Power & the City: an Embodied Approach to Analysis
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Harvard University Announces the Inaugural Lecture of the Eduardo Matos Moctezuma Lecture Series, to Be Delivered by Its Namesake, Professor Eduardo Matos Moctezuma
Harvard University announces the Inaugural Lecture of the Eduardo Matos Moctezuma Lecture Series, to be delivered by its namesake, Professor Eduardo Matos Moctezuma Mexico City and Cambridge, MA – September 27, 2017. Harvard University expresses solidarity with the people of Mexico following the earthquake of September 19, and reaffirms its commitment to collaborate alongside the country’s academic community to identify solutions to Mexico’s most pressing problems. As ever, Harvard wholeheartedly supports and values collaboration with Mexican institutions. In an effort to renew its commitment to collaborations with Mexico on research and education, Harvard University has established the Eduardo Matos Moctezuma Lecture Series. This series celebrates the excellence of Mexican archaeology, represented by the figure of Professor Matos Moctezuma. In addition to honoring Mexico’s preeminent archaeologist, the series seeks to convene world-renowned experts on pre-Hispanic Mexico. The Inaugural Lecture of the Matos Lecture Series will be held on Tuesday, October 3rd at 7pm CDT/8pm EST at the National Museum of Anthropology in Mexico City. Though space is limited, this event will be live streamed. A delegation from Harvard will include Mark Elliott, Harvard’s Vice Provost for International Affairs and Mark Schwartz Professor of Chinese and Inner Asian History, who will preside over the event. Other members of the Harvard delegation traveling to Mexico include Brian Farrell, Director of the David Rockefeller for Latin American Studies (DRCLAS) and Professor of Organismic and Evolutionary Biology, and David Hempton, Dean of the Harvard Divinity School and Alonzo L. McDonald Family Professor of Evangelical Theological Studies and John Lord O'Brian Professor of Divinity. -
Encounter with the Plumed Serpent
Maarten Jansen and Gabina Aurora Pérez Jiménez ENCOUNTENCOUNTEERR withwith thethe Drama and Power in the Heart of Mesoamerica Preface Encounter WITH THE plumed serpent i Mesoamerican Worlds From the Olmecs to the Danzantes GENERAL EDITORS: DAVÍD CARRASCO AND EDUARDO MATOS MOCTEZUMA The Apotheosis of Janaab’ Pakal: Science, History, and Religion at Classic Maya Palenque, GERARDO ALDANA Commoner Ritual and Ideology in Ancient Mesoamerica, NANCY GONLIN AND JON C. LOHSE, EDITORS Eating Landscape: Aztec and European Occupation of Tlalocan, PHILIP P. ARNOLD Empires of Time: Calendars, Clocks, and Cultures, Revised Edition, ANTHONY AVENI Encounter with the Plumed Serpent: Drama and Power in the Heart of Mesoamerica, MAARTEN JANSEN AND GABINA AURORA PÉREZ JIMÉNEZ In the Realm of Nachan Kan: Postclassic Maya Archaeology at Laguna de On, Belize, MARILYN A. MASSON Life and Death in the Templo Mayor, EDUARDO MATOS MOCTEZUMA The Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript, GABRIELLE VAIL AND ANTHONY AVENI, EDITORS Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives, E. CHRISTIAN WELLS AND KARLA L. DAVIS-SALAZAR, EDITORS Mesoamerica’s Classic Heritage: Teotihuacan to the Aztecs, DAVÍD CARRASCO, LINDSAY JONES, AND SCOTT SESSIONS Mockeries and Metamorphoses of an Aztec God: Tezcatlipoca, “Lord of the Smoking Mirror,” GUILHEM OLIVIER, TRANSLATED BY MICHEL BESSON Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama, ALAIN BRETON, EDITOR; TRANSLATED BY TERESA LAVENDER FAGAN AND ROBERT SCHNEIDER Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún, ELOISE QUIÑONES KEBER, EDITOR The Social Experience of Childhood in Mesoamerica, TRACI ARDREN AND SCOTT R. HUTSON, EDITORS Stone Houses and Earth Lords: Maya Religion in the Cave Context, KEITH M. -
Aztec Deities
