DOCSLIB.ORG

Grover Washington, Jr. Soul Box Vol. 1 Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Grover Washington, Jr. Soul Box Vol. 1 Mp3, Flac, Wma Grover Washington, Jr. Soul Box Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Soul Box Vol. 1 Country: US Released: 1973 Style: Fusion, Funk, Contemporary Jazz MP3 version RAR size: 1781 mb FLAC version RAR size: 1817 mb WMA version RAR size: 1866 mb Rating: 4.7 Votes: 975 Other Formats: MOD DMF XM MP4 VQF MMF AAC Tracklist Hide Credits Aubrey A1 3:40 Guitar – Jay BerlinerWritten-By – David Gates Masterpiece A2 13:20 Written-By – Norman Whitfield Trouble Man B 15:55 Written-By – Marvin Gaye Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Alto Saxophone, Tenor Saxophone, Soprano Saxophone – Grover Washington, Jr. Arco Bass – Richard Davis , Ron Carter Arranged By, Conductor – Bob James Bass – Ron Carter Bass Trombone – Alan Raph, Paul Faulise, Tony Studd Bassoon – Donald McCourt* Cello – Charles McCracken, George Ricci, Seymour Barab Design – Bob Ciano Drums – Idris Muhammad (tracks: A1 to D1) Flute, Clarinet, Contrabass Clarinet, Bass Saxophone – Wally Kane Flute, Piccolo Flute – Hubert Laws Flute, Piccolo Flute, Clarinet, Bass Clarinet, Oboe, English Horn – Romeo Penque Flute, Piccolo Flute, Oboe – George Marge Flute, Piccolo Flute, Recorder – Harvey Estrin French Horn – Brooks Tillotson, Jim Buffington, Peter Gordon Guitar – Eric Gale (tracks: A2 to D2) Mastered By – Rudy Van Gelder Organ – Richard Tee Painting – David A. Leffel Percussion – Airto*, Dave Friedman*, Phil Kraus, Ralph MacDonald Piano, Electric Piano – Bob James Producer – Creed Taylor Trombone – Santo Russo, Wayne Andre Trumpet – Bernie Glow, John Frosk, Jon Faddis, Randall Brecker* Viola – Alfred Brown, Emanuel Vardi, Theodore Israel Violin – Charles Libove, David Nadien, Elliot Rosoff, Emanuel Green, Gene Orloff, Harold Kohon, Harry Cykman, Harry Lookofsky, Joe Malin, Max Ellen, Paul Gershman Vocals – Barbara Massey, Bernard Thacker, Eileen Gilbert, Maeretha Stewart, Randolph Peyton, Bill Eaton* Notes label variation (only one line of writing under SIDE 1 / 2 at 3 o'clcok on labels) Recorded at Van Gelder Studios, March 1973. Barcode and Other Identifiers Matrix / Runout (Side 1): RVG98772A-1B Matrix / Runout (Side 2): RVG98772B-1B [RV90772-1B scratched out] Other versions Category Artist Title (Format) Label Category Country Year Grover Washington, Soul Box Vol. 1 (LP, KU-12 Kudu KU-12 US 1973 Jr. Album) Grover Washington, Soul Box Vol. 1 (LP, M 184 Motown M 184 Canada 1973 Jr. Album) Grover Washington, Soul Box Vol.1 (LP, KU-12 Kudu KU-12 US 1973 Jr. Album) Grover Washington, Soul Box Vol.1 (LP, 230-15-054 Bellaphon 230-15-054 Germany Unknown Jr. Album, RE) Grover Washington, Soul Box Vol. 1 (LP, M5-184V1 Motown M5-184V1 US 1976 Jr. Album) Related Music albums to Soul Box Vol. 1 by Grover Washington, Jr. Freddie Hubbard - Sky Dive Grover Washington, Jr. - All The King's Horses Chet Baker - Jazz Moods Cool Grover Washington, Jr. - Soul Box Vol. 2 Chet Baker - Cool Chet Baker Anthony Braxton - Ninetet (Yoshi's) 1997 Vol.2 Wes Montgomery - Goin' Out Of My Head Jackie & Roy - Time & Love Ron Carter - Peg Leg Denny Christianson Big Band - Suite Mingus Eric Gale - Forecast Grover Washington, Jr. - Soul Box.
