The Rolling Stones CD List
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
How the Rolling Stones Amassed a Fortune Where Others Have Failed
How the Rolling Stones Amassed a Fortune Where Others Have Failed Last week Mick Jagger shared some video of his cardio workout routine. There he was dancing and moving to the music like only Mick can. Jagger was showing the world that, despite recent heart surgery, he is not slowing down. After years of hard touring and the excesses of the rock and roll lifestyle, Mick, Keith, and the rest of the Stones remain vital. During decades of near constant work, during which many of their contemporaries have failed, they have amassed fortunes. I described their investing process back in January of 2003. I wrote: Geezers in Wheelchairs… This year is the 40th anniversary of the world’s greatest rock & roll band—the Rolling Stones. Grizzled but game, the Stones truck on with their 15th North American tour. “Always precocious, the Stones at 60 look a lot like Segovia at 90: Keep the morgue on standby,” wrote the very funny Joe Queenan in the WSJ. The Stones are big business, real big business. As Fortune noted in its recent cover story, “The Stones have made more money than U2, or Springsteen, or Michael Jackson…or the Who—or whoever.” The topgrossing North American tour of all time was the Stones’ 1994 Voodoo Lounge tour. With a gross of over $120 million, these guys know how to make money and how to keep it. Jagger went to the London School of Economics. For me and perhaps for you, the really big news on the Stones is the recent hybrid (two layers) SACD release of the band’s pre-1971 material owned by Allen Klein and his ABKCO Records (the Stones’ longtime early label). -
The Olympic Stadium
MONTRÉAL OLYMPIC PARK MULTIPURPOSE COMPLEX Corbis Canada THE OLYMPIC STADIUM The only venue in Québec able to host large-scale events The Olympic Stadium is the only covered venue in Québec that’s in a position to host very large-scale events. The Main Room can accommo- date more than 60,000 spectators at once. The maximum capacity of the next biggest venue in Montréal is 22,000 people. Since 1976, the Stadium has welcomed more than 66 million people to sporting, cultural, commercial and other events. Thanks to the Stadium, Montréal is able to compete with large Canadian and American cities to Closing ceremony of the 1976 Olympic Games. score major events like the Grey Cup, the FIFA Junior World Cup, huge rock concerts such as those presented by Genesis and AC/DC and more. These events increase the visibility of Québec, and of Montréal, and yield significant economic benefits. Over the years, thousands of events—including many that have set attendance records—have drawn numerous crowds to the Stadium. EXAMPLES OF SPORTING EVENTS Event Date Attendance Of note Opening and closing July 17, 1976 76,433 Several hundred ceremonies of the August 1, 1976 76,433 thousand spectators Olympic Games attended the competitions that took place between 2008 Grey Cup: Over 66,300 spectators, second-highest attendance record. these two events Olympic Soccer July 31, 1976 71,617 Tournament Final Expos vs. Phillies April 15, 1977 57,592 First baseball game ever played at the Stadium Alouettes vs. Argonauts September 6, 1977 69,083 Attendance record for a regular-season game Grey Cup November 25, 1977 68,318 All-time attendance record in Grey Cup history Motocross June 1, 1985 61,290 Attendance record for this event Grey Cup November 23, 2008 66,380 Second-highest attended Grey Cup game at the Stadium Supermotocross: A hugely popular event since 1977. -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise. -
Marzo 2016 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 58 - marzo 2016 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido Directorio PORTADA El blues de los Rolling Stones (1) …………………………...... 1 Cultura Blues. La Revista Electrónica CONTENIDO - DIRECTORIO ..……………………………………..…….. 2 “Un concepto distinto del blues y algo más…” EDITORIAL Al compás de los Rolling Stones (2) .......................…. 3 www.culturablues.com SESIONES DESDE LA CABINA Los Stones de Schrödinger Número 58 – marzo de 2016 (3) ..…………………………………………..……..…..………………………………………... 5 Derechos Reservados 04 – 2013 – 042911362800 – 203 Registro ante INDAUTOR DE COLECCIÓN El blues de los Rolling Stones. Parte 3 (2) .……..…8 COLABORACIÓN ESPECIAL ¿Quién lo dijo? 4 (2) ………….…. 17 Director general y editor: José Luis García Fernández BLUES EN EL REINO UNIDO The Rolling Stones – Timeline parte I (4) .......................................... 21 Subdirector general: José Luis García Vázquez ESPECIAL DE MEDIANOCHE Fito de la Parra: sus rollos y sus rastros (5) ……………….…….…..…….…. 26 Programación y diseño: Aida Castillo Arroyo COLABORACIÓN ESPECIAL La Esquina del Blues y otras músicas: Blues en México, recuento Consejo Editorial: de una década I (6) …………………………………………………………………….…. 34 María Luisa Méndez Flores Mario Martínez Valdez HUELLA AZUL Castalia Blues. Daniel Jiménez de Viri Roots & The Rootskers (7, 8 y 9) ………………………………………..……………..….… 38 Colaboradores en este número: BLUES A LA CARTA 10 años de rock & blues (2) .……………..... 45 1. José Luis García Vázquez CULTURA BLUES DE VISITA 2. José Luis García Fernández Ruta 61 con Shrimp City Slim (2 y 9) ................................................. 52 3. Yonathan Amador Gómez 4. Philip Daniels Storr CORTANDO RÁBANOS La penca que no retoña (10) ............ 55 5. Luis Eduardo Alcántara 6. Sandra Redmond LOS VERSOS DE NORMA Valor (11) ..………………………………… 57 7. María Luisa Méndez Flores 8. -
