to tailored light high-quality create to us allow will LEDs of reduce the long-term expense and labor involved in replacement. It’s an exciting opportunityexciting an It’s replacement. in involved labor and expense long-term the reduce ready to replace fluorescent and incandescent lighting with LED fixtures throughout fixtures LED with lighting incandescent and fluorescent replace to ready make this upgrade a reality across our studios for the benefit of students and instructors instructors and students of benefit the for studios our across reality a upgrade this make and accessibility of our teaching studios. functionality of older studio buildings buildings studio older of functionality Budget: lights have an extremely long life, which means that in addition to saving energy, they energy, saving to addition in that means which life, long extremely an have lights today and for years to come. come. to years for and today to reduce energy use, improve functionality, and lower future expenses all with one project.one with all expenses future lower and functionality, improve use, energy reduce to tion of this project.Gifts this of tion may be made at levels $500, $1,000, $2,500, of $5,000, $10,000, Replacement of conventional lighting with LEDs in studios in LEDs with lighting conventional of Replacement However, it does represent a significant up-front expense. With your support we can we support your With expense. up-front significant a represent does it However, During Saturday’s live auction, we invite you to raise your paddle to support the comple- the support to paddle your raise to you invite we auction, live Saturday’s During

Total Architectural consultation on accessibility and accessibility on consultation Architectural Thank you so much for supporting improvements to the quality, efficiency, We use a lot of light at Penland, so the choice of lighting technology is not a casual one. casual a not is technology lighting of choice the so Penland, at light of lot a use We 18 THANKS our bartending crew throughout the weekend. beautiful images of art for our auction catalog and serves delightful libations as he leads David Ramsey deploys a number of talents to make the auction a success. He creates Photographer andBartender-in-Chief and for working with us on promotional and educational material. Thank you to Lola Brooks, Nickolaus Fruin, and Kensuke Yamada for their wonderful art Featured Artists! organizes a crew that creates the lovely flower arrangements that brighten this event. Casara Logan literally digs in with our volunteers in sprucing up the grounds, and she Our StarGroundskeeper beautiful exhibition spaces. Turchin Center for the Visual Arts, who generously lends us her talent to curate We are grateful to have Mary Anne Reading, curator and assistant director at the Exhibition DesignerExtraordinaire Coffee at the Barns. Nicki Strouss brought a special touch and a playful design to hundreds of mugs for Mug MakingAficionado noise. moving during the live auctions, and he may let you know if you are making too much Artist and former core fellow Corey Pemberton will make announcements, keep things Auction Host spotters and Vannas, entices the crowd to give “more for Penland.” Mark Oliver joins us from Bonhams London and, with the assistance of our enthusiastic Auctioneer ing this lively bunch. we can’t thank them enough for all they do! Special thanks to Patrick Beggs for coordinat- event. Whether they’re washing dishes, carefully handling art, or serving food and drink, All of them donate their time, energy, good humor, and hard work to every part of this Some of our volunteers have been helping us for decades, and others are new to the auction. Dedicated Volunteers event and the mission of Penland. Each year more than 200 Penland artists donate remarkable works of art to support this Generous Artists Our Grateful Thanks Go ToThe Following:

THANKS 19

Catalog Credits Catalog editorial Parkinson, Sarah design; Annand, Eleanor production; editor, Dreyer, Robin Glynn, Joan Baranda, Ana to Thanks assistance. editorial Gnadinger, Autumn L assistance; are artwork of photographs the of Most Popp. Marianna and Hitchcock, Tammy Hall, Mia NC. Asheville, Printing, Ridge Blue by Printed Ramsey. David by Penland’s Amazing Staff Penland’s Amazing they and people, passionate talented, creative, of full is Penland heard, haven’t you If The Communications Team The Communications content informative and interesting produces she as delight to fails never Parkinson Sarah for catalog’s this manages Dreyer Robin more. and media, social e-newsletters, auction our Penland (and designer And tasks. auction other countless with along parts moving many beautiful. materials printed our all makes Annand Eleanor artist) resident Beck, T. Daniel Bassett, Heron Baranda, Ana Banner, Kirk Applerose, Alena all play a role in this campus-wide event. campus-wide this in role a play all Carsten, Irvin Campanella, Antonia Briggs, Katy Byrd, Grady Boyd, Mark Benoit, Preston Sallie Fero, Leslie Fleckenstein, Dotson, Robin Dreyer, Susan Feagin, Courtney Dodd, Day Gremley, Kathryn Golann, Aspen Glynn, Joan Gardner, Anna Fruin, Nick Freeman, Derek Jobe, Gary Hollifield, Amanda Hill, Morgan Henderson, Ian Hedlund, Carey Hall, Mia Logan, Casara Loftis, Sally Lejeune, Rose Sarah Leisk, Cami Lane, Stacey Jobe, Sandy Massoud, Nadia Martin, Maggie Mackoul, Kevin Lowe, Nancy Susan McDaniel, Abigail Devin Noell, Leslie Murray, Matt Moir, Keith Mohr, Chad Meginnes, Rachel McKinney, Popp, Marianna Peterson, Meg Pendley, Susan Parkinson, Sarah O’Conner, Smith, Rachel Simons, Amanda Ross, Tim Rose, Lisa Rhodes, Amanda III, Renick T. John Tromcizak,Amy Thomas, Crystal Stitt, Wes Sommer, Yolanda Sommer, David Gnadinger, Autumn L Fredock, Josh fellows: core our Wolff; Jenny Westrup, Sarita Toler, Katherine Schuetz, Erica Saisho, Kento Post, Beth Sarah Kaplan, Mia Connelly, Brady Buxton, Jesse interns: our and Vasquez; Devyn and Veen, Vander Scott Sánchez. Elena Hagen, Casey Duffy, Helen Important Information For Buyers: Please Read the Following Conditions 0f Sale Carefully.

General Rules Regarding both the live and silent auctions, Penland School assumes no risk, liability, or responsibility for the authenticity, quality, or value of the items. Estimates of values and descriptions have been made based on information provided by artists. Everything is sold “as is” and is subject to the conditions and restrictions stipulated in the catalog. AUCTION PROCEDURES

Bidder Numbers All sales are recorded and tracked by the bidder number, which appears on your paddle, name tag, and registration packet. Use this number when placing a bid at both the silent and live auctions. Bid paddles are enclosed in the registration packet. If you registered with a guest, you and your guest will share the same bidder number unless you requested otherwise. Additional bidder numbers can be assigned at the registration table until 12:30 pm on Saturday.

Silent Auctions Bid sheets will be prominently displayed near each item. Minimum bids will be recorded on the bid sheet. You may not bid below the minimum bid or above the closeout bid. To bid in the silent auction, write your bidder number next to the amount that you wish to bid. Please use the incremental amounts specified on the bidding sheets.Bids that do not use these amounts will not be honored. If you choose the closeout bid at the bottom of the card, no other bids will be accepted. Designation of your bid as the winning bid is a legal contract to purchase the item.

Silent Auction Bidding Schedule: Friday silent auction: 4:00 pm–6:00 pm Saturday silent auction: 10:00 am–Noon

Live Auctions The live auctions will begin after dinner on Friday and after lunch on Saturday. Bid increments are set by the auctioneer, who may vary the increments at his discretion. The auctioneer will explain bidding rules at the beginning of each live auction. The highest bidder for any item shall be the purchaser. In the event of a dispute, the auctioneer will have the sole and final discretion to determine the successful bidder or to re-offer or resell the article in question. Designation of your bid as the winning bid is a legal contract to purchase the item.

20 AUCTION PROCEDURES 21

at the print the at pm 8:30–9:00 in front of the Dye Shed; cynosuresShed; Dye of the front in pm 3:30–5:00 on Saturday. If you leave early on Saturday, you you Saturday, on early leave you If Saturday. on pm in front of the Dye Shed. Items sold on Saturday willSaturday on sold Items Shed. Dye the of front in pm and for the duration of Saturday’s live auction. live Saturday’s of duration the for and pm 4:30 8:45 3:30–5:00 the volunteers working at the pick-up area are packing and moving all of theof all moving and packing are area pick-up the at working volunteers the Items will be shipped via UPS Ground, FedEx, or USPS and will be insured for thefor insured be will and USPS or FedEx, Ground, UPS via shipped be will Items To expedite the payment process there will be an option to pre-swipe your credit card atcard credit your pre-swipe to option an be will there process payment the expedite To sales-tax-free one permitted is Penland organization, charitable 501(c)(3) registered a As Please note: You will need to present your paid receipt to receive items purchased. Works of art willart of Works purchased. receive items to receipt paid your present to need will You purchase price. Please allow three to six weeks for packing and delivery. Crated items mayitems Crated delivery. and packing for weeks six to three allow Please price. purchase delivery. and packing for time additional require questions about shipping, please direct them to the Penland staff member at the payment desk. payment the at member staff Penland to the them direct please shipping, about questions If you wish to have an item shipped, please indicate this at the payment desk. You will be askedbe will You desk. payment the at this indicate please shipped, item an have to wish you If be may shipping which to number card credit a leave to and form shipping a out fill to charged. and arrangements shipping confirm to auction the following you contact will staff Penland haveyou If card. your to charged be will that cost shipping actual the of you notify will Shipping: Please read carefully if you require items to be shipped Shipping: Please read carefully if you Items sold on Friday will be available for pick-up on Friday from Friday on pick-up for available be will Friday on sold Items Pick-Up Payment Discover, MasterCard, Visa, checks, personal cash, with for paid be may Purchases or American Express. All sales are final, and accounts must be settled by the close of the the of close the by settled be must accounts and final, are sales All Express. American or following open be will and porch Pines The on located are tables payment The auction. until auction night Friday the studiofrom Saturday on or The payment desk will close at close will desk payment The the registration table for all auction purchases made during the weekend. Registration tables aretables Registration weekend. the during made purchases auction all for table registration the gallery.the at located Carolina North such, as event; that as serves auction benefit annual The year. per event Successful event. the of duration the during made purchases art on charged not is tax sales in except tax-deductible not are bids the such, As value. of items of purchasers are bidders amount The value. market fair item’s the exceeds price purchase the which by amount the your for invoices keep Please invoice. your on printed be will any, if value, above paid advice. tax for advisor tax your with consult and records may pay for your purchases before the close of the auction. Items may be picked up once picked up be may Items auction. the of close the before purchases your for pay may complete. is payment art sold on both Friday and Saturday. You may experience a brief delay in receiving yourreceiving in delay brief a experience may You Saturday. and Friday both on sold art purchase. Please be patient with our hard-working volunteer crew.volunteer hard-working our with patient be Please purchase. be available for pick-up on Saturday from Saturday on pick-up for available be be packed for transport, if possible.if transport, for packed be (centerpieces) will be available for pick-up on The Pines porch. Pines The on pick-up for available be will (centerpieces) 22 AUCTION PROCEDURES $ delivery. The minimum cost of a crate is $150 plus the cost of freight delivery service. packaging requirements. shipping may incur higher shipping costs due to high insurance values, weight, or oversize Coffee at The Barns. See you there? We thank you for helping us create a safe environment that everyone can enjoy! this policy; please contact the development office so that we may seat you near an exit. Saturday luncheon and live auction must have a ticket. Infants in arms are an exception to events. All children seated under the tent for the Friday dinner and live auction or the supervised at all times and be respectful of the artwork and activities that make up these If you choose to bring your child to the Penland Benefit Auction, we ask that your child be Child Policy and will be invoiced for the purchase price and the cost of shipping. the winning bid or not. Successful absentee bidders will be notified on Monday, August will pay a $25 absentee bidder fee (includes auction catalog) whether the absentee bid is bidders Absentee bids will be accepted by phone or fax until noon on Friday, August 9. Absentee Absentee Bids 25 handling fee for each item shipped. Shipping charges will include the carrier costs, insurance, packing materials, and a Shipping charges will include the carrier costs, insurance, packing materials, and a Shipping isnotavailableforsomeitemsduetofragility,size,orweight.Itemsmarked$$$ may require crating and freight Items markedcrateplusshipping may require crating and freight

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Absentee Bid Form

Penland School of Craft 34th Annual Benefit Auction, August 9 – 10, 2019

Absentee bids accepted until noon on Friday, August 9, 2019 Register as a bidder by using the link at penland.org/auction If you have questions, contact the absentee bid coordinator, 828.765.2359, ext. 1308 or [email protected] Name ______Address______City______State_____ Zip______Telephone (day) ______(evening)______

I have registered as an absentee bidder for Penland’s 34th Annual Benefit Auction and paid the $25 absentee bidder fee. I request that Penland enter bids on the following lot(s) up to the maximum price(s) I have indi- cated. I understand that if my bid is successful, I will be obligated to pay the purchase price, which will be the amount of my winning bid. North Carolina sales tax does not apply to this charitable event. Alternatively, phone bidding may be arranged for the live auctions on Friday (7:15–8:30 pm) and/or Saturday (1:00–3:30 pm). Phone bidders will be called before the piece comes up for auction and your bids will be executed by a member of Penland’s absentee bid team. To arrange phone bidding, please contact Penland’s absentee bid coordinator at 828-765-2359, ext 1308. All bids must be finalized by noon on Friday, August 9. In the event of identical absentee bids, the bid received first will take precedence. I understand that Penland will make every effort to execute absentee bids as submitted, however Penland cannot be responsible for any inadvertent error or failure to execute the bid. These bids are to be executed at the lowest price permitted by reserves or other bids and in an amount up to but not exceeding the specified amounts. Successful bidders will be contacted on Monday, August 12 and will be invoiced for the purchase price and the cost of shipping. Penland accepts cash, personal checks, MasterCard, Visa, Discover, and American Express. I have read and understand the conditions of sale found in the Penland auction catalog.

Signature______

Artist Name Lot Number Maximum Bid

To submit a bid, complete this form and submit it by mail to Absentee Bidding, Penland School of Craft, P.O. Box 37, Penland, NC 28765; by fax to 828.765.7389; or by e-mail to [email protected].

FRIDAY Silent Auction 101 Jacque Allen Rest a While Mahogany, aluminum 163/4 x 121/4 x 36 inches Retail value: $2,200 Crate plus shipping I like to create-one-of-a-kind, comfortable benches that can go anywhere in a home.

102 Kurt Anderson Untitled Ceramic 15 x 6 x 6 inches Retail value: $300

103 Stanley Mace Anderson Tulip Vase Maiolica 13 x 61/2 x 81/2 inches Retail value: $350 F R IDAY Silent Auction

26 104 Junichiro Baba Truly Essentially Fused glass, concrete 22 x 50 inches Retail value: $2,800 $$$ shipping

105 Phillip Baldwin Eggspace Sterling/copper bimetal, copper foot 3 x 10 x 113/4 inches Retail value: $1,000 This is an experimental work. A square grid pattern was developed in the sterling/copper bimetal and then stretch-forged into an egg-shaped bowl form.

106 Boris Bally

D.P.W. Platter: Deer F R IDAY Silent Auction Recycled aluminum traffic signs, copper rivets 24 x 5 x 24 inches Retail value: $600 This is a wall-mounted decorative platter (comes with a mounting bracket) Humanufactured® (hand-spun, fabricated, and riveted). Better than mounting a hunting trophy on your wall!

27 107 Brien Beidler The Enemies of Books Leather, paper, linen thread, silk thread, gold leaf 71/2 x 43/4 x 3/4 inches Retail value: $250 Custom binding on the William Blades classic bibliophilic work The Enemies of Books. The original copy was disbound and then rebound in full leather. The stamps used to decorate the covers with various enemies of books were hand engraved for this binding.

108 Jana Brevick 400% Pure Pure platinum, pure palladium, pure gold, pure silver set with 18K yellow gold 1 x 1 x 1 inches; size 7 Retail value: $3,000 In 1999, I began a series that pulled my focus to pure metals, their meaning, and ways to make work with them. This ring is an extension of a piece, Trace Elements, that is a small scale periodic table with actual elements. It is #3 in an edition of 5. The size can be adjusted.

109 Raïssa Bump Triangle Drop Constellation Necklace Sterling silver, glass beads 1/8 x 7/8 x 26 inches Retail value: $920 F R IDAY Silent Auction

28 110 Stormie Burns Double-Walled Bowl Porcelain, glaze 9 x 71/2 x 3 inches Retail value: $225

111 Ben Carter Teapot Terra cotta, slips, underglaze, glaze 61/2 x 81/2 x 61/2 inches Retail value: $250 F R IDAY Silent Auction

112 David Harper Clemons Conjoined Illumination Mild steel 31/2 x 13 x 4 inches each Retail value: $600

29 113 Kat Cole American Industry #2 Steel, enamel, gold luster 41/2 x 3 inches Retail value: $450 This is part of the Oil & Water series that explores the history of the American oil industry through historical and contemporary imagery in enamel.

114 James D. W. Cooper (Coop) Meherrin Heron Fire screen; iron, bronze, onyx 28 x 38 x 8 inches Retail value: $3,800 Crate plus shipping I live on the North Meherrin River in southern Virginia. Small green herons hunt the shoals in front of our home, and they inspired this work.

115 Nate Cotterman Vessel Set Blown glass 10 x 6 inches; 14 x 4 inches;

F R IDAY Silent Auction 71/2 x 8 inches Retail value: $495

30 116 Cappy Counard Mend Sterling silver, 18K gold 11/2 x 11/2 inches each Retail value: $750 The earrings were hammered and then cut apart. Each fragment was filed to create a bur and reassembled with gold solder, leaving a raised line reminiscent of stitching. We are much the same— a patchwork of experiences, intentions, and interactions, each leaving a lasting mark.

