ZIMULA TYPE SPECIMEN LA BOLDE VITA 1 / 131 ZIMULA ZIMULA ZIMULA ZIMULA ABOUT THE LA BOLDE VITA 2 / 131 InkTrap & InkSpot

Zimula is a classic contemporary geometric typeface and TYPEFACE comes in a friendly and warm vibe. With 9 weights ranging Zimula

from Thin to Black, the standard styles can be used as a WEIGHTS workhorse for everyday design tasks. Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, But the Zimula family comes in two other styles: InkTrap and ExtraBold, Black InkSpot. The former features generous, angular Inktraps, which ensure crisp text in smaller sizes and become a stylis- STYLES tic element in the heavier weights, perfect for catching titles InkTrap, Standard, InkSpot

and posters. The latter, on the other hand, fill out the joints, DESIGNED BY resulting in an irregular texture for the lighter weights and a Fabian Dornhecker soft overall appearance for the heavier weights. With the available variable , you can choose between YEAR OF RELEASE InkTrap and InkSpot seamlessly — this opens up options 2021

for optimizing body copy and finding just the right amount AVAILABLE ON of character for large-format designs. A generous charac- La Bolde Vita ter set, extensive OpenType features and an alternative set → www.laboldevita.com with filled-in punches come on top. ZIMULA OPENTYPE-FEATURES LA BOLDE VITA 3 / 131

STYLISTIC SET 01 (Single-storey a) ▶ SS01 Cutter PRETTY → Cutter PRETTY Mariah@támbien.it → Mariah@támbien.it DYNAMIC FRACTIONS ▶ FRAC

STYLISTIC SET 02 (Alternative G) ▶ SS02 41/23 = 1,782 → 47/23 = 1,782 Grated GATES → Grated Gates SLASHED ZERO ▶ ZERO

STYLISTIC SET 03 (Filled Forms) ▶ SS03 € 2,0510703 → € 2,0510703 Punched QUERY-6 → Punched QUERY-6 TABULAR LINING FIGURES ▶ TNUM 49% ålc Tonic → 49% ålc Tonic 25$+81¥≈37% → 25$+81¥≈37%

STYLISTIC SET 04 (Circled Numbers) ▶ SS04 SUPERSCRIPT ▶ SUPS From (2)(0) to (2)(1) → From (2)(0) to (2)(1) 64 m2 → 64 m²

STYLISTIC SET 05 (Circled Filled Numbers) ▶ SS05 SUBSCRIPT ▶ SUBS From (2)(0) to (2)(1) → From (2)(0) to (2)(1) H2O NO3 → H₂O NO₃

CASE-SENSITIVE ▶ CASE CONTEXTUAL ALTERNATES ▶ CALT ›FACT‹ • (Check©) → ›FACT‹ • (CHECK©) ¿¡Jamón Ibérico!? → ¿¡Jamón Ibérico!? hi@soul:web → HI@SOUL:WEB www WEIßRAUM → www WEIßRAUM STANDARD LIGATURES ▶ LIGA -> |> <-> <|> → -> |> <-> <|> Hoffnung Affliction → Hoffnung Affliction LOCALIZED FORMS ▶ LOCL flowing fish → flowing fish şi paral·lel → şi paral·lel DISCRETIONARY LIGATURES ▶ DLIG DIYARBAKIR → DIYARBAKIR ZIMULA LANGUAGE SUPPORT LA BOLDE VITA 4 / 131