A ztec Z T E C Deities E I T I E S Aztec Z T E C Deities E I T I Figurte 1 “Roland's Friend: 2002” E S Other Works ™ ramblin/rose publications My Father's Room The Four Season's of the Master Myth If Only…A collaboration with Bill Pearlman Mexican Vibrations, Vibraciones Méxicanas Mexican Secrets, Estrangement and Once Again…Alone; with poems by Bill Pearlman Twenty A Magical Number with Tonalphalli: The Count of Fate & Convergence: 2002 CD/DVD: Gods, Land & People of Mexico Con tu permiso: Dioes, Tierra y Gente de México CD/DVD: Work in Progress: The Four Seasons of the Master Myth Books can be downloaded free: www.salazargallery.com www.E-artbooks.com Aztec Z T E C Deities E I T I Figurte 1 “Roland's Friend: 2002” E S Roland Salazar Rose ™ PUBLISHED BY RAMBLIN/ROSE PUBLICATIONS Images Copyright Roland Salazar Rose 2000-2008 All content, identified in this book “Aztec Deities” published 2008, marked by this notice: “1, 2, 3, 4, 5, 6, 7, 8, 9, 10 & 11” are “from Wikipedia®, the free encyclopedia and are considered “copyleft”; therefore the following copyright notice applies to each and every page of written text so identified by “1,2,3,4,5,6,7,8,9,10&11”. “Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. -
Codex Nicholson Pp. 59-126
Codex Nicholson 59 THE GREAT NITPICKER Davíd Carrasco I met H. B. Nicholson for the first time in 1974 at a session on Magic Books of Mexico at the 41st Internacional Congreso de Americanistas in Mexico City. He and the great Wigberto Jiménez Moreno were chairing the session, and I was thrilled to be in the audience and listen to these two wonderful scholars. Afterward I walked up and introduced myself to Professor Nicholson and told him I was planning to write a dissertation on Quetzalcoatl while completing my Ph.D. at the University of Chicago. We spoke for a few minutes as he was clearly interested in talking about Topiltzin Quetzalcoatl. He wondered if I’d read his dissertation. When I said I had come to know about it through reading Alfredo López Austin’s (1973) book, Hombre-Díos, but had not been able to obtain a copy, he promised to send me one. Soon after returning to Colorado I wrote him to thank him for our exchange and inquired about his Harvard dissertation. To my surprise and delight, a photocopy of his 1957 dissertation, Topiltzin Quetzalcoatl of Tollan: a Problem in Mesoamerican Ethnohistory, arrived at my home. As a student of religion struggling to make my way through the primary sources, a great feeling of relief came over me: I’ve just been saved! Reading through Nicholson’s dissertation focused my mind and work. The clarity, the pinpoint research, the overall organization, and the reconstruction of the “tale” all read like a tour de force legal argument making the case that the Aztecs had inherited and internalized a sacred history about the Toltec priest-king that shaped their priestly practices, religious world view and, later, their interpretation of the encounter with the Spaniards. -
ANTIGUOS TIANQUIZTLI, NUEVOS TIANGUIS: CAMBIOS EN LOS MERCADOS Y EL COMERCIO EN LA CIUDAD DE MÉXICO EN EL SIGLO XVI Tesis Doctoral Dirigida Por
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA Departamento de Historia de América II (Antropología de América) ANTIGUOS TIANQUIZTLI, NUEVOS TIANGUIS : CAMBIOS EN LOS MERCADOS Y EL COMERCIO EN LA CIUDAD DE MÉXICO EN EL SIGLO XVI MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Beatriz Fernández Rubio Bajo la dirección del doctor José Luis de Rojas y Gutiérrez de Gandarilla Madrid, 2014 © Beatriz Fernández Rubio, 2013 UNIVERSIDAD COMPLUTENSE DE MADRID DEPARTAMENTO DE HISTORIA DE AMÉRICA II (ANTROPOLOGÍA DE AMÉRICA) BEATRIZ RUBIO FERNÁNDEZ ANTIGUOS TIANQUIZTLI, NUEVOS TIANGUIS: CAMBIOS EN LOS MERCADOS Y EL COMERCIO EN LA CIUDAD DE MÉXICO EN EL SIGLO XVI Tesis doctoral dirigida por DR. JOSÉ LUIS DE ROJAS Y GUTIÉRREZ DE GANDARILLA MADRID 2013 Tianguis de San Hipólito Tianguis de Tianguis de San Juan Juan Velázquez Calzada de Tianguis Monasterio de Tacuba de México San Francisco Calle de San Francisco Tianguis de Monasterio de Tlatelolco Monasterio de Santo Domingo San Agustín Calle de Santo Domingo Calle de San Plaza Agustín Plaza Menor Mayor Acequia Localización de las calles, plazas y tianguis de la ciudad de México. Mapa de la ciudad de México y Tlatelolco (ca. 1550). Universidad de Uppsala. 1 2 A mis abuelas y abuelos 3 4 Lo contrario es creer que la Historia se para. De modo que, necesariamente, algo va a ocurrir. Nosotros no somos los últimos, la historia sigue adelante. José Luis Sampedro, Carne Cruda Mort creyó que la Historia iba por ahí revolviéndose como una guindaleza de acero destensada, que entre tañidos recorría la realidad en grandes movimientos destructivos. -
