The California Tech

Total Page:16

File Type:pdf, Size:1020Kb

The California Tech After reading the Just don't super special media guy, check out the regular one ... bother see page 4 THE CALIFORNIA TECH P ASADENA CALIFORNIA FRIDAY M ARCH 1998 RAINED? WE ARE. THIS ISSUE 100% CONTENT FREE Adam Villani: Media Guy: Armegeddon, Part /I With the Oscars comin g up on Monday, th e question is not whether the Acadcmy failed to nominate it. You can safely put your money on L.A . Titanic will dominate th e compet iti on, but by how mu ch it will dominate COl/fidel/tial, but of the nominees I would cheer for Th e Sweet Hereafter the competition. Looking at the nominations individually, Ithink Titanic and DOlil/ie Brasco. has a decent shot to win in each of it s 14 nominated categories except Cillematography- The sheer beauty of Martin Scorsesc's marv elous Besi AClress (Kale Winslet). Even if lhere's a huge backlash agai nslthis Kill/dun may beat out Titan ic here. Conn oisseurs shou ld check out gOO-pound gorill a of a movie, It 's still got Ed iti ng. Art Direction , Origi­ Maborosi for a movie expressed al most solely through its cinematogra­ nal Dramatic Score, Costum e, Original Song, and Sound pretty much phy_ wrapped up and in the bag. While I think the 14 nominations represen ted Ediling- Titanic wins, and is the best nominated. Erro l Morris' docu­ the peak of its popu larity, I think we shou ld expect to see repre se ntatives mentary Fast, Cheap. and Oul of COlllroi and Peter Greenaway's spec­ of this very popular and technicai ly outstandi ng film take th e podium tacu lar Th e Pillow Book were the true masterpieces of editing this year. about J 0 limes the evenin g of the 23rd. Origillal Musical or Comedy Score- I} rcally don 't kn ow; I've only seen two of lhese film s. Forced to guess, I'd say Hans Zimmer wins for As Allalysis by Calegory Good As It GelS. I think they mi ssed an opportunity to honor Waiting For Best Picture-l don 't thi nk it 's likely, but I think lhere's a di stinct possi­ Guffman here. bility lhal underdog favorite Good Will HUll/illg will pullihe upset of the Original Dramatic Score- Philip Glass' music for Kundwl is his best year and win the top honor of the year. Academy voters love se ntimen tal since Koyaanisqatsi and eas il y the bc st of the year, but don't expect him favo rites, and some may feel th at Titanic's box-office success is to beat Titanic. rewa rd enough. Hunting is my favorit e of the nominated film s, but on an Origillal Song- Always the worst category, and as such we'll have Celine open ballot I'd cast my vote for Lost Highway. Dion belting out this year's winner "My Hearl Will Go On," from (of Best Director-Jim Cameron is more secure here than his film is for course) Titanic. I thought the songs in Wag the Dog were bitingly funny. Picture. Gus Van Sant's direct ion of Good Will Hu nting didn 't really stand Art Direction-Ju st look al the sizc of the damn boal. I thought the de­ out, and a win by crit ical favorite Curtis Hanson (L.A. Confidelllial) would signs for Gattaca were more stylish and those for Alien Resurrection and! be trul y unexpected. Without question, my favorite nominee here is Atom Th e Fifth Elemellt more effective. Egoyan for The Sweet He reafter, but my open vo te would go to the in­ Costumes-I can see why the Academy will go for lhe opulence of Ti· comparable David Lynch for Lost Highway. tallic, bUI I think Boogie .Nights really outdid itself usi ng costumes to BestActress- By all ri ghts, lhis should belong 10 Helena Bonham Carler create atmosphere. for The Willgs of the Dove butlthink Ihis' ll go to Helen Hunl by a nose Makeu~ l'd guess Men in Black wins, th ough I haven't seen it ; what's over Judi Dench. As Good As It Gets and its director James Brooks are so hard about maki ng all those Ooating bloated bodies in Titallic? Alien popular, Hunt's perfonnance is charismatic and we ll- felt , and she's the Resurrection, Th e Fifth Element, and Spawn excelled here, although Spawn onl y Ameri ca n nomi nated in the category. In my world. four-year:olO was absolute crap. Vi ctoire Thivi sol from POl/ette tics Bonh am Carter and Virginie Le.doyen SOlln d- Th e Fifth Element and Contact were quite good in thi s regard, from Lajille selile (A Sillgle Gi rl). but I certainly won't protest when Titanic wins this one. Best Actor-Thi s one's a tough call. Peter Fonda' s the comeback kid Sound Eff ects Editing- See above. t .,p ... here and Jack Ni cholson has a 101 of friends, but I would PUI my money Vis ual Effects- For all ihe hype, the success of the effects in Titanic was on Robert Duvall forsinglehandedly carrying The Apostle. I liked Matt more a case of gett ing their money's worth on the screen rather than much Damon, the unnom,inated AI Pac ino in Donnie Brasco,and the very originality, and The Lost Worlds effects were obvious, recycled, and corn y unnominated Nicholas Hope Jof the hard-to-slOmach Australian satire (How many times would lhey use that phony-Iookin' T·Rex head? And Bad Boy Bubby. why weren'l any San Diego landmarks deslroyed?) Titanic s nol a bad Besl Supporting Actor- Burt Reyn olds has won every award under the choice, bUI [lhink I' d ralher see Starship Troopers lake home the stalu­ sun for his Boogie Nights perfonnance, but I can't really see what was so elle, and I wish Th e Fifth Element had been nominated here. special there. [ might place my money on a longshol chance of Robin Foreign lAnguage Film, Documentary Short, A 1Iimated Short, Live Williams wi nni ng hi s fi rst Oscar here, though I wouldn 't be at all sur­ Action Short, Documelltary Featllre- Who knows? prised to see Reynolds take it. Personally, J Ihought Roberl Forster found precisely the right groove for his charactcr in the otherwi se tcdious Ja ckie Browil. IN THIS ISSUE Best Supportillg Actress- Thi s award could really go 10 any of the nomi­ nees, but I sure hope th ey don't give it to Gloria Stuart for Titanic. Sig­ nificantly, the old-tim er's sentimentality vote isn't as strong as it once T HE U SUAL THIS W EEK'S was. I guess Kim Basinger may get th e award to repre sen t the great en­ STUFF F EATURES semble cast of L.A. Confidential but the great Juliann e Moore's chances aren' t too bad for Boogie Nights. My perso nal choice, Christina Ricci, was a victi m of6'he Ice Storm 's nominatio n blank-out. M in ts .......................................•.. 8 Term in Review................ ....... 3 Best Origillal.s'Ereellplay- While il may be somelhing of a Holl ywood· DILBERTt ............. _.. ...................6 Tech Minules. •...•.......••.. •••....... 2 slyle ego piece, I think I'll agree with the Academy when they hand Ihis The Outside World ................... 3 More Media Guy. ......•............. ..4 one to Matt Damon and Ben Afneck for Good Will Hull/illg. Bes/Adapted Screellplay-Iflhere werc any juslice in Holl ywood, James Schamus' adaptation of The lee Storm would win hand s down hcre-but March 20, 1998 MINUTES The California Tec-h treat as she will be out east nances are quickly glossed Bookworm on disk. We tum our looking for a job and other over, as the Editors realize backs, and suddenly she was less savory diversions. that we need cash. Dona­ gone. tions will be solicited. He Devi - The CLUE wi ll be reads the Dilbert and grape­ Myfanwy jogs back in to see out early next term. The li­ vines out. what's going on. She talks of lnutes braries will be open until lnutes "random whacko psychotic re­ 04:00 during finals. Stu­ Roadkill walks in . The front ligious spazzy hairsprayftooth_ M ARCH II , 1998 M ARCH 19, 1998 dents working late will need page has unanimous ap­ paste" whi le we all discuss long to have their ID with them. proval. Begins writing a comer hair. Also, ASCIT Excomm will Present (atsome point): BoD, Present (at some point):The of sorts. be meeting too late for us to have Tom Elling Jaideep - The IHC will be se­ Editors minus Terry, Myfanwy a minute. lecting a Secretary and defining Callahan,Daisy James, Wren Katy steals minute power from Meeting called to order at 22:39. the athletic manager this week. M<L!!tgomery, Rob Saliba, Liz Shannon. Vanessa phones, we have te Verschell, Mie Westcoat, Yin paste ads. Suck. General Business Rob - Is looking at ASCIT's tax Yuen Pornos stops in. Drops a few New Office - Tom Mannion of­ status. In order 'to file as SOl C, photos and leaves. '-. Christoph trots in looking fOI fered to give ASCIT the Inter­ ASCIT cannot advocate any Present (via the phone): Terry's business managers so he can gel national Student Affairs Office form of legislative change. He Mom, The Printer, Vanessa Roadkill and Shay discuss more money. He also has 1 when they move out.
