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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
Brian Wilson and Friends
Brian Wilson and Friends: A Soundstage® Special Event NOLA Root: BWSS 000000 Episodes(s): NOTE: Mouse over each episode for package and feed details On December 11, 2014, WTTW's 14 high-definition cameras captured a once-in-a-lifetime gathering of artists at the stunning Palazzo Theatre at the Venetian Hotel in Las Vegas, headlined by former Beach Boy co- founder and music legend Brian Wilson. The Grammy-winning performer/composer teamed up with an eclectic group of acclaimed musicians to perform beloved hits from his illustrious career, as well as selections from his upcoming new album to be released in early 2015. Joining Wilson onstage was an outstanding twelve-piece band along with special guests Nate Ruess from Fun, Beach Boys co-founder Al Jardine, About this program*: renowned Beach Boys and legendary guitarist Blondie Chaplin, singer/songwriter actress Zooey Deschanel, Capital Cities' Sebu Simonian, and jazz trumpeter/composer Mark Isham-all of whom perform with Wilson on his new release, which features new arrangements of Beach Boy classics as well as exciting new material. An audience of 1,850 enthusiastic fans danced and sang along throughout this unforgettable concert. The wonderful performances, joyful collaboration among the artists, and electric atmosphere made for one of the most singular and memorable programs in Soundstage's 40-year history. Program Notes: NEW FROM NETA NOLA Code: BWSS 00 H1 Program Title: BRIAN WILSON AND FRIENDS: A Soundstage® Special Event Episodes/Length: 1/60 Promos: :20 and :30 Promos available in PBS Promo Dropbox Feeddate/Time: Wednesday, April 1, 2015 @ 1130 – 1230ET/HD04 *Feed-For-Record* Closed Captioned: Yes Stereo: Yes, Dolby 5.1 Surround Sound SAP: No Format/Version: HD Base Aspect ratio: 16:9 Suggested TV Rating: TV-PG Program Notes: Tag: A Blu-Ray and SD DVD set of this program with bonus footage is available for $19.00…or Brian Wilson’s new CD “No Pier Pressure” for $13.00. -
Cantate (Fall 2006)
Published by the California Chapter of the American Choral Directors Association - Volume Nineteen, Number One - Fall 2006 Dr. Howard S. Swan, “Dean of American Choral Directors,” died in 1995 at the age of 89. He was professionally active well 2006 Howard S. Swan Award Winner into his eighties, not only as a conductor, but also as a speaker and writer. His integrity, high view of the artistic/human role of the choral director, and compelling ability to challenge and Shirley Nute inspire students and colleagues to greater vision Shirley B. Nute is one of Association including secretary, and higher standards awakened the collective California’s most honored choral senior high vice president, and conscience of the choral world. It is for this rea- music professionals. She received a president. Additionally she was son that the book containing his writings and bachelor’s degree, with majors in vice president of the southern speeches is entitled Conscience of a Profession: Howard Swan, Choral Director and Teacher choral conducting and voice, from section of the California Music (Hinshaw, 1987). Robert Shaw, in his introduc- Occidental College where she stud- Educators Association. She has tion to this invaluable collection, writes, “There ied with Howard Swan. She was been a vice president of the Los isn’t a choral conductor alive who doesn’t have awarded a master’s degree received Angeles Master Chorale something to learn from Howard Swan.” from Columbia University where Associates Executive Board and Swan’s career at Occidental College in Los she sang in the New York served as co-chairperson of the Angeles spanned nearly four decades (1934- Collegiate Chorale under the direc- Associate's educational out- 1971), after which he went on to teach at tion of Robert Shaw. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
Nytt Album Fra the Beach Boys' Brian Wilson