Quetzalcoatl and the Irony of Empire : Myths and Prophecies in the Aztec Tradition / Davíd Carrasco ; with a New Preface.—Rev
Quetzalcoatl and the Irony of Empire Quetzalcoatl and the Irony of Empire Myths and Prophecies in the Aztec Tradition Revised Edition David Carrasco ~University Press of Colorado Copyright © 2000 by the University Press of Colorado International Standard Book Number 0-87081-558-X Published by the University Press of Colorado 5589 Arapahoe Avenue, Suite 206C Boulder, Colorado 80303 Previously published by the University of Chicago Press All rights reserved. Printed in the United States of America. The University Press of Colorado is a cooperative publishing enterprise supported, in part, by Adams State College, Colorado State University, Fort Lewis College, Mesa State College, Metropolitan State College of Denver, University of Colorado, University of Northern Colorado, University of Southern Colorado, and Western State College of Colorado. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992 Library of Congress Cataloging-in-Publication Data Carrasco, Davíd. Quetzalcoatl and the irony of empire : myths and prophecies in the Aztec tradition / Davíd Carrasco ; with a new preface.—Rev. ed. p. cm. Includes bibliographical references and index. ISBN 0-87081-558-X (alk. paper) 1. Aztec mythology. 2. Aztecs—Urban residence. 3. Quetzalcoatl (Aztec deity) 4. Sacred space—Mexico. I. Title. F1219.76.R45.C37 2000 299'.78452—dc21 00-048008 09 08 07 06 05 04 03 02 01 00 10 9 8 7 6 5 4 3 2 1 To my mythic figures -
The Harvard-Yenching Institute Training Program in Mesoamerican Archaeology Fellowship for East Asian Scholars (Academic Year 20
The Harvard-Yenching Institute Training Program in Mesoamerican Archaeology Fellowship for East Asian Scholars (Academic Year 2016-17, Harvard University) Harvard Faculty Advisors: William Fash (Department of Anthropology, Harvard University) David Carrasco (Harvard Divinity School / Department of Anthropology, Harvard University) Alexandre Tokovinine (Peabody Museum, Harvard University) Rowan Flad (Department of Anthropology, Harvard University) In East Asia, with the exception of Japan, Archaeology has primarily been conducted by archaeologists within their own countries, and, in large part, that archaeology has been primarily focused on historical questions and questions of cultural development. Even during the late 20th and early 21st centuries, as the questions East Asian archaeologists have asked have turned to topics of social organization, cultural evolution, and developmental process, the majority of research has focused inwards. Japan remains the exception, with archaeologists who work in many parts of the world, including Western Asia, South and Central America and elsewhere. Very recently, however, the advantages of a comparative approach have increasingly become more obvious, as exemplified by major international conferences on World Archaeology and related issues being hosted by East Asian countries, and even targeted archaeological discussions focusing on the archaeology of other world regions being increasingly common. To cite just two current examples: Sichuan University is hosting a workshop on Ancient Civilizations later this fall that involves a number of experts on early Civilizations in the Near East and elsewhere brought to have dialogue with specialists on Early China, and an organization called the Shanghai Forum is convening it’s second international conference on World Archaeology in Shanghai in December of this year, an event that involves prominent archaeologists from around the world in dialogue about important questions in comparative archaeology. -
The Devil and the Skirt an Iconographic Inquiry Into the Prehispanic Nature of the Tzitzimime
