DOCSLIB.ORG

University Chorus Concert Choir Chamber Singers Grant Carvalho

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
University Chorus Concert Choir Chamber Singers Grant Carvalho University of Hawai‘i at Mānoa • College of Arts & Humanities • Music Department MASS University Chorus Concert Choir Chamber Singers Grant Carvalho, piano Katherine Crosier, organ Michael R. Lippert, conductor Miguel Ángel Felipe, conductor Friday, November 21, 2014 The Cathedral of Saint Andrew, 7:30 PM UHChoirs Thank You—Mahalo The Choirs of the University of Hawai‘i at Mānoa would like to thank the following groups and individuals for their support of our programs. Thank you. The faculty and staff of the UH Music Department especially the voice faculty, Dr. Maya Hoover, Mr. John Mount, Mr. Laurence Paxton, Ms. Martina Bingham, and Mr. Jeremy Wong; Michael Lim and Armando Langaman for help with sectionals; Dr. Forrest Pierce, composer, for sharing his time to e-clinic us; The Melohn Family and their generous support for this and many other Music Department events; and Jane Kerns and Grant Carvalho, GAs. We gratefully acknowledge and thank Dean Walter Brownridge and the staff of the Cathedral of St. An- drew for allowing us to perform in this historic church. The Cathedral makes it possible for us and other organizations to advance a deeper understanding and appreciation of culture and arts for the betterment of our entire Hawai‘i community. Stay In Touch To stay in touch with the UH Mānoa Choirs, please 'friend' us on Facebook and follow us on Twitter. You can also learn more about our concerts via the Music Department’s new website: manoa.hawaii.edu/music /UHChoirs /UHChoirs @UHChoirs /UHChoirs 2 University of Hawai‘i at Mānoa College of Arts and Humanities Department of Music presents MASS 650 years of music remixed for today’s ears Friday, November 21, 2014, 7:30 PM The Cathedral of St. Andrew Honolulu, Hawai‘i University Chorus Concert Choir Chamber Singers Grant Carvalho, rehearsal pianist Jane Kerns, manager Michael R. Lippert, conductor Miguel Ángel Felipe, conductor 3 The Cathedral of Saint Andrew, Honolulu, Hawai‘i, built 1867– 1958. 4 Program — The First Mass — Missa Luba (1958) .....................................................Guido Haazen Kyrie (1921–2004) Charles Mukaida, tenor Kyrie eleison Lord, have mercy. Christe eleison Christ, have mercy. Kyrie eleison. Lord, have mercy. Всенощное бдение (All-Night Vigil), Op. 37 (1915) ..................Серге́й Рахма́нинов Шестопсалмие (Glory to God) (Sergei Rachmaninoff ) (1873–1943) Слава в вышних Богу, Glory to God in the highest, И на земли мир, and on earth peace, В человецех благоволение. good will among men. Господи, устне мои отверзеши, O Lord, open Thou my lips, И уста моя возвестят хвалу Твою. and my mouth shall proclaim Thy praise. Nani Ke ’Li‘i Ke‘eki‘e (arr. 2001). .Lorenzo Lyons (1807–1886) arr. Martha Kaumakaokalani Hohu Kiaha (1927–2006) Nani ke ’Li‘i ki‘eki‘e Glory to the High King Nani ke ’Li‘i, Nani ke ’Li‘i Glory to the King Nani ke ’Li‘i kiʻekiʻe Glory to the High King ‘O ia ke mele nei This, we sing Akāka Kona aloha ē His love is plain to see Me Kona ho‘opōmaika‘i mai So are His blessings Ala a‘e ho‘oho ‘oli a‘e So arise and shout for joy I ke ’Li‘i nui e ola ai To the great King who lives 5 Nani ke ’Li‘i ki‘eki‘e Glory to the High King Nani ke ’Li‘i ki‘eki‘e Glory to the High King Nani, nani, nani, nani Glory, glory, glory, glory Nani e ke ’Li‘i, ke ’Li‘i Glory to the King Nani, nani, nani, nani Glory, glory, glory, glory Nani e ke ’Li‘i Mau Glory to the Eternal King Ke mele nei i mele ai This song was sung by Nā kini lani ma luna a‘e The multitude of heavenly hosts