19-02-2015 13:26 CET Nytt album fra The Beach Boys' Brian Wilson Brian Wilson er en av populærmusikkens mest ærverdige figurer, en legendarisk tekstforfatter, produsent, arrangør og utøver av noe av den mest verdsatte musikken i popens historie. Nå kommer den tidligere Beach Boy’en med nytt album, No Pier Pressure. No Pier Pressure er musikklegenden Brian Wilsons ellevte studioalbum, og han har her returnert til Capitol Records, The Beach Boys’ hjemmebane. Wilson er på dette albumet gjenforent med sin mangeårige samarbeidspartner Joe Thomas, og fikk selskap i Hollywoods Ocean Way Studios av en rekke dyktige musikere han personlig inviterte til å bidra på prosjektet. Av disse er blant annet tidligere Beach Boys-kollegaer Al Jardine, David Marks og Blondie Chaplin verdt å nevne. Wilsons album kommer 7.april, men du kan allerede nå forhåndsbestille det i både fysisk og digital drakt. Med den digitale forhåndsbestillingen kommer også en umiddelbar tilgang til albumets første singel The Right Time, som har musikkvideopremiere i dag. Forhåndsbestill albumet her! Amazon: http://smarturl.it/BrianWilsonAma iTunes: http://smarturl.it/BrianWilson The Right Time - Musikkvideopremiere Se video på YouTube her Se No Pier Pressure trailer her: http://smarturl.it/NoPierPressure For mer info se vedlagt pressemelding. Om Universal Music Universal Music AS er verdens og Norges største musikkselskap og representerer blant annet artister som U2, Rolling Stones, Eminem, Lady Gaga, Rihanna, a-ha, Sissel Kyrkjebø, Odd Nordstoga, Bernhoft, Gabrielle mm. Universal Music Group er operative i 59 land som representerer lablene A&M/Octone, Decca, Def Jam Recordings, Deutsche Grammophon, Disa, Emarcy,Fonovisa, Geffen Records, Interscope Records, Island Records, Lost Highway Records, Machete Music, MCA Nashville, MercuryNashville, Mercury Records, Polydor Records, Motown, Universal Music Latino, Universal Republic og Verve Music Group. -
Camila Cabello Emerson Loughman Palmer Jeffrey Foskett
Camila Cabello Emerson Loughman Romance 8 Palmer 8 Epic Records and Syco Music Be Empirical Producer: Various LonMan Records There is no hiding Camila Cabello’s love Producer: Mark Loughman for fellow pop star and collaborator Shawn Mendes. Aptly titled Romance, her second You’ve got modern rock & roll royalty here LP is dedicated to her relationship with the with Emerson Swinford, Mark Loughman singer (“Used To This”) and the emotional and David Palmer, whose six-song EP turmoils of attraction, heartbreak and love contains melodic, cleverly conceived gems. detailing an unfiltered and refreshing look at Loughman’s production with Simon Phillips’ engineering is warm, engag- Cabello’s life. She proudly sheds her innocence and embraces her sexual- ing and strikingly crisp. “Finding Sense” grabs you with an intelligent take ity on “My Oh My” with lyrics like “Swear on my life that I’ve been a good on the current state of society, consumerism and politics. “The Best I Can girl (Oh)/Tonight, I don’t wanna be her.” Romance showcases Cabello’s Give Is All You Get” is a delight, with ‘60s harmonics and a Marc Bolan/ vocal strengths, her ability to switch from a raspy seductress to an emo- Cheap Trick feel. “You See Wonderful, You See Pretty” is also noteworthy tional crooner is delightful. – Jacqueline Naranjo for its socially astute lyrics and rich guitar work. –Eric Harabadian Jeffrey Foskett Wildwood Kin Voices 10 Wildwood Kin 8 BMG Silvertone Producer: Jeff Larson Producer: Ed Harcourt, Ian Grimble and others What do The Beach Boys, Nancy Sinatra, The lush, soulful acoustic melodies and Heart, Billy Joel, America and Chicago have soaring vocal harmonies of UK alt folk in common? They have all employed the trio Wildwood Kin––and the transcendent services of vocalist-arranger extraordinaire chemistry of Meg Loney and her cousins, Jeffrey Foskett. -
2019/20 Annual Report
ANNUAL REPORT 2019/20 Mandate It is the aim of the Royal Manitoba Theatre The Royal Manitoba Theatre Centre’s John Centre to study, practice and promote all Hirsch Mainstage. PHOTO BY JERRY GRAJEWSKI aspects of the dramatic art, with particular Inset: John Hirsch and Tom Hendry. emphasis on professional production. ABOUT ROYAL MTC Mission The Royal Manitoba Theatre Centre exists When the Winnipeg Little Theatre and Theatre 77 merged to form to celebrate the widest spectrum of theatre the Manitoba Theatre Centre in 1958, the goal was to produce great art. Deeply rooted in the province of theatre with mass appeal. Artistic Director John Hirsch and General Manitoba, which gave it life and provides Manager Tom Hendry staged professional productions of an eclectic for its growth, Royal MTC