THE DEVIL AND THE SKIRT AN ICONOGRAPHIC INQUIRY INTO THE PREHISPANIC NATURE OF THE TZITZIMIME CECELIA F. KLEIN U.C.L.A. INTRODUCTION On folio 76r of the colonial Central Mexican painted manuscript Codex Magliabechiano, a large, round-eyed figure with disheveled black hair and skeletal head and limbs stares menacingly at the viewer (Fig. 1a). 1 Turned to face us, the image appears ready to burst from the cramped confines of its pictorial space, as if to reach out and grasp us with its sharp talons. Stunned by its gaping mouth and its protruding tongue in the form of an ancient Aztec sacrificial knife, viewers today may re- coil from the implication that the creature wants to eat them. This im- pression is confirmed by the cognate image on folio 46r of Codex Tudela (Fig. 1b). In the less artful Tudela version, it is blood rather than a stone knife that issues from the frightening figures mouth. The blood pours onto the ground in front of the figures outspread legs, where a snake dangles in the Magliabecchiano image. Whereas the Maglia- bechiano figure wears human hands in its ears, the ears of the Tudela figure have been adorned with bloody cloths. In both manuscripts, long assumed to present us with a window to the prehispanic past, a crest of paper banners embedded in the creatures unruly hair, together with a 1 This paper, which is dedicated to my friend and colleague Doris Heyden, evolved out of a talk presented at the 1993 symposium on Goddesses of the Western Hemisphere: Women and Power which was held at the M.H. -
Aztec Deities
A ztec Z T E C Deities E I T I E S Introduction to Aztec Deities In 2000, I began a series entitled themselves at Tenochitlán (Mexico Aztec Deities. I chose eleven Aztec City); the emperor Montezuma gods' names for the series. welcomed him. This foolish move Interestingly, there was a god for by Montezuma allowed Cortéz to almost every purpose and aspect of make his headquarters in the life in the Aztec culture. I chose capitol. Later, he was informed that some of their most important gods other Aztecs had plundered and goddesses; others were a purely Veracruz and killed the contingent arbitrary choice on my part. I did of men he left there. He seized this series because I wanted to relate Montezuma and forced his as a 'gringo' and as contemporary surrender of his warriors; he then visual artist, on the subject of these executed the emperor. fascinating and important Aztec deities. Cortés and men were astonished at the incredibly advanced city-state of Tenochtitlán, which had been Extremely bloody religious rituals built on a large lake with irrigation. and internecine warfare dominated With a population of over 200,000 the Aztec empire (1427-1521) and people, larger than any European helped to finally result in its demise. city at that time, Tenochtitlán's At its apex it stretched across most markets brimmed with produce. of central Mesoamerica. Gold, silver and precious stones were displayed in abundance. The infamously indomitable Cortés realized that the Spanish Spanish conquistador Hernando crown would reward him for Cortés conquered it with a very finding gold and that he would small army after his landing on the become personally wealthy. -
42 WOLF Explaining Mesoamérica
Clásicos y Contemporáneos en Antropología, CIESAS-UAM-UIA Social Anthropology (EASA), No. 2, Vol 1, 1994, págs 1 -17. EXPLAINING MESOAMERICA Eric Wolf* Anthropology is an unusual discipline - ‘impossible’, as Aidan Southall has said, ‘but necessaryi. It’s objects of study are human beings, peculiarly polymorphous as creatures both biological and cultural; behaving so you can observe them, yet also engaged in inaudible internal discussions; transforming nature through production, while simultaneously using language and making symbols. So far no one theory has done justice to this gamut of characteristics. Any one attempt at theory has inevitably privileged some aspects over others, selecting these aspects as ‘figure’ and relegating the rest to “ground”. The followers of any one of these approaches —temporarily hegemonic— always hoped that the marginalized phenomena would someday be explained by means of the dominant paradigm. Inevitably, temporary success was followed by a return of ‘the repressed’, often accompanied by claims that the hitherto back grounded material actually contained the missing key to solve all problems. These cycles of assertion and replacement have intensified as anthropologists previously confined within particular national traditions increasingly communicate trans-nationally. There is probably no one solution to this impasse in finding an all-powerful, all- embracing theory, but several more modest alternatives suggest themselves. One is to become more eclectic, to turn into a virtue what Marvin Harris has stigmatized as a vice. We might come to admit a range of theoretical perspectives and treat them as so many 'discovery procedures’. In place of one imperial master-paradigm, we could entertain the possibility of a set of micro-paradigms, each the source of a set of methods that might teach us something new and interesting about the world. -