Load more

Recommended publications
  • Grover Washington, Jr. Soul Box Vol. 2 Mp3, Flac, Wma
    Grover Washington, Jr. Soul Box Vol. 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Soul Box Vol. 2 Country: Canada Released: 1976 Style: Smooth Jazz, Fusion, Funk MP3 version RAR size: 1668 mb FLAC version RAR size: 1993 mb WMA version RAR size: 1112 mb Rating: 4.4 Votes: 341 Other Formats: AIFF XM DXD VQF APE TTA MP4 Tracklist Hide Credits You Are The Sunshine Of My Life A1 6:00 Written-By – Stevie Wonder Don't Explain A2 11:20 Written-By – Arthur Herzog, Jr., Billie Holiday Medley 10:00 Easy Living B1a Written-By – Leo Robin, Ralph Rainger Ain't Nobody's Business If I Do B1b Written-By – Everett Robbins, Porter Grainger - Taurian Matador B2 8:09 Drums – Billy CobhamWritten-By – Billy Cobham, Jr.* Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Alto Saxophone, Tenor Saxophone, Soprano Saxophone – Grover Washington, Jr. (tracks: x) Arco Bass – Richard Davis , Ron Carter Arranged By, Conductor – Bob James (tracks: x) Bass – Ron Carter Bass Trombone – Alan Raph, Paul Faulise, Tony Studd Bassoon – Donald McCourt* Cello – Charles McCracken, George Ricci, Seymour Barab Design – Rene Schumacher Drums – Idris Muhammad (tracks: C1 to D1x) Flute, Clarinet, Contrabass Clarinet, Bass Saxophone – Wally Kane Flute, Piccolo Flute – Hubert Laws Flute, Piccolo Flute, Clarinet, Bass Clarinet, Oboe, English Horn – Romeo Penque Flute, Piccolo Flute, Oboe – George Marge Flute, Piccolo Flute, Recorder – Harvey Estrin French Horn – Brooks Tillotson, Jim Buffington, Peter Gordon Guitar – Eric
    [Show full text]
  • Summer 2019 A&C Guide
    19 20 ARTS & CULTURE GUIDE SPRING REVIEW Community Music Center CLASS REGISTRATION OPENS FEBRUARY 25. Laurelhurst Dance Studio Go to PORTLANDPARKS.ORG Multnomah Arts Center and click on the Register tab. Summer Free For All Urban Parks Programming Commissioner Nick Fish Interstate Firehouse Cultural Center Interim Director Kia Selley CITYWIDE RACIAL EQUITY GOALS AND STRATEGIES EQUITY GOAL #1 OVERALL STRATEGIES We will end racial disparities within 1. Use a racial equity framework: Use a racial equity framework that clearly articulates city government, so there is fairness racial equity; implicit and explicit bias; and individual, institutional, and structural racism. in hiring and promotions, greater 2. Build organizational capacity:Commit to the breadth and depth of institutional opportunities in contracting, and transformation so that impacts are sustainable. While the leadership of electeds and equitable services to all residents. officials is critical, changes take place on the ground, through building infrastructure that EQUITY GOAL #2 creates racial equity experts and teams throughout the city government. We will strengthen outreach, 3. Implement a racial equity lens: Racial inequities are not random; they have been public engagement, and access to created and sustained over time. Inequities will not disappear on their own. It is City services for communities of essential to use a racial equity lens when changing the policies, programs, and practices color and immigrant and refugee that perpetuate inequities, and when developing new policies and programs. communities, and support or 4. Be data driven: Measurement must take place at two levels—first, to measure the change existing services using racial success of specific programmatic and policy changes; and second, to develop baselines, equity best practices.