Something Happened to Me Yesterday © Felix Aeppli 06-2019 / 06-2020
TUMBLING DICE / FOOL TO CRY 1974 Something Happened To Me Yesterday © Felix Aeppli 06-2019 / 06-2020 FEBRUARY 8-13 Musicland Studios, Munich (Entry 0.249A) FEBRUARY 20 – MARCH 3 Musicland Studios, Munich (Entry 0.249A) APRIL 10-15 Rolling Stones Mobile (RSM), Stargroves, Newbury, Hampshire (Entry 0.249B) JUNE 1 Promotional film recordings, probably LWT Studios, London (Entry 0.250B) DECEMBER 7-15 Musicland Studios, Munich (Entry 0.254) 1974 Links Ian McPherson’s Stonesvaganza http://www.timeisonourside.com/chron1974.html Nico Zentgraf’s Database http://www.nzentgraf.de/books/tcw/1974.htm Ian McPherson’s Discography http://www.timeisonourside.com/disco3.html Which Album May I Show You? http://www.beatzenith.com/the_rolling_stones/rs2.htm#74iorr Sessions & Bootlegs at a Glance https://dbboots.com/content.php?op=lstshow&cmd=showall&year=1974 Japanese Archives Studio Website https://www10.atwiki.jp/stones/m/pages/282.html?guid=on The Rolling Stones on DVD http://www.beatlesondvd.com/19701974/1974year-sto.htm NOTES: Whilst every care has been taken in selecting these links, the author, of course, cannot guarantee that the links will continue to be active in the future. Further, the author is not responsible for the copyright or legality of the linked websites. TUMBLING DICE / FOOL TO CRY 1974 Sing This All Together LIVE & MEDIA SHOWS STUDIO SESSIONS RELEASES 0.248A JANUARY, 1974 SYMPATHY FOR THE DEVIL (SINGLE), DECCA DL 25610 (WEST GERMANY) A Sympathy For The Devil B Prodigal Son (Rev. Wilkins) Side A: Recorded at the One Plus One sessions, Olympic Sound Studios, London, June 4-10, 1968. -
Bridges to Babylon Blessed Poison Here Is a Sketch of an Idea That Changed the Name of This Album from Blessed Poison to Bridges to Babylon
Bridges to Babylon Blessed Poison Here is a sketch of an idea that changed the name of this album from Blessed Poison to Bridges to Babylon. Mark Fisher’s sketch for the stage set's 150-foot cantilevered pontoon (the actual bridge was 160 feet long). This is the story of the tour that gave an album its name and its cover. Music Industry Economics In the old days the Stones would record an album and then do a tour to promote the album. That continued into the 80s and 90s when the Stones, like all bands, went on tour to promote their albums. They made their money through album sales. Set designer, Ray Winkler, said, “In the past it wasn't crucial to make large amounts of money from touring because record sales were very healthy, and that's how bands made their income. When that income stream diminished then bands wanted to increase their income stream from another perspective, and that was the touring perspective.” Technology changed the way we consumed music. Album covers became CD covers. People burned copies of CDs and shared them. Illegally sharing music with peer-to-peer file sharing software like Napster and downloading music all ate into record sales. Touring became a major source of revenue for bands. Then tours became spectaculars to grow the revenue even more. No longer were tours done to promote albums, albums were done to promote tours. Spectacular stages were an effective way of drawing crowds to concerts where the money made on tickets and merchandise supplemented record sales. -
The Manual of Psychedelic Support a Practical Guide to Establishing and Facilitating Care Services at Music Festivals and Other Events
The Manual of Psychedelic Support A Practical Guide to Establishing and Facilitating Care Services at Music Festivals and Other Events First Edition (2015) Psychedelic Care Publications GWYLLM LLWYDD • The Chemist (dedicated to Sasha Shulgin), 2013 • multimedia, digital collage http://ic.earthrites.org The Manual of Psychedelic Support First Edition (2015) • Psychedelic Care Publications Copies of this Manual may be downloaded freely from http://www.psychsitter.com The Manual of Psychedelic Support First Edition, V1.0 (2015) Psychedelic Care Publications ISBN 978-0-646-91889-1 LICENSING & COPYRIGHT This work, excluding all art and photos, is licensed under a Creative Commons Attribution—Non-Commercial 4.0 Inter- national licence. You are free to Share (copy/redistribute in any medium) and Adapt (remix, transform, build upon) the text of this work, as long as you attribute its original source to The Manual of Psychedelic Support and provide a link to the CC BY-NC 4.0 licence https://creativecommons.org/licenses/by-nc/4.0/. Additionally, no part of this work may be used directly for commercial purposes. Art and photos in this work are copyright by their respective artists and photographers. EDITORS ANNIE OAK Founder of the Women’s Visionary Congress and the Full Circle Tea House JON HANNA Co-founder of Mind States KAYA SVEA NIELSEN Psychologist, Vision Board Coach, Nikken Consultant, and Mama of fine organic children TWILIGHT ZEVIC MISHOR FOREWORDS FIRE & EARTH EROWID Co-founders of Erowid Center, Erowid.org, and EcstasyData.org DIOGO RUIVO -