Recommended publications
  • See It Big! Action Features More Than 30 Action Movie Favorites on the Big
    FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films
    [Show full text]
  • Michael Mcdermott
    LANDSCAPES AND THE MACHINE: ADDRESSING WICKED VALUATION PROBLEMS WHEN NORTH, SOUTH, EAST AND WEST MEET A thesis submitted in fulfillment of the requirements for the award of the degree Doctor of Philosophy by Michael McDermott Faculty of Design, Architecture and Building University of Technology, Sydney Supervisors: Associate Professor Jason Prior and Professor Spike Boydell 2015 Landscapes and the Machine: Addressing Wicked Valuation Problems when North, South, East and West Meet. i ABSTRACT This thesis is about engaging with the dynamic relationship between “landscapes”, “land tenure”, and the “machine”. The first term can be so broad as to mean every process and thing encountered, the second means the way that land is held by a person or group of persons, and the third means things both put together and used by humans to fulfil their wants and needs from the landscape. As a professional valuer I have been traditionally trained to engage at arms-length with the normative behaviour of persons or groups at the intersection of these three concepts, wherein those people and groups were willing but not compelled to engage. Such traditional valuation approaches are increasingly recognised as being insufficient to address wicked valuation problems of the diverse peoples and groups that inhabit the globe from North, South, East to West. This thesis develops a means of engaging with these wicked valuation problems in a suitably knowledgeable and prudent way. To do so the thesis adopts an exploratory approach guided by Whitehead’s process philosophy injunction of a creative advance into novelty. This approach is enacted through a range of data collection and analysis methods.
    [Show full text]
  • Empireheads to the Florida Estate of Burt Reynolds To
    presents WORDS PORTRAITS Nick de Semlyen Steve Schofi eld EMPIRE HEADS TO THE FLORIDA ESTATE OF BURT REYNOLDS TO SPEND AN ALL-ACCESS WEEKEND WITH THE BANDIT HIMSELF, ONCE THE BIGGEST MOVIE STAR ON THE PLANET TYPE Jordan Metcalf 120 JANUARY 2016 JANUARY 2016 121 Most character-building of all, he shared a New York apartment with Rip Torn. “He was wild,” Reynolds says of the notoriously volatile Men In Black star. “One time they asked me to go duck- hunting in the Roosevelt Game Reserve for (TV show) The American Sportsman, and I took Rip with me. While we were walking around, some geese fl ew above us, squawking. Rip goes, ‘You know what “IF I’D SAID YES TO STAR they’re saying? They’re saying, “That’s the crazy Rip Torn down there.”’ He took his gun, said, ‘I’ll teach that sonuvabitch WARS, IT WOULD HAVE to talk like that,’ and shot one. I said, ‘Rip, you really are crazy.’ But I couldn’t help but love him. Still do.” Reynolds built a reputation as HIS REFRESHMENTS ARE LAID OUT. MEANT NO SMOKEY a fearless man of action, stoked by his A cluster of grapes, a glass of ice water eagerness to do his own stunts. “The and a bowl of Veggie Straws potato fi rst one involved me going through chips (‘Zesty Ranch’ fl avour), arranged AND THE BANDIT…” a plate-glass window on a show called lovingly on a side-table. Frontiers Of Faith,” he says. “I got 125 The students are assembled. This bucks — a nice chunk of change in 1957.” Friday night, 18 of them have come.