SUPPORTED LANGUAGES / COVERAGE Abenaki Czech Ilocano Marquesan Sami (Southern Sami) Turkmen (Latin) Afaan Oromo Danish Indonesian Megleno-Romanian Samoan Tuvaluan Afar Dawan Interglossa Meriam Mir Sango Tzotzil Afrikaans Delaware Interlingua Mirandese Saramaccan Uzbek (Latin) Albanian Dholuo Irish Mohawk Sardinian Venetian Alsatian Drehu Istro-Romanian Moldovan Scottish Gaelic Vepsian Amis Dutch Italian Montagnais Serbian (Latin) Volapük Anuta English Jamaican Montenegrin Seri Võro Aragonese Esperanto Javanese (Latin) Murrinh-Patha Seychellois Creole Wallisian Aranese Estonian Jèrriais Nagamese Creole Shawnee Walloon Aromanian Faroese Kaingang Nahuatl Shona Waray-Waray Arrernte Fijian Kala Lagaw Ya Ndebele Sicilian Warlpiri Arvanitic (Latin) Filipino Kapampangan (Latin) Neapolitan Silesian Wayuu Asturian Finnish Kaqchikel Ngiyambaa Slovak Welsh Atayal Folkspraak Karakalpak (Latin) Niuean Slovenian Wik-Mungkan Aymara French Karelian (Latin) Noongar Slovio (Latin) Wiradjuri Bashkir (Latin) Frisian Kashubian Norwegian Somali Wolof Basque Friulian Kikongo Novial Sorbian (Lower Sorbian) Xavante Belarusian (Latin) Gagauz (Latin) Kinyarwanda Occidental Sorbian (Upper Sorbian) Xhosa Bemba Galician Kiribati Occitan Sotho (Northern) Yapese Bikol Ganda Kirundi Onĕipŏt Sotho (Southern) Yindjibarndi Bislama Genoese Klingon Oshiwambo Spanish Zapotec Bosnian German Kurdish (Latin) Ossetian (Latin) Sranan Zazaki Breton Gikuyu Ladin Palauan Sundanese (Latin) Zulu Cape Verdean Creole Gooniyandi Latin Papiamento Swahili Zuni Catalan Greenlandic (Kalaallisut) Latino sine Flexione Piedmontese Swazi Cebuano Guadeloupean Creole Latvian Polish Swedish Chamorro Gwich’in Lithuanian Portuguese Tagalog Chavacano Haitian Creole Lojban Potawatomi Tahitian Chichewa Hän Lombard Q’eqchi’ Tetum Chickasaw Hawaiian Low Saxon Quechua Tok Pisin Cimbrian Hiligaynon Luxembourgish Rarotongan Tokelauan Cofán Hopi Maasai Romanian Tongan Cornish Hotcąk (Latin) Makhuwa Romansh Tshiluba Corsican Hungarian Malay Rotokas Tsonga Creek Icelandic Maltese Sami (Inari Sami) Tswana Crimean Tatar (Latin) Ido Manx Sami (Lule Sami) Tumbuka Croatian Igbo Māori Sami (Northern Sami) Turkish ZIMULA THIN LA BOLDE VITA 5 / 131 ZIMULA THIN (100) InkTrap [1] Standard [500] InkSpot [1000] ZIMULA BASIC ◀ THIN INKTRAP LA BOLDE VITA 6 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ THIN LA BOLDE VITA 7 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ THIN INKSPOT LA BOLDE VITA 8 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA FULL CHARACTER SET ◀ THIN INKTRAP LA BOLDE VITA 9 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹› ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ STANDARD LIGATURES fi fl ff ffi ffl ft ACCENTED CHARACTERS ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ DISCRETIONARY LIGATURES tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł ñńņňʼnŋ 0001234456678899 òòóóôôõõööøøǿǿōōŏŏőőọọœœ þþ ŕŗř =≠+−±×÷<>≤≥/ śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ ýŷÿȳỹỳ CIRCLED FIGURES źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ THIN LA BOLDE VITA 10 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ DISCRETIONARY LIGATURES tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł ñńņňʼnŋ 0001234456678899 òòóóôôõõööøøǿǿōōŏŏőőọọœœ þþ ŕŗř =≠+−±×÷<>≤≥/ śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ ýŷÿȳỹỳ CIRCLED FIGURES źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ THIN INKSPOT LA BOLDE VITA 11 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ DISCRETIONARY LIGATURES tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł ñńņňʼnŋ 0001234456678899 òòóóôôõõööøøǿǿōōŏŏőőọọœœ þþ ŕŗř =≠+−±×÷<>≤≥/ śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ ýŷÿȳỹỳ CIRCLED FIGURES źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA SAMPLE WORDS ◀ THIN LA BOLDE VITA 12 / 131 Thought Police Dystopian Yellow Deep 51 Memory Watergate Betrayal Xanith Rebellion Truth God 97 Novel Soma Application 4⁄1 Oceania 6-Nine but Charrington Modern Risk Bubbles Eyed Farewell Quijote Zebra 50/64 pt ZIMULA SAMPLE UPPERCASE ◀ THIN LA BOLDE VITA 13 / 131 GROPIUS ⁂ 1883 — 1969 {NEW OBJECTIVITY} ROMANESQUE ‡ CIŽEK MOHOLY × NAGY ~ BOOKS 1920 (NLD+FRA+GER) »GOTTLIEB HERMANN« GEWERKSCHAFT.BUND 56/70 pt ZIMULA SAMPLE LANGUAGES ◀ THIN LA BOLDE VITA 14 / 131 Zângão vår Lartë Shtypjes Réttlætis #l’homme Dignité Ældrebesøg »Virðingar« ré[email protected] Žmogaus że Człowieka [Gyffredin] “Kadınların” Fakt Ävensom* Içinde Straßenfest Þjóðdir Rettferdighet (Arrêté) … 50/60 pt ZIMULA SAMPLE SPECIAL GLYPHS ◀ THIN LA BOLDE VITA 15 / 131 Sanity ≠ 69% (~84¢) »Diarrhée №1« OhGilvy!?② {Suffix} 835,1 $ Heroism© w.Quing-essenz.com 910 μm Tapes™ 65/82 pt ZIMULA SAMPLE WATERFALL ◀ THIN LA BOLDE VITA 16 / 131 An ink trap is a feature of certain designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink 50/60 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ THIN LA BOLDE VITA 17 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is 40/49 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 32/39 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ THIN LA BOLDE VITA 18 / 131

