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Introduction to Scots Literacy
Introduction to Scots Literacy Speakin’ Scots Guid Fer a Laugh Level 2 - Pack 5 Jiggin Dicht Reekin Nieves Sonsie Forbye Fiddle Boosin Moose Bletherin Wabster Haggis 1 Introduction to Guid Fer A Laugh We are part of the City of Edinburgh Council, South West Adult Learning team and usually deliver ‘Guid Fer a Laugh’ sessions for community groups in South West Edinburgh. Unfortunately, we are unable to meet groups due to Covid-19. Good news though, we have adapted some of the material and we hope you will join in at home. Development of Packs We plan to develop packs from beginner level 1 to 5. Participants will gradually increase in confidence and by level 5, should be able to: read, recognise, understand and write in Scots. Distribution During Covid-19 During Covid-19 restrictions we are emailing packs to community forums, organisations, groups and individuals. Using the packs The packs can be done in pairs, small groups or individually. They are being used by: families, carers, support workers and individuals. The activities are suitable for all adults but particularly those who do not have access to computer and internet. Adapting Packs The packs can be adapted to suit participants needs. For example, the Pilmeny Development Project used The Scot Literacy Pack as part of a St Andrews Day Activity Pack which was posted out to 65 local older people. In the pack they included the Scot Literacy Pack 1 and 2, crosswords, short bread and a blue pen. Please see photo. 2 The Aims of the Session – Whit’s it a’aboot? • it’s about learning Scots language and auld words • takes a look at Scots comedy, songs, poetry and writing • hae a guid laugh at ourselves and others Feedback fae folk This is pack number five and we move on a little to Level 2. -
Comprehension – Robert Burns – Y5m/Y6d – Brainbox Remembering Burns Robert Burns May Be Gone, but He Will Never Be Forgotten
Robert Burns Who is He? Robert Burns is one of Scotland’s most famous poets and song writers. He is widely regarded as the National Poet of Scotland. He was born in Ayrshire on the 25th January, 1759. Burns was from a large family; he had six other brothers and sisters. He was also known as Rabbie Burns or the Ploughman Poet. Childhood Burns was the son of a tenant farmer. As a child, Burns had to work incredibly long hours on the farm to help out. This meant that he didn’t spend much time at school. Even though his family were poor, his father made sure that Burns had a good education. As a young man, Burns enjoyed reading poetry and listening to music. He also enjoyed listening to his mother sing old Scottish songs to him. He soon discovered that he had a talent for writing and wrote his first song, Handsome Nell, at the age of fifteen. Handsome Nell was a love song, inspired by a farm servant named Nellie Kilpatrick. Becoming Famous In 1786, he planned to emigrate to Jamaica. His plans were changed when a collection of his songs and poems were published. The first edition of his poetry was known as the Kilmarnock edition. They were a huge hit and sold out within a month. Burns suddenly became very popular and famous. That same year, Burns moved to Edinburgh, the capital city of Scotland. He was made very welcome by the wealthy and powerful people who lived there. He enjoyed going to parties and living the life of a celebrity. -
"Auld Lang Syne" G
University of South Carolina Scholar Commons Selected Essays on Robert Burns by G. Ross Roy Robert Burns Collections 3-1-2018 "Auld Lang Syne" G. Ross Roy University of South Carolina - Columbia Publication Info 2018, pages 77-83. (c) G. Ross Roy, 1984; Estate of G. Ross Roy; and Studies in Scottish Literature, 2019. First published as introduction to Auld Lang Syne, by Robert Burns, Scottish Poetry Reprints, 5 (Greenock: Black Pennell, 1984). This Chapter is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Selected Essays on Robert Burns by G. Ross Roy by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “AULD LANG SYNE” (1984) A good case can be made that “Auld Lang Syne” is the best known “English” song in the world, & perhaps the best known in any language if we except national anthems. The song is certainly known throughout the English-speaking world, including countries which were formerly part of the British Empire. It is also known in most European countries, including Russia, as well as in China and Japan. Before and during the lifetime of Robert Burns the traditional Scottish song of parting was “Gude Night and Joy be wi’ You a’,” and there is evidence that despite “Auld Lang Syne” Burns continued to think of the older song as such. He wrote to James Johnson, for whom he was writing and collecting Scottish songs to be published in The Scots Musical Museum (6 vols. Edinburgh, 1787-1803) about “Gude Night” in 1795, “let this be your last song of all the Collection,” and this more than six years after he had written “Auld Lang Syne.” When Johnson published Burns’s song it enjoyed no special place in the Museum, but he followed the poet’s counsel with respect to “Gude Night,” placing it at the end of the sixth volume. -
