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Essay: Joseph Kiwele in Élisabethville (1946-1961) and the Birth of An
Where does it come from, this emotion that grabs us before the display ESSAY: JOSEPH KIWELE IN of the glowing red copper flows of Katanga, rippling like strange reptiles in the Gécamiens warehouses filmed by Sammy Baloji in Tales of ÉLISABETHVILLE (1946-1961) AND the Copper Grass Garden. Episode 1 ? This freshly processed material seems to reverberate with the copper songs sung by the children of the THE BIRTH OF AN URBAN CULTURE Copper Cross choir, echoing a childhood chipped away over the years. IN THE COLONIAL ERA. Joseph Kiwele’s music and plays resonate with us today in both an unusual and intriguing way. Kiwele was both an effective intermediary for the colonial government and a prolific and talented creator very Maëline Le Lay – CNRS (French National Centre for Scientific Research), much appreciated at the time – by the authorities and the public alike LAM Bordeaux – and his works are still as original as they are inventive and sensitive. I — Joseph Kiwele and his works, between propaganda art and artistic indigenism Joseph Kiwele was born in 1912 in Baudouinville (now Moba) in north-eastern Katanga, on the shores of Lake Tanganyika. He studied philosophy and theology at the Grand Séminaire (theological seminary) and spent a year in Liège, Belgium, in 1940, to study harmony and the organ at the music academy. Upon his return, he An enactment of the play Chura na Nyoka by Joseph Kiwele. was in charge of general education and music at Institut Saint-Boniface school in the district of Kamalondo, the first black town in the ‘Centre extra-coutumier’ (centre not subject to customary law) of Élisabethville (now Lubumbashi). -
Patents of Arms Online the Database of Patents of Arms of the National Archives of Hungary1
STUDIA HISTORICA BRUNENSIA 62, 2015, 2 KRISZTINA ARANY – ANTON AVAR PATENTS OF ARMS ONLINE THE DATABASE OF PATENTS OF ARMS OF THE NATIONAL ARCHIVES OF HUNGARY1 Abstract: Besides their decorative appearance, the patents of arms bear significant historical value, which provide important contribution to various ar- eas of historical science. The aim of the National Archives of Hungary’s project of several years was to create a versatile, illustrated, well-search- able and expandable online database, in which we could process the data of all the original patents of arms and related documents held in our insti- tution. Our collections of patents of arms are being built since the founda- tion of our institution, and contain over 2000 original parchment charters granting mainly Hungarian and Transylvanian nobility along with heraldic achievements. At present, the National Archives of Hungary has completed the digitization and processing of all this material, except for the 131 medi- eval (pre-1526) charters, which is to be covered in the near future. Keywords: patents of arms, coats of arms, online database, mass digitization, Na- tional Archives of Hungary, open access. I. Patents of Arms in the National Archives of Hungary The patents of arms bear significant historical value besides their decorative appearance as archival source material. Therefore, they can contribute to var- ious fields of science, heraldry, palaeography, diplomatics, sigillography and 1 This work has been supported in part by Croatian Science Foundation under the pro- ject “Sources, Manuals and Studies for Croatian History from the Middle Ages to the End of the Long Nineteenth Century”(IP-2014-09-6547). -
Sammy Baloji a Blueprint for Toads and Snakes
A SOLO EXHIBITION BY Sammy Baloji A blueprint for toads and snakes OPENING 25 JUN— 24 June 2018 CURATOR 26 AUG Vincent van Velsen SCENOGRAPHER 2018 Jean Christophe Lanquetin With A Blueprint for Toads and Snakes Framer Framed also aims to follow up on the organisation’s multi-year research into the far-reaching consequences of raw Framer Framed is happy to present the publication materials policy on local infrastructure, culture and nature. In this research track accompanying the solo exhibition by Sammy Baloji we trace how (often colonial) powers created an infrastructure for the expropriation of raw materials, which led to a social classification that is often still visible today. at Framer Framed, A Blueprint for Toads and Snakes, The mines determine the entire economic and social life, leaving a huge void after their departure or relocation. The only thing that remains alongside old hierarchical which is on show from 25 June – 26 August 2018. In the structures is irreversible damage to nature and the environment, unemployment and exhibition, artist Sammy Baloji (1978, Lubumbashi) a lacking economic infrastructure. presents a highly original commemoration of the The research on the effects of mining started in 2015 with the exhibitionKoempels , curated by Lene ter Haar. The exhibition questioned the relationship between the painful history of exploitation and cultural formation ‘periphery’ and the ‘center’ within the Netherlands, and how the contemporary society in Limburg was affected by the closure of the mines. This was followed in in Congo. This publication features a curatorial essay 2017 by a solo exhibition by the Vietnamese artist Tuan Mami during Art Rotterdam. -