    [Show full text]
  • Mr Trumble.Pdf
    REVIEW OF EXHIBITIONS AND PUBLIC PROGRAMS AT THE NATIONAL MUSEUM OF AUSTRALIA SUBMISSION BY ANGUS TRUMBLE I wish to make the following submission in connection with DCITA’s 2003 Review of Exhibitions and Public Programs at the National Museum of Australia, Canberra. My thoughts about the NMA are largely the product of having for many years visited dozens museums all over the world, either out of interest or through my work as Curator of European Art at the Art Gallery of South Australia in Adelaide (1996 to 2001). However, I should also make it clear that I have had no professional contact with the NMA staff other than as an ordinary visitor, and it is in that capacity, not so much as an art museum curator, that I wish to comment on the building and aspects of the display, which I have studied carefully in the course of five visits in February and March this year. Despite the robust nature of many of my criticisms, I should say that I welcome the long-awaited arrival of the NMA. I believe it has a vital role to play in the cultural life of the nation, and the many problems that it must now solve are no more than temporary setbacks. None, apart from the terrible building, is insoluble, and even the building can be improved, I think, beyond measure. The architecture The design of the new NMA building is very poor and will not, I think, serve the long-term exhibition needs of the NMA. Nor will it open up new possibilities for public programming in the long term.
    [Show full text]
  • Not Even Past NOT EVEN PAST
    The past is never dead. It's not even past NOT EVEN PAST Search the site ... Of How a Hopi Ancient Word Became a Famous Experimental Film Like 65 Tweet by Montserrat Madariaga The theater is at its full capacity. The musicians are in place as the orchestra conductor starts to wave his arms in time with the image on the screen. There, little red dots emerge from a black background. They slowly widen and turn into capital letters: The word KOYAANISQATSI takes over. Keyboard notes evoking a church organ underline the mystery of the term and suit the dramatic hard-edged-typography. It is a Friday afternoon, February 23, 2018, in the Bass Concert Hall of the Texas Performing Art Center of The University of Texas, at Austin. The occasion is the screening of Godfrey Reggio’s 1982 lm, accompanied by the live performance of The Philip Glass Ensemble playing its original score music. Featured for the rst time to an ample public in the 1982 New York Film Festival, Koyaanisqatsi is an audiovisual art piece without dialogue or voiceover, deprived of any explicit narrative, that is nowadays a cult classic. It opens with a shot of the Holy Ghost Panel in Horseshoe Canyon, Utah, a human trace dated between 400 AD and 1100 AD. Then, footage of imposing natural landscapes and wildlife of the United States’ Southwest is followed by images of urban spaces: construction, crowded streets, demolitions, technology of the time, and so on. The collage escalates in its pace along with the music: utes, clarinet, trombone, viola, tuba, keyboards and vocals from time to time repeat the word “koyaanisqatsi” in a low pitched ceremonial tone that creates an apocalyptic atmosphere.
    [Show full text]
  • October–December 2014 Vermilion Flycatcher Tucson Audubon 3 the Sky Island Habitat
    THE QUARTERLY NEWS MAGAZINE OF TUCSON AUDUBON SOCIETY | TUCSONAUDUBON.ORG VermFLYCATCHERilion October–December 2014 | Volume 59, Number 4 Adaptation Stormy Weather ● Urban Oases ● Cactus Ferruginous Pygmy-Owl What’s in a Name: Crissal Thrasher ● What Do Owls Need for Habitat ● Tucson Meet Your Birds Features THE QUARTERLY NEWS MAGAZINE OF TUCSON AUDUBON SOCIETY | TUCSONAUDUBON.ORG 12 What’s in a Name: Crissal Thrasher 13 What Do Owls Need for Habitat? VermFLYCATCHERilion 14 Stormy Weather October–December 2014 | Volume 59, Number 4 16 Urban Oases: Battleground for the Tucson Audubon Society is dedicated to improving the Birds quality of the environment by providing environmental 18 The Cactus Ferruginous Pygmy- leadership, information, and programs for education, conservation, and recreation. Tucson Audubon is Owl—A Prime Candidate for Climate a non-profit volunteer organization of people with a Adaptation common interest in birding and natural history. Tucson 19 Tucson Meet Your Birds Audubon maintains offices, a library, nature centers, and nature shops, the proceeds of which benefit all of its programs. Departments Tucson Audubon Society 4 Events and Classes 300 E. University Blvd. #120, Tucson, AZ 85705 629-0510 (voice) or 623-3476 (fax) 5 Events Calendar Adaptation All phone numbers are area code 520 unless otherwise stated. 6 Living with Nature Lecture Series Stormy Weather ● Urban Oases ● Cactus Ferruginous Pygmy-Owl tucsonaudubon.org What’s in a Name: Crissal Thrasher ● What Do Owls Need for Habitat ● Tucson Meet Your Birds 7 News Roundup Board Officers & Directors President—Cynthia Pruett Secretary—Ruth Russell 20 Conservation and Education News FRONT COVER: Western Screech-Owl by Vice President—Bob Hernbrode Treasurer—Richard Carlson 24 Birding Travel from Our Business Partners Guy Schmickle.