The Prayer of Holy Willie
University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 7-7-2015 The rP ayer of Holy Willie: A canting, hypocritical, Kirk Elder Patrick G. Scott University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the Literature in English, British Isles Commons Publication Info Published in 2015. Introduction and editorial matter copyright (c) Patrick Scott nda Scottish Poetry Reprint Series, 2015. This Book is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE PRAYER OF HOLY WILLIE by ROBERT BURNS Scottish Poetry Reprints Series An occasional series edited by G. Ross Roy, 1970-1996 1. The Life and Death of the Piper of Kilbarchan, by Robert Semphill, edited by G. Ross Roy (Edinburgh: Tragara Press, 1970). 2. Peblis, to the Play, edited by A. M. Kinghorn (London: Quarto Press, 1974). 3. Archibald Cameron’s Lament, edited by G. Ross Roy (London: Quarto Press, 1977). 4. Tam o’ Shanter, A Tale, by Robert Burns, ed. By G. Ross Roy from the Afton Manuscript (London: Quarto Press, 1979). 5. Auld Lang Syne, by Robert Burns, edited by G. Ross Roy, music transcriptions by Laurel E. Thompson and Jonathan D. Ensiminger (Greenock: Black Pennell Press, 1984). 6. The Origin of Species, by Lord Neaves, ed. Patrick Scott (London: Quarto Press, 1986). 7. Robert Burns, A Poem, by Iain Crichton Smith (Edinburgh: Morning Star, 1996). -
A Poem Ne Ly Sprung in Fairvie
A Poem Ne ly Sprung in Fairvie by CLARK AYCOCK ave you ever sung “Auld Lang therefore able to write in the local Ayrshire Syne” on New Year’s Eve? dialect, as well as in “Standard” English. He Or have you ever uttered the wrote many romantic poems that are still phrase, when frustrated, “the recited and sung today, and some of us may best-laid schemes of mice and men…”? remember his songs more easily than we do Did you know that John Steinbeck’s classic his poetry. in a human book Of Mice and Men was based on a line Robert Burns infl uenced many other head, though I in a poem written “To a Mouse”... or that poets including Wordsworth, Coleridge have seen the most a Tam O’ Shanter cap was named aft er a distinguished men of my time.” and Shelley. Walter Scott was also a great A commemorative plate showing character in a poem by that name? And admirer and wrote this wonderful descrip- In the late 1700s, many Scots migrated did you know that singer and songwriter tion of Burns that provides us with a clear from the Piedmont into the mountains of Robert Burns in the center Bob Dylan said his biggest creative impression of the man. “His person was WNC, bringing with them their country's surrounded by characters from inspiration was the poem and song “A strong and robust; his manners rustic, not culture and craft and inherent connection his poems Red, Red Rose”? Yes, we are talking about clownish, a sort of dignifi ed plainness and with Burns. -
The Saltire 2.14
No 1 Message from the Chieftain February 2014 Another great Burns Supper Our recent Burns Supper provided a clear reason why it is the most popular event on the Society’s calendar of events. There was something for everyone. The Bard of Ayr was well and truly remembered through the toasts in the formal part of the evening . Ken Suttie addressed the haggis, I delivered the Immortal Memory, Michael Haines gave the toast Tae the Lassies and Laura Grinham responded on behalf of the lassies. "Alba Gu Brath" Then we had three wonderful singers from the floor . young COMMITTEE 2013-2014 Jane Jackson, Jim McGuire and Eleanor Love . and Sandy Milligan gave an excellent rendition of the famous Robert Burns Chieftain poem, Holy Willie’s Prayer . Brian McMurdo Sandy even made-up and dressed-up for the part! Great fun. Immediate Past Chieftain As well as providing the dance music for the ceilidh part of the Ken Suttie evening, the Heel n Toe Band also gave us a song or two (the band said it was one of the best events they had played at). Vice Chieftain Doris LaValette I should mention here that the Burns Supper saw our new Honorary Piper, Alex Foster, of the Perth Metro Pipe Band, Hon Secretary play for us for the first time during pre-dinner drinks and when leading the Haggis party. Darian Ferguson And the whole event was held together with great aplomb by Hon Treasurer our MC duo, Diana Paxman and Reggie McNeill. Diana Paxman Of course, there wouldn’t have been anything for them to hold Members together without the great work put in by the event manager, Cameron Dickson Vice-Chieftain Doris LaValette. -
Lasting Inspiration of Robert Burns | Scotland.Org 1/18/21, 11:55 AM
