Rolling Stones - Connection
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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
How the Rolling Stones Amassed a Fortune Where Others Have Failed
How the Rolling Stones Amassed a Fortune Where Others Have Failed Last week Mick Jagger shared some video of his cardio workout routine. There he was dancing and moving to the music like only Mick can. Jagger was showing the world that, despite recent heart surgery, he is not slowing down. After years of hard touring and the excesses of the rock and roll lifestyle, Mick, Keith, and the rest of the Stones remain vital. During decades of near constant work, during which many of their contemporaries have failed, they have amassed fortunes. I described their investing process back in January of 2003. I wrote: Geezers in Wheelchairs… This year is the 40th anniversary of the world’s greatest rock & roll band—the Rolling Stones. Grizzled but game, the Stones truck on with their 15th North American tour. “Always precocious, the Stones at 60 look a lot like Segovia at 90: Keep the morgue on standby,” wrote the very funny Joe Queenan in the WSJ. The Stones are big business, real big business. As Fortune noted in its recent cover story, “The Stones have made more money than U2, or Springsteen, or Michael Jackson…or the Who—or whoever.” The topgrossing North American tour of all time was the Stones’ 1994 Voodoo Lounge tour. With a gross of over $120 million, these guys know how to make money and how to keep it. Jagger went to the London School of Economics. For me and perhaps for you, the really big news on the Stones is the recent hybrid (two layers) SACD release of the band’s pre-1971 material owned by Allen Klein and his ABKCO Records (the Stones’ longtime early label). -
The Olympic Stadium
MONTRÉAL OLYMPIC PARK MULTIPURPOSE COMPLEX Corbis Canada THE OLYMPIC STADIUM The only venue in Québec able to host large-scale events The Olympic Stadium is the only covered venue in Québec that’s in a position to host very large-scale events. The Main Room can accommo- date more than 60,000 spectators at once. The maximum capacity of the next biggest venue in Montréal is 22,000 people. Since 1976, the Stadium has welcomed more than 66 million people to sporting, cultural, commercial and other events. Thanks to the Stadium, Montréal is able to compete with large Canadian and American cities to Closing ceremony of the 1976 Olympic Games. score major events like the Grey Cup, the FIFA Junior World Cup, huge rock concerts such as those presented by Genesis and AC/DC and more. These events increase the visibility of Québec, and of Montréal, and yield significant economic benefits. Over the years, thousands of events—including many that have set attendance records—have drawn numerous crowds to the Stadium. EXAMPLES OF SPORTING EVENTS Event Date Attendance Of note Opening and closing July 17, 1976 76,433 Several hundred ceremonies of the August 1, 1976 76,433 thousand spectators Olympic Games attended the competitions that took place between 2008 Grey Cup: Over 66,300 spectators, second-highest attendance record. these two events Olympic Soccer July 31, 1976 71,617 Tournament Final Expos vs. Phillies April 15, 1977 57,592 First baseball game ever played at the Stadium Alouettes vs. Argonauts September 6, 1977 69,083 Attendance record for a regular-season game Grey Cup November 25, 1977 68,318 All-time attendance record in Grey Cup history Motocross June 1, 1985 61,290 Attendance record for this event Grey Cup November 23, 2008 66,380 Second-highest attended Grey Cup game at the Stadium Supermotocross: A hugely popular event since 1977. -
New Entry of Record Labels in the Music Industry
Start Me Up: New Entry of Record Labels in the Music Industry Master Thesis MSc Business Administration Management and Entrepreneurship in the Creative Industries Faculty of Economics and Business, Amsterdam Business School Myra Alice Wilhelmina Ruers - 11903929 Supervisor: Dr. M. Piazzai 21st of June 2018 Statement of Originality This document is written by Student Myra Ruers, who declares to take full responsibility for the contents of this document. I declare that the text and the work presented in this document is original and that no sources other than those mentioned in the text and its references have been used in creating it. The Faculty of Economics and Business is responsible solely for the supervision of completion of the work, not for the contents. 