    [Show full text]
  • Lydia Tang Thesis.Pdf
    THE MULTI-FACETED ARTISTRY OF VIOLIST EMANUEL VARDI BY LYDIA M. TANG THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Rudolf Haken, Chair Associate Professor Katherine Syer, Director of Research Associate Professor Scott Schwartz Professor Stephen Taylor Clinical Assistant Professor Elizabeth Freivogel Abstract As a pioneer viola virtuoso of the 20th century, Emanuel “Manny” Vardi (c. 1915-2011) is most widely recognized as the first violist to record all of Paganini’s Caprices. As a passionate advocate for the viola as a solo instrument, Vardi premiered and championed now-standard repertoire, elevated the technique of violists by his virtuosic example, and inspired composers to write more demanding new repertoire for the instrument. However, the details of his long and diverse career have never to date been explored in depth or in a comprehensive manner. This thesis presents the first full biographical narrative of Vardi’s life: highlighting his work with the NBC Symphony under Arturo Toscanini, his activities as a soloist for the United States Navy Band during World War II, his compositional output, visual artwork, an analysis of his playing and teaching techniques, as well as his performing and recording legacies in classical, jazz, and popular music. Appendices include a chronology of his life, discography, lists of compositions written by and for Vardi, registered copyrights, and a list of interviews conducted by the author with family members, former students, and colleagues.
    [Show full text]
  • Orange Soul Sheet Tipping to the Nu Music Movement Volume 1 Issue 10 718-455-0092 [email protected] 818-506-1424 (West Coast Office)
    Orange Soul Sheet Tipping to the Nu Music Movement Volume 1 issue 10 718-455-0092 [email protected] 818-506-1424 (West Coast office) June1-15, 2007 Kevin Harewood (Publisher) Bruce Jones (advertising sales) ===================== A Look Back to Move Forward We are in the month of June which is hailed as “Black Music Month”. This yearly occurrence has led me to reflect on the music that has been the foundation of the music menu of my life. The first artists I really got into were Stevie Wonder, Marvin Gaye and Sly and The Family Stone. It is a well known fact that Stevie and Marvin recorded for the then independently owned Motown family of labels. Sly recorded for the major Columbia Records. However, his music and visual output still exhibited that he was a bastion of independent thought. In my college days I began an affinity for jazz by coming across Grover Washington Jrs Soul Box and Mr Magic albums. These records made me go back and find the music of Miles Davis, John Coltrane and Dexter Gordon my father had played since I was a little thing. Grover was originally on the independent CTI label owned by Creed Taylor. My excursion into reggae started with Bob Marley’s “Natty Dread” which was on Chris Blackwell’s then independent Island Records. I really got open to hip hop with “Rock Box” on the independent Profile label and “Eric B For President” by Eric B and Rakim which ended up on Island subsidiary 4 th and Broadway. My first job in the music business was at the then independent A&M records.
    [Show full text]
  • Quadraphonicquad Multichannel Engineers of All Surround Releases
    QuadraphonicQuad Multichannel Engineers of all surround releases JULY 2021 UPDATED 2021-7-16 Type Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow MCH Dishwalla Services, State MCH Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Quad Abramson, Mark 1973 Judy Collins Colors of the Day - The Best Of CD-4/Q8/QR/SACD MCH Acquah, Ebby Depeche Mode 101 Live SACD The Outrageous Dr. Stolen Goods: Gems Lifted from P: Alan Blaikley, Ken Quad Adelman, Jack 1972 Teleny's Incredible CD-4/Q8/QR/SACD the Masters Howard Plugged-In Orchestra MCH Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A MCH Ainlay, Chuck David Alan David Alan DVD-A MCH Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD MCH Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V MCH Ainlay, Chuck Everclear So Much