Royal Heraldry Society of Canada
The Toronto Branch of the Royal Heraldry Society of Canada Patron: Sir Conrad M.J.F. Swan , KCVO, PH.D, FSA, FRHSC ® Garter King of Arms Emeritus ® Volume 24, Issue 2 – JUNE 2014 ISSN: 1183-1766 WITHIN THE PAGES Royal Heraldry Society of Canada AGM OF THIS ISSUE: he weather After the business of the Finally, on Saturday evening could not Toronto Branch concluded, everyone came together International 2 have been Prof. Jonathan Good , PH.D, again at the Arts & Letters Heraldry Day T better in Toronto for the FRHSC spoke to those Club for a Gala affair, where Birds of a Feather 4 hosting of the 48th Annual members assembled, on the we were all witness to the In Memory General Meeting of the Royal topic of how universities in installation of two new 4 Slains Pursuivant Heraldry Society of Canada. Canada use there Coat of Fellows of the Society. Prof. The last weekend of May (30 Arms in branding their Steven Totosy spoke to the 9th Duke of 5 May—1 June), our Branch university. Each institution gathered group about Devonshire had the distinct honour of was classified based on the Hungarian Heraldry. hosting about 50 members of use of their coat of arms on Hungarian grants of Arms, Bits & Bites 6 the society. There was their website. Some used which are passed down representation from coast to their arms properly, some through sons and daughters, 2013 Grants of 7 coast. As well, some of our used a modified version, and follows a different set of Arms members from the United some did not use their arms rules and guidelines from the A Heraldic Artist States of America crossed at all. -
Boats Built at Toledo, Ohio Including Monroe, Michigan
Boats Built at Toledo, Ohio Including Monroe, Michigan A Comprehensive Listing of the Vessels Built from Schooners to Steamers from 1810 to the Present Written and Compiled by: Matthew J. Weisman and Paula Shorf National Museum of the Great Lakes 1701 Front Street, Toledo, Ohio 43605 Welcome, The Great Lakes are not only the most important natural resource in the world, they represent thousands of years of history. The lakes have dramatically impacted the social, economic and political history of the North American continent. The National Museum of the Great Lakes tells the incredible story of our Great Lakes through over 300 genuine artifacts, a number of powerful audiovisual displays and 40 hands-on interactive exhibits including the Col. James M. Schoonmaker Museum Ship. The tales told here span hundreds of years, from the fur traders in the 1600s to the Underground Railroad operators in the 1800s, the rum runners in the 1900s, to the sailors on the thousand-footers sailing today. The theme of the Great Lakes as a Powerful Force runs through all of these stories and will create a lifelong interest in all who visit from 5 – 95 years old. Toledo and the surrounding area are full of early American History and great places to visit. The Battle of Fallen Timbers, the War of 1812, Fort Meigs and the early shipbuilding cities of Perrysburg and Maumee promise to please those who have an interest in local history. A visit to the world-class Toledo Art Museum, the fine dining along the river, with brew pubs and the world famous Tony Packo’s restaurant, will make for a great visit. -
Chorister's Handbook
Robe # ____ Music # ____ First Presbyterian Church of Ypsilanti 300 North Washington Street, Ypsilanti, MI 48197 The Rev. Keith Geiselman, Senior Pastor Aaron Tan, Organist & Choir Director THE CHORISTER’S HANDBOOK YEAR B/C 6 September, 2009 ~ 20 June, 2010 Revised 26 August, 2009 CONTENTS Welcome ................................................................................. 5 Directory and Assigned Numbers .................................................... 6 Choir Administration .................................................................. 7 Tips for Achieving Awe-Inspiring Processions and Recessions ................. 7 Etiquette and Singing Tips ............................................................. 8 Liturgical Music for the Church Year ............................................ 9 Ordinary Responses ............................................................... 9 Call to Worship ...................................................................................... 9 Kyrie ................................................................................................. 10 Prayer for Illumination ........................................................................... 10 Children’s Response ............................................................................... 11 Acclamation ........................................................................................ 11 Doxology ............................................................................................ 12 Responses for Communion: Sursum Corda -