117 Naomi Dalglish and Michael Hunt Shield Vase Wood-fired local clay 10 x 31/2 x 8 inches Retail value: $180 We use dark clay found near Penland, layer it with white slip and clear glaze, and fire it in a wood-kiln. The energy of the pot reflects the vitality of these processes and wild materials. F R IDAY Silent Auction 118 Dail Dixon Robin and Kathryn and Dave Pine, cedar, cherry, ebony, camera lens, ukulele strings 14 x 15 x 51/4 inches Retail value: $750 These are #24, #25, #26 in the Birds of Penland series. Penland luminaries: Robin: photographer, Kathryn: gallerist, Dave: luthier. 31 119 Robin Dreyer What Cheer! Sublimation print on aluminum, printed by Image Wizards 12 x 18 inches Retail value: $400 This photograph of the What Cheer Brigade playing at Penland makes me happy every time I see it, so I thought it might make you happy, too. (There is evidence of five trombones in this picture!)

120 Bandhu Dunham Jellybean Pendant Flameworked borosilicate glass 3 x 1 x 2 inches Retail value: $325

121 Jill Eberle Voices Graphite, charcoal, acrylic, and oil on aluminum 24 x 18 inches Retail value: $800

F R IDAY Silent Auction An image transfer process was used to take the paper off the drawing, then paint was added in layers and the whole thing was applied to aluminum. 32 122 Vicki Essig Toothache Grass Handwoven silk, stainless steel, toothache grass, antique dictionary 14 x 6 x 2 inches Retail value: $500 Taxonomy Plants Kingdom Plantae Vascular Plants Phylum Tracheophyta Flowering Plants Subphylum Angiospermae Monocots Class Liliopsida Grasses, Sedges, and Allies Order Poales Grasses Family Poaceae Genus Ctenium Toothache Grass Ctenium aromaticum

123 Susan Feagin Collage Vessel Soda-fired stoneware, screenprinted and sgraffito underglaze and slips 63/4 x 91/2 x 91/2 inches Retail value: $350 These pots are inspired by mark making, handwriting, printmaking, and experiencing color and pattern.

124 Wesley Fleming F R IDAY Silent Auction A Journey of a Thousand Miles Begins with One Hundred Steps Hot-sculpted, flameworked soda-lime glass 3 x 6 x 3 inches Retail value: $720 Lao Tsu said: “A journey of a thousand miles begins with a single step.” Centipedes are far more grounded than we humans and take life one hundred steps at a time! 33 125 Kiyoko Fujie and Hiroko Yamada Leaf Pendant Copper, silver, gold 1/4 x 11/2 x 13/4 inches Retail value: $600 Japanese traditional metal techniques: chasing, repoussé, heat patina, kinkeshi gilding

126 Rachel K. Garceau Texas, Georgia, Connecticut, an excerpt from Graft Porcelain 12 x 12 x 36 inches Retail value: $800

127 Greg Gehner LUG table Steel

F R IDAY Silent Auction 18 x 26 x 34 inches Retail value: $4,200 Crate plus shipping

34 128 Joanna Gollberg Flores Sterling silver, lab-grown aquamarine, lab-grown opal, blue chalcedony 19 inches long Retail value: $1,200 I needed to make work that made me think differently, that gave me the opportunity to get out of a work rut. What better to make than flowers? They grew over time and then came together in a way that satisfied my need to make something fresh.

129 Carmen Grier Wool Scarf Felted wool 72 x 7 inches Retail value: $150 This one-of-kind scarf began as loosely knit wool fabric that was then cut, felted, dyed multiple times, then cut and stitched. F R IDAY Silent Auction

130 Mia Hall Cosmos Basswood, poplar, found object 40 x 33/4 x 21/4 inches Retail value: $1,000

35 131 Mary Hallam Pearse Bubble Ball Silver, 18K gold, pearls Chain: 20 inches; ball 2 x 2 x 2 inches Retail value: $1,000

132 Frank Hamrick Penland Water Tower 3/3 Wet-plate collodion tintype 91/4 x 71/2 inches Retail value: $1,000 I made this third and final tintype photograph of Penland’s historic water tower while teaching bookmaking during the summer of 2018.

133 Peggy Hart Stairway Multishaft woven blanket; cotton, linen 45 x 72 inches Retail value: $200 F R IDAY Silent Auction

36 134 Arthur Hash Banglefrom the Web series Sterling silver 31/4 x 31/4 inches Retail value: $600 This bracelet is solid sterling silver that has been darkened with a patina. It was designed in CAD, 3D printed in wax, and cast in metal using the lost wax casting process.

135 Tom Huang Sally’s Stitches Padauk, Penland bamboo, rattan binding 60 x 6 x 8 inches Retail value: $900 $$$ shipping A wall-mounted sculptural shelf. The hand-split bamboo requires seven separate traditional refinement steps from pole to finished strip. F R IDAY Silent Auction

136 Remy Louis Hanemann Scraps of Memory Recycled cast iron 8 x 4 x 3 inches Retail value: $600

37 137 Ann Hawthorne Aurora Australis: Mount Erebus and Mount Terror Archival pigment print 11 x 17 inches Retail value: $500 Mount Terror (distant right) is an inactive Antarctic volcano. Mount Erebus (left) remains active. In addition to the memorable sight of these mountains lit by the aurora, old Antarctica hands say that capturing the plume of Erebus illuminated by the mountain’s lava lake is the holy grail of photographs there. I was lucky— and spellbound.

138 Yukari Hayashida Untitled Kozo paper, sumi ink, konnyaku paste 14 x 173/8 inches Retail value: $120 This is suminagashi, a pattern made with sumi ink and water. The ink is applied with a brush to the surface of the water. The print is pulled by gently placing the paper on the water and then removing it.

139 Mi-Sook Hur Spotted Feather III Brooch/pendant; vitreous enamel, copper, F R IDAY Silent Auction sterling silver 13/8 x 13/4 x 3/8 inches Retail value: $780

38 140 Susan Iverson The Golden NO #3 Silk, mixed fibers, linen warp 5 x 61/4 inches Retail value: $250 Woven specifically for Penland—part of my Color of NO series. Includes book.

141 Jerry Jackson A Different Day Canvas, acrylic, sheetrock mud, ink, graphite 45 x 45 inches Retail value: $1,000 The transition from working in a hard edge format to a soft surface has allow me the freedom to concentrate on details resulting from uncontrollable interactions between canvas and media. F R IDAY Silent Auction

142 Maggie Jaszczak and Tom Jaszczak Tray Reduction-fired red earthenware, cone 01 3 x 9 x 21 inches Retail value: $750

39 143 David Jones Skin Board Totem Found skin boards, brazing rod, copper, ebony, and paint 25 x 61/2 x 18 inches Retail value: $2,500 My years of collecting found materials generate pieces of art that combine obscure objects with traditional materials. The results are curiously old and new at the same time.

144 Aimee Joyaux Why Can’t We (Act Presidential) Letterpress print on newspaper 18 x 25 inches Retail value: $300 Printed on the Weekly National Intelligencer, Washington, 1860

145 Matt Kelleher Jar Wheel-thrown, soda-fired red clay with slip 9 x 8 x 8 inches Retail value: $150 F R IDAY Silent Auction

40 146 Joshua Kuensting Plate Set High-iron stoneware clay 1 x 93/4 inches Retail value: $200 These plates were set on custom-made props and wood fired to stoneware temperatures. The plates were then sanded smooth and given a walnut oil finish.

147 Julie Leonard Lenten Rose Paper made from family linens and abaca, lenten rose, found images 18 x 24 inches Retail value: $350

148 Janet Link Migration 7 F R IDAY Silent Auction Charcoal, chalk 24 x 24 inches Retail value: $2,400 This drawing is from an ongoing series based on photographs of shadows and light.

41 149 Marc Maiorana Coatrack Couplet Formed and fabricated steel and stainless steel 10 x 12 x 4 inches Retail value: $600

150 Jeannine Marchand Folds CXVIII Clay, wood 6 x 30 x 5 inches Retail value: $2,200

151 Richard Margolis Self Portrait, Penland Toned silver gelatin print 20 x 25 inches F R IDAY Silent Auction Retail value: $2,400 This was done as a demonstration of long exposure flash for my photography class in 42 June, 1978. 152 Akemi Martin Handmade Paper Cotton, abaca 40 x 60 inches Retail value: $300 These are three rare sheets of very large cotton and cotton/abaca handmade paper. Each was formed on a large mould operated by two people.

153 Barbara McFadyen Pearl and Pillow Drops 18K gold, 24K keum-boo on fine silver, 18K gold/stainless steel bimetal, Biwa freshwater pearls 23/4 x 3/4 x 1/4 inches Retail value: $1,500

154 DH McNabb F R IDAY Silent Auction Phantom Limb(s) Blown glass 81/2 x 6 x 4 inches; 4 x 6 x 6 inches Retail value: $1,200 Somewhere between a drinking horn, a vortex, a porthole, and a body part. What starts as a rigid cone becomes other. The material is the focal point.

43 155 Steve Miller Nails and Bullets Paper, letterpress type, tritone digital printing, book board, cloth 91/4 x 6 inches Retail value: $415 Early poems by designer/printer Steve Miller with figure photos by David Sorrell.

156 Erica Moody Salad Server: Fork and Paddle Stainless steel, paper composite 3/8 x 2 x 71/2 inches Retail value: $425 Hot forged, welded, and burnished stainless steel wrapped around smooth, dark composite handles. These are not production pieces, but a one-of-a-kind set made for this auction.

157 Leslie Noell and Eileen Wallace Untitled Letterpress print 13 x 18 inches Retail value: $250 This work is the result of an ongoing collaboration

F R IDAY Silent Auction between two artists during the Penland Winter Residency. Our process primarily involves creating compositions using wood type from the Penland letterpress studio. 44 158 Lisa Pedolsky Wall Platters Earthenware, multiple glazes 111/2 x 8 x 2 inches each Retail value: $900 This slab-constructed trio reveals the intersection of my interests in mid-century modern aesthetics and traditional African textiles.

159 Kenny Pieper Sage Diva Blown glass 28 x 61/2 x 61/2 inches Retail value: $1000 $$$ shipping F R IDAY Silent Auction

160 Dan Price Porcelain Bowl Porcelain 4 x 14 x 14 inches Retail value: $300 This slab porcelain bowl was made with a CNC milling process in 2017 at the European Ceramic Workshop.

45 161 Amy Putansu Moon Study Silk, nylon, metallic and cotton thread, oil bar 18 x 24 inches Retail value: $725 This piece was created at Penland while I was teaching a workshop on ondulé, a special technique that is the basis of my work. It is part of a body of work called Disappearing Islands that explores the realities of impermanence on both physical and energetic levels.

162 Andrew Rubin Skating On Thin Ice Acrylic and collage on wood panel 23 x 13 inches Retail value: $500 The image is of Reverend Robert Walker and was painted in the 1790s. I cut it out from a museum catalog and applied to the painting. The illusion is that he is supported by the underwater rock pile. My intent was to show the fragility inherent in stability.

163 Yolanda Sánchez Rambles and Reveries #7 Oil on Arches paper 22 x 30 inches Retail value: $2,700

F R IDAY Silent Auction My intent with this series, and with my work in general, is to create a feeling of joy and celebration—a moment of optimism and inspiration against the dark. 46 164 David T. Smith Confusion Glass, gas, electricity 17 x 3 x 3 inches Retail value: $450

165 Gertrude Graham Smith Candelabrum Porcelain, gold luster 20 x 10 x 10 inches Retail value: $1,200 Fire and light, survival, transformation, transcendence. Let there be light and creation is birthed. I am consumed with creating vehicles to spread light in F R IDAY Silent Auction our world.

166 Rebecca Smith I Give You The World Glass, wood 13 x 18 inches Retail value: $1,000 Multi-layered, screenprinted, kilnformed glass view of the world.

47 167 Kathy Steinsberger The Library Paper, book board, ink, mixed media 10 x 8 x 2 inches Retail value: $750 This piece is a tribute to the sacred places that have been home to so many books since their beginning. Each book in this library was written by the artist, usually as a gift for family and friends or just to express life’s gifts.

168 Lynn Sures Collina and Tenuta from the Toscana series, 3/5 Artist-made paper, monotype, linocut 18 x 12 inches each Retail value: $1,000 Toscana is a series of scenes I drew in rural Tuscany. The monotype colors were painted onto a plate and printed as a mid-layer for each image. The linocuts, carved from my drawings when I returned to my studio, were then printed to complete each image.

169 Susie Taylor Untitled (White Poppy) Linen 23 x 17 inches Retail value: $2,000 This piece is from my Poetic Geometry series. It is a minimalistic composition made in a double F R IDAY Silent Auction weave construction. Part of the white groundcloth acts like a translucent veil, allowing some of the black lines to appear on the surface while the rest live on the second layer of cloth. 48 170 Shoko Teruyama Large Plate Electric-fired earthenware 1 x 12 x 12 Retail value: $400

171 Demitra Thomloudis Marks Earrings Brass, silver, powder coat, pencil, marker 2 x 1/2 x 1/2 inches Retail value: $245 F R IDAY Silent Auction

172 Jen Townsend Napping With Bob Fabric 60 x 72 inches Retail value: $250 This blanket is made of fabric featuring Bob Ebendorf’s collages sent to other metalsmiths.

49 173 Paul Andrew Wandless Missannamiss Linocut on paper 22 x 16 inches Retail value: $250

174 Mark Warren Plankton Bowls Slip-cast porcelain, paint, decals Largest: 9 x 2 inches Retail value: $375 Inspired by a childhood on the north Florida coast and a lifelong love of marine biology.

175 Catherine White Montana Orbit Wood-fired stoneware 13 x 11 x 11 inches Retail value: $600 This piece was made in 2018 during the Cultural Confluence Conference at the Archie Bray Foundation in Montana and then transported back to Virginia where it was fired in my anagama,

F R IDAY Silent Auction receiving a natural ash glazing. It was thrown on the wheel then cut and reassembled to have a slightly asymmetrical orbital nature.

50 176 Lauren Faulkenberry Migration: A Field Guide to Love that Was and Might Have Been Handmade paper, letterpress- printed images 51/2 x 8 x 1/2 inches Retail value: $375 This is a collection of mostly true accounts of the author’s romantic encounters (sometimes humorous, sometimes melancholy) and how she compares them to unusual bird behavior to understand her own fears and desires. Edition size is 45.

177 Steve Miller A Glimpse Paper, type, and multiple- block linoleum cut 101/2 x 131/2 inches Retail value: $150 A poem by Walt Whitman inspired the linocut by Kyle Clark. Designed and letterpress printed by Steve Miller. F R IDAY Silent Auction

178 Jaime Suárez fossilfish Concrete, foam 20 x 12 x 11/2 inches Retail value: $850 This piece was made as demo during a stay at Penland as visiting artist.

51 179 Tara Locklear Foundation Hinge Necklace, edition #20 Recycled skateboards, paperstone (recycled paper countertops), oxidized sterling silver 11 x 8 x 1/2 inches Retail value: $895 Each form in this series stems from past collections reinterpreted to tell a continuing story of my idea of what the gem can be. Each part of the design is hand-carved and set with hand- fabricated sterling silver armatures.

180 Janet Taylor Camouflage Handwoven fabric, French knots, vat-dye discharge on silk, Scotchgard 12 x 36 x 11/2 inches Retail value: $1,500

F R IDAY Silent Auction In this piece I was trying to duplicate pointillism by using the knots to embellish the colors.

52

181 Giovanni Daina-Palermo and Libby O’Bryan Red Canprint Bolero 1005 cotton, size M Retail value: $365 The cotton Jacquard textiles were woven at the Oriole Mill and sewn at Sew Co, both in Hendersonville, NC. F R IDAY Silent Auction

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FRIDAY Live Auction 201 Elliot Earl Keeley Crooked Smile Copper, enamel 1/2 x 13/4 x 71/4 inches Retail value: $200

202 Catharine Ellis Shawl Wool, cotton, henna dye 90 x 30 inches Retail value: $600 Handwoven with woven shibori and itajime resists F R IDAY Live Auction

203 Richard Burkett Post-Pre-Columbian Stirrup Vessel Soda-fired stoneware 14 x 10 x 5 inches Retail value: $500 This series of stirrup vessels celebrates some of my favorite South American pottery and is also inspired by my childhood memories of vessels in my chemist father’s laboratory.

56 204 Ben Dory Blue Sequin Ring Stainless steel, sequins 21/2 x 11/2 x 21/2 inches; size 7 Retail value: $700 This ring style was first developed at Penland during the winter residency. The time and space to work without distractions was truly a gift that accelerated every aspect of my studio practice.

205 Rachel Meginnes Blue Stain Deconstructed quilt, hand stitching, hide glue, oyster shell, indigo, silver, acrylic F R IDAY Live Auction 221/2 x 21 inches Retail value: $1,200 This piece resulted from an experiment using indigo dye as paint. I learned to make paint from pigments using Japanese hide glue last summer in a class at Penland. The learning never stops!

206 Wyatt Daglá Severs Day Table Ash, cherry, maple, milk paint 67 x 103/8 x 34 inches Retail value: $3,200 This is a great entry piece: a place to drop your keys, phone, or wallet at the end of the day. Its narrow design gives the user many options for hallways and tight spaces that just need that little bit of flair and function. 57 207 Shane Fero Tulip Spring Teapot Flamedrawn hot glass, flameworked, sandblasted, and acid-etched; bottle gaffed by Pablo Soto 151/2 x 113/4 x 8 inches Retail value: $5,000 $$$ shipping I began this series exploring the format of the teapot over a year ago. This is the second piece finished.

208 Alida Fish Wisteria Archival print transferred to oxidized aluminum 24 x 20 inches Retail value: $2,900 As I focused my camera on these young wisteria tendrils I found myself drawn to the beautiful delicacy of the formal structure and the subtlety of the pigmentation. F R IDAY Live Auction

209 Morgan Hill To Embolden and Honor Scorched maple, sterling silver, resin, thread 22 x 9 x 11/2 inches Retail value: $1,680 This piece is a part of a body of work made ceremoniously to release intangible toxicity and create transformation. It is worn as a symbol of guidance, empowerment, and peace.

58 210 Cynthia Bringle Fish Vessel Clay 24 x 12 inches Retail value: $2,200 $$$ shipping

211 Christine Lee Open Grid F R IDAY Live Auction Wood particles, recycled fiber 25 x 243/4 x 1/4 inches Retail value: $400

212 Dean Allison Exhale Glass 10 x 10 x 21/2 inches Retail value: $1,800 This is a wall-mounted, cast glass portrait of a friend.