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 24/30 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp 18/23 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small sizes and are usually only found 14/19 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. of this kind are applicable for classifieds or telephone 11/15 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes. Typefaces featuring ink traps include Retina, Bell Centennial, and Tang. 8/12 pt

TEXT SAMPLE .wikipedia.org/wiki/Ink_trap ZIMULA EXTRA LIGHT LA BOLDE VITA 19 / 131 ZIMULA EXTRA LIGHT (200) InkTrap [1] Standard [500] InkSpot [1000] ZIMULA BASIC GLYPHS ◀ EXTRA LIGHT INKTRAP LA BOLDE VITA 20 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ EXTRA LIGHT LA BOLDE VITA 21 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ EXTRA LIGHT INKSPOT LA BOLDE VITA 22 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA FULL CHARACTER SET ◀ EXTRA LIGHT INKTRAP LA BOLDE VITA 23 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ DISCRETIONARY LIGATURES tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł ñńņňʼnŋ 0001234456678899 òòóóôôõõööøøǿǿōōŏŏőőọọœœ þþ ŕŗř =≠+−±×÷<>≤≥/ śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ ýŷÿȳỹỳ CIRCLED FIGURES źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ EXTRA LIGHT LA BOLDE VITA 24 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ DISCRETIONARY LIGATURES tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł ñńņňʼnŋ 0001234456678899 òòóóôôõõööøøǿǿōōŏŏőőọọœœ þþ ŕŗř =≠+−±×÷<>≤≥/ śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ ýŷÿȳỹỳ CIRCLED FIGURES źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ EXTRA LIGHT INKSPOT LA BOLDE VITA 25 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ DISCRETIONARY LIGATURES tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł ñńņňʼnŋ 0001234456678899 òòóóôôõõööøøǿǿōōŏŏőőọọœœ þþ ŕŗř =≠+−±×÷<>≤≥/ śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ ýŷÿȳỹỳ CIRCLED FIGURES źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA SAMPLE WORDS ◀ EXTRA LIGHT LA BOLDE VITA 26 / 131 Thought Police Dystopian Yellow Deep 51 Memory Watergate Betrayal Xanith Rebellion Truth God 97 Novel Soma Application 4⁄1 Oceania 6-Nine but Charrington Modern Risk Bubbles Eyed Farewell Quijote Zebra 50/64 pt ZIMULA SAMPLE UPPERCASE ◀ EXTRA LIGHT LA BOLDE VITA 27 / 131 GROPIUS ⁂ 1883 — 1969 {NEW OBJECTIVITY} ROMANESQUE ‡ CIŽEK MOHOLY × NAGY ~ BOOKS 1920 (NLD+FRA+GER) »GOTTLIEB HERMANN« GEWERKSCHAFT.BUND 56/70 pt ZIMULA SAMPLE LANGUAGES ◀ EXTRA LIGHT LA BOLDE VITA 28 / 131 Zângão vår Lartë Shtypjes Réttlætis #l’homme Dignité Ældrebesøg »Virðingar« ré[email protected] Žmogaus że Człowieka [Gyffredin] “Kadınların” Fakt Ävensom* Içinde Straßenfest Þjóðdir Rettferdighet (Arrêté) … 50/60 pt ZIMULA SAMPLE SPECIAL GLYPHS ◀ EXTRA LIGHT LA BOLDE VITA 29 / 131 Sanity ≠ 69% (~84¢) »Diarrhée №1« OhGilvy!?② {Suffix} 835,1 $ Heroism© w.Quing-essenz.com 910 μm Tapes™ 65/82 pt ZIMULA SAMPLE WATERFALL ◀ EXTRA LIGHT LA BOLDE VITA 30 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink 50/60 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ EXTRA LIGHT LA BOLDE VITA 31 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is 40/49 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 32/39 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ EXTRA LIGHT LA BOLDE VITA 32 / 131