above Ia pō i hānau ai Iesū This night when Jesus was born Ala a‘e kākou a mele pū We all shall rise and sing along William Bradbury (1816–1868) Psalm 23 (1990). Bobby McFerrin (1950—) The Lord is my Shepherd, I have all I need, She makes me lie down in green meadows, Beside the still waters, She will lead. She restores my soul, She rights my wrongs, She leads me in a path of good things, And fills my heart with songs. Even though I walk, through a dark and dreary land, There is nothing that can shake me, She has said, She won’t forsake me, I’m in Her hand. She sets a table before me, in the presence of my foes, She anoints my head with oil, And my cup overflows. Surely goodness and kindness will follow me, All the days of my life, And I will live in Her house, Forever and ever. Glory be to our Mother, and Daughter, and to the Holy of Holies, As it was in the beginning, is now and ever shall be, World, without end. Amen. adapted by Bobby McFerrin 6 Missa Syllabica (1977, rev. 1996) .............................................Arvo Pärt Credo (1935—) Credo in unum Deum, I believe in one God, Patrem omnipotentem, The Father Almighty, factorem coeli et terrae, maker of heaven and earth, visibilium omnium, et invisibilium. and of all things visible and invisible. Et in unum Dominus Jesum Christum, And in one Lord, Jesus Christ, Filium Dei unigenitum. the only begotten Son of God, Et ex Patre natum ante omni sæcula. born of the Father before all ages. Deum de Deo, lumen de lumine, God from God, Light from Light, Deum verum de Deo vero. true God from true God. Genitum, non factum, Begotten, not made, consubstantialem Patri: of one substance with the Father per quem omnia facta sunt. by whom all things were made. Qui propter nos homines, Who for us men, et propter nostram salutem and for our salvation descendit de cælis. came down from heaven. Et incarnatus est de Spiritu Sancto And was incarnate by the Holy Spirit ex Maria Virgine. Et homo factus est. of the Virgin Mary. And was made man. Crucifixus etiam pro nobis sub Pontio Pilato: Crucified also for us under Pontius Pilate, passus, et sepultus est. he suffered, and was buried. Et resurrexit tertia die, And on the third day he rose again, secundum Scripturas. according to the Scriptures. Et ascendit in cœlum: He ascended into heaven and sedet ad dexteram Patris. he sits at the right hand of the Father. Et iterm venturus est cum gloria, He shall come again with glory judicare vivos et mortuos: to judge the living and the dead; cujus regni non erit finis. and of his kingdom there will be no end. Et in Spiritum Sanctum And in the Holy Spirit, Dominum, et vivificantem: the Lord and Giver of life, qui ex Patre Filioque procedit. who proceeds from the Father and the Son Qui cum Patre, et Filio who together with the Father and the Son simul adoratur et conglorificatur: is adored and glorified, qui locutus est per Prophetas. who spoke to us through the Prophets. Et unam, sanctam, catolicam, And I believe in one, holy, catholic, et apostolicam Ecclesiam. and apostolic Church. Confiteor unum baptisma I confess one baptism in remissionem peccatorum. for the remission of sins. Et expecto resurrectionem mortuorum. I await the resurrection of the dead, Et vitam venturi sæculi. Amen. and the life of the world to come. Amen. 7 Mass in E-flat Major, “Missa Cantus,” Op. 109 (1878) ..........Joseph Gabriel Rheinberger (1839–1901) IV. Sanctus Sanctus, Sanctus, Sanctus, Holy, Holy, Holy, Dominus Deus Sabaoth. Lord God of Hosts. Pleni sunt cœli et terra gloria tua. Heaven and earth are full of thy glory. Hosanna in excelsis. Hosanna in the highest. V. Benedictus Benedictus qui venit Blessed is He who comes in nomine Domini. in the name of the Lord. Hosanna in excelsis. Hosanna in the highest. Missa ‘Puer natus est’ (c. 1958–60) ...................................John S. McCreary Agnus Dei (1930–2014) Agnus Dei, Lamb of God, qui tollis peccata mundi: who takest away the sins of the world: miserere nobis. have mercy on us. Agnus Dei, Lamb of God, qui tollis peccata mundi: who takest away the sins of the world: miserere nobis. have mercy on us. Agnus Dei, Lamb of God, qui tollis peccata mundi: who takest away the sins of the world: dona nobis pacem. grant us peace. — The Second Mass — Missa tiburtina (1985) ..................................................Giles Swayne Kyrie (1946—) Kyrie eleison Lord, have mercy. Christe eleison Christ, have mercy. Kyrie eleison. Lord, have mercy. 8 The Cathedral Notre-Dame de Reims (Our Lady of Reims), France, built 1211– 1275. Messe de Notre Dame (c. early 1360s) ...........................Guillaume de Machaut Gloria (c. 1300–1366) Gloria in excelsis Deo. Glory to God in the highest. Et in terra pax And on earth peace Hominibus bonæ voluntatis. to all those of good will. Laudamus te. Benedicimus te. We praise thee. We bless thee. Adoramus te. Glorificamus te. We worship thee. We glorify thee. Gratias agimus tibi We give thanks to thee Propter magnam gloriam tuam. according to thy great glory. Domine Deus, Rex cœlestis, Lord God, Heavenly King, Deus Pater omnipotens. God the Father almighty. Domine Fili unigenite, Jesu Christe. Lord Jesus Christ, the only begotten Son. Domine Deus, Agnus Dei, Lord God, Lamb of God, Filius Patris. Son of the Father. Qui tollis peccata mundi, Thou who takest away the sins of the world, Miserere nobis. have mercy upon us. Qui tollis peccata mundi, Thou who takest away the sins of the world, Suscipe deprecationem nostram, Receive our prayer, Qui sedes ad dexteram Patris, Who sitteth at the right hand of the Father, Miserere nobis. have mercy on us. Quoniam tu solus sanctus. For Thou alone art holy. Tu solus Dominus Thou alone art the Lord.
Load more

Recommended publications
  • Lehigh University Choral Arts Lehigh University Music Department
    Lehigh University Lehigh Preserve Performance Programs Music Spring 5-3-2002 Lehigh University Choral Arts Lehigh University Music Department Follow this and additional works at: http://preserve.lehigh.edu/cas-music-programs Part of the Music Performance Commons Recommended Citation Lehigh University Music Department, "Lehigh University Choral Arts" (2002). Performance Programs. 155. http://preserve.lehigh.edu/cas-music-programs/155 This Program is brought to you for free and open access by the Music at Lehigh Preserve. It has been accepted for inclusion in Performance Programs by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. BAKER HALL• ZOELLNERARTS CENTER . I I Lehigh Univer. ity Music Department 2001 - 2002 SEASON Welcome to Zoellner Arts Center! We hope you will take advantage of all the facilities, including Baker Hall, the Diamond and Black Box Theaters, as well as the Art Galleries and the Museum Shop. There are restrooms on every floor and concession stands in the two lobbies. For all ticket information, call (610) 7LU-ARTS (610-758-2787). To ensure the best experience for everyone, please: Bring no food or drink into any of the theaters Refrain from talking while music is being performed Refrain from applause between movements Do not use flash photography or recording devices Turn off all pagers and cellular phones Turn off alarms on wrist watches Do not smoke anywhere in the facilities MUSIC DEPARTMENT STAFF Professors - Paul Salemi, Steven Sametz, Nadine Sine (chair)
    [Show full text]
  • Spring 2015 Concert Program
