University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 5-5-2017 A Marriage and its Music: The Work of Elsa Olivieri Sangiacomo Respighi in Fascist Italy Penny R. S. Brandt University of Connecticut - Storrs,
[email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Brandt, Penny R. S., "A Marriage and its Music: The Work of Elsa Olivieri Sangiacomo Respighi in Fascist Italy" (2017). Doctoral Dissertations. 1461. https://opencommons.uconn.edu/dissertations/1461 A Marriage and its Music: The Work of Elsa Olivieri Sangiacomo Respighi in Fascist Italy Penny Rae Sunshine-3 Brandt, PhD University of Connecticut, 2017 Elsa Olivieri Sangiacomo (1894–1996) was an Italian pianist, singer, and composer. She composed several works for voice and piano early in life that were published by Casa Ricordi in Milan, but she ultimately put her creative aspirations aside for the opportunity to become the housewife and assistant of her composition teacher, the celebrated composer Ottorino Respighi (1879–1936). The marriage provided Olivieri with connections and performance opportunities that continued to benefit her during the sixty years she lived as a widow. After Respighi’s death, she returned briefly to composition as a means of catharsis, composing both small and large-scale works—including two completed operas that remain unpublished and unperformed. Olivieri’s unique musical style was, in part, a product of her Mexican heritage and her position as a woman and wife living in fascist Italy. Important style traits in her music include nuanced exoticism, references to folk songs and Gregorian melodies, and complex realizations of female characters.