59 213 Thomas Campbell Cycle Painted and blackened steel 31 x 8 x 31/2 inches Retail value: $2,000 This piece was made with recycled components from my Broken Volumes series—a group of sculptures that draw on the aesthetic of the industrial steel world.

214 Tommie Rush Daffodil Vase Glass 14 x 9 x 6 inches Retail value: $2,800 F R IDAY Live Auction

215 Taylor Robenalt Hand of Awareness Porcelain, underglaze, glaze, luster 13 x 10 x 41/2 inches Retail value: $1,200 Becoming more aware of a higher power in my life.

60 216 Jaydan Moore Specimen #22 Silver-plated platters 13 x 18 x 1 inches Retail value: $1,500

217 Angela Bubash Fin #51 Sterling silver, glass, dyed feathers 13/4 x 23/4 x 3/4 inches; F R IDAY Live Auction chain: 18 inches Retail value: $850

218 Kim Mirus Glacial Threads Handwoven alpaca and cottolin yarn 171/2 x 131/2 x 2 inches Retail value: $575 61 219 Elizabeth Brim Indian Pipe Steel, paint 13 x 71/2 x 8 inches Retail value: $2,300 When I forge flowers, I am usually trying to produce an interesting piece of metal that inspires viewers to think of a flower, not duplicate a flower that exists in nature. But in this case I am trying to invoke the fragile translucence of the Indian Pipe with steel and paint.

220 Rick Beck Spoon Full of Gold Cast glass, gold leaf 32 x 61/2 x 3 inches Retail value: $4,000 F R IDAY Live Auction

221 Mercedes Jelinek Fire Breather, Certaldo Alto, Italy Archival pigment print 16 x 20 inches Retail value: $1,500

62 222 Melissa Weiss Bowl with Triangle Design Clay 10 x 14 inches Retail value: $750 This handbuilt vessel was made from minimally processed wild clay fired to cone 10 gas reduction and reduction cooled with wood.

223 James Viste Lines and Ribbons Pattern-welded steel, schibuichi, resin, reflective tape F R IDAY Live Auction 13/4 x 10 x 3/4 inches Retail value: $800

224 Christina Boy Woven Bench Walnut, MFP rope 18 x 18 x 48 inches Retail value: $2,400 Crate plus shipping 63 225 Andrew Hayes Misshapes Steel, book paper 13 x 5 x 21/2 inches Retail value: $3,200

226 Michael Janis That I Might Fly Away Kilnformed glass, glass powder imagery, steel 121/2 x 121/2 x 1 inches Retail value: $2,800

F R IDAY Live Auction The imagery was made by manipulating loose glass powder on flat glass and fusing the image layers into a solid slab.

227 Margaret Couch Cogswell Mutt and Jeffery Papier mâche, gesso, acrylic paint, ink, graphite, shellac Mutt: 8 x 5 x 14 inches; Jeffery: 8 x 5 x 18 inches Retail value: $900

64 228 Eleanor Anderson Lines Pillow Wool, cotton 24 x 24 x 10 inches Retail value: $160 Handwoven throw pillowcase and down pillow. F R IDAY Live Auction

229 Paul S. Briggs Windflower Glazed stoneware 8 x 6 x 6 inches Retail value: $300 This piece is pinch-formed from one ball of clay; only a slab base is added.

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SATURDAY Silent Auction 301 Tom Ashcraft and Georgia Deal PUZZLE Relief print on cast paper, basswood 24 x 48 inches Retail value: $3,000 $$$ shipping This piece was inspired by travels in Italy where we were influenced by the unique ways we observed artifacts being displayed. The objects/images are a personal vocabulary of forms we were interested in at that time. Silent Auction

SATU R DAY

302 Kenneth Baskin Intimate from the Artifact series Soda-fired stoneware 15 x 10 x 8 inches Retail value: $2,600

303 Erica Bello Crossbeam Choker Oxidized silver 1/4 x 1/4 x 14 inches Retail value: $370 Each section of this necklace was meticulously crafted to create an architectural silhouette, which is solidified by the steel-like oxidized finish. Over time the patina will start to gently polish and the piece will obtain a finish that it unique to the wearer.

68 304 Chris Berti Manhole Cover Series Cast iron 20 x 20 x 3 inches Retail value: $5,000 $$$ shipping This work is a play on contemporary street drain covers with fish as well as old coins and medallions. I’d like to think the modeled SATU R DAY fish swim to life off the flat surface with text. They’re fun to discover at the edge of a garden or pathway.

Silent Auction

305 Sandra Blain Three-Opening Flower #2 Stoneware 5 x 51/2 x 4 inches Retail value: $165

306 Edwina Bringle Lap Robe/ Shawl Handwoven wool 53 x 60 inches Retail value: $1,025

69 307 Ashley Buchanan 66pc Gradient Chain Brass, powder coat 55 inches long Retail value: $1,200 Silent Auction

308 Jean Buescher Bartlett tomorrow, tomorrow Japanese bookcloth, board,

SATU R DAY handmade paper with inclusions, photograph, drawings, stitching, found postcard 5 x 7 folded; 161/2 x 22 unfolded Retail value: $500 This five-panel book/portfolio captures multiple aspects of place revealed over time. An intrigue with the interplay between pictorial, written and spoken language has led me to print, illustrate, bind, and publish handmade books.

309 Jay Burnham-Kidwell Lizard Stew Spoon (your horns are showing) Forged sterling silver, cast bronze 3/4 x 27/8 x 121/4 inches Retail value: $425 Hot forging malleable metals allows for a rapid completion of the work, and there is always room for humor in art.

70 310 Critz Campbell Ballast #8 Maple, oak, oil, milk paint; modified marquetry technique 14 x 14 x 2 inches Retail value: $600 SATU R DAY

Silent Auction

311 Ken Carder 55 Haywood St. Archival pigment print 15 x 15 inches Retail value: $750 This image was selected and edited in response to its unique abstract offerings and identity associated with place.

312 Steve Miller The Winds Rarely Die Down Paper, book board. 3 x 3 inches Retail value: $145 Letterpress printed edition employing a drum-leaf binding, edition of 50.

71 313 Martha Clippinger Woven Wool Bag Hand-dyed wool 23 x 171/2 inches Retail value: $150 Woven by Licha Gonzalez Ruiz of Teotitlan Del Valle, Oaxaca, Mexico. Silent Auction

314 Sunshine Cobb

SATU R DAY Garlic Box Ceramic 3 x 41/2 x 41/2 inches Retail value: $245

315 Aaron Cohick Spine of Days (Mantra) Fingerprints and cuts on Somerset paper 19 x 11 inches Retail value: $200 Variable edition of 11

72 316 Courtney Dodd Gray Evaporation Study Bullseye glass, salt, wooden frame 10 x 203/4 x 11/2 inches

Retail value: $850 SATU R DAY Initially, I believed my role as an artist was to answer questions, yet I have found it more gratifying to pose them. This has given me an opportunity to start conversations rather than make statements.

I now see my role as an artist as a filter and translator. Silent Auction

317 Bob Ebendorf Necklace Pearls, silver, gamo sticks 26 x 2 x 17 inches Retail value: $800

318 Rostislav Eismont Teapot Woodfired stoneware, shino glaze, underglaze slips 6 x 6 x 71/2 inches Retail value: $250 Thrown and altered, lower half faceted, hand-formed faceted bail handle. 73 319 Jill Enfield Walk to Penland, The Dye Shed Wet-plate ambrotypes from digital negatives 5 x 7 inches each Retail value: $1,200 These images were made during the spring 2019 Concentration. I used them to teach my students how to marry modern techniques with a process that was invented in 1851. Silent Auction

SATU R DAY

320 Daniel Essig Eddy Wood, handmade paper, milk paint, lead type 6 x 5 x 8 inches Retail value: $1,850

321 Hillary Waters Fayle Reflection in Gold Hand-dyed thread, Ligustrum leaves 9 x 12 inches Retail value: $750 These leaves are embroidered by hand; my focus is on connecting nature and the human hand through craft processes. 74 322 April Flanders Attractive Fruit Monotype 30 x 42 inches Retail value: $1,000 $$$ shipping This piece is part of a series that addresses

invasive species in the Appalachian region. SATU R DAY This particular piece focuses on autumn olive, an invasive tree that spreads when birds eat the berries. It was created using a layered mono-type method that employed

leaves harvested from an autumn olive tree Silent Auction in Boone, NC.

323 Donald Friedlich Lumina Brooch Borosilicate glass, dichroic glass, 14k gold 41/2 x 1 x 11/4 inches Retail value: $1,600 This new series, titled Lumina, is a result of my search for qualities unique to jewelry as a medium. The one I’ve focused most on is that jewelry is seen in motion. The color of this brooch will shift dramatically when viewed from different angles. At times it is saturated with color and full of light but from other angles the color fades.

324 Terry Gess Painted Bowl White stoneware 10 inches diameter Retail value: $85 75 325 Marguerite Jay Gignoux Golden Series 2/3 (diptych) Ink, vintage papers, silk, pigment, Arches paper 16 x 231/2 inches Retail value: $1,000 Silent Auction

This series was inspired by the golden light of the Dordogne region of France. I worked layers of color into a series of blind contour drawings, worked in bits of an old French/English dictionary and swatches of silk. SATU R DAY

326 Arthur Gonzalez Icons of Seeing Ceramic 18 x 19 x 6 inches Retail value: $3,000 $$$ shipping This is what is known as a Technique’s Suite. This is a piece made up of ten personal symbols executed in various approaches in the sgraffito technique.

327 Jessica Green Farm Calendar Cotton, silk, homegrown linen, natural dyes 26 x 151/2 x 11/2 inches Retail value: $400

76 328 Bill Hall Plan B Acrylic, gesso, masonite panel 42 x 30 inches Retail value: $800 Plan B is a continuation of my interest in random design and spatial relationships. SATU R DAY

Silent Auction

329 Suzanne Halvorson Linen Paper Runner/Hanging Linen 9 x 75 inches Retail value: $195 Doubleweave is my signature weave structure and linen is my fiber of choice. I have chosen to use linen paper dyed by Ricketts Indigo for this layered piece. It can be a runner, a window hanging, or it may be worn.

330 Abie Harris Ashe County Onion Field Acrylic on canvas 18 x 15/8 x 24 inches Retail value: $600

77 331 Julia Harrison High and Dry Earrings Salvaged Douglas fir, walnut, glue, sterling, wax, epoxy 31/2 x 13/4 inches Retail value: $300 The wood in these earrings comes from the historic ship Wawona, active in the Pacific Northwest in the first half of the 20th century. Having the opportunity to work with this wood increased my awareness of how often my tools, materials, and techniques have their own long and fascinating histories. Silent Auction

SATU R DAY

332 James Henkel Repaired Pitcher Archival pigment print 14 x 18 inches Retail value: $1,500

333 Tom Jaszczak Lidded Jar Soda-fired red earthenware, fired to cone 2 16 x 12 x 12 inches Retail value: $800 $$$ shipping

78 334 Nicholas Joerling Hoodoo Vase Combo Wheelthrown and altered high-fire stoneware 9 x 4 x 11 inches Retail value: $400 SATU R DAY

Silent Auction

335 Anna Johnson Hya-Bulla Brooch Hyalite opal, muskrat bulla, grey moonstone, fine silver, sterling silver, bronze, cast evergreen 35/8 x 21/4 x 5/8 inches Retail value: $590 This piece showcases a tiny sample of the immense depths our natural world creates. The bone and opal fit together as if they were formed simultaneously, each shining their brilliantly distinct textures while the little spruce sprouts newness.

336 Jamie Karolich Connected I Cut and sewn canvas, gesso, paint, graphite 251/2 x 251/2 inches Retail value: $650 Connected I began with sewn pieces. I sew seams into the canvas and use those as a resist, painting the canvas after it has been sewn. I then pull out the seams and cut and sew the canvas back together. 79 337 Kathleen Kennedy Line Drawing #3 Brooch Sterling silver, copper, enamel, graphite 2 x 2 x 1/2 inches Retail value: $650 This is an enamel graphite drawing set in silver. Silent Auction

SATU R DAY 338 Sarah Rose Lejeune Loads (ii) Handwoven silk and stainless steel 29 x 26 inches Retail value: $600 This piece is handwoven using the processes of ondulé and devoré.

339 Steve Loucks Oval-Top Pitcher Soda-fired white stoneware 16 x 6 x 11 inches Retail value: $250 This pitcher was wheel-thrown in sections, assembled, and embellished. It was glazed with several layers of glaze and soda fired to cone 9.

80 340 Warren MacKenzie Clay Trio Stoneware Bowls: 51/2 x 3 inches; paperweight: 4 x 3 inches Retail value: $120 SATU R DAY

Silent Auction

341 Courtney Martin Basket Wood-fired stoneware 17 x 11 x 11 inches Retail value: $700 $$$ shipping

342 Jackson Martin Level Frame #83 Antique level, glass, hardware 71/2 x 81/2 x 11/4 inches Retail value: $200 This is a functional frame created from an antique wooden level. It can accommodate a 33/8 x 43/8 inch picture, accessible from the back with turn buttons. All three vials are calibrated for accurate leveling.

81 343 Paul McCoy Event Series Platter Stoneware 13/4 x 17 x 17 inches Retail value: $400 Silent Auction

344 Kent McLaughlin

SATU R DAY Tall Jar Reduction-fired porcelain, , mashiko glaze over celadon 41/2 x 21 inches Retail value: $350

345 Laura Jean McLaughlin Mind Funk Earthenware, porcelain, marbles, glaze 14 x 12 x 8 inches Retail value: $1,800 $$$ shipping This wall sculpture is a stream-of-consciousness creation inspired by the Schlumpy Funk movement which has its roots in Surrealsim and Dada. All of the interior pieces had been previously broken or discarded and are given a new life, glazed together with marbles and glaze. There is no glue used; the kiln works its magic by melting everything together. 82 346 C. James Meyer Brooch Sterling silver, polychromed copper 4 x 11/4 x 1/2 inches SATU R DAY

Silent Auction

347 Ron Meyers T-Bowl with Rabbit Earthenware, underglazes, transparent glaze 4 x 41/2 Retail value: $160

348 Forrest Lesch-Middelton and Beth Schaible Patience Platter Reduction-cooled stoneware with calligraphy image transfer 15 x 15 x 21/2 inches Retail value: $375

83 349 Steve Miller La Carrera / The Race Letterpress printed with two-color linocuts, book board, book cloth 9 x 61/4 inches Retail value: $575 A collaboration between designer/printer Steve Miller, poet Omar Pérez, artist Ramon Vargas, and translator Kristin Dykstra. One of 62 handmade copies. Silent Auction

350 Clarence Morgan

SATU R DAY Critical Nostalgia Watercolor crayon, acrylic ink, and graphite on paper 11 x 14 inches Retail value: $2,000 In 2018, I added new layers of drawing to a series of works on paper that I originally made in 1988. By responding to the original surfaces and adding new colors and forms, the resulting works have a palimpsest-like quality, featuring layers of artistic thought that span three decades.

351 Jennaway Pearson Untitled Lithograph 12 x 10 inches Retail value: $650 This stone lithograph explores ideas of namesake, celebrity, and landmark.

84 352 Corey Pemberton Untitled (Triptych) Stained glass 14 x 30 inches Retail value: $750 SATU R DAY

Silent Auction

353 Ronan Kyle Peterson Dark Yonic Double Seed Server Red earthenware, layered slips, terra sigillatas, glazes 9 x 7 x 21 inches Retail value: $600

354 Patrick J. Quinn Sliding Bevel Steel, brass 18 x 4 x 5 inches Retail value: $3,600

85 355 Neal Rantoul Boys on a Dock Archival pigment print 34 x 34 inches Retail value: $2,800 $$$ shipping Silent Auction

356 Ruta Reifen Ella Earrings 14K gold, white topaz (4.20ct)

SATU R DAY 7/8 x 1/2 x 1/2 inches Retail value: $990

Hand carved in wax, cast in 14K yellow gold, hand finished and set with untreated natural white topaz. Ocean inspired, these gems are nestled in my signature coral-like texture.

357 Phil Renato Elaunó Nylon 5 x 5 x 3 inches Retail value: $300 Frame 200 out of 300 of a disc undergoing soft-body animation in fields of shifting physics, frozen and then drawn in a bed of powdered plastic with a beam of light, layer by layer.

86 358 Sang Parkinson Roberson Silver Box Pit-fired, burnished terra cotta, silver leaf, waxed linen, organic object 6 x 6 x 5 inches Retail value: $650 SATU R DAY

Silent Auction ‘

359 Emily Rogstad Stacked Link Hoops Rhodium-plated sterling silver 11/2 x 11/2 inches each Retail value: $320

360 Biba Schutz CrotumShadow Borosilicate glass, oxidized sterling silver 11 x 61/2 x 11/2 inches Retail value: $1,300 As a jeweler I integrate metalwork to highlight the flameworked glass.

87 361 Dolph Smith No Matter How Hard I Tried, This Book Came Out Kinda Tacky 81/2 x 51/2 x 1 inches Retail value: $500 Dedicated to Bob Ebendorf. Bob, I’m glad you’re getting your name on that pillow. Silent Auction

362 Brad Thomas Diva

SATU R DAY Four-color print on Sintra with acrylic 18 x 24 x 2 inches Retail value: $800 This work is from the new UNBOUND series. Imagery is derived from 30 years of artists’ books.