    [Show full text]
  • Anne Gordon Center for Active Adults Movie Schedule February 2020 Wednesdays 2:00 PM—4:00 PM FREE Please See the Back for Attendance Rules and Information
    Anne Gordon Center for Active Adults Movie Schedule February 2020 Wednesdays 2:00 PM—4:00 PM FREE Please see the back for attendance rules and information. Feb 5 Once Upon a Time in Hollywood Com, Drama Rated: R Runtime: 2:41 Starring: Leonardo DiCaprio, Brad Pitt, Burt Reynolds, Margot Robbie, In 1960s Los Angeles, silver screen actor Rick Dalton and his stunt double turned best friend, Cliff Booth, struggle to keep pace with the swiftly evolving entertainment industry. They both work to continue their notoriety while facing the demise of Hollywood's Golden Age. Rated R for Bloody Images, Drug Use, Language, Sexual Situations, and Violence. Feb 12 Judy Drama, Musical Rated: PG-13 Runtime: 1:58 Starring: Renée Zellweger, Finn Wittrock, Rufus Sewell, Jessie Buckley Set in late 1968 and early 1969, Judy Garland stars in a five-week engagement of Talk of the Town in swinging London. Behind the scenes, she battles her own management and prepares to fight her ex-husband in court for custody of their children. Despite this period of her life being tumultuous, Garland is able to find love once again. Rated PG-13 by the Motion Picture Association of America for Language, Substance Abuse, Thematic Elements. Feb 19 The Farewell Com, Drama Rated: PG Runtime: 1:40 Starring: Awkwafina, Zhao Shuzhen, X Mayo, Tzi Ma, Shuzhen Zhou In this funny, heartfelt story, Billi's family returns to China under the guise of a fake wedding to stealthily say goodbye to their beloved matriarch, who is the only person that doesn't know she only has a few weeks to live.
    [Show full text]
  • Deepa Mehta (See More on Page 53)
    table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region.
    [Show full text]
  • GODFREY REGGIO (Director, Koyaanisqatsi) Is a Pioneer of a Film Form That Creates Poetic Images of Extraordinary Emotive Impact
    GODFREY REGGIO (Director, Koyaanisqatsi) is a pioneer of a film form that creates poetic images of extraordinary emotive impact. Reggio is best known for the Qatsi Trilogy – essays of image and music, speechless narrations which question the world in which we live. Born in New Orleans in 1940, Reggio entered the Christian Brothers, a Roman Catholic Pontifical Order, at age 14 and remained as a monk until 1968. In 1963, he co-founded Young Citizens for Action, a community organization of juvenile street gangs. Reggio co-founded La Clinica de la Gente and La Gente, a community organizing project in Northern New Mexico’s barrios. In 1972, he co- founded the Institute for Regional Education in Santa Fe, a nonprofit organization focused on media, the arts, community organization and research. In collaboration with the New Mexico Chapter of the American Civil Liberties Union, Reggio co- organized a multimedia public interest campaign on the invasion of privacy and the use of technology to control behavior. Reggio’s collaboration on Koyaanisqatsi with Ron Fricke (Director of Photography) and Philip Glass (Composer) gained an international audience, critical acclaim and launched the Qatsi Trilogy. Koyaanisqatsi has been played live over 200 times in venues worldwide. Reggio’s collaborations with Philip Glass, include: Koyaanisqatsi (1982), Powaqqatsi (1988), Naqoyqatsi (2002), Anima Mundi (1992), Evidence (1995) and Visitors (2013). In 1993, Reggio was invited by Luciano Benetton and Oliviero Toscani to develop a new school “to smell the future” – an enterprise of exploration and production in the arts, technology and mass media. Called Fabrica – Futuro Presente, it opened in the middle of the ‘90s in Treviso, Italy.