for the Afterglow DVD-A MCH Ainlay, Chuck George Strait One Step at a Time DTS CD MCH Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD MCH Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc MCH Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD MCH Ainlay, Chuck Mavericks, The Trampoline DTS CD MCH Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD MCH Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD MCH Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD MCH Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD MCH Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD QSS: Ron & Howard Quad Albert, Ron & Howard 1975
    [Show full text]
  • Sommaire Catalogue Jazz / Blues Octobre 2011
    SOMMAIRE CATALOGUE JAZZ / BLUES OCTOBRE 2011 Page COMPACT DISCS Blues .................................................................................. 01 Multi Interprètes Blues ....................................................... 08 Jazz ................................................................................... 10 Multi Interprètes Jazz ......................................................... 105 SUPPORTS VINYLES Jazz .................................................................................... 112 DVD Jazz .................................................................................... 114 L'astérisque * indique les Disques, DVD, CD audio, à paraître à partir de la parution de ce bon de commande, sous réserve des autorisations légales et contractuelles. Certains produits existant dans ce listing peuvent être supprimés en cours d'année, quel qu'en soit le motif. Ces articles apparaîtront de ce fait comme "supprimés" sur nos documents de livraison. BLUES 1 B B KING B B KING (Suite) Live Sweet Little Angel – 1954-1957 Selected Singles 18/02/2008 CLASSICS JAZZ FRANCE / GEFFEN (SAGAJAZZ) (900)CD 18/08/2008 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GACFBH=YYZZ\Y: #:GAAHFD=VUU]U[: Live At The BBC 19/05/2008 CLASSICS JAZZ FRANCE / EMARCY The birth of a king 10.CLASS.REP(SAGAJAZZ) (899)CD 23/08/2004 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GAAHFD=U[XVY^: #:GACEJI=WU\]V^: One Kind Favor 25/08/2008 CLASSICS JAZZ FRANCE / GEFFEN Live At The Apollo(ORIGINALS (JAZZ)) (268)CD 28/04/2008 CLASSICS JAZZ FRANCE / GRP (899)CD #:GACFBH=]VWYVX:
    [Show full text]
  • Punkt.Vrt.Plastik
    & jazzworld music KAJA DRAKSLER CHRISTIAN LILLINGER PETTER ELDH PUNKT.VRT.PLASTIK helikon harmonia mundi gmbh Maison de France · Kurfürstendamm 211 · 10719 Berlin Tel. 030/2062162-0 · Fax 030/2062162-10 [email protected] Foto: © Ziga Koritnik III/2021 www.harmoniamundi.com Die aktuellen Bestseller Sonny Rollins Monty Alexander Rollins in Holland Love You Madly Live at Bubba’s 2 CDs: HCD 2048 (F03) 2 CDs: HCD 2047 (F03) 1 2 The Cat Empire Gianmaria Testa Stolen Diamonds Montgolfières WRACD 013 (P01) INC 293 (R01) 3 4 Waylon Jennings Bill Evans The MCA Recordings Live at Ronnie Scott’s The Ultimate Collection 2 CDs: HUMP 228 (N01) 2 CDs: HCD 2046 (F03) 5 6 Alexander von Schlippenbach Gianmaria Testa Slow Pieces for Aki Prezioso INT 346 (T01) INC 267 (T01) 7 8 Ingrid Laubrock Stephan Eicher Dreamt Twice, Twice Dreamt Homeless Songs 9 2 CDs: INT 355 (R02) WRA 0803069 (T01) 10 2 Punkt.Vrt.Plastik Somit © Ziga Koritnik Punkt.Vrt.Plastik Somit Kaja Draksler (Klavier) Petter Eldh (Kontrabass) Christian Lillinger (Schlagzeug) Aufnahme: Berlin 2020 Nach ihrem gefeierten Debüt von 2018 legt die Band Punkt.Vrt.Plastik, die mit Katja Draksler, Petter Eldh und Christian Lillinger drei der Artikelnummer: INT 353 spannendsten, tiefgründigsten und vielseitigsten Musiker der euro- Preiscode: T01 päischen Jazz-Szene vereint, einen weiteren Genie-Streich vor. Mit Kategorie: Jazz »Somit« führen sie ihr dringliches Ensemblespiel auf neue Höhen und Inhalt: 1 CD kreieren mit einer ungewöhnlichen Instrumentation (Kaja Draksler Booklet: De, Eng spielt zwei unterschiedliche Klaviere) und einer ausgeklügelten Post- VÖ: 19. 03. 2021 produktion eine höchst individuelle Soundästhetik, die in einem Ve- xierspiel zwischen akustischen und manipulierten Klängen gipfelt.