363 Marlene True Full Circle Repurposed steel, enamel, sterling silver chain 3 x 3 x 12 inches Retail value: $700 This pendant is formed and fabricated with steel from an olive oil tin and then enameled. The process of repurposing materials to make something new gives me great satisfaction in making something beautiful and useful again. 88 364 Gibby Waitzkin Justice, Freedom, and Tolerance Archival pigment print on handmade paper embedded with walnut-dyed banana stalk and cattail; woven strips of flax, banana, cattail, iris, cotton, and kozo fibers dyed with natural dyes, eco-print of maple leaves, cattail fiber vessel; all surfaces sealed with cold wax

231/2 x 26 x 3 inches SATU R DAY Retail value: $3,000 All my work is derived from nature: the fibers are all from plants I grow or collect, cook, and process. The fibers, colors,

forms, and images have symbolic meanings. Silent Auction

365 Wendy R. Weiss SoulFull Cotton; warp: resist ikat dyed with madder root, weft: dyed with weld 22 1/2 x 34 inches Retail value: $1,200 I began a series of four letter word weavings in 2017. I hope once the viewer sees the words Soul Full, hidden in the checkerboard, a shift in attitude is possible. As with any dyed fabric, this weaving should be kept out of direct sunlight when choosing a place to hang it.

366 Jennifer Bueno and Thor Bueno Claret Sunset Blown glass, silver 26 x 24 x 3 inches Retail value: $3,000

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SATURDAY Live Auction 401 Jenny Mendes Animal Chalice Handbuilt ceramic, underglazes, terra sigillattas 7 x 5 x 5 inches Retail value: $650 SATURDAY Live Auction

402 Daniel Garver Ikat Throw Wool, cotton 571/2 x 571/2 inches Retail value: $700 Using a process called ikat, the cotton warp for this blanket was bound in selective areas to resist dye, then unbound and warped onto the loom after dyeing. The shifting of individual threads results in a blurred effect. This blanket is 40% cotton and 60% wool and dyed with synthetic indigo.

403 Nickolaus Fruin Cocktail Set Glass Beaker: 71/2 inches tall Retail value: $450 Note: The color of this glass changes in different light. See page 13.

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404 Sally Van Gorder Garden House 01 Archival pigment print (edition 2/5) 24 x 36 inches Retail value: $2,300

405 Roberto Giordani and Lewis Body Feather Iron, stainless steel 150 inches tall Retail value: $18,000 Crate plus shipping Like many of my latest sculptures, this piece represents an animal part and is a symbol against pollution. It was built during an advanced workshop at Penland.

406 Annie Evelyn and Ellie Richards Ellie’s Chair/ Annie’s Chair Sapele, foam, milk paint 32 x 18 x 19 inches Retail value: $2,400 Crate plus shipping 93 407 Hiroko Yamada Infinity Bracelet Silver, copper, 18K gold 3/4 x 31/2 x 31/2 inches Retail value: $535 This adjustable size bracelet is based in

SATURDAY Live Auction the traditional Japanese metal technique of mokume-gane.

408 Ben Owen III Sung Jar Stoneware and natural ash glaze 24 x 15 x 15 inches Retail value: $1,800 $$$ shipping This is a classic form of the Owen family influenced by my time in Japan. The finish on the piece is a result of 100 hours of firing in a wood kiln, allowing much wood ash to accumulate on the surface of the vase. A special piece from the firing!

409 John Littleton and Kate Vogel Vessel for the Soul, Illuminated Glass, steel 9 x 61/2 x 17 inches Retail value: $7,500 $$$ shipping

94 SATURDAY Live Auction

410 Brian Boggs Slab in the Dark Walnut, oak 30 x 42 x 84 inches Retail value: $15,000 Crate plus shipping By slicing slabs into veneers, we inlay the free forms into pictures on the surface of our furniture without having the shape of the tree drive the shape of the furniture and thus the functionality of the furniture. In this work we join the veneers along the natural curvy edges to other species to create the contrasting natural designs on the surfaces. It is tedious and highly skilled work, but the effect creates a new genre and excitement to our portfolio. This piece won the 2017 Best of Show Award at the Western Design Conference, Jackson Hole, WY.

411 Jun Lee The Burden Trophy Reduction woodcut 40 x 31 inches Retail value: $2,500 $$$ shipping The print is a six-color reduction woodcut. The image was carved in cherry veneer plywood and printed on cotton paper with oil-based ink.

412 Lola Brooks dreamcatcher Stainless steel, 14K gold solder, 10K gold, vintage rose-cut garnets 2 x 21/4 x 1 inches plus chain Retail value: $3,750 I am captivated by the possibilities presented by the idea of having a dream catcher. The form is inspired by antique fly fishing creel. It is fabricated in stainless steel using 14K gold solder around a soldering investment core that is then removed, leaving the outer shell of filigree. 95 413 Jason A. Hartsoe Bread Trough Stoneware

SATURDAY Live Auction 3 x 12 x 23 inches Retail value: $400 This piece started as a flat slab which was slipped and slip trailed and allowed to firm up before being shaped over a hump mold. Gas fired in reduction to cone 10.

414 Nate Cotterman Cube Glass and Decanter Blown glass Decanter: 12 inches tall Retail value: $558 The Cube Glass is designed to chill your beverage without diluting it with melted ice. Each glass comes with a solid-glass cube fused inside. Keep them in your freezer, ready to use.

415 David Wolfe Molly Molasses Two-color woodcut on paper mounted on cotton 96 x 48 inches Retail value: $2,000

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416 Haley Woodward Door Knocker Steel 10 x 5 x 4 inches Retail value: $600

417 Eleanor Annand Cluster Etching and relief prints on die-cut cotton paper 101/2 x 101/2 inches Retail value: $500

418 Cristina Córdova Cabeza Ceramic Retail value: $2,500 23 x 20 x 16 inches

97 419 Andrew Meers Ladybug French Knife Steel, copper, Koa 11/2 x 1/2 x 15 inches Retail value: $1,500

SATURDAY Live Auction French kitchen knife made with mosaic pattern and ladybug inlay with gold, silver, and shakudo overlay

420 Kensuke Yamada Diver Stoneware 511/2 x 16 x 11 inches Retail value: $4,200 $$$ shipping

421 Alex Gabriel Bernstein Ojo Azul Cast and cut glass 14 x 14 x 3 inches Retail value: $8,200 $$$ shipping

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422 Anne Lemanski BT1 and BT5 Archival pigment print, wood panel 235/8 x 163/4 x 11/2 inches each Retail value: $1,800

423 Cat Bates Cygnet Hook Necklace with Box Sterling silver, waxed polyester, MDF 1/2 x 1 x 24 inch cord; box: 3/4 x 21/2 x 43/4 inches Retail value: $415 This necklace was developed alongside a matching leather wrap bracelet in collaboration with leatherworker Jon Lim. A cygnet is a young swan. I carved the original form in wax and then cast it in metal. For this necklace I hand braided the cord from waxed polyester, which fades to a pale grey, and finished the ends with signature sister clasps. The box is custom CNC cut with a hand detailed interior.

424 Cathy Adelman An Alphabet for Gourmets Book by M.F.K. Fisher, illustrated by Marvin Bileck; 1st edition, Viking Press 1949; beige buffalo leather with graphite edge, silk hand-sewn endbands 81/2 x 53/4 x 1 inches Retail value: $1,800 99 425 William “Billy” Bernstein Face Vase with Gold Blown glass with hot cane drawing, 22k gold leaf 111/2 x 41/2 x 7 inches Retail value: $2,400 SATURDAY Live Auction

426 Sayaka Suzuki Jewels of Cervidae Acrylic and embroidery on sheetrock 26 x 21/2 x 26 inches Retail value: $1,400

427 Kevin Snipes Bather Porcelain, glaze, underglaze, oxide wash 12 x 6 x 4 inches Retail value: $1,500

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428 Julia Woodman Birds of a Feather Serving Slice Sterling silver, glass bead 15 x 41/2 x 7/8 inches Retail value: $2,400 A delicious meal paired with fine art serving pieces is a feast for the soul.

429 Paul Messink Summer Dreams Enameled and kiln-formed glass 8 x 10 x 21/2 inches Retail value: $4,400 This piece was hand-painted onto twenty layers of glass. Each layer contains a part of the final image and when fused, the finished work contains unique depth, dimension, and an interaction with light not found in other forms of painting.

430 Erin Keane Awaken the Garden Photography with beeswax on cradled wood panel 12 x 12 x 11/2 inches Retail value: $300 This photograph is a reflection from a boutique window in downtown Asheville. The image is a floral print in indigo and honey hues. The sun reflecting off the window created a negative space outline of the leafy trees behind me. Encaustic beeswax finishes the artwork with a luminous glow and aromatic scent. 101 431 Matt Repsher Circle Lantern Wheelthrown mid-range stoneware; carved with color engobe inlay 9 x 10 x 10 inches Retail value: $2,600 SATURDAY Live Auction

432 Robert Ebendorf Enamel Bowls Steel, enamel Small: 1 x 2 x 2 inches; large: 21/2 x 43/4 x 41/2 inches Retail value: $2,000

433 Jack Mauch Glitch II Sand-shaded butternut and Mozambique veneer, carved MDF panel 20 x 21 x 3 inches Retail value: $1,800 This piece is from a series that focused on the technical challenge of veneering compound-curving surfaces.

102 SATURDAY Live Auction

434 Christina Shmigel The OK Watertower Steel, brass, plumbing fittings, prismacolor 741/2 x 7 x 7 inches Retail value: $4,000 The OK Watertower revisits work I made as a Penland Resident in the 90s. Water towers were a common feature of textile mills so it’s fitting that OK’s graffiti (in the graphic style of NYC writer Pixote Rambo) celebrates Penland’s 90th year.

435 Matt Eskuche and Kit Paulson Leaf after Leaf Borosilicate glass 15 x 19 x 19 inches Retail value: $9,500 $$$ shipping

436 María Dávila & Eduardo Portillo Semilla (Seed) Silk, alpaca, moriche palm fiber, metallic threads, natural and acid dyes, silver leaf 503/4 x 123/4 inches Retail value: $7,000 This piece contains information codes and personal experiences merged in several layers. This piece has been made in triple weave. 103 437 Gabrielle Fox “Lent” by Maurice Manning Calf-leather-bound book, goatskin, gold leaf, cloth box with ephemera in paper portfolio 65/8 x 61/2 x 7/8 inches Retail value: $2,500 SATURDAY Live Auction This is an example of the flowing spine binding structure.

438 Laura Wood Sketch Torque Necklace Brass, sterling silver, powder coat, uvarovite 11 x 71/2 x 3/4 inches Retail value: $1,100

439 David Eichelberger Wall Tray Set Earthenware, porcelain 14 x 21 x 3 inches Retail value: $850 Ceramic pieces intended for the wall open up possibilities akin to painting for me, and this pair represents one avenue of exploration in that direction.

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440 Frankie Flood Piecemaker/Peacemaker Pizza cutter with parmesan dispenser revolving cylinder; manually-machined aluminum, brass, and bronze; CNC-machined aluminum and stainless steel; ball bearings, spring steel; CNC Jesus handles machined from 3D scan of Michelangelo’s Pietà. 6 x 31/2 x 12 inches Retail value: $2,500 Piecemaker/Peacemaker is a transformation of a six-shot revolver into a common kitchen utensil. I grew up in a household where guns were seen as tools or utensils by which food was put on the table rather than objects that caused harm to other individuals. My understanding of what guns represent has changed drastically after living in cities where gun violence is rampant and people’s lives are frequently changed forever as a result of this harmful object. This piece is my attempt to symbolize a modern translation of the Biblical passage, “they shall beat their swords into plow- shares, and their spears into pruning hooks: nation shall not lift up sword against nation, neither shall they learn war any more” and to remind people that peace is possible if we use our talents to effect positive change and that anything is possible if we have faith.

105 BIOGRAPHIES Handmade Books, 500 Cabinets. Lausanne (Switzerland); publications: (France), Bibliothèques de la Ville de Chicago Public Library, Musée Médard of Designer Bookbinders award; collections: Ratchford Cup (UK), Estonian Association Studio artist; Society of Bookbinders Penland, NC Cathy Adelman Artist Biographies residency (NY); teaching: Colorado College; Studio artist; Women’s Studio Workshop Cleveland, OH Eleanor Anderson Penland resident artist. group show at NCECA 2019 (MN); former Museum (NC); exhibitions: Cray Studio Museum (Netherlands), Cameron Art Museum of Ceramic Art (CA), Kruithuis Potter for 40 years; collections: American Bakersville, NC Stanley MaceAndersen studio coordinator. (DC); former Penland resident artist and SOFA Chicago, National Portrait Gallery Art Museum (WA), Blue Spiral 1 (NC), (MO), Art Museum of South Texas, Tacoma Kemper Museum of Contemporary Art James Renwick Alliance; exhibitions: Studio artist; Chrysalis Award from the Pittsburgh, PA Dean Allison Chairs, Gallery (NC); publications: exhibitions: Blue Spiral 1 (NC), Grovewood Furniture Craftsmanship fellowship (ME); Woodworking Fair award (GA), Center for Woodturners grant (MN), International Studio artist; American Association of Asheville, NC Jacque Allen Woodcraft. 212 500 Tables, 500 500 424 228 103 101 Niger. The Embassy of Liberia, The Embassy of collections: Corcoran Gallery of Art (DC), Gallery (DC), Tracey Morgan Gallery (NC); Foundation (NYC); exhibitions: Hemphill (NC); fellowships: Yaddo (NYC), Ford MFA director, Western Carolina University Asheville, NC Tom Ashcraft Penland core fellow. lications: (GA); collections: Cassilhaus (NC); pub- Works (NC), Lyndon House Art Gallery Art+Design (NC), GreenHill (NC), Rebus Gallery, Blue Spiral 1 (NC), Light residency (WY); exhibitions: Penland Penland resident artist; Jentel Foundation Penland, NC Eleanor Annand University. Penland, Hunter College (NYC), Ohio State Angelo Museum of Art (TX); teaching: Baltimore Clay Works; collection: San Bray Foundation, The Clay Studio (PA), bitions: Clay Art Center (NY), Archie Foundation (MT), Watershed (ME); exhi- Studio artist; residencies: Archie Bray Bakersville, NC Kurt Anderson (NJ); former Penland resident artist. Museum of Art, Museum of American Glass tions: Mint Museum (NC), North Carolina SOFA Chicago, Blue Spiral 1 (NC); collec- Institute; exhibitions: Heller Gallery (NYC), of Art & Design (Tokyo), Tokyo Glass Art Studio artist; teaching: Joshibi University Tokyo, Japan Junichiro Baba former Penland core fellow. College (MN); publications: Asheville, Colorado College, Carelton collections: University of North Carolina- Adventures in Letterpress; former American Craft; 104 301 102 417 BIOGRAPHIES Phillip Baldwin 105 Rick Beck 220 Snohomish, WA Spruce Pine, NC Studio artist; exhibitions: Museum of Arts Studio artist; exhibitions: Hidell Brooks and Design (NYC), Bellevue Art Museum Gallery (Charlotte), Ken Saunders Gallery (WA); collections: Victoria and Albert (Chicago); collections: Mint Museum Museum (London), Metal Museum (TN), (Charlotte), Asheville Art Museum (NC), Tacoma Art Museum (WA), Washington Columbia Museum of Art (SC), Imagine State Arts Commission; publications: Museum (FL), Lowe Museum of Art (FL); Metalsmith. former Penland resident artist.

Boris Bally 106 Brien Beidler 107 Providence, RI Bloomington, IN Studio artist; exhibitions: Metal Museum Studio artist; teaching: Escuela de Artes (TN), Tacoma Art Museum (WA); collec- y Oficios Santo Domingo (Colombia), tions: Victoria and Albert Museum (London), Massachusetts Institute of Technology, Museum of Arts and Design (NYC), Museum University of Alabama, Penland. of Fine Arts Boston, Cooper Hewitt (NYC), Renwick Gallery (DC). Erica Bello 303 Baltimore, MD Jean Buescher Bartlett 308 Studio artist; teaching: Baltimore Jewelry Ann Arbor, MI Center, Penland; Halstead Grant recipient; Studio artist; exhibitions: Philadelphia exhibitions: Brooklyn Metal Works (NY), Museum of Art Craft Show (PA); col- Baltimore Jewelry Center (MD), Quirk lections: Victoria and Albert Museum Gallery (VA), Pistachios Gallery (IL); publi- (London), Brown University (RI), Scripps cations: 500 Brooches. College (CA), Smith College (MA); publica- tions: 500 Handmade Books, Vols. 1 and 2. Alex Gabriel Bernstein 421 Asheville, NC Kenneth Baskin 302 Studio artist; exhibitions: Traver Gallery Lake Charles, LA (Seattle), SOFA Chicago, Blue Spiral 1 Associate professor, McNeese State (NC), Habatat Galleries (MI), Morgan University (LA); exhibitions: Blue Spiral Contemporary Glass Gallery (Pittsburgh); 1 (NC), Workhouse Art Center (VA), collections: Corning Museum of Glass (NY), Springfield Art Museum (MO); collections: Museum of Fine Arts Boston, Philadelphia Arkansas Arts Center, Hilliard University Museum of Art. Art Museum (LA), Yingge Ceramics Museum (Taiwan); publications: Ceramics William “Billy” Bernstein 425 Monthly, 500 Ceramic Sculptures. Burnsville, NC Studio artist; collections: Corning Museum Cat Bates 423 of Glass (NY), Craft and Folk Art Museum Portland, ME (Los Angeles), Museum of Arts and Design Studio artist; Belvedere Fund grant (ME); (NYC); publications: Masters of Glass; former residencies: Haystack Open Studio (ME), Penland resident artist. Pace House (ME); exhibitions: Maine College of Art, June Fitzpatrick Gallery Chris Berti 304 (ME), Fringe Gallery (UT), North Seattle Urbana, IL College of Art. Associate professor, Parkland College (IL); BIOGRAPHIES Ceramic Sculptures, 100 Artists of the Midwest. Arts; publications: (Charlotte), Montreal Museum of Fine tions: Renwick Gallery (DC), Mint Museum (Taiwan), Illinois State Museum; collec- exhibitions: Yingge Ceramics Museum Colorado State University, Massachusetts teaching: University of the Arts (PA), Studio artist; Artist Trust fellowship (WA); Seattle, WA Jana Brevik fellow. Arts Center (NC); former Penland core Peninsula Fine Art Center (VA), Caldwell Highland Craft Guild (NC), LaDiff (VA), for Art in Wood (Philadelphia), Southern Society of Contemporary Craft (PA), Center exhibitions: Lillstreet Art Center (Chicago), Studio artist; Furniture Society grant (NC); Madison, VA Christina Boy Furniture. publications: Center for Furniture Craftsmanship (ME); University (KY), Kentucky Artisan Center, tions: Mobile Museum of Art (AL), Spalding Studio artist; Good Design Award; exhibi- Asheville, NC Brian Boggs mer apprentice at Metal Museum (Memphis) Owner of LB Metal Design (Memphis), for- Memphis, TN Lewis Body Museum. University Art Museum, Tennessee State Phoenix Airport Museum, Northern Arizona Shemer Art Center (AZ), Arts; exhibitions: Award from Arizona Commission on the Arrowmont (TN); Governor’s Purchase Studio artist; director emeritus at Mesa, AZ Sandra Blain Fine Woodworking, Home New York Times, 500 405 305 224 410 108 mer Penland resident artist. Ceramic Art (CA), Smithsonian (DC); for- Craft Museum (MA), American Museum of (NC),, High Museum of Art (Atlanta), Fuller torate; collections: Asheville Art Museum Memphis College of Art honorary doc- Educator, North Carolina Living Treasure, Studio artist; Penland Outstanding Artist Penland, NC Cynthia Bringle former Penland core fellow. Metal Museum (TN), Arkansas Art Center; (Charlotte), North Carolina Museum of Art, Council grant; exhibitions: Mint Museum Studio artist; North Carolina Arts Penland, NC Elizabeth Brim (MN). University of Tennessee, Flaten Art Museum collections: Wellesley College (MA), of Tennessee (TN), Eutectic Gallery (OR); (MN), San Angelo Museum (TX), University of Art; exhibitions: Flaten Art Museum Associate professor, Massachusetts College Boston, MA Paul S.Briggs Studio artist; teaching: Rhode Island School Watkinsville, GA Lola Brooks (NC); former Penland resident artist. Art (SC), Southern Highland Craft Guild Museum of History, Greenville Museum of Museum (Charlotte), North Carolina Artist Educator award; collections: Mint Carolina at Charlotte; Penland Outstanding Professor emerita, University of North Penland, NC Edwina Bringle Museum (WA). Museum (NC); collections: Tacoma Art Penland; exhibitions: North Carolina Art College of Art, Pratt Fine Arts (Seattle), 306 229 210 412 219 of Design, Cranbrook Academy of Art (MI), Arrowmont (TN), Penland; exhibitions: BIOGRAPHIES University of Georgia, University of the Arts Sienna Patti Contemporary (MA), Lulo (PA), SUNY New Paltz (NY); exhibitions: (CA); publications: 500 Pendants and Lockets, Tacoma Art Museum (WA), Metal Museum 500 Brooches, Metalsmith. (TN); collections: Metropolitan Museum (NYC), Museum of Arts and Design (NYC). Richard Burkett 203 San Diego, CA Angela Bubash 217 Professor emeritus, San Diego State Rice, VA University; exhibitions: Ogden Museum Associate professor, Longwood University (New Orleans), Schaller Gallery (MI), (VA); exhibitions: Tsubame Industrial Melton Gallery (OK), ClayArt Center Materials Museum (Japan), Yamawaki (NY), Idyllwild Arts (CA); collections: Gallery (Japan), Ginza Okaria Gallery Crocker Art Museum (CA), Haan Museum (Japan), Alliages Gallery (France), Baltimore (IA), DePauw University Art Museum (IN). Jewelry Center; former Penland resident artist. Jay Burnham-Kidwell 309 Golden Valley, AZ Ashley Buchanan 307 Studio artist; exhibitions: National Gallery Marietta, GA of Art (DC), Metal Museum (TN), National Studio artist; American Craft Council Award Vietnam Veterans Art Museum (Chicago), of Excellence; exhibitions: Museum of Arts Ludwig Forum for International Art and Design (NYC), Racine Art Museum (Germany); collections: Metal Museum, (WI), SOFA Chicago, Montreal Museum University of Georgia, University of of Fine Arts, Norton Museum of Art (FL), Delaware; publications: Vietnam Reflexes and Turchin Center (NC); publications: American Reflections. Craft, Metalsmith. Stormie Burns 110 Jennifer Bueno 366 Candler, NC Penland, NC Studio artist; exhibitions: North Carolina Studio artist; exhibitions: Spartanburg Art Pottery Center (NC), HOW Space (NC), Museum (SC), Center for Craft (NC), Queens University (NC), Charlie Cummings Contemporary Art Center (New Orleans), Gallery (FL), Medalta (Canada); publications: Tacoma Museum of Art (WA), Museum of Graphic Clay; former Penland core fellow. Glass (WA), SOFA Chicago, Momentum Gallery (NC), Clay and Glass Gallery Critz Campbell 310 (Ontario); former Penland resident artist. West Point, MS Associate professor, Mississippi State Thor Bueno 366 University; Mississippi Arts Commission Penland, NC fellowship; exhibitions: Trinity College Studio artist; exhibitions: SOFA Chicago, (Dublin), Cooper Hewitt (NYC), deCordova Momentum Gallery (NC); collections: Sculpture Park and Museum (MA), SOFA Asheville Art Museum (NC); former Penland Chicago; collections: Mississippi Museum of resident artist. Art; former Penland core fellow.

Raïssa Bump 109 Thomas Campbell 213 San Francisco, CA Penland, NC Studio artist; teaching: Haystack (ME), Studio artist; Society of North American BIOGRAPHIES Gallery (FL), The Clay Studio (PA). (MI), Red Lodge (MT), Charlie Cummings (Hangzhou); exhibitions: Schaller Gallery (New Zealand), China Academy of Fine Art University, Wellington Potters Association Illustrated; teaching: Australian National core fellow. Arkansas at Little Rock; former Penland Charlotte; collections: University of GreenHill (NC), Queens University of exhibitions: Imperial Arts Centre (NC), Goldsmiths Early Career Artist award; Center for Contemporary Art (NC); col- Gallery (NYC), Artspace (NC), Southeastern Elizabeth Harris Gallery (NYC), Hionas Industry residency (WI); exhibitions: Studio artist; Fulbright grant; Kohler Arts/ Durham, NC Martha Clippinger (TN), Arkansas Art Center. Contemporary Craft (CT), Metal Museum Science Museum (AR); collections: Yale Gallery, Center for Craft (NC), Arts and tions: University of Arkansas Little Rock University of Arkansas, Penland; exhibi- teaching: Haystack (ME), Arrowmont (TN), Studio artist; Arkansas Arts Council grant; Penland, NC David HarperClemons from Studio artist; Ceramic Artist of the Year Helena, MT Ben Carter ident artist. of American Glass (NJ); former Penland res- Swarovski Glass Museum (Austria), Museum collections: Mint Museum (Charlotte), Gallery (Chicago), Heller Gallery (NYC); Habatat Galleries (MI), Ken Saunders America fellowship (NJ); exhibitions: Studio artist; Creative Glass Center of Vilas, NC Ken Carder Ceramics Monthly and Pottery Making 313 112 311 111 of Letterpress, Adventures in Letterpress. publications: Metropolitan Museumof Art Library (NYC); of Congress (DC), Yale University (CT), Art Library, Tate Britain Library, Library lections: San Francisco Museum of Modern Printer of The Press, Colorado College; col- Colorado Springs,CO Aaron Cohick Book Play; Kunst:Raum Gmunden (Austria); author of 1 (NC), Associació Cultural Ilde (Spain), Public Library (KA); exhibitions: Blue Spiral Library (NY), Topeka & Shawnee County Museum of Art (TN), Chester Public Studio artist; collections: Memphis Brooks Asheville, NC Margaret CouchCogswell Tricks for Slabs, Coil, and More. Mastering Hand Building: Techniques, Tips, and Ceramics Monthly and NCECA; author of cy (MT); named 2013 Emerging Artist by Penland; Archie Bray long-term residen- Santa Fe Clay (NM), Anderson Ranch (CO), Studio artist; teaching: Red Lodge (MT), Helena, MT Sunshine Cobb Studio artist; American Craft Council Award Victoria, VA James D.W.Cooper Metalsmith, American Craft. Houston; publications: Museum (WA), Museum of Fine Arts of Arts and Design (NYC), Racine Art Gallery 2019 (Bangkok); collections: Museum (CA), Schmuck 2014/2015 (Munich), Atta Studio artist; exhibitions: Velvet da Vinci Dallas, TX Kat Cole University (NC). Museum of Contemporary Art (KS), Duke lections: Columbus Museum (GA), Nerman former Penland resident artist. The Itinerant Printer, For the Love 500 Enameled Objects, 227 314 315 113 115 of Achievement; teaching: University of (NC), Greenwich House Pottery (NY), BIOGRAPHIES Alabama Birmingham, Penland; collections: ClayAkar (IA), Schaller Gallery (MI), City of Greensboro (NC), Birmingham Baltimore Clayworks (MD), Northern Clay Botanical Gardens (AL), Metal Museum Center (MN), Wiseman Art Museum (MN); (TN); publications: 500 Chairs. publications: Mastering the Potter’s Wheel, Mastering Hand Building, Studio Potter; former Cristina Córdova 418 Penland core fellow (Michael Hunt). Penland, NC Studio artist; collections: Renwick Gallery María Dávila and Eduardo Portillo 436 (DC), Fuller Craft Museum (MA), Museo Mérida, Venezuela de Arte Contemporaneo (Puerto Rico), Studio artists; Smithsonian Fellows; col- Museo de Arte de Ponce (Puerto Rico), lections: The Whitworth Art Gallery Mint Museum (Charlotte), Society of Arts (UK), Longhouse Reserve (NY), Cooper and Crafts (Boston), Alfred Ceramic Art Hewitt (NYC); exhibitions: The Textile Museum (NY); former Penland resident Museum (DC), Museum of Arts and Design artist. (NYC), Textile Museum (DC).

Nate Cotterman 115, 414 Georgia Deal 301 Penland, NC Asheville, NC Penland resident artist; exhibitions: Professor emeritus, Corcoran College of Art Architectural Digest Design Show (NYC), & Design (DC); Yaddo fellowship (NYC), NY Now, Shoppe Object (NYC); teaching: New York State Council on the Arts grant; Pilchuck (WA), Pittsburgh Glass Center, exhibitions: Causey Contemporary (NYC); Cleveland Institute of Art; publications: collections: Library of Congress (DC), Made to Last, Food and Wine, Martha Stewart. Corcoran Gallery of Art (DC), Philadelphia Museum of Art. Cappy Counard 116 Edinboro, PA Dail Dixon 118 Professor, Edinboro University (PA); exhi- Chapel Hill, NC bitions: Society of Arts and Crafts (Boston), Architect; American Institute of Lillstreet Art Center (Chicago), Erie Art Architecture fellow; exhibitions: North Museum (PA), Penland Gallery, Society Carolina Museum of Art, Duke Museum of of Contemporary Craft (Pittsburgh), Art (NC), LIGHT Art+Design (NC); archi- Fuller Craft Museum (MA); publications: tect for multiple Penland buildings including Metalsmith, Behind the Brooch, 21st Century the Guest House, Sleeping Cabins, Dorm 54, Jewelry: The Best of the 500 Series. Pines Portico, Penland Gallery and Horner Hall renovations. Giovanni Daina-Palermo 181 Asheville, NC Courtney Dodd 316 Studio artist, designer, patternmaker; Bakersville, NC co-founder of Rite of Passage clothing (NC); Studio artist, educational programs manager clients: Oscar de la Renta, Caroline Herrera, at Penland; Pilchuck Emerging Artists resi- Jeffrey Dodd, Monse, Protagonist. dency (WA); exhibitions: Schack Art Center (WA), Tinnin Fine Arts Center (MO), River Naomi Dalglish and Michael Hunt 117 House Arts (OH), Glass Wheel Studio (VA); Bakersville, NC collections: Corning Museum (NY); former Studio artists; exhibitions: Blue Spiral 1 Penland core fellow. BIOGRAPHIES Science and Art (MI). Museum (Japan), Alden Dow Museum of (Chicago), Tsubame Industrial Materials Metal Museum (TN), Lillstreet Art Center (KS); Evansville Museum (IN); exhibitions: at Little Rock; collections: Emprise Bank Artist in residence, University of Arkansas Little Rock,AR Ben Dory (NC), Greenville Museum of Art (NC), grants; exhibitions: East Carolina University Studio artist; North Carolina Arts Council New Bern,NC Jill Eberle and Times of Robert W. Ebendorf. Museum (Charlotte); publications: (NYC), Museum of Fine Arts Boston, Mint Museum of Art (NYC), Cooper Hewitt and Albert Museum (London), Metropolitan Renwick Gallery (DC); collections: Victoria (NC); exhibitions: 40-year retrospective at Professor emeritus, East Carolina University Sante Fe,NM Robert Ebendorf (NY). Design (NYC), Corning Museum of Glass cy (NY); collections: Museum of Arts and Penland; Corning Museum of Glass residen- (NY), Pilchuck (WA), Niijima (Japan), University of Arts (Japan); teaching: Corning Studio artist; guest instructor at Osaka Prescott, AZ Bandhu Dunham Life Books, Pinhole Journal. American Craft, Maker Quarterly, WNC, Time- tions: Asheville Art Museum; publications: (IN), North Carolina Museum of Art; collec- GreenHill Center (NC), Earlham College Center for Alternative Photography (NYC), exhibitions: Asheville Art Museum (NC), Communications manager at Penland; Celo, NC Robin Dreyer The Life 317, 432 204 120 119 121 Science of Natural Dyes. of (MA), China National Silk Museum; author Art Museum (NC), Fuller Craft Museum (Australia), Blue Spiral 1 (NC), Cameron grant; exhibitions: Redland Art Gallery Studio artist; North Carolina Arts Council Waynesville, NC Catherine Ellis mer Penland resident artist. Western Colorado Center for the Arts; for- (Switzerland), Mint Museum (Charlotte), tions: International Academy of Ceramics (MA), Baltimore Clayworks; collec- Galleries (NYC), Fitchburg Art Museum Studio artist; exhibitions: Driscoll Babcock Richmond, NH Rostislav Eismont Penland resident artist. Studio (Philadelphia), ClayAkar (IA); former Center (NC), Santa Fe Clay (NM), The Clay (FL), Lux Center for the Arts (NE), Turchin Spiral 1 (NC), Charlie Cummings Gallery bitions: Steamboat Art Museum (CO), Blue Kohler Arts/Industry residency (WI); exhi- Visiting professor, Marlboro College (VT); Marlboro, VT David Eichelberger Alternative Processes. author of de Arte Moderno de Medellin (Colombia); (CA), Toledo Museum of Art (OH), Museo Museum of Art (FL), Crocker Art Museum Carter Museum of Art (TX), Boca Raton School of Design (NYC); collections: Amon Associate professor, Parsons The New Newburgh, NY Jill Enfield Mount (NC), Hatteras Yachts (NC). Center (NC); collections: City of Rocky Toe River Arts Council (NC), The Arts GreenHill (NC), Elder Gallery (Charlotte), Woven Shibori and co-author of Jill Enfield’s Guide to Photographic The Art and 439 202 318 319 BIOGRAPHIES Matt Eskuche 435 Congress (DC), Duke University (NC), Pittsburgh, PA Washington University in St. Louis. Studio artist; teaching: Corning (NY), Pilchuck (WA), Penland; collections: Hillary Waters Fayle 321 Philadelphia Museum of Art, Museum of Richmond, VA Arts and Design (NYC), Kobe International Studio artist and instructor at Virginia Lampwork Museum (Japan), Imagine Commonwealth University; exhibitions: Museum (FL). Albright Knox Public Arts (NY), Leigh Yawkey Woodson Art Museum (WI), Quirk Daniel Essig 320 Gallery (VA), Sager Braudis (MO); collec- Penland, NC tions: Yasar University (Turkey), Arboretum Studio artist; exhibitions: GreenHill (NC), Kalmthout (Belgium), Capital One (VA), Whatcom Museum (WA), Memphis Brooks Burchfield Penney Art Center (NY). Museum of Art (TN), Minnesota Center for Book Arts (Minneapolis); collections: Susan Feagin 123 Renwick Gallery (DC), Mint Museum (NC), Penland, NC Vanderbilt University (TN); former Penland Studio artist and Penland clay studio coor- core fellow. dinator; exhibitions: Turchin Center (NC), Blue Spiral 1 (NC), GreenHill (NC), North Vicki Essig 122 Carolina Pottery Center, Asheville Area Arts Penland, NC Council (NC); publications: 500 Prints on Studio artist; American Craft Council Award Clay, 500 Plates and Chargers; former Penland of Excellence; exhibitions: Blue Spiral 1 core fellow. (NC), Abecedarian Gallery (CO), GreenHill (NC), Left Bank Gallery (MA); collec- Shane Fero 207 tions: University of California San Diego; Penland, NC University of California Santa Cruz, Baylor Studio artist; exhibitions: Mint Museum University (TX). (Charlotte), Blue Spiral 1 (NC), Museum of American Glass (NJ); collections: Museum of Annie Evelyn 406 Arts and Design (NYC), Corning Museum of Penland, NC Glass (NY), Glasmuseet Ebeltoft (Denmark), Studio artist; John D. Mineck Furniture Museum fur Glaskunst (Germany), Niijima Fellowship, Windgate Fellowship; exhibi- Contemporary Glass Museum (Japan). tions: Houston Center for Contemporary Craft, Magnan Metz (NYC), Ventura Alida Fish 208 Lambrate (Milan), Habitat Valencia (Spain), Wilmington, DE 100% Design (Shanghai); publications: Professor emeritus, University of the American Craft; former Penland resident Arts (Philadelphia); exhibitions: Alan artist. Klotz Gallery (NYC), Schmidt-Dean Gallery (Philadelphia), Musée de l’Elysée Lauren Faulkenberry 176 (Switzerland); collections: Philadelphia Whittier, NC Museum of Art, Delaware Art Museum, Studio artist; exhibitions: Seoul International George Eastman Museum (NY); former Book Fair, Southern Highland Craft Guild Penland core fellow. (NC), City Gallery (SC), Robert C. Williams Museum of Papermaking (GA), Abecedarian Gallery (CO); collections: Library of BIOGRAPHIES Contemporary Art (AZ). Visual Arts (NC), Scottsdale Museum of (NC); collections: Turchin Center for the Cocheneur Gallery, (KY), Blue Spiral 1 Museum (DC), Print Center (PA), (NC); exhibitions: American University Professor, Appalachian State University Boone, NC April Flanders Museum of Art. Museum of Glass (NY), Los Angeles County Museum of Fine Arts Houston, Corning (DC), Museum of Fine Arts Boston, Museum (London), Smithsonian Institution Studio artist; collections: Victoria and Albert Madison, WI Donald Friedlich de France. for British Art (CT), Bibliothèque nationale Metropolitan Museum (NYC), Yale Center St. Bride Foundation (UK); collections: tions: North Bennet Street School (MA), Forgue Award, Helm Fellowship; exhibi- Studio artist; awards: Glasgow Cup, Norman Cincinnati, Ohio Gabrielle Fox Metal Jewelry: Projects, Techniques, Inspiration. Metalsmith, 500 Knives, American Craft, Making International Craft Biennale; publications: (NC); Special Citation Cheongju Professor, Appalachian State University Vilas, NC Frankie Flood Contemporary Artists, Glass Art Society Journal. Art Museum (WI); publications: Lampwork Glass Museum (Japan), Racine tions: Corning Museum of Glass (NY), Kobe (MA), Smithsonian Craft Show (DC); collec- Studio artist; exhibitions: Mobilia Gallery Holyoke, MA Wesley Fleming Glass Art: 112 440 437 322 323 124 (Tokyo), Penland. Penland); teaching: Yamawaki Art College Japanese Traditional Metalwork fellow. Earlham College (IN); former Penland core Peters Valley (NJ), Red Lodge (MT), Patterson-Appleton Arts Center (TX), (WY); exhibitions: Texas A&M University, for Contemporary Craft; Jentel Foundation Studio artist; residencies: Houston Center Silver City,NM Daniel Garver fellow. CAST Art and Objects; former Penland core Technology Authority (GA); publications: Vendsyssel Kunstmuseum (DK), Georgia the Arts “Women to Watch”; collections: Award, National Museum of Women in Studio artist; NCECA Emerging Artist Atlanta, GA Rachel K.Garceau Prize; exhibitions: Studio artist; Japan Arts Crafts Association Tokyo, Japan Kiyoko Fujie College (NE). (PA), Turchin Center (NC), Hastings (NY); exhibitions: National Liberty Museum Glass Center, Corning Museum of Glass dinator; teaching: Pilchuck (WA), Pittsburgh Studio artist and Penland glass studio coor- Bakersville, NC Nickolaus Fruin 500 Tables, From Fire to Form. publications: Exhibit (MI), Seton Hill University (PA); Center (PA), Dearborn Outdoor Sculpture Studio artist; exhibitions: Pittsburgh Glass Edinboro, PA Greg Gehner Ironwork Today 3, 500 Chairs, A Tradition of Excellence: (Chicago/ 402 403 126 127 127 BIOGRAPHIES Terry Gess 324 Caroline Gore Cynosures Bakersville, NC Philadelphia, PA Studio artist; North Carolina Arts Council Associate professor and metals coordinator grant; exhibitions: North Carolina Pottery at University of the Arts (Philadelphia); solo Center, Mason-Scharfenstein Museum of exhibitions: Velvet da Vinci (San Francisco), Art (GA); collections: Asheville Art Museum Urban Institute for Contemporary Arts (NC), Mint Museum (Charlotte), Racine Art (MI); collections: Racine Art Museum Museum (WI), Southern Illinois University- (WI), Museum of Fine Arts Houston, Carbondale; former Penland resident artist. Bemis Center for Contemporary Art (NE), Western Michigan University. Marguerite Jay Gignoux 325 Carrboro, NC Jessica Green 327 Studio artist; exhibitions: LIGHT Sandy Mush, NC Art+Design (NC), Stark Gallery (AZ), Frank Studio artist, director of Cabbage School Gallery (NC), GreenHill (NC), Sebastopol (NC); teaching: Warren Wilson College Center for the Arts (CA), Mint Museum (NC), Penland; exhibitions: Center for Craft (Charlotte); collections: University of North (NC), Blue Spiral 1 (NC), Bradbury Art Carolina Hospital, Duke Medical Center Museum (AR). (NC), Greensboro Public Libraries (NC). Janna Gregonis Cynosures Roberto Giordani 405 Kutztown, PA Mercato Saraceno, Italy Stuido artist; teaching: Kutztown University Studio artist; exhibitions: Metal Museum (PA), 92nd Street Y (NYC), Peters Valley (TN), Museo della Marineria Cesenatico (NJ) exhibitions: Kutztown University, (Italy), Galleria Franco Alessandrini (Italy), Milton J. Weil Gallery (NYC), Velvet da Galleria d’Arte Moderna (Milan), Forja Viva Vinci (San Francisco); collections: Museum (Barcelona), Feu & Fer (Belgium). of the Brazilian Object (São Paulo).