2 Abstract The music industry is extremely vibrant, diverse, and inherently uncertain. Record labels are the main intermediaries in this industry, facilitating the connection between the creative input from musicians and the demand from the consumers. Due to many technological advancements, the barriers to entry have decreased significantly, hence making it easier to enter this industry as a new record label. Additionally, strategic integration options allow existing firms to start new ventures by acquiring or initiating subsidiaries. This research focuses on the multiple modes through which new entry can be commenced. These entry modes all have their own characteristics and consequences for the configurations of the industry. The likelihood of entry, the subsequent performance of new record labels, and the effects on the diversity of the output are the main topics that are explored. In this study, databases storing longitudinal information on musical releases are used to compile a dataset with the necessary information on new record labels. -
(I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Ar
1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Arms Journey 1982 5 Yesterday The Beatles 1965 6 American Pie Don McLean 1972 7 Imagine John Lennon 1971 8 Jailhouse Rock Elvis Presley 1957 9 Ebony And Ivory Paul McCartney & Stevie Wonder 1982 10 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 11 Start Me Up Rolling Stones 1981 12 Centerfold J. Geils Band 1982 13 I Want To Hold Your Hand The Beatles 1964 14 I Love Rock And Roll Joan Jett & The Blackhearts 1982 15 Hotel California The Eagles 1977 16 Do You Believe In Love Huey Lewis & The News 1982 17 The House Of The Rising Sun The Animals 1964 18 Don't Talk To Strangers Rick Springfield 1982 19 Won't Get Fooled Again The Who 1971 20 867-5309/Jenny Tommy Tutone 1982 21 Bridge Over Troubled Water Simon & Garfunkel 1970 22 '65 Love Affair Paul Davis 1982 23 Help! The Beatles 1965 24 Don't Stop Believin' Journey 1981 25 Endless Love Diana Ross & Lionel Richie 1981 26 Brown Sugar Rolling Stones 1971 27 Let It Be The Beatles 1970 28 Free Bird Lynyrd Skynyrd 1975 29 Woman John Lennon 1981 30 Nights In White Satin Moody Blues 1972 31 She Loves You The Beatles 1964 32 The Sounds Of Silence Simon & Garfunkel 1966 33 The Twist Chubby Checker 1960 34 Jumpin' Jack Flash Rolling Stones 1968 35 Jessie's Girl Rick Springfield 1981 36 Born To Run Bruce Springsteen 1975 37 A Hard Day's Night The Beatles 1964 38 California Dreamin' The Mamas & The Papas 1966 39 Lola The Kinks 1970 40 Lights Journey 1978 41 Proud -
Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise. -
Something Happened to Me Yesterday © Felix Aeppli 12-2019 / 09-2020
SPARKS WILL FLY 2018 Something Happened To Me Yesterday © Felix Aeppli 12-2019 / 09-2020 “UK, IRE and EU No Filter Tour” APRIL 30 – MAY 4 Rehearsals, Omnibus Theatre, Clapham, London MAY 7-11 Rehearsals, Unidentified venue, London 14 Rehearsals, Croke Park, Dublin (Entry 1.229) 15 Rehearsals, Croke Park, Dublin (Entry 1.230) 17 Croke Park, Dublin (Entry 1.232 – complete show listed) 22 London Stadium, London (Entry 1.234 – complete show listed) 25 London Stadium, London (Entry 1.235 – complete show listed) (joined by Florence Welch) 29 St Mary’s Stadium, Southampton (Entry 1.236 – complete show listed) JUNE 2 Ricoh Arena, Coventry (Entry 1.237 – complete show listed) 5 Old Trafford Football Stadium, Manchester (Entry 1.238 – complete show listed) 9 BT Murrayfield Stadium, Edinburgh (Entry 1.239 – complete show listed) 15 Principality Stadium, Cardiff (Entry 1.240 – complete show listed) 19 Twickenham Stadium, London (Entry 1.242 – complete show listed) (joined by James Bay) 22 Olympiastadion, Berlin (Entry 1.243 – complete show listed) 26 Orange Velodrome, Marseille (Entry 1.244 – complete show listed) 30 Mercedes-Benz Arena, Stuttgart (Entry 1.245 – complete show listed) JULY 4 Letnany Airport, Prague (Entry 1.247 – complete show listed) 8 PGE Narodowy, Warsaw (Entry 1.248 – complete show listed) Backing: Chuck Leavell: keyboards, back-up vocals, percussion; Darryl Jones: bass, occasional back-up vocals; Karl Denson: saxophone; Tim Ries: horns, occa- sional keyboards; Matt Clifford: keyboards, occasional percussion and French horn; Sasha -
Something Happened to Me Yesterday © Felix Aeppli 06-2019 / 06-2020