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 24/30 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp 18/23 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found 14/19 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone 11/15 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes. Typefaces featuring ink traps include Retina, Bell Centennial, and Tang. 8/12 pt

TEXT SAMPLE en.wikipedia.org/wiki/Ink_trap ZIMULA LIGHT LA BOLDE VITA 33 / 131 ZIMULA LIGHT (300) InkTrap [1] Standard [500] InkSpot [1000] ZIMULA BASIC GLYPHS ◀ LIGHT INKTRAP LA BOLDE VITA 34 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ LIGHT LA BOLDE VITA 35 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ LIGHT INKSPOT LA BOLDE VITA 36 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA FULL CHARACTER SET ◀ LIGHT INKTRAP LA BOLDE VITA 37 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ DISCRETIONARY LIGATURES tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł ñńņňʼnŋ 0001234456678899 òòóóôôõõööøøǿǿōōŏŏőőọọœœ þþ ŕŗř =≠+−±×÷<>≤≥/ śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ ýŷÿȳỹỳ CIRCLED FIGURES źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ LIGHT LA BOLDE VITA 38 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ DISCRETIONARY LIGATURES tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł ñńņňʼnŋ 0001234456678899 òòóóôôõõööøøǿǿōōŏŏőőọọœœ þþ ŕŗř =≠+−±×÷<>≤≥/ śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ ýŷÿȳỹỳ CIRCLED FIGURES źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ LIGHT INKSPOT LA BOLDE VITA 39 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ DISCRETIONARY LIGATURES tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł ñńņňʼnŋ 0001234456678899 òòóóôôõõööøøǿǿōōŏŏőőọọœœ þþ ŕŗř =≠+−±×÷<>≤≥/ śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ ýŷÿȳỹỳ CIRCLED FIGURES źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA SAMPLE WORDS ◀ LIGHT LA BOLDE VITA 40 / 131 Thought Police Dystopian Yellow Deep 51 Memory Watergate Betrayal Xanith Rebellion Truth God 97 Novel Soma Application 4⁄1 Oceania 6-Nine but Charrington Modern Risk Bubbles Eyed Farewell Quijote Zebra 50/64 pt ZIMULA SAMPLE UPPERCASE ◀ LIGHT LA BOLDE VITA 41 / 131 GROPIUS ⁂ 1883 — 1969 {NEW OBJECTIVITY} ROMANESQUE ‡ CIŽEK MOHOLY × NAGY ~ BOOKS 1920 (NLD+FRA+GER) »GOTTLIEB HERMANN« GEWERKSCHAFT.BUND 56/70 pt ZIMULA SAMPLE LANGUAGES ◀ LIGHT LA BOLDE VITA 42 / 131 Zângão vår Lartë Shtypjes Réttlætis #l’homme Dignité Ældrebesøg »Virðingar« ré[email protected] Žmogaus że Człowieka [Gyffredin] “Kadınların” Fakt Ävensom* Içinde Straßenfest Þjóðdir Rettferdighet (Arrêté) … 50/60 pt ZIMULA SAMPLE SPECIAL GLYPHS ◀ LIGHT LA BOLDE VITA 43 / 131 Sanity ≠ 69% (~84¢) »Diarrhée №1« OhGilvy!?② {Suffix} 835,1 $ Heroism© w.Quing-essenz.com 910 μm Tapes™ 65/82 pt ZIMULA SAMPLE WATERFALL ◀ LIGHT LA BOLDE VITA 44 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. 50/60 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ LIGHT LA BOLDE VITA 45 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is 40/49 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 32/39 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ LIGHT LA BOLDE VITA 46 / 131

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the 24/30 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak 18/23 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and 14/19 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are 11/15 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes. Typefaces featuring ink traps include Retina, Bell Centennial, and Tang. 8/12 pt

TEXT SAMPLE en.wikipedia.org/wiki/Ink_trap ZIMULA REGULAR LA BOLDE VITA 47 / 131 ZIMULA REGULAR (400) InkTrap [1] Standard [500] InkSpot [1000] ZIMULA BASIC GLYPHS ◀ REGULAR INKTRAP LA BOLDE VITA 48 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ REGULAR LA BOLDE VITA 49 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ REGULAR INKSPOT LA BOLDE VITA 50 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA FULL CHARACTER SET ◀ REGULAR INKTRAP LA BOLDE VITA 51 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ REGULAR LA BOLDE VITA 52 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ REGULAR INKSPOT LA BOLDE VITA 53 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ ÆÆǼǼ tt TT ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA SAMPLE WORDS ◀ REGULAR LA BOLDE VITA 54 / 131 Thought Police Dystopian Yellow Deep 51 Memory Watergate Betrayal Xanith Rebellion Truth God 97 Novel Soma Application 4⁄1 Oceania 6-Nine but Charrington Modern Risk Bubbles Eyed Farewell Quijote Zebra 50/64 pt ZIMULA SAMPLE UPPERCASE ◀ REGULAR LA BOLDE VITA 55 / 131 GROPIUS ⁂ 1883 — 1969 {NEW OBJECTIVITY} ROMANESQUE ‡ CIŽEK MOHOLY × NAGY ~ BOOKS 1920 (NLD+FRA+GER) »GOTTLIEB HERMANN« GEWERKSCHAFT.BUND 56/70 pt ZIMULA SAMPLE LANGUAGES ◀ REGULAR LA BOLDE VITA 56 / 131 Zângão vår Lartë Shtypjes Réttlætis #l’homme Dignité Ældrebesøg »Virðingar« ré[email protected] Žmogaus że Człowieka [Gyffredin] “Kadınların” Fakt Ävensom* Içinde Straßenfest Þjóðdir Rettferdighet (Arrêté) … 50/60 pt ZIMULA SAMPLE SPECIAL GLYPHS ◀ REGULAR LA BOLDE VITA 57 / 131 Sanity ≠ 69% (~84¢) »Diarrhée №1« OhGilvy!?② {Suffix} 835,1 $ Heroism© w.Quing-essenz.com 910 μm Tapes™ 65/82 pt ZIMULA SAMPLE WATERFALL ◀ REGULAR LA BOLDE VITA 58 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink 50/60 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ REGULAR LA BOLDE VITA 59 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is 40/49 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 32/39 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ REGULAR LA BOLDE VITA 60 / 131