aspires to both array of plays – classics, Broadway hits and new Canadian work. With reflect and engage the community it serves. the establishment of a second stage for experimental work in 1960, and an annual provincial tour that began in 1961, MTC fully realized Vision the original vision of a centre for theatre in Manitoba. Inspired by the Royal MTC’s theatres and our province will teem with artists and audiences sharing breadth and quality of MTC’s programming, a whole network of what in the act of imagining, enriching lives became known as “regional theatres” emerged across North America. and communities. Since its founding, MTC has produced more than 600 plays with hundreds of actors, including Len Cariou, Graham Greene, Martha Values Henry, Judd Hirsch, Tom Hulce, William Hurt, Tom Jackson, Robert Quality Lepage, Seana McKenna, Eric Peterson, Gordon Pinsent, Keanu A commitment to quality is reflected in the writing of each play, in the actors, directors Reeves, Fiona Reid, R.H. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
October 1-31, 2015
Movie Show Times: October 1-31, 2015 Phone: (954) 262-2602, Email: [email protected] , www.nova.edu/sharksunitedtv 2015 1:30 AM 3:30 AM 6:00 AM 8:00 AM 10:30 AM 12:30 PM 3:00 PM 5:00 PM 7:30 PM 9:30 PM 11:30 PM One Flew Over the Pitch Perfect 2 Shutter Island Extinction Furious 7 The Age of Adeline Ghostbusters Moneyball American Psycho Barely Lethal Friday the 13th Oct. 1 Cuckoo's Next Oct. 2 Beetle Juice 42 Hotel Transylvania Girl Interrupted Amityville Horror Love & Mercy Hot Pursuit The Soloist Animals Pitch Perfect 2 Extinction Oct. 3 The Age of Adeline Furious 7 Ghostbusters Shutter Island American Psycho Moneyball Barely Lethal 42 Friday the 13th Beetle Juice Hotel Transylvania One Flew Over the Amityville Horror Girl Interrupted Hot Pursuit Love & Mercy Animals The Soloist Pitch Perfect 2 Extinction The Age of Adeline Ghostbusters Oct. 4 Cuckoo's Next Oct. 5 American Psycho Moneyball Barely Lethal 42 Friday the 13th Girl Interrupted Beetle Juice Love & Mercy Hotel Transylvania Amityville Horror Hot Pursuit Oct. 6 Animals The Soloist Pitch Perfect 2 Moneyball Extinction Shutter Island The Age of Adeline Furious 7 Ghostbusters American Psycho Barely Lethal One Flew Over the Friday the 13th Beetle Juice Girl Interrupted Hotel Transylvania Love & Mercy Amityville Horror The Soloist Hot Pursuit Animals Pitch Perfect 2 Oct. 7 Cuckoo's Next One Flew Over the Extinction Shutter Island The Age of Adeline Furious 7 Ghostbusters American Psycho Moneyball Barely Lethal Friday the 13th Beetle Juice Oct. 8 Cuckoo's Next Oct. -
Emotion and Vocal Emulation in Trumpet Performance and Pedagogy
Sounding the Inner Voice: Emotion and Vocal Emulation in Trumpet Performance and Pedagogy by Geoffrey Tiller A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Geoffrey Tiller 2015 Sounding the Inner Voice: Emotion and Vocal Emulation in Trumpet Performance and Pedagogy Geoffrey Tiller Doctor of Musical Arts Faculty of Music University of Toronto 2015 Abstract This dissertation examines the aesthetics of trumpet performance with a focus on the relationship between a vocal approach and expressiveness in trumpet playing. It aims to improve current trumpet pedagogy by presenting different strategies for developing a theory of a vocal approach. Many of the concepts and anecdotes used in respected pedagogical publications and by trumpet teachers themselves are heavily influenced by the premise that emulating the voice is a desired outcome for the serious trumpet performer. Despite the abundance of references to the importance of playing trumpet with a vocal approach, there has been little formal inquiry into this subject and there is a need for more informed teaching strategies aimed at clarifying the concepts of vocal emulation. The study begins with an examination of vocal performance and pedagogy in order to provide an understanding of how emulating the voice came to be so central to contemporary notions of trumpet performance aesthetics in Western concert music. ii Chapter Two explores how emotion has been theorized in Western art music and the role that the human voice is thought to play in conveying such emotion. I then build on these ideas to theorize how music and emotion might be better understood from the performer’s perspective.