TUMBLING DICE / FOOL TO CRY 1974 Something Happened To Me Yesterday © Felix Aeppli 06-2019 / 06-2020 FEBRUARY 8-13 Musicland Studios, Munich (Entry 0.249A) FEBRUARY 20 – MARCH 3 Musicland Studios, Munich (Entry 0.249A) APRIL 10-15 Rolling Stones Mobile (RSM), Stargroves, Newbury, Hampshire (Entry 0.249B) JUNE 1 Promotional film recordings, probably LWT Studios, London (Entry 0.250B) DECEMBER 7-15 Musicland Studios, Munich (Entry 0.254) 1974 Links Ian McPherson’s Stonesvaganza http://www.timeisonourside.com/chron1974.html Nico Zentgraf’s Database http://www.nzentgraf.de/books/tcw/1974.htm Ian McPherson’s Discography http://www.timeisonourside.com/disco3.html Which Album May I Show You? http://www.beatzenith.com/the_rolling_stones/rs2.htm#74iorr Sessions & Bootlegs at a Glance https://dbboots.com/content.php?op=lstshow&cmd=showall&year=1974 Japanese Archives Studio Website https://www10.atwiki.jp/stones/m/pages/282.html?guid=on The Rolling Stones on DVD http://www.beatlesondvd.com/19701974/1974year-sto.htm NOTES: Whilst every care has been taken in selecting these links, the author, of course, cannot guarantee that the links will continue to be active in the future. Further, the author is not responsible for the copyright or legality of the linked websites. TUMBLING DICE / FOOL TO CRY 1974 Sing This All Together LIVE & MEDIA SHOWS STUDIO SESSIONS RELEASES 0.248A JANUARY, 1974 SYMPATHY FOR THE DEVIL (SINGLE), DECCA DL 25610 (WEST GERMANY) A Sympathy For The Devil B Prodigal Son (Rev. Wilkins) Side A: Recorded at the One Plus One sessions, Olympic Sound Studios, London, June 4-10, 1968. -
Are We Still Rolling?
Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone. -
32.-Brown-2013-Little-Wing.Pdf
Understanding Rock This page intentionally left blank Understanding Rock ESSAYS IN MUSICAL ANALYSIS Edited by JOHN COVACH & GRAEME M. BOONE New York Oxford Oxford University Press 1997 Oxford University Press Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 1997 by Oxford University Press, Inc. Published by Oxford University Press, Inc., 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Understanding rock : essays in musical analysis / edited by John Covach and Graeme M. Boone. p. cm. Includes index. Contents: Progressive rock, "Close to the edge," and the boundaries of style / John Covach — After sundown : the Beach Boys' experimental music / Daniel Harrison — Blues transformations in the music of Cream / Dave Headlam — "Joanie" get angry: k. d. lang's feminist revision / Lori Burns — Swallowed by a song: Paul Simon's crisis of chromaticism / Walter Everett — Little wing: a study in musical cognition / Matthew Brown — Tonal and expressive ambiguity in "Dark star" / Graeme M. Boone. ISBN 0-19-510004-2; ISBN 0-19-510005-0 (pbk.) 1. Rock music—History and criticism. 2. Rock music—Analysis, appreciation. -
The Alledger, Volume 01, Number 06 the Alledger
Boston College Law School Digital Commons @ Boston College Law School The Alledger Law School Archive 12-9-1981 The Alledger, volume 01, number 06 The Alledger Follow this and additional works at: http://lawdigitalcommons.bc.edu/alledger Part of the Legal Education Commons, and the Legal History, Theory and Process Commons Recommended Citation The Alledger, "The Alledger, volume 01, number 06" (1981). The Alledger. Book 6. http://lawdigitalcommons.bc.edu/alledger/6 This Article is brought to you for free and open access by the Law School Archive at Digital Commons @ Boston College Law School. It has been accepted for inclusion in The Alledger by an authorized administrator of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. LAST ISSUE OF THE SEIV:ESTER B.C. Law Bi.weekiY THE ALLEDGER Vol. I, No. 6 Newton Cantra. Maeeachu•att• December 9, 19Rl HUBER DISCUSSES FACULTY SALARIES by Ellen Frank I interviewed Dean Huber qualifications are reviewed on Tuesday, November 17, by the tenured faculty, a 1981 concerning the subject student committee, a promo of faculty salaries. He tions committee which informed me that faculty consists of Dean Huber and salaries at Boston College Professors McDaniel, Katz, Law School range from the Willier, and Brown, and low thirties for beginning finally the President and tenure track positions t .o Vice President of the the mid-nineties for the college. top professors. The speci Even with several promo What Deans Do fic figures are confiden tions and · cost of living THE FIRST: NOEL tial and are only released increases, faculty salaries By Bob Moran to the American Bar Asso cannot keep up with the Have you ever wondered In addition, Dean Augus ciation in an annual accre private sector.