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 24/30 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp 18/23 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found 14/19 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone 11/15 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes. Typefaces featuring ink traps include Retina, Bell Centennial, and Tang. 8/12 pt

TEXT SAMPLE en.wikipedia.org/wiki/Ink_trap ZIMULA MEDIUM LA BOLDE VITA 61 / 131 ZIMULA MEDIUM (500) InkTrap [1] Standard [500] InkSpot [1000] ZIMULA BASIC GLYPHS ◀ MEDIUM INKTRAP LA BOLDE VITA 62 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ MEDIUM LA BOLDE VITA 63 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ MEDIUM INKSPOT LA BOLDE VITA 64 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA FULL CHARACTER SET ◀ MEDIUM INKTRAP LA BOLDE VITA 65 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !?⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ MEDIUM LA BOLDE VITA 66 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿¿¡:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ¿¡ � � www ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìí î ï ĩ ĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑|>-><-><|>↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ MEDIUM INKSPOT LA BOLDE VITA 67 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !?⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA SAMPLE WORDS ◀ MEDIUM LA BOLDE VITA 68 / 131 Thought Police Dystopian Yellow Deep 51 Memory Watergate Betrayal Xanith Rebellion Truth God 97 Novel Soma Application 4⁄1 Oceania 6-Nine but Charrington Modern Risk Bubbles Eyed Farewell Quijote Zebra 50/64 pt ZIMULA SAMPLE UPPERCASE ◀ MEDIUM LA BOLDE VITA 69 / 131 GROPIUS ⁂ 1883 — 1969 {NEW OBJECTIVITY} ROMANESQUE ‡ CIŽEK MOHOLY × NAGY ~ BOOKS 1920 (NLD+FRA+GER) »GOTTLIEB HERMANN« GEWERKSCHAFT.BUND 56/70 pt ZIMULA SAMPLE LANGUAGES ◀ MEDIUM LA BOLDE VITA 70 / 131 Zângão vår Lartë Shtypjes Réttlætis #l’homme Dignité Ældrebesøg »Virðingar« ré[email protected] Žmogaus że Człowieka [Gyffredin] “Kadınların” Fakt Ävensom* Içinde Straßenfest Þjóðdir Rettferdighet (Arrêté) … 50/60 pt ZIMULA SAMPLE SPECIAL GLYPHS ◀ MEDIUM LA BOLDE VITA 71 / 131 Sanity ≠ 69% (~84¢) »Diarrhée №1« OhGilvy!?② {Suffix} 835,1 $ Heroism© w.Quing-essenz.com 910 μm Tapes™ 65/82 pt ZIMULA SAMPLE WATERFALL ◀ MEDIUM LA BOLDE VITA 72 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. 50/60 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ MEDIUM LA BOLDE VITA 73 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is 40/49 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 32/39 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ MEDIUM LA BOLDE VITA 74 / 131

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the 24/30 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak 18/23 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and 14/19 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are 11/15 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes. Typefaces featuring ink traps include Retina, Bell Centennial, and Tang. 8/12 pt