Lasting inspiration of Robert Burns | Scotland.org 1/18/21, 11:55 AM HOME <HTTPS://WWW.SCOTLAND.ORG> > FEATURES <HTTPS://WWW.SCOTLAND.ORG/FEATURES> > Lasting inspirationLASTING INSPIRATION OF ROBERT ....of Robert Burns 23 Apr 2015 8 min read What is it about Robert Burns? Not even Shakespeare is remembered so personally with an annual birthday celebration. What is it about Robert Burns? Not even Shakespeare is remembered so personally with an annual birthday celebration. It's in the spirit of the lasting inspiration of Scotland's National Poet that we invite you to celebrate Burns Night. We've outlined the elements of a traditional Burns Supper below, but invite you to consider giving it a modern twist by incorporating a contemporary menu or playing modern interpretations of Burns songs. Whisky, of course, is a mandatory part of any Burns Supper and eminent whisky writer Charlie MacLean has given recommendations to accompany both the traditional and the nouvelle suppers. IMMORTAL MEMORY He spoke from the heart to the heart. He makes you laugh, he makes you cry. Note the change to the present tense. For that's https://www.scotland.org/features/lasting-inspiration-of-robert-burns Page 1 of 10 Lasting inspiration of Robert Burns | Scotland.org 1/18/21, 11:55 AM the point. There's something immortal about Burns: his words, his melodies, his humanity, his spirit. Scottish artist Steven Campbell sees parallels between Burns and contemporary rock superstars like Bob Dylan and Bruce Springsteen and at an exhibition at the Scottish National Portrait Gallery in 2000, Campbell portrayed Burns wearing Armani suits and looking very hip. -
The Influence of Jacobite Coding on Robert Burns's Poetry. (2014) Directed by Dr
EUDY, VIRGINIA BLAIRE, M.A. “Disturb not her Dream:” The Influence of Jacobite Coding on Robert Burns's Poetry. (2014) Directed by Dr. Anne Wallace. 33 pp. Robert Burns has collected many personas throughout literary history. Known separately as a political satirist, bawdy poet, and romantic bard, Burns is often attributed with only one of these identities at a time. Many critics seem to ignore the importance of viewing Burns holistically. By unifying Burns’s reputations we can elicit a deeper meaning from his lesser known works. Furthermore, by applying the lens of Jacobite coding, a form of communication often used during the Jacobite Movement (1688-1745), to his less overtly political love songs “Afton Water” and “Ae Fond Kiss,” we as an audience can better understand Burns’s unified identity. Through an extensive exploration of Jacobite lore and imagery in the love songs, I will demonstrate Burns’s capacity for fostering various readings in the same source. More importantly, by establishing these sign posts we can continue to explore Burns’s other works in order to better unify his multiple reputations and gain a deeper knowledge of his 18th century audience’s reactions. i EUDY, VIRGINIA BLAIRE, M.A. Neither Black nor White: Gray’s Liminal Pastoral. (2014) Directed by Dr. Jennifer Keith. 31 pp. Throughout Thomas Gray’s “Elegy Written in a Country Churchyard” the speaker applauds the poor for their “heroic” suffering. As a poem sentimentalizing the poor, Marxist critics have often attacked the speaker’s motives and his ability to identify with the poor he idealizes. -
Hume Supplement
The Tattler Supplement The Jack Hume Heather & Thistle Poetry Competition June 2020 A s indicated in the main edition of O n the pages following are the sec- the Tattler, the wining entry in the 2020 ond place entry, also written by Jim Jack Hume Heather & Thistle Poetry McLaughlin, the equal third place en- competition was written by Jim tries, both written by previous winner McLaughlin of the Calgary Burns Club. Jim Fletcher of Halifax, and fifth place The epic entry of over 3,000 words is entry written by new RBANA President printed inside Henry Cairney 1 Scotland’s Bard, the Poet Robert Burns A Biography in Verse The date of January 25th in seventeen-fifty-nine, At first a shy retiring youth, and slow to court a lass, Is honoured all around the globe, this day for auld lang syne. Our lad would learn the art of love, and other friends surpass; Wi’ right guid cheer we celebrate and toast his name in turns, ‘Fair Enslavers’ could captivate, and oft times would infuse Scotland’s own Immortal Bard, the poet Robert Burns. His passionate, creative mind, that gave flight to his muse. His father William Burnes met his mother Agnes Broun A brash elan would soon emerge as youth was left behind, At a country fair in Maybole, more a village than a town. With age came self-assurance and an independent mind. Agnes kept another suitor waiting for seven years, He formed Tarbolton’s Bachelors’ Club, a forum for debate, Till she found he’d been unfaithful, confirming her worst fears. -
Robert Burns Taught by Steve Newman