Nationals Recap $3.95
Love your lips! New lip balm is here Nationals recap $3.95 Special offer on the back! www.hammernutrition.com 1 IN THIS ISSUE # Julie Kaplan and Elizabeth Benishin strike 77 a pose in their National Champion jerseys after winning the 99-110 Tandem Time Trial. Contents Photo : Allan Crawford Letters 3 Masters Road Nationals 41 From our junior athletes 72 Welcome 4 100 miles of high-country fun 42 Hammerbuck$ 74 Bar Mitts 5 Cycling skills with Mike Freeman 44 Event calendar 76 From the saddle 6 92 miles through Denali 46 From our athletes 78 2011 Giro dell 'umbria 8 Highline Hammer times nine 48 Product spotlight : Hammer Whey 10 Giving it their best shot 50 "I use Race Day Boost Endurance Forum 11 New products!! 51 for all of my big cycling The key to a longer life 14 Hammer Nutrition International : UK 52 competitions, especially Hydration revisited 16 Making the leap from age group to pro 54 Eat more cruciferous veggies 18 Race Across America 56 my state and national time From the kitchen of Laura Labelle 19 Grinding it out 58 trial championships. It is the Folic acid supplementation is safe 20 Taking the scenic route 60 "edge" I don't want to tell my When? What? And for how long? 22 Furious 3 62 competitors about. I love the The road to recovery starts with Compex 26 A mighty mermaid 64 way it buffers the lactic acid TransRockies FUN 28 Setting sail for a national title 66 in my legs and eliminates that Ask Dr. -
Made in the Shade the Begats Andrew Loog Oldham Begat Necrophilia
Metamorphosis and Made In The Shade The Begats Andrew Loog Oldham begat Necrophilia. Allen Klein begat More Hot Rocks (Big Hits and Fazed Cookies) which vanquished Necrophilia. Bill Wyman begat Black Box. Allen Klein begat Metamorphosis, which vanquished Black Box. The Rolling Stones begat Made In The Shade. Necrophilia Metamorphosis is the album the Rolling Stones had nothing to do with and did not want to see released, it was also the culmination of a 3-year effort by the Stones to produce just such a compilation that began with Necrophilia. Hot Rocks 1964–1971 was a compilation album that had been released December 20, 1971 by London Records. It is also the best-selling release of the Stones’ career. In 1972, Andrew Loog Oldham, the Stones original manager, began compiling an album for release as the follow-up to Hot Rocks. It was entitled Necrophilia and it featured previously unreleased or, more accurately, discarded outtakes from the Stones' Decca/London period. Designed by Fabio Nicoli as a tri- gatefold album it used photos from Gered Menkowitz’s Between the Buttons photoshoot for the outer cover. The inside of the unreleased Necrophilia was recycled and used for the cover of More Hot Rocks (Big Hits and Fazed Cookies) in December 1972. 1. Out of Time* A very limited number of copies of Necrophilia had 2. Don’t Lie to Me* been produced when, popular mythology has it, a 3. Have You Seen Your Mother major disagreement arose between Oldham and Baby, Standing in the Shadow Stones’ Manager Allen Klein. The playlist of Necrophilia 4. -
Catskillscatskills
TThhee PlacePlace YYoouu CCallall HHoommee AA GuideGuide toto CaringCaring forfor YourYour LandLand inin thethe CatskillsCatskills A Northern Woodlands Publication Welcome Contents Our Home in the Catskills V ICKER Susanna Margolis 2 Pause Before You Plant S WHEN I LIVED IN MANHATTAN IN THE LATE 1970S, I had no idea where my & B Melissa Haertsch drinking water came from. All I knew was that it sure tasted good. Thirty years later, I 6 EECH Wood Lit know that the city’s water supply is both plentiful and pure largely through the efforts L 8 ER of people like you who own land in the Catskill watershed region. Calendar Spring 9 Although I don’t live in the watershed – my wife and I live on 95 acres of forest and What Do Animals Need? And Do Your Woods Provide It? pastureland in central Vermont – I share your experience in tending the land. And while Stephen Long 10 The Place You Call Home: I’ve spent the last dozen years writing about the Northeast’s forests, I was a true novice What’s to Become of Your Land? Conservation Agreements Help People A Guide to Caring for Hold Onto Land when we bought our land. Annette Lorraine 17 Your Land in the Catskills The first time my wife and I had logging work done on our land, we made all the Calendar Summer © Autumn 2006 20 classic mistakes: we were away when the work was done; we had no signed contract with Woods Whys: Can Your Woods be Too Tidy? 21 the logger; and we didn’t have a forester mark the pines to be cut. -
Download a PDF of the Inventory B
PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise.