DOCSLIB.ORG

Xmas Essentials 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Xmas Essentials 2020 Sadly the Live Music scene has been largely dormant apart from some inspired iso performances streamed online. But music & those that make it always find a way to inspire, comfort, entertain, thrill & make our lives better. Check out just some of the remarkable music made this year...you will be amazed. Think you will all agree that this year more than ever...the gift of music 'that keeps on giving' is the obvious choice...far more valueable & lasting than that bottle of something, choccies, jocks, socks...please try to support musicians & those that promote music in it's physical format...MAY THE FUN, THE SHARING, THE GIVING, THE GATHERING, THE KINDNESS BEGIN ...LET'S SEND THIS YEAR OFF WITH A BANG OF BOUNTY, GENEROUSITY & GRATEFULNESS...AND LOOK FORWARD BASEMEN TDISCS TO BETTER TIMES IN 2021...SURELY!! Our very best wishes to you & AC E J C yours for a Happy, Healthy & Safe Holiday Season & we hope to see or hear CR K R A K from you soon, SUZANNE & ROD TRADINTHGURS H10thO 10U.00 R– 6.S 00 pentine Prisoln' er a FRI 11th 10.00 – 6.00 'S i t ER n G e IsN sN E BER MATT SAT 12th 10.00 – 6.00 Best of 2CD) s DA BULL 'Sunday' (+ a SUN 13th 10.00 – 6.00 VIKA & LIN m Ways' MON 14th 10.00 – 6.00 Rowdy X B DYLAN 'Rough and BO TUES 15th 10.00 – 6.00 apon But Love' WED 16th 10.00 – 6.00 EAM HANDS 'No We THURS 17th 10.00 – 6.00 ICECR s' E 400 UNIT 'Reunion FRI 18th 10.00 – 6.00 JASON ISBELL & TH SAT 19th 10.00 – 6.00 to a Refugee' DIANA JONES 'Song SUN 20th 11.00 – 5.00 Times' MON 21st 9.30 – 6.00 PRINCE 'Sign of the TUES 22nd 9.30 – 6.00 Ed) (Dlxe Ed or Super Dlxe WED 23rd 9.30 – 6.00 de' THURS 24th 9.30 – 3.00 IFT 'Blonde on Blon FRI 25th XMAS DAY CLOSED EMMA SW s LD t UNWA c SAT 26th BOXING DAY CLOSED SH GR e A j SKEY & o TE r JOSH P SUN 27th CLOSED s * BUT CHECK, WE MAY OPEN!!? Away' a es i he Blu b Push t o ' T MON 28th 10.00 – 5.00 n i L tar ui / ds G TUES 29th 10.00 – 5.00 ssroa s 's Cro a ton i c Clap b /A 'Eri o V T WED 30th 10.00 – 6.00 ) n BR i r DVD/ L D o ' (3 C : THUR 31st 10.00 – 3.00 al 2019 N Festiv G I S E FRI NEW YEARS DAY CLOSED D Here we go again with our BEST OF lists for 2020... somewhat hamstrung by availabilty of stock through the year so we've concentrated on very worthy releases that we CAN ACTUALLY access! Thanks so much for sticking by us through this incredible year... yep, it's been a doozy hasn't it?...for everyone...don't think there is a person on the planet that hasn't BASEMENT DISCS 24 Block Place Melbourne 3000 CHECK OUT THE ONLINE STORE!!! been impacted one way or the other. But throughout the year there has been some absolutely wonderful music r BPHONAE 965S4 111E0 EMMAIL info@EbasN ementdTiscs.cDom.auI WSEB wwCw.basS ementdiscs.com.au eleased so read on ...! an • DIANA KRALL 'This Dream Of You' Australi • LIANNE LA HAVAS 'Lianne LaHavas' ck/Pop lassic ' o Matter C k R • SHANE HOWARD 'Dar • PAT METHENY 'From This Place' • FIONA APPLE 'Fetch The Bolt Cutters' • JACK HOWARD & THE LONG LOST BROTHERS • GREGORY PORTER 'All Rise' Rock/Pop book 'Small Moments of Glory') • MATT BERNINGER 'Serpentine Prison' 'Dog Songs' (+ Jack's • LOUDON WAINWRIGHT III 'I'd Rather Lead a Band' • ELVIS COSTELLO 'Hey Clockface' HT OIL 'The Makarrata Project' • BILL CALLAHAN 'Gold Record' • MIDNIG • NILS LOFGREN 'Weathered' (Live 2CD) • MIESHA 'Nyaaringu' • NICK CAVE 'Idiot Prayer: Nick Cave Alone • PAUL McCARTNEY 'McCartney III' • ARCHIE ROACH 'Songs of Charcoal Lane' at Alexandra Palace' • NICK MASON'S SAUCERFUL OF SECRETS • THE WOODLAND HUNTERS 'Pale Horse' • JOACHIM COODER 'Over the Road I'm Bound' Blues 'Live at the Roundhouse' (2CD/DVD or BRay) • TAME IMPALA 'The Slow Rush' • ELVIN BISHOP & CHARLIE MUSSELWHITE • RAY LAMONTAGNE 'Monovision' MMISION • ROBERT PLANT 'Digging Deep' • MICK THOMAS' ROVING CO '100 Years of Blues' OSBOURNE 'Trouble and Strife' Side' • JOAN (Retrospective and 3 new tracks) 'See You On The Other • ROBERT CRAY 'That's What I Heard' • ROBERT PLANT 'Digging Deep (Best of 2CD) • PRETENDERS 'Hate For Sale' • VAN WALKER 'Ghosting' • DION 'Blues With Friends' f • DANIEL RODRIGUEZ 'Sojoura of a Burning Suri' • V/A 'Cannot Buy My Soul: Songs o • RONNIE EARL & THE BROADCASTERS 'Rise Up' • BRUCE SPRINGSTEEN 'Letter To You' y 2020 Edition (3 CD) • RON SEXSMITH 'Hermitage' Kev Carmod • SONNY LANDRETH 'Blacktop Run' • JAMES TAYLOR 'American Standard' ' • PHANTOM BLUES BAND 'Still Cookin' • THIS IS THE KIT 'Off Off On • WATERBOYS 'Good Luck, Seeker' • LARKIN POE 'Self Made Man' • M. WARD Migration Stories • ROGER WATERS 'Us & Them' Americana • DUKE ROBILLARD 'Blues Bash' • VICTOR WAINWRIGHT & THE TRAIN S • DAVE ALVIN 'From an Old Guitar: ISSUE R 'Memphis Loud' RE are & Unreleased' & BOX DR • V/A New Moon Jelly Roll Freedom Rockers ETS • IVE BY TRUCKERS 'The Unravelling' l/Funk < BRIAN ENO 'Film Music 1976 - 2020' S (with Luther Dickinson, Cody Dickinson, Jimbo Sou • STEVE EARL & THE DUKES 'Ghosts of Mathus, Alvin Young, Musselwhite & Jim Dickinson) (also 'Mixing Colours' with Roger Eno) West Virginia' < GRATEFUL DEAD 'American Beauty' & ’n’B (50th anniversary. Dlxe Ed 3CDs) • THE JAYHAWKS 'XO R KING CRIMSON 'King Crimson Complete 1969 Recordings' XO' < [ • POKEY LAFARGE 'Rock Bottom Rhapsody' • KYLIE AULDIST 'This is What Happiness < JONI MITCHELL 'Archives Vol. 1: The Early Years' • ZEPHANIAH O'HORA 'Listening to the Music' rld Looks Like' < TOM PETTY 'Wildflowers & all the Rest' (Dlxe Ed) o PINK FLOYD 'Delicate Sound of Thunder' /W < lk • BLACK PUMAS 'Black Pumas' DA o • N PENN 'Living On Mercy' F (Restored. Re-edited & Remixed) • CHRIS SMITHER 'More From the Levee' • TONY ALLEN & HUGH MASEKELAY 'Rejoice' (Re-issue w. bonus disc) < KEITH RICHARDS &THE X-PENSIVE WINOS 'Live at the Hollywood Palladium' & BLACK JESUS EXPERIENCE • RANDALL BRAMBLETT 'Pine Needle Fire' • MOLLY TUTTLE '...But I'd Rather Be...' • MULATU ASTAKE ROLLING STONES 'Goats Head Soup' (2CD Dlxe Ed) 'To Know Without Knowing' < • WAXAHATCHEE 'Saint Cloud' • DON BRYANT 'You Make Me Feel' < BRIAN WILSON & VAN DYKE PARKS • LUCINDA WILLIAMS 'Good Souls Better Angels' • JAMES ELKINGTON 'Ever-Roving Eye' • BUDOS BAND 'Long In The Tooth' 'Orange Crate Art' (with bonus disc of outtakes & instrumentals) • BELA FLEK 'Throw Down Your Heart: • EMMA DONOVAN & THE PUTBACKS The Complete Africa Sessions' (3CD/DVD) DVD & 'Crossover' < ‘Country Music’ - A Film by KEN BURNS BLURAY • BEBEL GILBERTO 'Agora' Jazz • JAMES HUNTER 6 'Nick Of Time' < BETTY DAVIS 'They Say I'm Different' SYLVIE SIMMONS 'Blue On Blue' < PINK FLOYD 'Delicate Sound of Thunder (DVD or BRay) • • BILLY OCEAN 'One World' • CHICK COREA 'Plays' (2CD) • MARTIN SIMPSON 'Home Recordings' < ROLLING STONES' 'Steel Wheels Live' (DVD or BRay) • PRINCE & THE NEW POWER GENERATIONS (Prev. unreleased '89 performance with Clapton and John Lee Hooker) SONGHOY BLUES 'Optimisme' • ELLA FITZGERALD 'Ella: The Lost Berlin Tapes' • 'Up All Nite With Prince: The One Nite < LINDA RONSTADT 'One Night Stand Live From Hollywood' otait' • MELODY GARDOT 'Sunset in the Blue' • TAMIKREST 'Tam Alone Call ' < ZZ TOP 'That Little Ol' Band From Texas' • KEITH JARRETT 'Budapest Concert' • THE UNTHANKS 'Diversion Vol. 5 : Live < V/A 'Laurel Canyon' (incl. Joni Mitchell, CSN, Byrds, Mamas & Unaccompanied)' • THUNDERCAT 'It Is What It Is' & Papas, Little Feat, Love, Doors, Jackson Browne, Linda Ronstadt, • NORAH JONES 'Pick Me Up Off the Floor' Bonnie Raitt etc.).
Load more

Recommended publications
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • June 2020 Volume 87 / Number 6
    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Wouldn't It Be Nice
    wouldn’t it be nice by lewis shiner hat if? It’s not just science fiction and fantasy that asks this w question, it’s all of fiction. What if a young student murdered his landlady to prove his moral superiority? What if a woman survived the Civil War and three marriages only to find true love too late? It’s also the question by which we transform ourselves. What if I quit my job and moved to the desert? What if I turned myself loose to create “a teenage symphony to God?” The Icarus who attempted that teenage symphony in 1966 is now 53. For Brian Wilson it’s been thirty years of struggle: with drugs and diet, with people who want to run his life for him, with the intensity of his own feelings. The good news is that Wilson’s life is finally his own again. He is newly married to a woman named Melinda, who is calm and sweet and loving with him. He has a new house in the safety of a gated community high above the city. And he is back in the public eye with two new albums and a movie on the Disney channel. The film is I Just Wasn’t Made For These Times, directed by producer-of-the- moment Don Was. The soundtrack is a kind of Best of Brian Wilson, live in the studio with crack session players like Jim Keltner, Benmont Tench, and Waddy Wachtel. This is not only a wonderful album in its own right, it represents a healing of other wounds.
    [Show full text]
  • THE PASSION of PET SOUNDS Cuuinucd ¡R()Hi Pugc 4:5 by CHRIS MORRIS
    Here Today FOR YOUNG MUSICIANS AND PRODUCERS IN ¡HE MI11-10S, THE RELEASE Of "PET SOUNDS" WAS [IKE HAYING THE ODOR 10 A PITCH -BLACK ROOM SUDDENLY THROWN OPEN; LIGHT POURED IN THIRTY YEARS LATER, IT'S SIRE SHINING BRIGHI11 THE PASSION OF PET SOUNDS Cuuinucd ¡r()Hi pugc 4:5 BY CHRIS MORRIS Studios and immortalize his memories of the pom -pom girl who got away. In so doing, he preserved in popular song the qualities of regret n his provocative book "Ocean Of Sound" (Serpent's Tail, Speaking of such contemporaries and collaborators as Van Dyke that only post -adolescence can summon. encapsulating one of the 0 U.K.), English musician -musicologist David Toop writes, Parks and Randy Newman, Waronker adds, "Brian affected us most reluctant realizations of adulthood: all the youthful time in the "Ask musicians of a certain age a question: Who revolution- all...Brian was such a master of melody, and he got sounds that were world is somehow never enough. ized the recording studio? Invariably, the response will unprecedented. The Beatles did it, but not like he did it." "My father [Murry] used to go to pieces when he heard stuff like include the following names: Phil Spector, Joe Meek, Brian In 1995, former pupil Waronker worked with the master, Wilson, "'Caroline No,'" explained Brian's brother Dennis to this writer in the Wilson, Lee Perry." and Parks on the duo's Reprise collaboration "Orange Crate Art." spring of 1976. "See, a lot of people don't know it, but that song was Spector and Wilson, the Americans on this short list of sonic inno- Another aspiring young producer of the '60s, Russ Titelman, had about a girl that Brian was really in love with in high school.
    [Show full text]
  • ARIA TOP 50 JAZZ and BLUES ALBUMS CHART 2020 TY TITLE Artist CERTIFIED COMPANY CAT NO
    CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 50 JAZZ AND BLUES ALBUMS CHART 2020 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 PLEASE LEAVE YOUR LIGHT ON Paul Kelly & Paul Grabowsky GAWD/EMI GAWD031S 2 COME AWAY WITH ME Norah Jones <P>11 BNO/UMA 5417472 3 COLLECTION Michael Buble RPS/WAR 9362493474 4 PICK ME UP OFF THE FLOOR Norah Jones BNO/UMA 0874884 5 ULTIMATE SINATRA Frank Sinatra UNI/UMA 4729205 6 KIND OF BLUE DELUXE 50TH ANNIVERSARY COLLECTOR'… Miles Davis <P>2 COL/SME 88697335522 7 THE SWEETEST TABOO Katie Noonan ACL/UMA 0878447 8 THIS DREAM OF YOU Diana Krall VE/UMA 0744541 9 BLACK MAGIC WOMAN - THE BEST OF Fleetwood Mac SME 88985493092 10 CRAZY LOVE Michael Buble <P>5 WAR 9362497377 11 MICHAEL BUBLE Michael Buble <P>7 RPS/WAR 9362483762 12 IT'S TIME Michael Buble <P>5 RPS/WAR 9362489462 13 BLUE TRAIN John Coltrane BNO/UMA 3771410 14 CALL ME IRRESPONSIBLE Michael Buble <P>5 RPS/WAR 9362499987 15 BITCHES BREW Miles Davis COL/SME 88697751502 16 THREE CHORDS AND THE TRUTH Van Morrison UNI/UMA 0801663 17 THE ESSENTIAL FRANK SINATRA Frank Sinatra COL/SME 88697786732 18 UNMASKED: THE PLATINUM COLLECTION Various UCJ/UMA 6725209 19 BLUES WITH FRIENDS Dion IND 192641486258 20 TO BE LOVED Michael Buble <P>2 RPS/WAR 9362494497 21 THE ESSENTIAL Fleetwood Mac SME 19075981502 22 A LOVE SUPREME John Coltrane VE/UMA 9884013 23 LA LA LAND Soundtrack INR/UMA B002562002 24 JAZZ 100 Various ACL/UMA 3516839 25 ROYAL TEA Joe Bonamassa ING JRA90712D 26 BACK IN THE SWING David Campbell SME 19075952332
    [Show full text]
  • Surfer Rules #1
    Archives - Surfers Rules #1 Surfers Rules #20.4 La version vinyle de No Pier Pressure est sortie le 1er juin. Pet Sounds bientôt disponible en version blu-ray. Sortie repoussée au 15 septembre. Les 8 dates de la tournée de Brian Wilson au Royaume Uni prévues en septembre ont été annulées. Officiellement, la promotion de No Pier Pressure retiendrait l'homme aux USA. Peut être plus sûrement, les lieux choisis, des endroits comme l'Arena O² à Londres, et le prix élevé des places ont fait fuire les combattants. Session de rattrapage : une ultime tournée européenne, ses adieux, est envisagée en 2016 à l'occasion des 50 ans de Pet Sounds Parution du livre Long Promised Road: Carl Wilson, Soul of the Beach Boys - the Biography signé par Ken Crowley le 3 septembre 2015 Le journal Le Monde se penche en vidéo sur No Pier Pressure. Chronique qui sonne assez juste. A la mi-avril, ce sont pas moins de 6 nouvelles rééditions vinyles 180gr rendues disponibles par Capitol aux USA : Carl & The Passion : So Tough (1972), 15 Big Ones (1976), M.I.U. Album (1978), L.A. (Light Album) (1979), Keepin’ The Summer Alive (1980) et The Beach Boys (1985). Nouveau, sur le site : chroniques d'Orange Crate Art, d'Imagination et du Live At The Roxy et, rayon Beach Boys, du Live, The 50th Anniversary Tour. Critique "raisonnée" de No Pier Pressure signée Basile Farkas dans le nouveau numéro de Rock & Folk (#573, mai 2015). Le Dr Faustroll a revu la sienne sur notre site. Right Time/Sail Away est le simple vinyle de Brian Wilson extrait du nouvel album qui est sorti à l'occasion du Record Store Day le 18 avril (1000 exemplaires).
    [Show full text]
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title The Octopus’s Garden: Railroads, Citrus Agriculture, and the Emergence of Southern California Permalink https://escholarship.org/uc/item/7rr152hg Author Jenkins, Benjamin Publication Date 2016 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Octopus’s Garden: Railroads, Citrus Agriculture, and the Emergence of Southern California A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Benjamin Thomas Jenkins June 2016 Dissertation Committee: Dr. Clifford E. Trafzer, Chairperson Dr. Larry E. Burgess Dr. Rebecca Kugel Copyright by Benjamin Thomas Jenkins 2016 The Dissertation of Benjamin Thomas Jenkins is approved: Committee Chairperson University of California, Riverside Acknowledgements Upon reflection, writing a dissertation seems not unlike summiting Mount Everest. The thrill of the challenge empowers the would-be climber at first, but soon the sheer enormity of the task overwhelms the senses. Only with the guidance of intellectual, emotional, and spiritual supporters does one have any hope of reaching the dissertation’s peak. Countless historians have written about agriculture and transportation in the American West, and many have focused specifically on topics pertaining to this study. Richard Orsi’s Sunset Limited, William Deverell’s Railroad Crossing, Donovan Hofsommer’s Southern Pacific, Ward McAfee’s California’s Railroad Era, and Keith Bryant’s History of the Atchison, Topeka and Santa Fe Railway have all shaped my understanding of the roles of railroads in the Golden State.
    [Show full text]
  • Número 122 | Julio 2021 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
    Número 122 | julio 2021 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido Directorio PORTADA Bruce Iglauer. Foto por José Luis García F. (1) .…….….. 1 CONTENIDO - DIRECTORIO …..………………………..………..…..… 2 EDITORIAL El regreso esperado en tiempos difíciles (2) …………. 3 DE COLECCIÓN Alligator Records: 50 años de música genuina (2) ………………………………………………………………………..…..…..…. 4 BLUES A LA CARTA Ganadores de premios BMA 2021 (2) …… 9 PLANETA BLUES El Blues está bien. Entrevistas con Rob Cultura Blues. La Revista Electrónica Stone – Dexter Allen – José Ramírez (3) ……………………………..…….…. 12 ‘Escribiendo la historia del blues en México’ DE BLIND RACCOON Donna Herula: Bang at the Door (2) …. 22 © Derechos Reservados Misty Blues: No DE FRANK ROSZAK PROMOTIONS www.culturablues.com More Blue (2) …………………………..................................................…... 24 DE COLECCIÓN The Black Keys: Delta Kream (2) ……………….…. 26 Número 122 – julio de 2021 DELMARK RECORDS PRESENTA Syl Johnson: Back in the Game (2) ……………………………………………………………………………….. 28 Director general y editor: José Luis García Fernández ESPECIAL DE MEDIANOCHE Recordando de nuevo a Magic Sam (4) …………………………………………………………………………..... 30 Subdirector general: José Luis García Vázquez LADO B Louis Jordan, padre del Jump Blues (5) …………………….… 33 Diseño: EN VIDEO Elvis Presley: The Searcher (2) ………………….……………. 37 Aida Castillo Arroyo + COVERS Strange Fruit II (6) ………………………………….….…………... 38 Consejo Editorial: María Luisa Méndez COLABORACIONES ESPECIALES Luis Eduardo Mario Martínez Valdez Alcántara (7) …………………………………………………………………….…………. 47 Octavio Espinosa Cabrera HUELLA AZUL Brian Flynn (7) ……………………………...……..….…... 51 Colaboradores en este número: LAS TECLAS DE ORO Eugene Carrier (8) …………………………... 54 1. José Luis García Vázquez 2. José Luis García Fernández ALGUNAS NOTAS DE JAZZ Norah Jones: Pick Me Up 3. Michael Limnios Off The Floor (9) ………………………………………………………………………… 56 4. Luis Eduardo Alcántara 5. Juan Carlos Oblea HÁBITOS NOCTURNOS Rolf Wikström: Ballader Och 6.
    [Show full text]
  • Rea9789044971644.Pdf
    Over het boek Voor het eerst kijkt Brian Wilson, het legendarische muzikale genie van The Beach Boys, in zijn eigen woorden terug op zijn onstuimige leven, zijn wonderbaarlijke comeback op het podium en zijn hervonden creativiteit. Als medeoprichter van The Beach Boys in de jaren zestig heeft Brian Wilson baanbrekende en tijdloze popmuziek gecreëerd. In complexe harmonieën, symfonische structuren en verbazingwekkende songteksten verkende hij de hoge toppen en diepe dalen van het leven. Songs als ‘In My Room’, ‘God Only Knows’ en ‘Good Vibrations’ vergrootten de tekstuele mogelijkheden in de popmuziek. In de jaren zeventig ontspoorde Wilson door psychische problemen, drugs en de wisselende successen van de band. Wilson kwam de volgende decennia keer op keer terug; eerst als overlever, uiteindelijk als overwinnaar. Nu vertelt hij voor het eerst over zijn creatieve inspiratiebronnen, over zijn strijd, de slopende dieptepunten en de opwindende hoogtepunten. Uit Ik ben Brian Wilson Wat is dat eigenlijk, een lied? Iets wat begint als een idee en uitgroeit tot iets veel groters. In talloze interviews is me gevraagd wat er van me zou zijn geworden als ik in een andere tijd was geboren. Ik denk dat ik dan klassieke muziek zou hebben gecomponeerd, maar niet in de trant van Mozart, Beethoven of Tsjaikovksi. Mijn werken zouden eerder als die van Bach hebben geklonken, met gebruik van contrapunt, meerstemmigheid. Van alle componisten is hij voor mij de man. Ik hou van die hele Pet Sounds-plaat. In de studio zag ik het al duidelijk voor me. Daarna zei ik tegen mezelf dat ik het beste album had voltooid dat ik ooit zal produceren.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Norah Jones Pick Me up Off the Floor