    Jeff Rehbach, Music Director KEMessier © 2015 Saturday, May 2, 2015 at 7:30 pm Unitarian Church of Montpelier Sunday, May 3, 2015 at 3:00 pm McCarthy Arts Center at Saint Michael’s College Presented by the Fine Arts Department at: VTChoralUnion.org The Vermont Choral Union, Spring 2015 Soprano Alto Celia K. Asbell* Burlington Clara Cavitt Jericho Mary Dietrich Essex Junction Michele Grimm Huntington Megumi Esselstrom Essex Junction Mary Ellen Jolley* St. Albans Lena Goglia Burlington Terry Lawrence Burlington Ann Larson Essex Lisa Raatikainen Burlington Kathleen Messier* Essex Junction Charlotte Reed Underhill Kayla Tornello Essex Junction Judy Rosenbaum Winooski Lindsay Westley Hinesburg Lynn Ryan Colchester Martha Whitfield Charlotte Maureen Sandon Essex Junction Sarah Woodward Burlington Karen Speidel Charlotte Tenor Bass Mark Kuprych Burlington James Barickman Underhill Rob Liotard Starksboro Douglass Bell* St. Albans Jack McCormack Burlington Jonathan Bond South Burlington Peter Sandon Essex Junction Joe Comeau Alburgh Paul Schmidt Burlington Robert Drawbaugh* Essex Junction Maarten van Ryckevorsel Winooski Peter Haskell* Burlington John Houston * Board members Larry Keyes* Colchester Richard Reed Morrisville About the Vermont Choral Union Originally called the University of Vermont Choral Union, the ensemble was founded in 1967 by James G. Chapman, Professor of Music at the University of Vermont. Dr. Chapman directed the choir until his retirement in 2004. At that time, the group's name changed to the Vermont Choral Union, and Gary Moreau, well-known Vermont music educator and singer, succeeded Dr. Chapman as director through 2010. Carol Reichard, director of the Colchester Community Chorus, served as the Choral Union's guest conductor in Spring 2011.
    [Show full text]
  • Musical Influence and Style in the Choral Music of Steven Sametz by Douglas R
    MAY 2002 CHORAL JOURNAL Musical Influence and Style in the Choral Music of Steven Sametz by Douglas R. Boyer Interactive Article - www.acdaonline.org/cj/interactive/may2002 Editors note: Many of the musical figures for this article and Princeton Singers, and has been guest conductor for such groups additional sound clips can be viewed and heard on our Web site as the Netherlands National Radio Choir, Taipei Philharmonic, <www.acdaonline.org/cj/interactive/may2002/>. Santa Fe Desert Chorale, Berkshire Festival, and the New York Chamber Symphony. 2 Perhaps best known for his composition I Have Had Sing­ Sametzs substantial output includes fifty choral works, fif­ ing, made famous by the male vocal ensemble Chanticleer, teen solo vocal works, a choral symphony, a chamber opera' and Steven Sametz is becoming recognized as a composer of con­ numerous orchestral and instrumental works. This article ex­ siderable depth and creativity. His compositions have been plores his musical influences and compositional style as seen in heard throughout the world: the Tanglewood, Ravinia, his choral music. Salzburg, Schleswig-Holstein, and Santa Fe music festivals. Such ensembles as Chanticleer, the Dale Warland Singers, the Musical Influences Sametz (b.1954) grew up in Westport, Connecticut, in a Santa' Fe Desert Chorale, the Philadelphia Singers, the Pro home filled with piano music. His father and older brother Arte Chamber Choir, and the Princeton Singers, among oth­ played the piano. The six-year-old Steven began imitating his ers, have commissioned his works. His first symphony, older brother at the keyboard. He recalls this memory: Carmina amaris, premiered the spring of 2001 to rave re­ views! and immediately captured the attention of one of his I started playing and writing on my own early in life.