The Mexica in Tula and Tula in Mexico-Tenochtitlan
Twelve THE MEXICA IN TULA AND TULA IN MEXICO-TENOCHTITLAN Leonardo López Luján Alfredo López Austin THE TOLLAN-QUETZALCOATL DYAD IN THE POLITICAL HISTORY OF MEXICO-TENOCHTITLAN THE autHorS of THIS CHAPter share an interest regarding a crucial dyad in Mesoamerican history: that of Tollan-Quetzalcoatl. A book on the nature of men-gods appeared more than 30 years ago (López Austin 1973); since then, another has just come out examining the Tenochca imitation of Toltec art (López Luján 2006). More than three decades separate one study from the other, and during this time, we have left the subject and returned to it, both individually and together. There is nothing unique about our keen interest in revealing the mysteries of the Feathered Serpent, the legendary ruler, and the city that oscillates between ecumenical and anecumenical.1 For centuries, countless authors, intrigued by similar enigmas, have come before us, and clearly many will follow us with their inquiries on this interplay of myth, legend, and history. Saying that the Tollan-Quetzalcoatl dyad is complicated because of the impact of politics does not fully explain this concept. The dyad was the ideological basis of a widespread political project in Mesoamerica, one that had been in operation for centuries. We dealt with this subject together in our essay Mito y realidad de Zuyuá [The myth and reality of Zuyuá] (López Austin and López Luján 1999, 2000), where we focus on the double figure of Tollan (as an anecumenical dwelling place, where the distinction was produced between men prior to their appearance on the surface of the earth and as a prototypical earthly capital), which is a parallel to the double figure of Quetzalcoatl (as a generic creator of humanity and as a legendary ruler). -
Portraying the Aztec Past in the Codex Azcatitlan: Colonial Strategies1 Angela Marie Herren
Portraying the Aztec Past in the Codex Azcatitlan: Colonial Strategies1 Angela Marie Herren During the period of Aztec expansion and empire (c. 1325- can manuscript production.3 Federico Navarrete Linares’ work 1525), painter-scribes of high social-standing (tlacuiloque) has offered a comprehensive historical overview of all Aztec used a pictographic writing system to paint hundreds of manu- groups migrating into the Basin of Mexico and has addressed scripts detailing historical, calendric, and religious informa- alphabetic and pictorial accounts of the migration written by tion on hide, paper, and cloth. Although none of these Aztec both indigenous and European authors.4 The historical stud- manuscripts survived the events following the Spanish con- ies of both Navarrete and María Castañeda de la Paz have quest of Mexico (1519-1521), indigenous and mestizo artists expanded our understanding of the political ramifications of continued to use prehispanic writing systems to record infor- the migration history.5 This paper will not attempt to differen- mation about native culture throughout the sixteenth century. tiate between historical and mythical aspects of the Mexica This paper examines some of the colonial strategies employed migration. Rather, it will situate the Codex Azcatitlan’s mi- by indigenous artists in the Codex Azcatitlan, a post-conquest gration account in colonial discourse, examining how and why pictorial narrative that provides an extensive historical ac- the migration story is presented at this time. Using an art his- count of the origin and migration of the Mexica people, a torical approach this paper looks at the way the definition and genealogy of their rulers, and a brief history of conquest and contextualization of visual signs helps to make the Azcatitlan post-conquest events.