    [Show full text]
  • Hubert Laws Nea Jazz Master (2011)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HUBERT LAWS NEA JAZZ MASTER (2011) Interviewee: Hubert Laws (November 10, 1939 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: March 4-5, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 134 pp. Brown: Today is March 4th, 2011. This is the Smithsonian NEA Jazz Masters oral history interview with Hubert Laws in his home in Los Angeles, California, conducted by Anthony Brown and Ken Kimery. Good afternoon, Hubert. How are you doing? Laws: I’m fine, man. Brown: The last time I saw you was at the NEA Jazz Masters awards in January. You provided the first musical number, a duet with Kenny Barron, playing Stella by Starlight. I have to say, that was the high point of the evening. It could have stopped after that. That was, oh, incredible. Laws: It’s kind of you to say that, because I felt very good about that collaboration with Kenny. It’s so interesting, because we were supposed to have had a rehearsal that morning. We met in this little room on the side and we ended up – I said, “You know what? Let’s do – let’s just play for a while, and then we’ll lead on into Stella.” I said, “We may do that, or I may do another tune.” He said okay. That’s what I love about professional guys like him. They’re so flexible. We didn’t know what we were going to play in the beginning.
    [Show full text]
  • RHSSUE '.'' a BILLBOARD SPOTLIGHT I' SEE PAGE 71 I 1,1Ar 1.1141101 101611.C, the Essential Electronic .' Music Collection
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IN MUSIC NEWS IBXNCCVR **** * ** 3 -DIGIT 908 1190807GEE374EM0021 BLBD 576 001 032198 2 126 1256 3740 ELM A LONG BEACH CA 90807 Fogerty Is Back With Long- Awaited WB Set PAGE 11 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT r APRIL 19, 1997 ADVERTISEMENTS Labels Testing Chinese Mkt. Urban Acts Put New Spin Liaison Offices Offer Domestic Link BY GEOFF BURPEE pendents: America's Cherry Lane On Spoken -Word Genre Music, Taiwan's Rock Records, and HONG KONG -As a means of Hong Kong's Fitto. However, these BY J.R. REYNOLDS itual enrichment. establishing and testing ties within companies (and others that would Labels are bowing projects by China's sprawling, underdeveloped like a presence) must r e c o g n i z e LOS ANGELES -A wave of releas- such young hip -hop and alternative - recording restraints on es by African- American spoken -word influenced artists as Keplyn and industry, their activi- acts will soon Mike Ladd, a- the "repre- SONY ties, such as begin flowing longside product sentative" EMI state con- through the retail by pre- hip -hop or "liaison" trols on lic- pipeline, as labels poets like Sekou office is be- ensing music attempt to tap Sundiata and coming an increasingly from outside of China and into growing con- such early -'70s valuable tool for interna- SM the lack of a developed sumer interest in spoken -word pio- tional music companies market within. the specialized neers as the Last Such units also serve as an As early as 1988, major recording genre.
    [Show full text]
  • Fall 2019 A&C Guide
    2019–2020 ARTS & CULTURE GUIDE FALL / SCHOOL YEAR Community Music Center CLASS REGISTRATION OPENS AUGUST 20. Multnomah Arts Center Go to PORTLANDPARKS.ORG Summer Free For All and click on the Register tab. Gateway Discovery Park Interstate Firehouse Cultural Center Commissioner Nick Fish | Director Adena Long CITYWIDE RACIAL EQUITY GOALS AND STRATEGIES EQUITY GOAL #1 OVERALL STRATEGIES We will end racial disparities within city 1. Use a racial equity framework: Use a racial equity framework that clearly government, so there is fairness in hiring and articulates racial equity; implicit and explicit bias; and individual, institutional, and promotions, greater opportunities in contracting, structural racism. and equitable services to all residents. 2. Build organizational capacity:Commit to the breadth and depth of institutional EQUITY GOAL #2 transformation so that impacts are sustainable. While the leadership of electeds and officials is critical, changes take place on the ground, through building infrastructure We will strengthen outreach, public engagement, that creates racial equity experts and teams throughout the city government. and access to City services for communities of color and immigrant and refugee communities, 3. Implement a racial equity lens: Racial inequities are not random; they have and support or change existing services using been created and sustained over time. Inequities will not disappear on their own. racial equity best practices. It is essential to use a racial equity lens when changing the policies, programs, and practices that perpetuate inequities, and when developing new policies and EQUITY GOAL #3 programs. We will collaborate with communities and 4. Be data driven: Measurement must take place at two levels—first, to measure institutions to eliminate racial inequity in all the success of specific programmatic and policy changes; and second, to develop areas of government, including education, criminal baselines, set goals, and measure progress.