    [Show full text]
  • Concert & Recital Programs Concert & Recital Programs
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-10-2012 Concert: The Thirty-Fourth Annual Ithaca College Choral Composition Contest Ithaca College Choir Lawrence Doebler Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choir and Doebler, Lawrence, "Concert: The Thirty-Fourth Annual Ithaca College Choral Composition Contest" (2012). All Concert & Recital Programs. 4058. https://digitalcommons.ithaca.edu/music_programs/4058 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. THE THIRTY-FOURTH ANNUAL ITHACA COLLEGE CHORAL COMPOSITION CONTEST Sponsored jointly by Ithaca College and Roger Dean Publishing Company Ford Hall Saturday November 10th, 2012 7:00 pm ITHACA COLLEGE THIRTY-FOURTH ANNUAL CHORAL COMPOSITION CONTEST AND FESTIVAL Sponsored jointly by Ithaca College and Roger Dean Publishing Company Professor Lawrence Doebler founded the Choral Composition Festival in 1979 to encourage the creation and performance of new choral music and to establish the Ithaca College Choral Series. Six scores were chosen for performance this evening from entries submitted from around the world. The piece …to balance myself upon a broken world (September, 1918) (Amy Lowell) by Paul Carey was commissioned by Ithaca College and
    [Show full text]
  • Evolution Lehigh University Music Department
    Lehigh University Lehigh Preserve Performance Programs Music Fall 9-26-2009 (r)evolution Lehigh University Music Department Follow this and additional works at: http://preserve.lehigh.edu/cas-music-programs Part of the Music Performance Commons Recommended Citation Lehigh University Music Department, "(r)evolution" (2009). Performance Programs. 2. http://preserve.lehigh.edu/cas-music-programs/2 This Program is brought to you for free and open access by the Music at Lehigh Preserve. It has been accepted for inclusion in Performance Programs by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. Lehigh University Music Department presents (r )e'V""o1u..~ion.. The Princeton Singers Steven Sametz, director I . I - 1.1-, .. i •. - - ...; ! .. ,,... Saturday, September 26, 2009 8 pm Baker Hall Zoellner Arts Center Welcome to Zoellner Arts Center! We hope you will take advantage of all the facilities, including Baker Hall, the Diamond and Black Box Theaters, as well as the Art Galleries and the Museum Shop. There are restrooms on every floor and concession stands in the two lobbies. For ticket information, call (610) 7LU-ARTS (610- 758-2787) or visit www.zoellnerartscenter.org. To ensure the best experiencefor everyone, please: • Bring no food or drink into any of the theaters • Refrain from talking while music is being performed • Refrain from applause between movements • Do not use flash photography or recording devices • Turn off all pagers and cellular phones • Turn off alarms on wrist
    [Show full text]
  • Chorister's Handbook
    Robe # ____ Music # ____ First Presbyterian Church of Ypsilanti 300 North Washington Street, Ypsilanti, MI 48197 The Rev. Keith Geiselman, Senior Pastor Aaron Tan, Organist & Choir Director THE CHORISTER’S HANDBOOK YEAR B/C 6 September, 2009 ~ 20 June, 2010 Revised 26 August, 2009 CONTENTS Welcome ................................................................................. 5 Directory and Assigned Numbers .................................................... 6 Choir Administration .................................................................. 7 Tips for Achieving Awe-Inspiring Processions and Recessions ................. 7 Etiquette and Singing Tips ............................................................. 8 Liturgical Music for the Church Year ............................................ 9 Ordinary Responses ............................................................... 9 Call to Worship ...................................................................................... 9 Kyrie ................................................................................................. 10 Prayer for Illumination ........................................................................... 10 Children’s Response ............................................................................... 11 Acclamation ........................................................................................ 11 Doxology ............................................................................................ 12 Responses for Communion: Sursum Corda
    [Show full text]
  • Lehigh University Music Department 2014-2015 Season
    Lehigh University Music Department 2014-2015 Season Baker Hall Zoellner Arts Center www. lehigh. edulmusic I] LU MusicDept t' 88.1 LEHIGH VALLEY ••1•11• COMMUNITY PUBLIC RADIO 93.7 FM WEST 93.9 FM EAST j Lehigh University Music D;;:::r~ ~ Lehigh Choral Arts I Dream a World ~ Steven Sarnetz, Artistic Directo~ Sun Min Lee, Associate Director with Anthony Leach, Guest Conductor April 24 & 25, 2015 8pm Baker Hall Zoellner Arts Center Welcome to Zoellner Arts Center! We hope you will take advantage of all the facilities, including Baker Hall, the Diamond and Black Box Theaters, as well as the Art Galleries and the Museum Shop. There are restrooms on every floor and concession stands in the two lobbies. For ticket information, call (610) 758-2787 or visit www.zoellnerartscenter.org. To ensure the best experiencefor everyone, please: • Bring no food or drink into any of the theaters • Refrain from talking while music is being performed • Refrain from applause between movements • Do not use flash photography or recording devices «Turn off all pagers and cellular phones • Turn off alarms on wrist watches • Do not smoke anywhere in the facilities MUSIC DEPARTMENT STAFF Professors - Paul Salemi, Steven Sametz, Nadine Sine (chair) Associate Professors - Eugene Albulescu, William Warfield Professors of Practice - Michael Jorgensen, Sun Min Lee Lecturer - David Diggs Adjuncts/ Private Instructors - Deborah Andrus, Helen Beedle, Daniel Braden, Colin Brigstocke , Amanda Cortezzo , Bob DeV os, Megan Durham, Susan Frickert, Linda Ganus, Christopher Gross,