The Order of the Dragon As Reflected in Hungarian and Croatian Heraldry
1 THE ORDER OF THE DRAGON AS REFLECTED IN HUNGARIAN AND CROATIAN HERALDRY Ivan Mirnik The Order of the Dragon On March 18, 2006 an exhibition (TAKÁCS ed. 2006) opened at the Budapest Museum of Fine Arts, dedicated to Emperor and King Sigismund of the house of Luxemburg (b. Feb. 15, 1368 – King of Hungary, Croatia, Slavonia and Dalmatia 1378-1437 – Margrave of Brandenburg 1378 – crowned King of Hungary March 31, 1387 - Roman King July 21, 1411 – crowned King of Bohemia July 28, 1420 – crowned Roman Emperor in Rome May 31, 1433 - d. Znaim, Dec. 9, 1437). In July of the same year it was opened in Luxemburg, at the Musée national d'histoire et art, in a reduced version. Before this exhibition, a symposium was held in Luxemburg in 2005, as an introduction to the forthcoming exhibition (PAULY – REINERT eds. 2005). The authors of both papers presented at the symposium and of the exhibition catalogue have succeeded not only in bringing this ruler and his era closer to us, but also from a historical distance to present his character and deeds in an objective manner. The exhibition itself was excellent and well conceived. At the Emperor Sigismund Exhibition one could, in one room (Section IV – Die Welt der Drachenritter), admire all the paraphernalia of the Order of the Dragon. It was a unique opportunity to see these items, gathered from all over Europe, assembled in one place for the first and probably the last time in history. The catalogue, for instance, listed the famous sword of King Charles Robert's Order of St. -
Theozark Historical Review
he Ozark Historical TReview Volume 45 Department of History J. William Fulbright College of Arts and Sciences University of Arkansas 2016 The Ozark Historical Review Board of Editors Nikolay Antov Elizabeth Markham Rembrandt Wolpert (Chair) Volume 45 Published annually by the Department of History J. William Fulbright College of Arts and Sciences University of Arkansas 2016 ©2016 department of history, university of arkansas, fayetteville all rights reserved printed in the united states of america issn 2325-4211 (online) issn 2325-4238 (print) set in 11/13.5 cycles eleven and kozuka mincho Contents Michele Dobbins Fashioning a Political Identity: French Women and the White Neoclassical Dress 1 Chad Totty Divinity and Royalty in the Writings of Motoori Norinaga 17 Beth Withey Reflections on the Veil: Tracing Blurred Boundaries of Politics and Desire in Vienna’s Saturn-Films 31 James Brown Encountering the Sublime: Early Hermit Lifeways, Visual- Spatial Worlds, and the Global Recluse 49 John M. Metcalf The Onnagata: A Note Regarding the Male Actor of Female Roles in Japanese Theatre 63 Contributors 71 Fashioning a Political Identity: French Women and the White Neoclassical Dress Michele Dobbins Louis XIV once observed that fashion is “the mirror of history”.1 He couldnothaveknownthatmanyyearslater,hisgreat-grandson’sgrand- son would lose his head and the great wheels of the revolution would set in motion changes that reached into every corner of society, includ- ing clothing, which came to be a cornerstone of political representa- tion. Even the seemingly innocent trends of fashion carry historical significance.In a society where women’s fashion was said to change every fifteen days, the craze for the neoclassical white dress stands out as a startling example of uniformity. -
People of the Three Fires: the Ottawa, Potawatomi, and Ojibway of Michigan.[Workbook and Teacher's Guide]
DOCUMENT RESUME ED 321 956 RC 017 685 AUTHOR Clifton, James A.; And Other., TITLE People of the Three Fires: The Ottawa, Potawatomi, and Ojibway of Michigan. Workbook and Teacher's Guide . INSTITUTION Grand Rapids Inter-Tribal Council, MI. SPONS AGENCY Department of Commerce, Washington, D.C.; Dyer-Ives Foundation, Grand Rapids, MI.; Michigan Council for the Humanities, East Lansing.; National Endowment for the Humanities (NFAH), Washington, D.C. REPORT NO ISBN-0-9617707-0-8 PUB DATE 86 NOTE 225p.; Some photographs may not reproduce ;4011. AVAILABLE FROMMichigan Indian Press, 45 Lexington N. W., Grand Rapids, MI 49504. PUB TYPE Books (010) -- Guides - Classroom Use - Guides '.For Teachers) (052) -- Guides - Classroom Use- Materials (For Learner) (051) EDRS PRICE MFU1 /PC09 Plus Postage. DESCRIPTORS *American Indian Culture; *American Indian History; American Indians; *American Indian Studies; Environmental Influences; Federal Indian Relationship; Political Influences; Secondary Education; *Sociix- Change; Sociocultural Patterns; Socioeconomic Influences IDENTIFIERS Chippewa (Tribe); *Michigan; Ojibway (Tribe); Ottawa (Tribe); Potawatomi (Tribe) ABSTRACT This book accompanied by a student workbook and teacher's guide, was written to help secondary school students to explore the history, culture, and dynamics of Michigan's indigenous peoples, the American Indians. Three chapters on the Ottawa, Potawatomi, and Ojibway (or Chippewa) peoples follow an introduction on the prehistoric roots of Michigan Indians. Each chapter reflects the integration -