    [Show full text]
  • Albums of the Year 2018.Cdr
    Soul Brother Records best albums and singles of 2018 BEST SOUL ALBUMS OF THE YEAR 2018 THE SUFFERS – EVERYTHING HERE TATIANA LADY MAY MAYFIELD – THE NEXT CD £12.99/LP £21.99 CHAPTER Houston based multi-piece The Suffers, lead by the CD £19.99 powerful voice of Kam Franklin, have delivered a Six years after her highly acclaimed 'Portrait Of strong second album that deserves its place in the top Lady May' album was released Tatiana Ladymay soul releases of the year. The timeless, vintage full Mayfield returns with 'The Next Chapter' and the band sound, the tight melodies steeped in references soul jazz fusion with those sweet strong vocals is to a golden past and the dynamic tones of the lead back in full effect. The irresistible foottapping groove vocalist combine to create a set that will be on repeat of 'I Want More', the laid back jazzy washes of 'Me play for a long time. The sprawling 'I Think I love You' is And You' and the organic, soaring feel of 'Overflow' sun drenched soul with jazz tints, the playful 'Do Whatever' is a bouncy, light really kick the set off well. 'Insomnia' has an emphatic, building quality and hearted and uplifting groove while the poly rhythmic 'The One About Sace' allows Kam's incredible vocals to shine on a superbly inventive, infectious tune again straddles soul and jazz perfectly with her talented band laying down a that is impossible not to move to. The pacey, summery groove of 'What You tight groove, the acapella 'Starting Over' demonstrates the strength of her Said' has that Incognito style percussion and keys vibe, the more laid back 'All I voice while the album is bookended with two 10 minute + tracks that allow Wanna Do' and 'Remain' excel in their use of space while 'Charlotte' and 'After Mayfield and the band to emphasise the message.
    [Show full text]
  • The Hank Crawford Anthology Hank Crawford 1963 Jazz Central Station Global Jazz Poll Winners, Vol
    Randy Brecker Discography Website: http://www.randybrecker.com Email: [email protected] Album Artist 1958 Heart and Soul: The Hank Crawford Anthology Hank Crawford 1963 Jazz Central Station Global Jazz Poll Winners, Vol. 1 Various Artists 1964 Best of Horace Silver, Vol. 2 Horace Silver 1965 This Is Jazz, Vol. 9 George Benson 1967 Introducing Duke Pearson's Big Band Duke Pearson 1968 America the Beautiful Gary McFarland 1968 Child Is Father to the Man Blood, Sweat & Tears 1968 Communications JCOA 1968 Essential Larry Coryell Larry Coryell 1968 Infinite McCoys The McCoys 1968 Now Hear This! Duke Pearson 1969 Good Paul Sylvan Paul Sylvan 1969 Nature Boy Joe Beck 1969 Score Randy Brecker 1969 White Elephant Mike Mainieri 1969 You Gotta Take a Little Love Horace Silver 1970 Best of Freddie Hubbard [Columbia] Freddie Hubbard 1970 Best of Hubert Laws Hubert Laws 1970 Black, Brown and Beautiful Oliver Nelson 1970 Fabulous Pescara Jam Sessions (1970-1975) Intl Commission 1970 In Pursuit of the 27th Man Horace Silver 1970 That Healin' Feelin' Horace Silver 1970 Who Knows What Tomorrow's Gonna Bring? Jack McDuff 1971 Air Air 1971 Harlem River Drive Eddie Palmieri & Harlem River Drive 1971 Nature's Baby Lenae 1971 Prairie Madness Prairie Madness 1971 Wild Bird Hal Galper 1972 Best of Paul Desmond [Columbia] Paul Desmond 1972 Full Moon Full Moon 1972 Get on the Good Foot James Brown 1972 Guerilla Band Hal Galper 1972 Imagine My Surprise Dreams 1972 Introducing Larry Coryell & The 11th House Larry Coryell w/The 11th House 1972 Odyssey Odyssey 1972 One by One Free Design 1972 One Man Dog James Taylor 1972 Something/Anything? Todd Rundgren 1972 White Elephant White Elephant 1973 Berlin Lou Reed 1973 Bridging a Gap Mark Murphy 1973 Crowbar Crowbar 1973 Don't Mess With Mister T.
    [Show full text]