    [Show full text]
  • Eugenio Giorgianni Phd Thesis
    Joyful Resonances: Spirituality and Civic Engagement in the Music of the Congolese Diaspora Eugenio Giorgianni Royal Holloway, University of London A dissertation submitted for the degree of Doctor of Philosophy in Music 2019 1 Declaration of Authorship I, Eugenio Giorgianni, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 20 September 2019 2 Table of Contents Chapter one. Introduction Seke Bien 1.1. Presentation 1.2. Joyful resonances 1.2.1. Kongo musical rites and the empowering other 1.2.2. Slave revolts: the political shift of joy 1.2.3. Dancing cosmopolitanism 1.2.4. The city of joy 1.2.5. Indépendance Cha Cha 1.2.6. Political animation and the joy of the worlds 1.2.7. Les Combattants and the silent nexus 1.3. The research protagonists – places, people, ideas 1.4. Methodology – filming in fieldwork 1.4.1. Music video clips in diasporic circulation 1.4.2. Music video collaborations 1.4.3. Ethnographic music video clip and the politics of invention 1.4.4. Beyond Ethnofiction: music video clip as radical collaboration 1.5. Thesis overview Chapter two. Mulele. Ethnographic encounters through the lens 2.1. A voyage to mikili and conscious music: Mulele’s life experiences 2.2. The way forward. The agency of silence in Congolese diaspora 2.3. Back to Africa. Fluid positioning to avoid ghettoization 2.4. The encounter and the idea of a music video 2.5. More fiyah! Enthusiastic collaborative video making 2.5.1.
    [Show full text]
  • Archive: Enewsletter December 2011 UC Berkeley Department of Music A
    Archive: eNewsletter December 2011 UC Berkeley Department of Music A Letter from the Chair ................................................................................................................................. 3 Featured Stories ............................................................................................................................................ 4 A Music Student recently had the opportunity to accompany Chancellor Birgeneau to Shanghai ......... 4 Visiting Postdocs bring unique research interests and popular classes to the Music Department. ........ 4 Graduating student starts a musical theatre tradition ............................................................................. 4 The Music Department offers a wide array of performances on Cal Day ................................................ 4 Collections of the Hargrove Music Library were on display at the invitation of the Antiquarian Bookseller's Association of America ......................................................................................................... 5 Precious instruments donated to the department provide Berkeley students the chance of a lifetime . 5 Student wins second place in national performance competition on a donated instrument—the 19th‐ century Ted Rex cello ................................................................................................................................ 6 Emeritus professors honored for their distinguished contributions to scholarship, and for their cherished activities over the
    [Show full text]
  • Missa Luba : New Edition and Conductor's Analysis
    FOSTER, MARC ASHLEY, D.M.A., Missa Luba: A New Edition and Conductor’s Analysis. (2005) Directed by Dr. William P. Carroll. 123pp. Since 1964 and the first printed edition of Missa Luba by Guido Haazen, this work has been performed countless numbers of times all over the world. Missa Luba continues to have a large number of performances each year, despite the fact that there is very little research available, and the only published edition is wholly insufficient in producing an authentic performance. To date, the following has not been published in any known academic publications: 1) a biography of Guido Haazen, 2) research into the first choir to sing Missa Luba, 3) a detailed explanation of the collective improvisational nature of the work, and 4) a comparison of the folk melodies used as models to the corresponding sections of each Mass movement. The purpose of this document is to provide a new edition of Missa Luba and an analysis of the work useful to a conductor. The reasons why a new edition is needed and what changes are made to the existing edition will be discussed, along with an analysis, which will cover the work’s historical background, structure, and performance practice concerns. The document will incorporate recent research into this subject, especially that of interviews with Guido Haazen prior to his death in 2004, and a more accurate transcription of the original 1958 recording. Also, significant to this project is a description of the ethnic instruments used in the original performances of Missa Luba and suitable modern substitutions.