    & ROCK & ROCK P P PO AUDIOPHILE CDS DES MONATS PO › › Chormusik Ethno-Pop Det Norske Jentekor KLANG Dadawa KLANG TIPP TIPP Musik The Beauty That Still Remains; Asylos Sister Drum Musik 2L/Naxos (Blu-ray Audio, Hybrid-SACD) Fung Hang Records/Sieveking Sound (UHQCD) Das norwegische Label 2L mit seinem Produzenten Morten Die Älteren werden sich vielleicht erinnern – an die XRCD, Lindberg veröffentlicht regelmäßig unfassbar gut klingende mit der die chinesische Sängerin Dadawa (Zhu Zheqin) 1995 | POP | OLDIES | JAZZ | KLASSIK | auf CD, SACD, LP und Blu-ray/DVD Blu-ray-Audios, inzwischen mit Spuren in Dolby Atmos/Auro die audiophile Welt beeindruckte. Der Plattenmulti Warner 3D 7.0.4, DTS HD 5.0 24 Bit/192 kHz und hochauflösendem Brothers wollte dem erfolgreichen Ethno-Pop von Enya und Stereo (24/192), parallel auf Hybrid-SACDs. So auch diese Co etwas entgegensetzen, und so bettete Produzent und Aufnahme aus der Uranien- Multi-Instrumentalist He Xunti- borg-Kirche. Es ist keine leichte an Dadawas in Mandarin ge- Muse, die sich der unglaublich sungene Lieder in einen exoti- gute Norwegische Mädchen- schen New-Age-Stil, der sich chor unter Anne Karin Sundal- auch westlichen Ohren trefflich Ask vorgenommen hat. „The anschmiegte. Und dann waren Beauty That Still Remains“ des da noch die tollen Tiefbässe, die Norwegers Marcus Paus nach mächtigen Trommelschläge Texten des Tagebuchs der Anne (der Titelsong lief in unzähligen Frank für den Chor und den Ak- Vorführungen), die perkussiven kordeonisten Frode Haldi geht Triebkräfte in Titel 4 („Paradise an die Schmerzgrenze. „Asy- Inferno“) und die Klangorgien Musik: Klang: los“ schrieb Maja S.K.
    [Show full text]
  • THE BEACH BOYS Borys Dejnarowicz the BEACH BOYS
    BORYS DEJNAROWICZ THE BEACH BOYS Borys Dejnarowicz THE BEACH BOYS 2011/2017 Znaczna większość niniejszej książki została pierwotnie opublikowana w odcinkach w ramach cyklu felietonów na nieistniejącym już portalu T-Mobile Music. Spis Treści Wprowadzenie Surfin’ Safari (1962) Surfin’ USA (1963) Surfer Girl (1963) Little Deuce Coupe (1963) Shut Down Volume 2 (1964) All Summer Long (1964) The Beach Boys’ Christmas Album (1964) The Beach Boys Today! (1965) Summer Days (And Summer Nights!!) (1965) Beach Boys’ Party! (1965) Pet Sounds (1966) Smiley Smile (1967) Wild Honey (1967) Friends (1968) 20/20 (1969) Sunflower (1970) Surf’s Up (1971) Carl and the Passions – „So Tough” (1972) Holland (1973) 15 Big Ones (1976) Love You (1977) M.I.U. Album (1978) L.A. (Light Album) (1979) Keepin’ the Summer Alive (1980) The Beach Boys (1985) Still Cruisin’ (1989) Summer In Paradise (1992) Stars and Stripes Vol. 1 (1996) Suplement The Smile Sessions (2011) That’s Why God Made the Radio (2012) Berlin, O2 World, 3.08.2012 Bonus: Top 70 kawałków Beach Boys Wprowadzenie Dałem się sprowokować. Ale to (chyba) dobrze. Po tym jak upubliczniłem swoją listę siedemdziesięciu najlepszych utworów Beach Boys, jeden z czytelników zasugerował, żebym zrecen- zował wszystkie albumy grupy. Cóż, prawdę mówiąc zbierałem się do tego latami, lecz nigdy dotąd nie zdecydowałem się podjąć wyzwania. Powód? Otóż dla mnie szczególnie zadanie takie wydaje się niezwykle trudne. Nie tylko dlatego, że tak zwana „regularna” dyskografia formacji (czyli zbiór studyjnych wydawnictw z premierowym materiałem) obej- muje okres od 1962 do 1996 roku i liczy sobie aż dwadzieścia osiem pozycji (czyli o jedną więcej niż u omawianego w tym cyklu dwa mie- siące temu Prince’a).
    [Show full text]