Eugenio Giorgianni Phd Thesis
Joyful Resonances: Spirituality and Civic Engagement in the Music of the Congolese Diaspora Eugenio Giorgianni Royal Holloway, University of London A dissertation submitted for the degree of Doctor of Philosophy in Music 2019 1 Declaration of Authorship I, Eugenio Giorgianni, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 20 September 2019 2 Table of Contents Chapter one. Introduction Seke Bien 1.1. Presentation 1.2. Joyful resonances 1.2.1. Kongo musical rites and the empowering other 1.2.2. Slave revolts: the political shift of joy 1.2.3. Dancing cosmopolitanism 1.2.4. The city of joy 1.2.5. Indépendance Cha Cha 1.2.6. Political animation and the joy of the worlds 1.2.7. Les Combattants and the silent nexus 1.3. The research protagonists – places, people, ideas 1.4. Methodology – filming in fieldwork 1.4.1. Music video clips in diasporic circulation 1.4.2. Music video collaborations 1.4.3. Ethnographic music video clip and the politics of invention 1.4.4. Beyond Ethnofiction: music video clip as radical collaboration 1.5. Thesis overview Chapter two. Mulele. Ethnographic encounters through the lens 2.1. A voyage to mikili and conscious music: Mulele’s life experiences 2.2. The way forward. The agency of silence in Congolese diaspora 2.3. Back to Africa. Fluid positioning to avoid ghettoization 2.4. The encounter and the idea of a music video 2.5. More fiyah! Enthusiastic collaborative video making 2.5.1. -
Explorations of Identity and Communication the Authors Are Responsible for the Content of Their Articles Explorations of Identity and Communication
Explorations of Identity and Communication The authors are responsible for the content of their articles Explorations of Identity and Communication Carmen Popescu (editor) Editura Universitaria Craiova, 2018 nv ; n; C Copyright © 2016 Editura Universitaria Toate drepturile sunt rezervate Editurii Universitaria Descrierea CIP a Bibliotecii Naţionale a României Explorations of identity and communication / ed.: Carmen Popescu. – Craiova: Universitaria ; Cluj-Napoca: Presa universitară clujeană, 2018 Conţine bibliografie ISBN 978-606-14-1417-8 ISBN 978-606-37-0391-1 I. Popescu, Carmen (ed.) Table of Contents Introduction Carmen Popescu ............................................................................................. 7 Part I. Identity and Communication in Literature The Winds of Change. Conceptual Metaphors with Arab Women Writers from the Middle East Bushra MK Khudhair Al Muttairi ................................................................. 21 The Quest for Self-knowledge in Arthur Miller’s Death of a Salesman Bassim Hussein Al Nawashi ......................................................................... 30 Returning from Diaspora, Exile and the Loss of Identity in Inaam Kachachi’s The American Granddaughter Falih Mahdi Jabur AL-Zamili ....................................................................... 38 American Exceptionalism and Political Fear in Margaret Atwood’s Ustopias Adela Catană ................................................................................................. 49 On Lucian Blaga’s Metaphors -
András W. Kovács the History of the Wass De Czege Family This Work Was Carried out in the Research Institute of the Transylvanian Museum Society
András W. Kovács The History of the Wass de Czege Family This work was carried out in the Research Institute of the Transylvanian Museum Society www.eme.ro The translation of this work was partially financed by the Pro Renovanda Cultura Hungariae Foundation, Budapest (In memoriam Kuno Klebelsberg programme) © Copyright András W. Kovács (author) Ágnes Baricz (English translation) Edmund Siemers-Stiftung [email protected] All rights reserved András W. Kovács The History of the Wass de Czege Family Translated by Ágnes Baricz Copyedited by Matthew Suff Hamburg 2005 Maps and digital processing of pictures by István Karácsony On the cover: The extended coat of arms of the family on the letter patent of title donaton from 1744 (National Archives Cluj County Branch, Transilvanian National Museum Archives, Wass Ottília Collection). Responsible publisher: Dr. Andreas Graf Wass von Czege ISBN 3-00-016411-1 Printed by the Misztótfalusi Kis Miklós Printing-house Director: István Tonk Technical editor: Lajos Bálint Page-setting: Éva Kőváry Gens Vasiana suos antiquos ducit ab aevo natales, longo veteranas ordine ceras ostentat, patrios inter radiatque quirites, ut socias inter palmas micat ardua palma utque pares inter stellas fulgurat astrum (An eighteenth-century poem praising the Wass. Carmen Sapphicum ... in honorem Samuelis Vas de Tzege ... decantatum. Claudiopoli, 1769) Contents Acknowledgements .................................................................................................7 Symbols and Abbreviations ....................................................................................9