Steve Newman Robert Burns at the Rosenbach: Song, Satire, and Scotland Feb-March 2017 Course Description: On the evening of January 25th, people from Edinburgh to Shanghai to Philadelphia gather to toast “the immortal memory” of Robert Burns. For he is not only Scotland’s national poet; his work has been translated into Hebrew, Russian, Chinese, Esperanto, and a host of other languages. To discover the range and depth of the work that has established Burns as a poet of global significance, we will dive into a great deal of his poetry and a bit of his prose, drawing significantly on one of the world’s finest collection of his works--the Rosenbach’s. We will begin with Burns’ spectacular burst on to the scene in 1786, investigating the literary and political matrices that made it possible for this son of a short-lease farmer to become so celebrated so quickly, though not entirely on his own terms. We will then focus on his love and bawdy songs, considering how Burns draws on and transforms tradition in lyrics on affection and lust, and the codes of gender and sexuality that inform them. Next come his interventions in the politics of the nation, as he presents himself as a “Bardie” licensed to comment on a range of state and religious matters and navigates the electrified disputes of his time. We will conclude with some of his masterpieces— including Tam O’Shanter and Love and Liberty—and the ways his work gets circulated and Burns is enshrined by a series of critics and collectors, not least Dr. -
Robert Burns: His Poetry, Wit, and Songs
The 42nd Royal Highlanders In honor of the 257th XLII anniversary of his birth, are pleased to host the 33rd annual Scottish Supper honoring Robert Burns: his poetry, wit, and songs Bagpipes, Fifes and Drums, Country Dancing, and Other Entertainment Saturday, January 23, 2016 The Trails 325 Burnett’sXLII Rd, West Lafayette, IN 47906 Robert Burns Robert Burns is considered by all to be Scotland’s national poet and favorite son. In Scotland, he is more like an institution than an individual, with his face appearing on everything from whiskey to shortbread to the Clydesdale Bank five pound note. Born during a violent winter thunderstorm on January 25th, 1759, he was the eldest of William and Agnes Burns’ seven children. At school he read avidly, devouring the works of poets already writ- ing in the broad Scots dialect still used in the Ayrshire countryside. Inevitably, he followed his father to work on the land but the farms were seldom productive or profitable. He wrote his first poem at age fifteen when he fell in love with Nellie Kirkpatrick and discov- ered he could express his feelings best in verse. For his poems he chose subjects everyone could relate to - love of women, nature, family, and country. Although he could use immaculate English when he so chose, he preferred the dialect and rhythms of his native Scottish tongue. Many belittled him as a man (saying he was a drunkard, a rebel, and a bore) as well as criticized his poetry. Before he died, he told his wife, “One hundred years hence they’ll think mair (more) o’ me than they do now.” Since his death in 1796, he has been right. -
Auld Lang Syne!’
Book Notes: Reading in the Time of Coronavirus By Jefferson Scholar-in-Residence Dr. Andrew Roth ‘Should Auld Acquaintance Be Forgot, And Auld Lang Syne!’ Admit it, at least once, but probably more often, on New Year’s Eve, with a glass of bubbly or some other strong libation in one hand, your other arm ’round your spouse, your best squeeze, or whomever might be at hand, you have raised that glass and sung (or at least hummed) the tune, “Should auld acquaintance be forgot/And auld lang syne!” And admit it, you may have done so without the faintest idea what you were saying. OK, maybe the faintest, since “auld” sounds like “old,” you know what “acquaintance” means, and you kind of intuit it has something to do with remembering old friends and the days long ago. But what does the rest of it mean? And why are you singing it? And where did it come from? It came from Scotland in 1788 when Robert Burns “sent the poem, ‘Auld Lang Syne’ to the Scots Musical Museum, indicating that it was an ancient song but that he’d been the first to record it on paper.” [1] Almost immediately, it became a Scottish tradition to sing on Hogmanay, the Scots’ word for the last day of the year – New Year’s Eve. The Scots, however, did not invent New Year’s Eve. New Year’s Eve and New Year’s Day, obviously, are global celebrations that begin and end on different sides of the International Date Line. For Jeopardy! aficionados and patrons of Trivia Night at the Plymouth Tavern on State Street in Erie, Pennsylvania, where do New Year’s celebrations begin and end? Located in the central Pacific on the eastern side of the dateline, the Line Islands and Tonga are among the first places to celebrate the New Year and American Samoa, on its western side, among the last.