The Rolling Stones

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The Rolling Stones Talking about Rolling Stones; founded in 1962 by Keith Richards & Mick Jagger (friends and schoolmates() Name from Muddy Waters „Rollin´ Stone Blue“; other group members Charlie Watts & Ronnie Wood;(Ian Stewart, Brian Jones & Mick Taylor) 1963 Charlie Watts joins the band; with him first gigs of the Stones 1964 first time Top 10 with Album „Not Fade Away“ No. 3 in June of 1964 first time No. 1 and gold record with Album „It´s all over now“ 1965 most famous Album „(I can´t get no) Satisfaction“ appears 1967 first tour through Europe 1969 Brian Jones left on June 8 (wanted to form a new grop) one month later (July 3) he died cause of Drugs ! new guitarist Mick Taylor from the band „John Mayall´s Bluesbreakers“ 1972 the Stones toured through the States; great Success 1974 Mick Taylor left Stones like Brian 5 years before (wanted to start a solo career) 1980 June Single „Emotional Rescue“ appears, hits in first week Top 10 1982 second tour through Europe; several nights in Wembley Stadium 1985 Mick and Tina Turner in duet (Philadelphia); whipped her shirt off; in front of 1,5 mio. viewers 1987 Keith´s first solo Album for Virgin Records™ (don´t know Name) 1988 Mick´s second solo Album „Primitive Cool“ 1989 Stones inducted in the Hall of Fame 1990 tour through Japan; 10 times 50.000 people audience in Korakuen Dome 1991 in November signed contract with Virgin Records™; then the five members immersed themselve in solo projects 1993 celebrating of 30th anniversary of the release of the first single in 1963 1994 Voodoo Lounge tour through U.S.A.; their last big gig; shower of Praise from fans and critics hope that they will make new Songs and now song from Rolling Stones: „Jumpin´ Jack Flash“ .

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How the Rolling Stones Amassed a Fortune Where Others Have Failed
How the Rolling Stones Amassed a Fortune Where Others Have Failed Last week Mick Jagger shared some video of his cardio workout routine. There he was dancing and moving to the music like only Mick can. Jagger was showing the world that, despite recent heart surgery, he is not slowing down. After years of hard touring and the excesses of the rock and roll lifestyle, Mick, Keith, and the rest of the Stones remain vital. During decades of near constant work, during which many of their contemporaries have failed, they have amassed fortunes. I described their investing process back in January of 2003. I wrote: Geezers in Wheelchairs… This year is the 40th anniversary of the world’s greatest rock & roll band—the Rolling Stones. Grizzled but game, the Stones truck on with their 15th North American tour. “Always precocious, the Stones at 60 look a lot like Segovia at 90: Keep the morgue on standby,” wrote the very funny Joe Queenan in the WSJ. The Stones are big business, real big business. As Fortune noted in its recent cover story, “The Stones have made more money than U2, or Springsteen, or Michael Jackson…or the Who—or whoever.” The topgrossing North American tour of all time was the Stones’ 1994 Voodoo Lounge tour. With a gross of over $120 million, these guys know how to make money and how to keep it. Jagger went to the London School of Economics. For me and perhaps for you, the really big news on the Stones is the recent hybrid (two layers) SACD release of the band’s pre-1971 material owned by Allen Klein and his ABKCO Records (the Stones’ longtime early label).
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The Olympic Stadium
MONTRÉAL OLYMPIC PARK MULTIPURPOSE COMPLEX Corbis Canada THE OLYMPIC STADIUM The only venue in Québec able to host large-scale events The Olympic Stadium is the only covered venue in Québec that’s in a position to host very large-scale events. The Main Room can accommo- date more than 60,000 spectators at once. The maximum capacity of the next biggest venue in Montréal is 22,000 people. Since 1976, the Stadium has welcomed more than 66 million people to sporting, cultural, commercial and other events. Thanks to the Stadium, Montréal is able to compete with large Canadian and American cities to Closing ceremony of the 1976 Olympic Games. score major events like the Grey Cup, the FIFA Junior World Cup, huge rock concerts such as those presented by Genesis and AC/DC and more. These events increase the visibility of Québec, and of Montréal, and yield significant economic benefits. Over the years, thousands of events—including many that have set attendance records—have drawn numerous crowds to the Stadium. EXAMPLES OF SPORTING EVENTS Event Date Attendance Of note Opening and closing July 17, 1976 76,433 Several hundred ceremonies of the August 1, 1976 76,433 thousand spectators Olympic Games attended the competitions that took place between 2008 Grey Cup: Over 66,300 spectators, second-highest attendance record. these two events Olympic Soccer July 31, 1976 71,617 Tournament Final Expos vs. Phillies April 15, 1977 57,592 First baseball game ever played at the Stadium Alouettes vs. Argonauts September 6, 1977 69,083 Attendance record for a regular-season game Grey Cup November 25, 1977 68,318 All-time attendance record in Grey Cup history Motocross June 1, 1985 61,290 Attendance record for this event Grey Cup November 23, 2008 66,380 Second-highest attended Grey Cup game at the Stadium Supermotocross: A hugely popular event since 1977.
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Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisﬁ ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise.