    [Show full text]
  • Changemakers: Biographies of African Americans in San Francisco Who Made a Difference
    The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Leo T. McCarthy Center for Public Service and McCarthy Center Student Scholarship the Common Good 2020 Changemakers: Biographies of African Americans in San Francisco Who Made a Difference David Donahue Follow this and additional works at: https://repository.usfca.edu/mccarthy_stu Part of the History Commons CHANGEMAKERS AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE Biographies inspired by San Francisco’s Ella Hill Hutch Community Center murals researched, written, and edited by the University of San Francisco’s Martín-Baró Scholars and Esther Madríz Diversity Scholars CHANGEMAKERS: AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE © 2020 First edition, second printing University of San Francisco 2130 Fulton Street San Francisco, CA 94117 Published with the generous support of the Walter and Elise Haas Fund, Engage San Francisco, The Leo T. McCarthy Center for Public Service and the Common Good, The University of San Francisco College of Arts and Sciences, University of San Francisco Student Housing and Residential Education The front cover features a 1992 portrait of Ella Hill Hutch, painted by Eugene E. White The Inspiration Murals were painted in 1999 by Josef Norris, curated by Leonard ‘Lefty’ Gordon and Wendy Nelder, and supported by the San Francisco Arts Commission and the Mayor’s Offi ce Neighborhood Beautifi cation Project Grateful acknowledgment is made to the many contributors who made this book possible. Please see the back pages for more acknowledgments. The opinions expressed herein represent the voices of students at the University of San Francisco and do not necessarily refl ect the opinions of the University or our sponsors.
    [Show full text]
  • SLP Movie Watchlist Week 1
    THE SLP MOVIE WATCHLIST™ THE SLP MOVIE WATCHLIST Every Wednesday Your weekly source of movie recommendations to satisfy your cinematic cravings. Table of Contents SLP Movie Watchlist Themes Week 1……………………………...Random Week 2……………………………..Oscar Winners Week 3……………………………..Crime Drama Week 4……………………………..1980s Comedies Week 5……………………………..Johnny Depp Week 6……………………………..Sci-fi Action Week 7……………………………..Documentaries Week 8……………………………..Films over 3 hours Week 9……………………………..Horror Week 10……………………………Romantic Dramas Week 11…………………………….Fantasy Week 12……………………………Inspiring Sports Films Week 13……………………………Movie Musicals Week 14……………………………Westerns Week 15…………………………….Anime Week 16…………………………….Quentin Tarantino Week 17…………………………….Good Bad Movies Week 18…………………………….Drew Barrymore Week 19…………………………….Martin Scorcese Week 20…………………………….Actors in Multiple Roles Mental, written and directed by P.J. Hogan, is a fun film about an eccentric woman who randomly takes on the role as the nanny of five children who have a “crazy” mother. Through her shenanigans she is able to teach them about the madness of life and the importance of family. Toni Collette and Anthony LaPaglia sink themselves into their roles so brilliantly that you lose yourself in their insanity. Oh, and it’s an Aussie film, which adds yet another level of fun! Mental combines the certifiably loony characters of Best In Show with the heartfelt songs of The Sound of Music, literally. Recommended For: People who can appreciate off-the-wall, zany stories! Silver Linings Playbook is a peculiar story about two people who have experienced loss and want to believe in a better tomorrow. Hope gives them comfort. Jennifer Lawrence and Bradley Cooper spend the majority of the film challenging one another, both as characters and actors.
    [Show full text]
  • Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
    Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones.
    [Show full text]