Joanna Gollberg 128 Carmen Grier 129 Asheville, NC Bakersville, NC Studio artist; exhibitions: Velvet da Vinci Studio artist; North Carolina Arts Council (San Francisco), Taboo Studio (CA), grant; exhibitions: Blue Spiral 1 (NC), Lillstreet Art Center (Chicago), Mora (NC), GreenHill (NC), Zoller Gallery (PA), Ombré Gallery (Cincinnati); author of Smithsonian Craft Show (DC); collections: Making Metal Jewelry, Creative Metal Crafts, Mint Museum (Charlotte), The Bascom The Art & Craft of Making Jewelry, and The (NC), Loras College (IA); former Penland Ultimate Jeweler’s Guide. resident artist.

Arthur Gonzalez 326 Bill Hall 328 Alameda, CA Arden, NC Professor, California College of the Arts; Studio artist; former master printer at Pace NEA fellowship; collections: American Editions (NYC); exhibitions: The Curator Craft Museum (NY), Colorado University Gallery (NYC), Aspinwall Editions (NYC), Museum, Daum Museum (MO), Everson Momentum Gallery (NC). Museum of Art (NY),Yingge Ceramics Museum (Taiwan), Museum of Modern Ceramic Art (Japan). BIOGRAPHIES 500 Enameled Objects, Art Jewelry. Arts Center(WI);publications:NewBrooches, Society of Arts and Crafts (Boston), Kohler Francisco), Brooklyn Metal Works (NYC), Arts Center (AZ), Velvet da Vinci (San (TN), Ohio Craft Museum (OH), Mesa Studio artist; exhibitions: Metal Museum Blacksburg, VA Charity Hall University of Louisiana, Penland. Tennessee, West Virginia University, Southern Mississippi, University of Studio artist; teaching: University of Spruce Pine,NC Remy LouisHanemann University (TX). Art, Vanderbilt University (TN), Baylor Orleans); collections: Georgia Museum of Museum (TX), Ogden Museum (New fellowship; exhibitions: Amon Carter University; Houston Center for Photography Associate professor, Louisiana Tech Ruston, LA Frank Hamrick (IL); publications: tions: University of Chicago, Unity Temple (NM), Weaving Southwest (NM); collec- (IN), By Hand Gallery (IN), Marigold Arts Indiana University (IN), Earlham College Professor, Indiana University; exhibitions: Bloomington, IN Suzanne Halvorson Rock, San Diego State University (CA). collections: University of Arkansas at Little Contemporary (OK), Arkansas Art Center; Angeles), Fuller Craft Museum (MA), 108 1 (NC), Craft in America Center (Los Art Council grant; exhibitions: Blue Spiral Director, Penland School of Craft; Arkansas Penland, NC Mia Hall Shuttle, Spindle & Dyepot. Cynosures 329 130 136 132 STARworks (NC). (Italy); collections: Archie Bray (MT), Ceramiche Nuove, La Bottega del Comune Penland resident artist; exhibitions: Penland, NC Jason A.Hartsoe (MA); author of Art (OH), Deerfield Memorial Hall Museum (MA); collections: Columbus Museum of Studio artist, owner of Bedfellows Blankets Shelburne Falls,MA Peggy Hart Women and Art (NJ). Marywood University (PA), Institute for Behna (Egypt), Thundergulch (NYC), Museum of Modern Art (NYC), Wekalet Institute of Technology (NJ); exhibitions: & Technology B.A. Program at Stevens Studio artist, former director of the Art New York,NY Julia Harrison Penland campus master plan. (NC), Home and Planet (PA); author of the Works (NC), Roundabout Art Collective North Carolina State University, Rebus Carter Williams Gold Medal; exhibitions: Architect; Paris Prize in Architecture, F. Raleigh, NC Abie Harris Studio artist; teaching: Arrowmont (TN), Burnsville, NC Ann Hawthorne of Fine Arts Houston. (NYC), Racine Art Museum (WI), Museum Craft (Boston); collections: Cooper Hewitt County Museum of Art, Society of Arts and ing artist award; exhibitions: Los Angeles of Design; American Craft Council emerg- Assistant professor, Rhode Island School Providence, RI Arthur Hash Story of Artisans and Innovation. Wool: Unraveling an American 330 413 134 133 331 137 BIOGRAPHIES Campbell Folk School (NC), University Tom Huang 135 of North Carolina-Chapel Hill; multiple Lawrence, KS National Science Foundation Antarctica Associate professor, University of Kansas; Writers and Artists grants; publications: other teaching: Anderson Ranch (CO), Time, Newsweek, National Geographic, Discovery Center for Furniture Craftsmanship Channel. (ME); Windgate Fellowship; exhibitions: Lawrence Art Center (KS), Wexler Gallery Yukari Hayashida 138 (Philadelphia), B.J. Spoke Gallery (NY), New York, NY Gallery Henoch (NYC), Bedford Gallery Studio artist and senior book conservator (CA). at the Metropolitan Museum of Art (NYC); teaching: Penland, The Center for Book Arts Mi-Sook Hur 139 (NYC), Morgan Conservatory (OH). Greenville, NC Professor, East Carolina University (NC); Andrew Hayes 225 North Carolina Arts Council grant; Kohler Asheville, NC Arts/Industry residency (WI); exhibitions: Studio artist; exhibitions: Blue Spiral 1 (NC), Museum of Arts and Design (NYC); collec- Seager Gray Gallery (CA), JHB Gallery tions: Arkansas Arts Center, Enamel Arts (NYC), Hunterdon Art Museum (NJ), Foundations (Los Angeles), Kohler Arts Cameron Art Museum (NC); collections: Center (WI), Racine Art Museum (WI). Museum of Fine Arts Houston, Wingate University (NC), Yale University (CT); for- Susan Iverson 140 mer Penland resident artist and core fellow. Montpelier, VA Studio artist, professor emerita at Virginia James Henkel 332 Commonwealth University; National Asheville, NC Endowment for the Arts grant; exhibitions: Professor emeritus, University of Minnesota; Page Bond Gallery (VA), Snyderman-Works collections: San Francisco Museum of Galleries (Philadelphia), Hunterdon Art Modern Art, Whitney Museum (NYC), Museum (NJ), Central Museum of Textiles Museum of Fine Arts Houston, Walker (Poland), The Textile Museum (DC); collec- Art Center (Minneapolis), Minneapolis tions: Renwick Gallery (DC). Institute of Art, Weisman Museum of Art (Minneapolis); former Penland resident art- Jerry Jackson 141 ist and core fellow. Brasstown, NC Executive director, John C. Campbell Morgan Hill 209 Folk School (NC); teaching: Imperial Penland, NC Centre for Arts and Sciences (NC), East Studio artist, sales and visitor information Carolina University (NC); exhibitions: NC coordinator at Penland Gallery; Windgate Wesleyan College (NC), Turchin Center Fellowship; collections: Contemporary Art (NC), Appalachian State University (NC), Museum Raleigh (NC), Center for Art in Greenville Museum of Art (NC). Wood (PA), Southwest University of Visual Arts (NM), Alabama Center for Architecture Michael Janis 226 (AL); publications: Uppercase; former Washington, DC Penland core fellow. Co-director, Washington Glass School (DC); Fulbright Scholarship, DC Mayor’s Arts Award, James Renwick Alliance BIOGRAPHIES Maggie Jaszczak Chicago, Bucharest Embassy (Romania). Fuller Craft Museum (MA), Art Institute of (MO), Art Miami/Context (FL); collections: Littleton Gallery (DC), Duane Reed Gallery Distinguished Artist; exhibitions: Maurine Studio artist; Toe River Arts Council grant; Asheville, NC Anna Johnson Asheville Art Museum (NC). (OH); collections: Alfred University (NY), Art and Craft, Wayne Center for the Arts Pottery Tour (MN), Kentucky Museum of Signature Gallery (Atlanta), St. Croix Baltimore Clayworks, Santa Fe Clay (NM), Studio artist; exhibitions: ClayAkar (IA), Penland, NC Nicholas Joerling ident artist. (NC), Cassilhaus (NC); former Penland res- Orleans); collections: Hinson Art Museum Art Museum (NC), Ogden Museum (New (CA), Page Bond Gallery (VA), Asheville (NYC), Gallery MC (NYC), Arena 1 Gallery Studio artist; exhibitions: SoHo Photo Brooklyn, NY Mercedes Jelinek Penland resident artist. Archie Bray Foundation (MT); former House Pottery (NYC), Arrowmont (TN), exhibitions: Trax Gallery (CA), Greenwich (MT), NCECA Emerging Artist Award; Studio artist; Archie Bray Taunt Fellowship Shafer, MN Tom Jaszczak resident artist. Denton Arts Council (TX); former Penland (NC), Northern Clay Center (MN), Greater Abel Contemporary (WI), Mint Museum bitions: Greenwich House Pottery (NYC), Studio artist; Windgate Scholarship; exhi- Shafer, MN 142, 333 334 335 142 221 Sol (NM); former Penland core fellow. Earlham College (IN), Blue Spiral 1 (NC), El Press (NM); exhibitions: Light Studio (NM), Print studio manager, Power and Light Silver City,NM Jamie Karolich (Chicago). Museum of Art (VA), Columbia College Museum of Fine Arts Houston, Taubman Catherine Edelman Gallery (IL); collections: Chicago, Indianapolis Museum of Art (IN), of Women in the Arts (DC), Art Institute of Studio artist; exhibitions: National Museum Petersburg, VA Aimee Joyaux Racine Art Museum (WI). Grovewood Gallery (NC); collections: Gravers Lane Gallery (Philadelphia), Thomas Mann Gallery I/O (New Orleans), (San Francisco), Oxoxo Gallery (Baltimore), Studio artist; exhibitions: Velvet da Vinci Oley, PA David Jones Survey; Gallery (NC); publications: (NC), 186 Carpenter (RI), The Nth Degree (NC), HOW Space (NC), Queens University Studio artist; exhibitions: Goodyear Arts Morganton, NC Elliot EarlKeeley publications: Gallery at Flat Rock (NC), GreenHill (NC); Council (NC), The Bascom (NC), The Craft Guild (NC), Asheville Area Arts Studio artist; exhibitions: Southern Highland Asheville, NC Erin Keane publications: Gallery (DE), Norton Museum of Art (FL); of Arts and Crafts (Boston), Heidi Lowe Asheville Area Arts Council (NC), Society exhibitions: SOFA Chicago (IL), Mora (NC), former Penland core fellow. Encaustic Arts. American Craft, Metalsmith. Jewelry and Metals 430 336 144 201 143 BIOGRAPHIES Matt Kelleher 145 Jun Lee 411 Alfred Station, NY Falls Church, VA Assistant professor, Alfred University (NY); Artist in residence, Lee Arts Center residencies: Archie Bray Foundation (MT), (VA); Pyramid Atlantic Denbo Fellowship Shigaraki Ceramic Cultural Park (Japan); col- (MD); exhibitions: Highpoint Center for lections: Mint Museum (Charlotte), Alfred Printmaking (MN), Maryland Institute Ceramic Art Museum (NY); former Penland College of Art, Artists and Makers Studios resident artist. (MD), K Space Contemporary (TX), Purdue University Galleries (IN). Kathleen Kennedy 337 Richmond, VA Sarah Rose Lejeune 338 Studio artist; exhibitions: Virginia Museum Penland, NC of Contemporary Art, Baltimore Jewelry Studio artist, Penland books and paper Center, Tacoma Art Museum (WA), studio coordinator; Dieu Donné residency Taubman Museum of Art (VA), Quirk (NYC); exhibitions: AS220 (RI), A.P.E. Ltd. Gallery (VA), Target Gallery (VA), Visual Gallery (MA), Women’s Studio Workshop Arts Center of Richmond (VA), Light (NY), Local Project (NY), Morgan Art+Design (NC). Conservatory (Cleveland), HOW Space (NC)); former Penland core fellow. Joshua Kuensting 146 Missoula, MT Anne Lemanski 422 Studio artist; exhibitions: ClayAkar (IA), The Spruce Pine, NC Clay Studio (Philadelphia), Kobo Gallery Studio artist; North Carolina Arts Council (Seattle); collections: Utah State University; grant; exhibitions: Center Galleries former Penland core fellow. (Detroit), Kohler Arts Center (WI); collec- tions: Mint Museum (Charlotte), Asheville Timothy Lazure Cynosures Art Museum (NC), North Carolina Museum Greenville, NC of Art; former Penland resident artist. Professor at East Carolina University (NC); other teaching: Arrowmont (TN), Julie Leonard 147 Touchstone Center for Crafts (PA), Penland; Iowa City, IA collections: Mint Museum (Charlotte), Associate professor, University of Iowa Gregg Museum (Raleigh), Enamel Arts Center for the Book; publications: 500 Foundation (Los Angeles), Racine Art Handmade Books Vol. 2, Inspired: Life in Museum (WI). Penland’s Resident Artist and Core Fellowship Programs, Masters: Book Arts; former Penland Christine Lee 211 core fellow and resident artist. Tempe, AZ Assistant professor, Arizona State University; Forrest Lesch-Middelton 348 other teaching: California College of the Arts, Petaluma, CA San Diego State University, Anderson Ranch Studio artist; McKnight Fellowship; teach- (CO), Penland; exhibitions: Museum of Craft ing: Mendocino Art Center (CA), Petaluma and Design (San Francisco), Museum of Arts Pottery (CA), Santa Fe Clay; exhibitions: and Design (NYC). Hopkins Art Center (MN), Trax Gallery (CA), Northern Clay Center (Minneapolis), Penland Gallery (NC), Islamic Cultural Center of Northern California. Janet Link 148 (London), Metropolitan Museum of Raleigh, NC Art (NYC), Art Institute of Chicago, Studio artist; teaching: North Carolina State Minneapolis Institute of Arts, Smithsonian University College of Design, Meredith (DC), National Folk Art Museum (Tokyo). College (NC), Centre College (KY),

BIOGRAPHIES Louisiana State University, Penland; exhibi- Marc Maiorana 149 tions: Anchorlight (NC), University of North Abingdon, VA Carolina Asheville, Meredith College, The Studio artist; Virginia Museum of Fine Mahler (NC), Palace Es Saadi (Marrakesh). Arts Professional Fellowship; exhibitions: Museum of Design (Atlanta); collections: John Littleton and Kate Vogel 409 Metal Museum (TN), Peabody Essex Bakersville, NC Museum (MA), Renwick Gallery (DC); for- Studio artists; collections: Asheville Art mer Penland resident artist. Museum (NC), Corning Museum of Glass (NY), High Museum of Art (Atlanta), Jeannine Marchand 150 Milwaukee Art Museum, Racine Art Spruce Pine, NC Museum (WI), Mint Museum (Charlotte), Studio artist; exhibitions: SOFA Chicago, Museum of Fine Arts Houston, OberGlas FORM Miami, GreenHill (NC), Momentum Museum (Austria), Glasmuseum Ebeltoft Gallery (NC); collections: Museo de Arte (Denmark). de Ponce (Puerto Rico), Museo de Arte Contemporaneo (Puerto Rico), Fuller Craft Tara Locklear 179, Cynosures Museum (MA); former Penland core fellow. Knightdale, NC Studio artist; American Craft Council Richard Margolis 151 Award of Excellence; exhibitions: Reinstein Rochester, NY Ross (NY), Platina (Sweden), Pistachios Studio artist; collections: Bibliothèque natio- (IL), Ombre (OH), Velvet da Vinci (San nale de France, Library of Congress (DC), Francisco), Facèré (Seattle), Racine Art Museum of Modern Art (NYC), Victoria and Museum (WI), Sienna Patti Contemporary Albert Museum (London), High Museum (MA); collections: Racine Art Museum (WI). of Art (Atlanta), International Museum of Photography (NYC), George Eastman Steve Loucks 339 Museum (NY). Wellington, AL Professor emeritus, Jacksonville State Akemi Martin 152 University Alabama; NEA Fellowship; New York, NY exhibitions: Gadsden Museum of Art Studio artist; teaching: Penland, Cooper (AL), Mississippi Woman’s University, Union (NYC), State University of New Ohr-O’Keefe Museum (MS); collections: York; publications: Hand Papermaking. University of Florida, San Angelo Museum of Art (TX). Courtney Martin 341 Bakersville, NC Warren MacKenzie 340 Studio artist; North Carolina Arts Council 1924–2018 grant; exhibitions: Toe River Arts Council Professor emeritus, University of Minnesota; (NC), Spruce Pine Potters Market (NC), exhibitions: Trax Gallery (CA), Lacoste Lark & Key Gallery (Charlotte), Freehand Gallery (MA), Schaller Gallery (MI); col- (Los Angeles); publications: 500 Teapots, lections: Victoria and Albert Museum Ceramics Monthly. BIOGRAPHIES Jackson Martin 342 Laura Jean McLaughlin 345 Asheville, NC Pittsburgh, PA Assistant professor, University of North Studio artist; exhibitions: SOFA Chicago, Carolina at Asheville; exhibitions: Artspace Morgan Contemporary Glass Gallery (NC), Cameron Art Museum (NC), William (Pittsburgh), Carnegie Museum of Art King Museum of Art (VA), Urban Institute (Pittsburgh), Ogden Museum (New for Contemporary Arts (MI), Floyd Center Orleans); collections: Kohler Art Center for the Arts (FL); collections: University of (WI), Carlow College (Pittsburgh), West Arkansas at Little Rock. Virginia University.

Jack Mauch 433 DH McNabb 154 Penland, NC Tampa, FL Studio artist; John D. Mineck fellowship, Studio artist; residency with the Fondation Center for Furniture Craftsmanship fellow- d’Entreprise Hermès at Saint-Louis ship (ME); Haystack Open Studio residency Cristallerie (France); collections: Corning (ME); exhibitions: SOFA Chicago, GreenHill Museum of Glass (NY), Centre College (NC), Wayne Art Center (PA); former (KY), Palais de Tokyo (Paris), Chrysler Penland core fellow. Museum of Art Glass Studio (VA), WantedDesign Brooklyn at Industry City Paul McCoy 343 (NYC). Waco, TX Professor of Art, Baylor University (TX); Andrew Meers 419 collections: Agency of Czech Ceramic Penland, NC Design, Argentine Center of Ceramic Art, Penland resident artist and certified master Bermuda National Gallery, University bladesmith by the American Bladesmithing of Iowa Museum of Art, Wright State Society; B.R. Hughes Award; Metal Museum University (OH), University of Tasmania residency (TN); exhibitions: Metal Museum, Museum of Art. North American Mokume-gane Artists (Japan), Tradition of Excellence (Chicago/ Barbara McFadyen 153 Penland). Chapel Hill, NC Studio artist; exhibitions: Blue Line Arts Rachel Meginnes 205 (CA), Creative Metalsmiths (NC), GreenHill Penland, NC (NC), Greenville Museum of Art (NC), East Studio artist and Penland special programs Carolina University (NC), University of manager; exhibitions: Blue Spiral 1 (NC), North Texas, Southern Illinois University- Light Art+Design (NC), Turchin Center Carbondale; collections: Enamel Arts (NC), Quirk Gallery (VA), Merzbau Gallery Foundation (Los Angeles). (Miami), Alice Gallery (Seattle), Craft Alliance Center of Art + Design (St. Louis); Kent McLaughlin 344 collections: Cameron Art Museum (NC); Bakersville, NC former Penland resident artist. Studio artist; exhibitions: Weisman Art Museum (MN), Ohio Craft Museum (OH); Jenny Mendes 401 collections: Asheville Art Museum (NC), Chesterland, OH North Carolina Pottery Center, San Angelo Studio artist; exhibitions: ClayAkar (IA), Museum of Fine Art (TX); publications: 500 Trax Gallery (CA), Blue Spiral 1 (NC), St. Bowls, 500 Plates and Chargers. Croix Pottery Tour (MN); collections: Fuller Craft Museum (MA); publications: 500 Bowls, (CO), Lyndon House Arts Center (GA), The 500 Cups, 500 Vases; former Penland resident Crucible (CA), Oregon College of Art and artist and core fellow. Craft, East Carolina University (NC).

Paul Messink 429 Erica Moody 156

BIOGRAPHIES Palm Desert, CA Waldoboro, ME Studio artist; exhibitions: Desert Art Center Studio artist; Maine Crafts Association (CA), Vale Craft Gallery (Chicago), Lovett’s award; exhibitions: Penland Gallery (NC), Gallery (OK), Cortie Gallery (MA), San Arundel Gallery (ME), Mozelle Gallery (ME), Diego Art Institute (CA), Archimedes Brick Store Museum (ME); publications: Gallery (OR), Alexi Era Gallery (OR); col- Metalsmith, Bon Appétit, Bake From Scratch. lections: California State Capitol Museum. Jaydan Moore 216 C. James Meyer 346 Richmond, VA Midlothian, VA Studio artist; exhibitions: Ornamentum Professor emeritus, Virginia Commonwealth Gallery (NY), Blue Spiral 1 (NC), University; collections: Museum of Arts and DesignMiami, Racine Art Museum (WI), Design (NYC), Racine Art Museum (WI), Fuller Craft Museum (MA); collections: Georgia Museum of Art, Gregg Museum of Carnegie Museum of Art (Pittsburgh), Art & Design (NC), Nordenjelske Museum Museum of Fine Arts Houston, Honolulu of Applied Art (Norway). Museum of Art (HI); former Penland resi- dent artist. Ron Meyers 347 Athens, GA Clarence Morgan 350 Studio artist; NCECA Excellence in Minneapolis, MN Teaching award, Regis Masters Series honor; Professor, University of Minnesota; exhibitions: Blue Spiral 1 (NC), Arkansas Pennsylvania Academy of The Fine Arts Art Center; collections: High Museum of Distinguished Alumni Award; exhibitions: Art (GA), Renwick Gallery (DC), Wiseman No. 3 Reading Room and Photo Book Works Museum of Art (MN), SUNY Buffalo state (NY), University of Tennessee (TN), Form College (NY). + Content (MN), Foster Gallery (WI), Staniar Gallery (VA). Steve Miller 155, 177, 312, 349 Tuscaloosa, AL Leslie Noell 157 Professor emeritus, University of Alabama; Penland, NC founder of Red Hydra Press; College Book Penland programs director; residencies: Art Association Distinguished Career Award; Caversham Press (South Africa), Jentel exhibitions: University of Nebraska-Omaha, Foundation (WY); exhibitions: Hickory University of Tulsa (OK), Reyes + Davis Museum of Art (NC), Holter Museum of (DC), Mobile Museum of Arts (AL); editor Art (MT), Asheville Museum of Art (NC), of 500 Handmade Books; Penland board chair. Mobile Museum of Art (AL); former Penland core fellow. Kim Mirus 218 Golden, CO Libby O’Bryan 181 Studio artist; Surface Design Association Asheville, NC grant (Norway); exhibitions: SÍM (Iceland), Studio artist, owner of Sew Co. (NC), ReCreative Denver (CO), 808 Projects co-founder of Rite of Passage clothing (NC); exhibitions: Center for Craft (NC), Chicago Jennaway Pearson 351 BIOGRAPHIES Cultural Center, Knoxville Museum of Art Newburgh, NY (TN); featured in PBS’s Craft in America Adjunct faculty, American University (DC) series. and George Washington University (DC); exhibitions: National Museum of Women in Kathryn Osgood Cynosures the Arts (NC), Library of Congress (DC), Manteo, NC John Jay College of Criminal Justice (NY). Associate professor and head of the Professional Crafts Jewelry Program, College Lisa Pedolsky 158 of The Albemarle (NC); collections: Gregg Durango, CO Museum (NC), Enamel Arts Foundation (Los Studio artist; exhibitions: ClayAkar (IA), Angeles); publications: The Art of Enameling, Durango Arts Center (CO), Fort Lewis 500 Necklaces, 1000 Rings, The Art of Jewelry: College (CO), Mobilia Gallery (MA), Plinth Wood, Contemporary Enameling: Art and Gallery (CO), San Juan College (NM), Techniques. Schaller Gallery (MI); collections: San Juan College (NM), Centro de Arte Curaumilla Ben Owen III 408 (Chile); publications: 500 Vases, Studio Potter, Seagrove, NC Pottery Making Illustrated. Studio artist; Living Treasure, North Caroliniana Society; exhibitions: Mint Corey Pemberton 352 Museum (Charlotte), Pucker Gallery (MA), Los Angeles, CA Blue Spiral 1 (NC); collections: Museum of Studio artist; exhibitions: Blue Spiral 1 (NC), Fine Arts Boston, Racine Art Museum (WI), CAM Raleigh (NC), The Bascomb (NC), Dallas Museum, Peabody Essex Museum Blowing Rock Art Museum (NC), MOCA (MA). (VA), Penland Gallery (NC); collections: Virginia Museum of Contemporary Art; for- Kit Paulson 435 mer Penland core fellow. Penland, NC Penland resident artist; teaching: Pilchuck Ronan Kyle Peterson 353 (WA), Bild-Werk Frauenau (Germany), Chapel Hill, NC National College of Art and Design (Dublin); Studio artist; exhibitions: University of residencies: Rosenberg Residency at Salem Dallas (TX), Morean Center for Clay (FL), State University (MA), Tacoma Museum of Worcester Center for Craft Ceramics Glass (WA); collections: KODE (Norway), Invitational (MA), Charlie Cummings Tacoma Museum of Glass. Gallery (FL); collections: North Carolina Pottery Center; publications: 500 Bowls, 500 Mary Hallam Pearse 131 Plates and Chargers; former Penland core Athens, GA fellow. Associate professor, University of Georgia; exhibitions: Museum of Arts and Design Kenny Pieper 159 (NYC), Contemporary Craft (Pittsburgh), Burnsville, NC Facèré Jewelry Art Gallery (Seattle); col- Studio artist; exhibitions: Blue Spiral 1 (NC), lections: Racine Art Museum (WI), SUNY Kuivato Glass Gallery (AZ), Kittrell/Riffkind New Platz (NY), Arkansas Arts Center Art Glass (TX), Habatat Galleries (MI); col- Foundation. lections: Corning Museum of Glass (NY), Museum of Fine Arts Boston, New Orleans Museum of Art, Asheville Art Museum (NC). BIOGRAPHIES core fellow. Propeller Gallery (Toronto); former Penland Lyon (France), University of Michigan, (Chicago), Musée d’art contemporain de (Detroit), Work: Detroit Gallery, i-Cubed Institute of Chicago; exhibitions: 2739 Edwin Associate professor, School of the Art Chicago, IL Dan Price Metalsmith, Instyle, Instore, Forbes. (Israel), Penland; publications: Street Y (NYC), Bezalel (Israel), Shenkar (MA), Brooklyn Metal Works (NYC), 92nd the Museum of Fine Arts (MA), MetalWerx of Design, Pratt Institute (NYC), School of Studio artist; teaching: Rhode Island School Brooklyn, NY Ruta Reifen School of Design Museum of Fine Arts. Harvard Art Museums (MA), Rhode Island collections: Museum of Fine Arts Boston, Photography (MA), Phoenix Museum of Art; Penland; exhibitions: New England School of University (MA), Harvard University (MA), Studio artist; teaching: Northeastern Belmont, MA Neal Rantoul Art and Craft of the Blacksmith, Metalsmith . Arts, History & Science (IN); publications: Metal Museum (TN), Evansville Museum of Illinois University-Carbondale; exhibitions: (PA); teaching: Haystack (ME), Southern Executive director, Center for Metal Arts Johnstown, PA Patrick J.Quinn Gallery (DC). tions: China National Silk Museum, Renwick Silk Weaving Studio (Vancouver); collec- 1 (NC), Asheville Area Arts Council (NC), Peters Valley (NJ); exhibitions: Blue Spiral Studio artist; teaching: Arrowmont (TN), Waynesville, NC Amy Putansu Vogue Italia, 354 356 355 160 161 Macrae Gallery (FL). Grovewood Village Gallery (NC), Watson exhibitions: Abmeyer + Wood (WA), (OH), State College of Florida, Penland; University (AL), Columbus State University Residency Award; teaching: Auburn and Design (FL); NCECA International Adjunct professor, Ringling College of Art Sarasota, FL Taylor Robenalt (Detroit); publications: (Charlotte), Simone DeSousa Gallery Craft (Pittsburgh), Mint Museum Art Consultancy (Charlotte), Contemporary research grant; exhibitions: Hodges Taylor Studio artist; World Wood Foundation Penland, NC Ellie Richards Museum of Fine Art (TX). tions: Boise Art Museum (ID), San Angelo Show (DC), Santa Fe Clay (NM); collec- Center (Minneapolis), Smithsonian Craft Kiln Studio & Gallery (AL), Northern Clay Spiral 1 (NC), Abel Contemporary (WI), The Penland resident artist; exhibitions: Blue Penland, NC Matt Repsher Metalsmith, 500 Knives, Art Jewelry Today. Indiana University, Penland; publications: (Chicago); teaching: Arrowmont (TN), (PA); collections: Spertus Museum (MI); exhibitions: Penn State University Professor, Kendall College of Art and Design Rockford, MI Phillip Renato Museum (GA), Museum of Art-DeLand (FL). Museum of Arts & Sciences (FL), Columbus Center for the Arts (NM); collections: (NC), Watson MacRae Gallery (FL), Taos of State grant; exhibitions: Blue Spiral 1 Studio artist; NEA grant, Florida Department Ormond Beach,FL Sang ParkinsonRoberson American Craft. 406 358 357 431 215 BIOGRAPHIES 361 164 360 206 434 Ripley, TN Art of College Memphis emeritus, Professor Educator, Artist Outstanding Penland (TN); Artist Distinguished Governor’s Tennessee Shaman Guild Artists Tennessee award, David T. Smith Marshall, NC Underground of owner and artist Studio Arts Area Asheville exhibitions: Neon; Council (NC), Waterworks Gallery-Sailsbury Philadelphia, of Museum Neon (NC), Black collections: (CA); Gallery Grove Atlanta (NC), Arts the for Center Mountain Museum. International Dolph Smith Christina Shmigel Bakersville, NC/St Louis, MO Council Arts Carolina North artist; Studio exhibitions: 2016; Grant Artist Regional David Bruno (NYC), Museum Ukrainian Art of Museum Doulun (MO), Gallery (MO); Park Sculpture Laumeier (Shanghai), Library, Public Greensboro collections: (NC). Hemphill Wyatt Daglá Severs Murray, KY Artist Emerging Kentucky artist; Studio Museume Evansville exhibitions: Grant; Nashville (IL), Center Arts Cedarhurst (IN), State Murray (TN), Airport International Exchange International (KY), University publications: Korea); (South Exhibition Woodwork. Cabinets, 500 Life, Kentucky Biba Schutz Biba NY New York, of Award Smithsonian artist; Studio PattiSienna exhibitions: Excellence; Guyomarc’hNoel (MA), Contemporary Gallery(OH), Gallerie Sherrie (Montreal), ofMuseum Corning collections: (CA); Lulo Boston,Arts Fine of Museum (NY), Glass MuseumArt Racine (NJ), Museum Newark (WI). 163 162 214 359 348 Petaluma, CA Arrow and Quill of owner and artist Studio Arts Letterpress Bay North teaching: (CA); Pyramid (NC), Bookworks Asheville (CA), Penland former Penland; (MD), Atlantic fellow. core Beth Schaible Miami Beach, FL exhi- Fellowship; Fulbright artist; Studio (NYC), Arts Fine Markel Kathryn bitions: Johnson J. (NY), Art Fine Barnes Kenise Florida, of University (FL), Gallery collections: (IN); Center Art Indianapolis Frost (FL), Art Contemporary of Museum & Textile Chojun (Miami), Museum Art res- Penland former (Seoul); Museum Quilt artist. ident Yolanda Sánchez Tommie Rush Knoxville, TN Museum Mobile exhibitions: artist; Studio Gallery Renwick collections: (AL); Art of Tennessee (NE), Museum Art Sheldon (DC), Interactive Networks Scripps Museum, State (TN). Madison, WI Wisconsin- of University lecturer, Senior Museum Art Swope exhibitions: Madison; Abel (WI), Art of Museum Chazen (IN), collections: (WI); Gallery Contemporary Knoxville (NY), Fame of Hall Baseball Museum Milwaukee (TN), Art of Museum de nationale Bibliothèque (WI), Art of France. Andrew Rubin Asheville, NC Asheville, (NC), Mora exhibitions: artist; Studio (NC), VAE (NC), Art+Design LIGHT Quirk (Boston), Crafts & Arts of Society Gallery, Art Seattle North (VA), Gallery College Earlham (WI), Gallery May James fellow. core Penland former (IN); Rogstad Emily BIOGRAPHIES former Penland resident artist. (MT), Alfred Ceramic Art Museum (NY); Museum (Taiwan), Archie Bray Foundation Crocker Art Museum (CA), Yingge Ceramics grant; collections: Mint Museum (Charlotte), Studio artist; North Carolina Arts Council Bakersville, NC Gertrude GrahamSmith Art Center, National Soaring Museum (NY). Pennsylvania, University of Iowa, Arkansas lections: OberlinCollege(OH),Universityof Award for Lifetime Artist Achievement; col- PBS’s will be featured in an upcoming episode of Colombia, Museum of Art of Puerto Rico; Museum of Art (NYC), Museum of Art of de Puerto Rico; collections: Metropolitan Associate professor, Universidad Politécnica Puerto Rico Jaime Suárez Handbuilt Tableware, Vol. 2. at Chapel Hill; publications: University, University of North Carolina (NC); collections: North Carolina State The Carrack (NC), East Carolina University Council (NC), Artspace (NC), VAE (NC), Studio artist; exhibitions: Durham Arts Raleigh, NC Kathy Steinsberger (Boston), ClayAkar (IA), Duane Reed (MO). (NY); exhibitions: Society of Arts and Craft Joan Mitchell Painters and Sculptors Award (MT); Watershed Center residency (ME); Studio artist; Archie Bray Taunt Fellowship Pittsburgh, PA Kevin Snipes Pilchuck (WA), Penland. dinator at Pittsburgh Glass Center; teaching: Studio artist; hospitality and kiln shop coor- Pittsburgh, PA Rebecca Smith Craft in America series. 500 Pitchers, 427 166 165 178 167 Gallery (NC). Tiffany Foundation grant; exhibitions: Ariel Syracuse University (NY); Louis Comfort (ME), Appalachian State University (NC), other teaching: Arrowmont (TN), Haystack Professor emerita, Arizona State University; Spruce Pine,NC Janet Taylor National Liberty Museum (PA). (Portugal), Corning Museum of Glass (NY), Crocetti (Italy); collections: Douro Museum for Contemporary Art (Korea), Museo (OH), Museu do Douro (Portugal), Institute Dorsky Gallery (NY), Manifest Gallery Fellowship; exhibitions: Smack Mellon (NY), Studio artist; Virginia Museum of Fine Arts Richmond, VA Sayaka Suzuki Gallery (Istanbul). UNAM (Mexico City), Isik University Academia de San Carlos (Mexico City), Booking Gallery (NY), Baltimore Clayworks, Individual Artist Grant; exhibitions: Central fellowship, Maryland State Arts Council Studio artist; Smithsonian Artist Research Colesville, MD Lynn Sures Clayworks, Archie Bray Foundation (MT), Spiral 1 (NC), ClayAkar (IA), Baltimore Museum at Alfred University (NY), Blue Studio artist; exhibitions: Ceramic Art Alfred, NY Shoko Teruyama Handwoven. Vol 1, Wall Art, Complex Weaver’s Journal, Gallery (OR); publications: America Center (CA), Contemporary Crafts exhibitions: Textile Center (MN), Craft in (Philadelphia), Arrowmont (TN), Penland; Award; teaching: Tyler School of Art Studio artist;Handweaver’sGuildofAmerica San Jose,CA Susie Taylor Artistry in Fiber 426 180 168 169 170 BIOGRAPHIES 157 173 223 364 404 Chicago, IL Ohr-O’Keefe exhibitions: artist; Studio Art of Museum Tweed (MS), Art of Museum (MN), San Angelo Museum of Fine Art (TX), Craft Fuller (Houston), Museum Printing Eileen Wallace Athens, GA exhi- Georgia; of University lecturer, Senior Firehouse Georgia, of University bitions: Mississippi (OH), Circle Paper (GA), Gallery Cincinnati collections: Art; of Museum Chicago, College Columbia Library, Public Alabama; of University Utah, of University artist. resident Penland former Paul Andrew Wandless Gibby Waitzkin Hillsborough, NC University Hollins teaching: artist; Studio Virginia (NC), College Meredith (VA), exhibitions: Penland; University, Tech (Raleigh), Museum Arts Contemporary Center Floyd (VA), Art of Museum Hollins (VA), College Roanoke (VA), Arts the for Jacksonville (OH), Conservatory Morgan (VA). Cemetery Arlington (VA), Center James Viste Hamtramck, MI Studies Creative for College Instructor, (TN), Museum Metal exhibitions: (Detroit); Art and Science of Museum Dow Eldon Detroit (MI), Art of Museum Saginaw (MI), Alden Arts, of Institute Detroit Museum, Art (MI). Art and Science of Museum Dow B. Van Gorder Sally NC Raleigh, Council Arts Carolina North artist; Studio exhibitions: Grant; Project Artist Regional (Vancouver), DOXA (Japan), Yamagata Southeastern Art, of Museum Carolina North (NC), Art Contemporary for Center (NC), Raleigh of Museum Art Contemporary collections: (MI); Festival Film Arbor Ann University-Qatar. Commonwealth Virginia 171 172 363 362 500 Enameled Objects, Enameled 500 Edenton, NC (NC); Arts Pocosin director, Executive Haystack ), (TN Arrowmont teaching: Metal exhibitions: (NJ); Valley Peters (ME), Crafts and Arts of Society (TN), Museum and Arts of Museum collections: (Boston); (WI), Museum Art Racine (NYC), Design (CA). Foundation Arts Enamel Marlene True Jen Townsend Pittsford, NY Generation Next author; and artist Studio exhibi- Non-Fiction; in Prize Grand Indies: collections: (PA); Center Art Wayne tions: publications: (UK); Museum War Imperial 500 Toolbox, the from Tales Jewelry: Narrative Jewelry Art Jewels, Gemstone 500 Necklaces, Art Jewelry. Art Metalsmith, 2, Today Demitra Thomloudis Athens, GA Georgia; of University professor, Assistant Baltimore (TN), Arrowmont teaching: other Center Houston Penland; Center, Jewelry exhibi- residency; Craft Contemporary for Week Jewelry Athens Chicago, SOFA tions: publications: (Greece); Resin. & Plastic Jewelry: of Art The Brad Thomas MN Minneapolis, Council Arts Carolina North artist; Studio collections: Fellowship; Artist Visual (NY), Art American of Museum Whitney (NC), Art Modern of Museum Bechtler Museum Mint (NC), College Davidson Museum Art Weatherspoon (Charlotte), Museum Cheekwood exhibitions: (NC); Arts, Book for Center Minnesota (TN), Finland. of Museum Craft GreenHill (NC), Turchin Center (NC), (NC), Center Turchin (NC), GreenHill Croix St. (NC), Museum Art Cameron resident Penland former (MN); Tour Pottery artist. BIOGRAPHIES Processes. Clay, co-author of in NC; former Penland core fellow. duction slipcast porcelain pottery company Principal and co-founder of Haand, a pro- Hillsborough, NC Mark Warren Museum (MA); author of Fuller Craft Museum (MA), Wells College exhibitions: Portland Museum of Art (ME), Year, Maine Traditional Craftsman Fellow; Studio artist; Maine Master Craftsman of the Portland, Maine David Wolfe & Alice North (NYC). Wustum Museum of Fine Arts (WI), Halsey Sackler Gallery of Asian Art (DC), Charles (NYC); collections: Renwick Gallery (DC), (IL), Steven Harvey Fine Art Projects Blue Spiral 1 (NC), Douglas Dawson Gallery Studio artist; exhibitions: STARworks (NC), Warrenton, VA Catherine White (MA), Penland Gallery (NC). New Bedford Art Museum/ArtWorks! of Rochester (NY), Yeiser Art Center (KY), Fiberart International (PA), Central Library exhibitions: Museum of Nebraska Art, Nebraska Arts Council Artist Fellowship; Winterthur Residential Fellowship (DE), Studio artist; Fulbright Senior Scholar, Lincoln, NE Wendy R.Weiss Philadelphia Museum Craft Show. Wayne Center for the Arts (OH), (TN), Charlie Cummings Gallery (FL), Project (Pittsburgh), Companion Gallery (Charlotte), ClayAkar (IA), Mr. Roboto (Charlotte), Lark and Key Gallery Studio artist; exhibitions: Elder Gallery Asheville, NC Melissa Weiss Alternative Kilns and Firing Image Transfer on 365 222 415 174 175 Today 3. Tennessee State (TN); publications: Illinois University-Carbondale, East (TX), People’s Gallery (TX), Southern for Contemporary Craft, Dimension Gallery College (TX); exhibitions: Houston Center Associate professor, Austin Community Austin, TX Haley Woodward Georgia State University. St. Phillip (Atlanta), Temple Sinai (Atlanta), High Museum of Art (Atlanta), Cathedral of (London), Museum of Fine Arts Boston, collections: Victoria and Albert Museum (London), Signature Gallery (Atlanta); bitions: Tiffany & Co., Goldsmiths’ Hall Studio artist; Fulbright Fellowship; exhi- Marietta, GA Julia Woodman (WI). of Art & Design (NC), Racine Art Museum Center (Chicago); collections: Gregg Museum Center (NC), SOFA Chicago, Lillstreet Art Center for the Arts, ArtSpace (NC), Turchin Arts Center of Richmond (VA), Boston (NC), Norton Museum of Art (FL), Visual Penland resident artist; exhibitions: Mora Penland, NC Laura Wood Library (NH). Harvard Library (MA), Dartmouth College Museum (NYC), Smithsonian Institute (DC), di Verona (Italy); collections: Metropolitan Book Arts Center (NY), Biblioteca Civica tions: Facèré Jewelry Art Gallery (Seattle); publica- Gallery (NM), Dan-Ginza Gallery (Tokyo), Madison; exhibitions: SOFA Chicago, Patina honorary fellow at University of Wisconsin- Haystack (ME), Madison College (WI); Studio artist; teaching: Arrowmont (TN), Madison, WI Hiroko Yamada 500 Brooches. 438, Cynosures 125, 407 Ironwork 428 416 BIOGRAPHIES 420 Little Rock, AR Little Little at Arkansas of University Faculty, (NC), 1 Spiral Blue exhibitions: Rock; Rovzar Patricia (KY), Gallery Aegon Gallery Person Catherine (Seattle), Gallery collec- (Chicago); Project Nevica (Seattle), Rock, Little at Arkansas of University tions: Bray Archie (MT), Museum Art Missoula (MT). Foundation Yamada Kensuke 828.255.2230 classiceventrental.com 537 A Hazel Mill Road Asheville, NC 28806

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The American Cra Council hosts a na onal Thursday, October 10 conversa on on cra ’s relevance as a powerful Community & Agency: catalyst for naviga ng and making meaning in an The Ecology of Cra increasingly tense and complex present. Friday, October 11 As an organiza on committed to connec ng Intersec ons & Innova on: and galvanizing diverse cra communi es, the Cra In Ac on American Cra Council invites ar sts, thought leaders, cra prac oners, curators, civic leaders, writers, cri cs, media makers, social ac vists, Saturday, October 12 and all kinds to explore, challenge, and celebrate Storytelling & Narra ve: cra ’s impact in American life today. What We Talk About When We Talk About Cra Together, we invite you to mine the genera ve spirit on which the American Cra Council was founded, as we iden fy and confront the poten als in contemporary American life, a„ irm the necessity and power of making things by hand, and build a healthier cra ecosystem for moving forward.

Our collec ve conversa ons over the three days will guide subsequent retreats and programs, begin penning solu ons, and collabora vely set a na onal stage for ways to take ac on and record our progress.

Learn more and register cra council.org/conference Regular registra on: $450 / ACC member rate: $395 / Students: $200

Thank you to our program partners. This conference is Thank you Thank you supported in part to our supporters. to our friends. by a grant from

YEARS LOCAL Section Spruce Pin:(82)765-349JohsCty0 W e o fe Heal r

INDVUAL &GROP S t h erv , Li i c fe, Dn es, COB t al RA &m , Vi si o n an , HR&P y m o re! ay ro b e l l n e fits: LOCAL Section ORIGINAL DESIGNS AND COMMISSIONS LOCAL Section Blue Ridge ParkwayBlue Ridge 324.8•Bear-Den.com at Milepost BEAR DEN CAMPGROUND -8’BEAR DENCAMPGROUND X12’ LOCAL Section LOCAL Section Stop foravisitoncampusoronline atwww.crossnoregallery.org. and oneoftwodealersforCravenHandbuiltPottery. We are theexclusivedealerofAnnMeltonpewterdesignsandsculptures works helpsupportthemissionofCrossnore School&Children’s Home. Crossnore FineArtsGallery 205 JohnsonStreet |Crossnore, NC28616|(828)733-3144 CROSSNORE [email protected] |www.crossnoregallery.org fine artsgallery features regional andlocalartistswhose LOCAL Section LOCAL Section GALLER

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G G allery allery . com Bede Clarke Photo byTravis Bordley LOCAL Section Join us for the 13th annual LOCAL Section

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Eleanor Annand, Lisa Blackburn, Melisa Cadell, Beverly Carroll, Macy Chadwick, Margaret Cogswell, Anna Embree, Vicki Essig, Holly Fouts, Jay Fox, Karen Hardy, Mary Hark, John Hartom, Ann Marie Kennedy, Beth Kokol, Aimee Lee, Sarah Rose LeJeune, Julie Leonard, Heather Lewis, Kreh Mellick, Dana Moore, Meg Peterson, Carolyn Riley, Kathy Steinberger, Mary Uthuppuru , & Mary Ruth Webb Reception: August 16, 5 - 7pm

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artjewelryforum.org < Ladle by Pat McCarty < < < < < < < < < < THE FOLK SCHOOL < < CHANGES YOU. < < < < < < < < < < < < Engaging hands and hearts since 1925. Come enjoy making crafts and < < good friends on 300 natural, scenic acres in western North Carolina. < < JOHN C. CAMPBELL FOLK SCHOOL < < folkschool.org 1-800-FOLK-SCH < < BRASSTOWN NORTH CAROLINA < < <

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Revolutionary. Inspiring creativity, innovation and the expression of ideas. NC State’s Gregg Museum of Art & Design has been making visual art accessible through its permanent collection and rotating exhibitions since its founding.

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Tree of Soul, 2019. Recycled and found objects. Created during an artist’s residency with Cameroonian multi-media artist Jean Michel Dissake in collaboration with NC State Arts Village. Programs at the Gregg Museum are made possible in part by the generous support provided by the Windgate Charitable Foundation. Photo, L to R: J.M. Dissake with Lanz Santiaguel ‘22, Mathematics.

Penlad Catalog 2019.indd 1 3/18/19 10:45 AM DOWNTOWN ASHEVILLE 24 N Lexington Avenue | Asheville, North Carolina | 28801 www.momentumgallery.com | 828.505.8550 MomentumGalleryAsheville | @momentumgallery

Kathryn Adams

GALLERY & STUDIO

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HONORED TO SUPPORT PENLAND SCHOOL OF CRAFT

William Stoney Lamar (North Carolina, born 1951) Untitled, vessel, signed on foot “Stoney Lamar/Red Maple”, carved red maple burl, 12 in. Premier Auction - May 2019

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September 10– November 10, 2019

100 Pier 4 Boulevard, Suite 200, Boston /thesocietyofcrafts

Take the Silver Line to Courthouse Station Mochizuki Gyokusen @societyofcrafts SocietyOfCrafts.org @societyofcrafts CONGRATULATIONS TO PENLAND SCHOOL OF CRAFTS ON ANOTHER SUCCESSFUL AUCTION.

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Karsten Oaks, Bender Gallery 2 x21/41inches Cocktail Set 10k gold, 14k goldsolder, Nick Fruin Lola Brooks dreamcatcher vintage rose-cutgarnets beaker: 71/2inchestall blown glass stainless steel, BIOGRAPHIES 511/2 x1611inches Kensuke Yamada stoneware Diver