    [Show full text]
  • SZTE Religion Culture Society 4 Beliv V4.Indd
    The MTA-SZTE Research Group for the Study of Religious Cul- ture, a research group supported by the Hungarian Academy of Scienses and att ached to the Department of Ethnology and Cultural Anthropology, University of Szeged began its activity on 1st July 2013. It sees itself as situated in the border zone of various disci- plines dealing with social, historical and cultural aspects of reli- gions, the churches, present-day culture and society. It focuses on ethnographical, anthropological, sociological, historical and spir- itual approaches to religious culture, also investigating the chang- Religion th st ing social background, especially in the 19 –21 centuries. SOCIETY RELIGION, CULTURE, The research group operates in a historically Christian (Roman Catholic and Protestant) social and cultural environment with a Culture strong interest in the Jewish and Muslim religious cultures. The multidisciplinarity, inter-religious and ecumenical perspective pro- vides a stimulating environment for the research, making a distinc- tive contribution to both the local and the international academic Society community. In cooperation with theological and religious studies, it strives to carry out its work with a sound historical basis in which theory and practice, empirical facts and their interpretation, histori- cality and normativity are closely intertwined. 4 4 RELIGION, CULTURE, SOCIETY RELIGION, CULTURE, SOCIETY Yearbook of the MTA-SZTE Research Group for the Study of Religious Culture Szeged, Hungary 4 RELIGION, CULTURE, SOCIETY 4 Yearbook of the MTA-SZTE Research Group for the Study of Religious Culture Edited by Gábor Barna and Orsolya Gyöngyössy MTA-SZTEMTA-SZTE RESEARCHRESEARCH GROUP GROUP FOR THE STUDY FOR OF RELIGIOUSTHE STUDY CULTURE OF RELIGIOUS CULTURE Szeged, 2017 Published with the support of the MTA-SZTE Research Group for the Study of Religious Culture and the Devotio Hungarorum Foundation (Szeged) International editorial board: Arne Bugge Amundsen (Oslo), Marion Bowman (Milton Keynes), Adam S.
    [Show full text]
  • A Chanticleer Christmas Thursday December
    A CHANTICLEER CHRISTMAS THURSDAY DECEMBER : PM MEMORIAL CHURCH R E L H O K A S I L Y B O T O H P Program Notes by Kip Cranna, Andrew Morgan, Joseph Jennings, Kory Reid, Gregory Peebles, and Jace Wittig Virga Jesse floruit Plainsong Gregorian Chant, named after Pope Gregory I (d .604), is the term applied to the vast repertoire of liturgical plainsong assembled over the course of several hundred years, roughly 700-1300 A.D. There are almost 3,000 extant chants in the Gregorian repertoire, with texts specific to each day of the liturgical year in the Roman Catholic Church. Virga Jesse floruit is an Alleluia for the Feast of the Annunciation during Paschal Time (which in fact is a rare occasion). Alleluia. Alleluia. Virga Jesse floruit: The rod of Jesse has blossomed: Virgo Deum et hominem genuit: a Virgin hath brought forth God and man: pacem Deus reddidit, God hath restored peace, in se reconcilians ima summis, reconciling in Himself the lowest with the highest, Alleluia. Alleluia. o Virgo virginum Josquin Desprez ( c. 1450–1521) Considered one of the greatest composers of the Renaissance, Josquin Desprez lived a life steeped in mystery for present-day scholars. The earliest surviving written record dates from 1459, which lists him as an “adult” singer at the cathedral in Milan, where he was employed until 1472. He subsequently worked at the chapel of Duke Galeazzo Sforza. Other posts included serving as a singer in the Papal Chapel in Rome and as court composer to Duke Ercole I of Ferrara.
    [Show full text]