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Marzo 2016 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 58 - marzo 2016 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido Directorio PORTADA El blues de los Rolling Stones (1) …………………………...... 1 Cultura Blues. La Revista Electrónica CONTENIDO - DIRECTORIO ..……………………………………..…….. 2 “Un concepto distinto del blues y algo más…” EDITORIAL Al compás de los Rolling Stones (2) .......................…. 3 www.culturablues.com SESIONES DESDE LA CABINA Los Stones de Schrödinger Número 58 – marzo de 2016 (3) ..…………………………………………..……..…..………………………………………... 5 Derechos Reservados 04 – 2013 – 042911362800 – 203 Registro ante INDAUTOR DE COLECCIÓN El blues de los Rolling Stones. Parte 3 (2) .……..…8 COLABORACIÓN ESPECIAL ¿Quién lo dijo? 4 (2) ………….…. 17 Director general y editor: José Luis García Fernández BLUES EN EL REINO UNIDO The Rolling Stones – Timeline parte I (4) .......................................... 21 Subdirector general: José Luis García Vázquez ESPECIAL DE MEDIANOCHE Fito de la Parra: sus rollos y sus rastros (5) ……………….…….…..…….…. 26 Programación y diseño: Aida Castillo Arroyo COLABORACIÓN ESPECIAL La Esquina del Blues y otras músicas: Blues en México, recuento Consejo Editorial: de una década I (6) …………………………………………………………………….…. 34 María Luisa Méndez Flores Mario Martínez Valdez HUELLA AZUL Castalia Blues. Daniel Jiménez de Viri Roots & The Rootskers (7, 8 y 9) ………………………………………..……………..….… 38 Colaboradores en este número: BLUES A LA CARTA 10 años de rock & blues (2) .……………..... 45 1. José Luis García Vázquez CULTURA BLUES DE VISITA 2. José Luis García Fernández Ruta 61 con Shrimp City Slim (2 y 9) ................................................. 52 3. Yonathan Amador Gómez 4. Philip Daniels Storr CORTANDO RÁBANOS La penca que no retoña (10) ............ 55 5. Luis Eduardo Alcántara 6. Sandra Redmond LOS VERSOS DE NORMA Valor (11) ..………………………………… 57 7. María Luisa Méndez Flores 8.
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Bridges to Babylon Blessed Poison Here Is a Sketch of an Idea That Changed the Name of This Album from Blessed Poison to Bridges to Babylon
Bridges to Babylon Blessed Poison Here is a sketch of an idea that changed the name of this album from Blessed Poison to Bridges to Babylon. Mark Fisher’s sketch for the stage set's 150-foot cantilevered pontoon (the actual bridge was 160 feet long). This is the story of the tour that gave an album its name and its cover. Music Industry Economics In the old days the Stones would record an album and then do a tour to promote the album. That continued into the 80s and 90s when the Stones, like all bands, went on tour to promote their albums. They made their money through album sales. Set designer, Ray Winkler, said, “In the past it wasn't crucial to make large amounts of money from touring because record sales were very healthy, and that's how bands made their income. When that income stream diminished then bands wanted to increase their income stream from another perspective, and that was the touring perspective.” Technology changed the way we consumed music. Album covers became CD covers. People burned copies of CDs and shared them. Illegally sharing music with peer-to-peer file sharing software like Napster and downloading music all ate into record sales. Touring became a major source of revenue for bands. Then tours became spectaculars to grow the revenue even more. No longer were tours done to promote albums, albums were done to promote tours. Spectacular stages were an effective way of drawing crowds to concerts where the money made on tickets and merchandise supplemented record sales.
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Mick Jagger © Felix Aeppli 04-2020 / 09-2021
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Rolling stones american concert 81 The Rolling Stones' American Tour was a concert tour of stadiums and arenas in the United States to promote the album Tattoo You. It was the largest History · Set list · Worcester show · Irregular songs. Find a Rolling Stones* - American Tour 81 (Part 2) first pressing or reissue. Complete your Rolling Stones* collection. Shop Vinyl and CDs. Find a The Rolling Stones - American Tour '81 first pressing or reissue. Complete your The Rolling Stones collection. Shop Vinyl and CDs. Find a Rolling Stones* - American Tour 81 (Part 3) first pressing or reissue. Complete your Rolling Stones* collection. Shop Vinyl and CDs. The Rolling Stones' '81 tour found the band evolving. Gone were the dark days of '70s, replaced by the bright colors and arena spectacle of the. The Rolling Stones American Tour '81 / Concert Program Promo Book on *FREE* shipping on qualifying offers. The Rolling Stones - Start Me Up -- American Concert The Rolling Stones Still Life (American Concert ) Under My Thumb. Антон Петров. Loading Unsubscribe. As I continue my full concerts uploads, I post another '81 gem, Dallas, The Rolling Stones The , people who turned out to see the opening shows of the Rolling Stones' concert tour at Philadelphia's John F. Kennedy. The North American tour kicked off in late September and wound up in mid December with the band having played to almost million fans at 50 concerts. In the fall of , The Rolling Stones were touring behind their new North American tour, which began in May, so they jumped at the chance. "Still Life" (American Concert ), an Album by The Rolling Stones.
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10 Second Life and the Dynamics of Revival: the Stones After 1989
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