TEXT SAMPLE en.wikipedia.org/wiki/Ink_trap ZIMULA SEMI BOLD LA BOLDE VITA 75 / 131 ZIMULA SEMI BOLD (600) InkTrap [1] Standard [500] InkSpot [1000] ZIMULA BASIC GLYPHS ◀ SEMI BOLD INKTRAP LA BOLDE VITA 76 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ SEMI BOLD LA BOLDE VITA 77 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ SEMI BOLD INKSPOT LA BOLDE VITA 78 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA FULL CHARACTER SET ◀ SEMI BOLD INKTRAP LA BOLDE VITA 79 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ SEMI BOLD LA BOLDE VITA 80 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ SEMI BOLD INKSPOT LA BOLDE VITA 81 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA SAMPLE WORDS ◀ SEMI BOLD LA BOLDE VITA 82 / 131 Thought Police Dystopian Yellow Deep 51 Memory Watergate Betrayal Xanith Rebellion Truth God 97 Novel Soma Application 4⁄1 Oceania 6-Nine but Charrington Modern Risk Bubbles Eyed Farewell Quijote Zebra 50/64 pt ZIMULA SAMPLE UPPERCASE ◀ SEMI BOLD LA BOLDE VITA 83 / 131 GROPIUS ⁂ 1883 — 1969 {NEW OBJECTIVITY} ROMANESQUE ‡ CIŽEK MOHOLY × NAGY ~ BOOKS 1920 (NLD+FRA+GER) »GOTTLIEB HERMANN« GEWERKSCHAFT.BUND 56/70 pt ZIMULA SAMPLE LANGUAGES ◀ SEMI BOLD LA BOLDE VITA 84 / 131 Zângão vår Lartë Shtypjes Réttlætis #l’homme Dignité Ældrebesøg »Virðingar« ré[email protected] Žmogaus że Człowieka [Gyffredin] “Kadınların” Fakt Ävensom* Içinde Straßenfest Þjóðdir Rettferdighet (Arrêté) … 50/60 pt ZIMULA SAMPLE SPECIAL GLYPHS ◀ SEMI BOLD LA BOLDE VITA 85 / 131 Sanity ≠ 69% (~84¢) »Diarrhée №1« OhGilvy!?② {Suffix} 835,1 $ Heroism© w.Quing-essenz.com 910 μm Tapes™ 65/82 pt ZIMULA SAMPLE WATERFALL ◀ SEMI BOLD LA BOLDE VITA 86 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink 50/60 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ SEMI BOLD LA BOLDE VITA 87 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is 40/49 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 32/39 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ SEMI BOLD LA BOLDE VITA 88 / 131

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 24/30 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp 18/23 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found 14/19 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone 11/15 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes. Typefaces featuring ink traps include Retina, Bell Centennial, and Tang. 8/12 pt

TEXT SAMPLE en.wikipedia.org/wiki/Ink_trap ZIMULA BOLD LA BOLDE VITA 89 / 131 ZIMULA BOLD (700) InkTrap [1] Standard [500] InkSpot [1000] ZIMULA BASIC GLYPHS ◀ BOLD INKTRAP LA BOLDE VITA 90 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ BOLD LA BOLDE VITA 91 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ BOLD INKSPOT LA BOLDE VITA 92 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA FULL CHARACTER SET ◀ BOLD INKTRAP LA BOLDE VITA 93 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !?⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ BOLD LA BOLDE VITA 94 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !?⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìí î ï ĩ ĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ BOLD INKSPOT LA BOLDE VITA 95 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !?⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA SAMPLE WORDS ◀ BOLD LA BOLDE VITA 96 / 131 Thought Police Dystopian Yellow Deep 51 Memory Watergate Betrayal Xanith Rebellion Truth God 97 Novel Soma Application 4⁄1 Oceania 6-Nine but Charrington Modern Risk Bubbles Eyed Farewell Quijote Zebra 50/64 pt ZIMULA SAMPLE UPPERCASE ◀ BOLD LA BOLDE VITA 97 / 131 GROPIUS ⁂ 1883 — 1969 {NEW OBJECTIVITY} ROMANESQUE ‡ CIŽEK MOHOLY × NAGY ~ BOOKS 1920 (NLD+FRA+GER) »GOTTLIEB HERMANN« GEWERKSCHAFT.BUND 56/70 pt ZIMULA SAMPLE LANGUAGES ◀ BOLD LA BOLDE VITA 98 / 131 Zângão vår Lartë Shtypjes Réttlætis #l’homme Dignité Ældrebesøg »Virðingar« ré[email protected] Žmogaus że Człowieka [Gyffredin] “Kadınların” Fakt Ävensom* Içinde Straßenfest Þjóðdir Rettferdighet (Arrêté) … 50/60 pt ZIMULA SAMPLE SPECIAL GLYPHS ◀ BOLD LA BOLDE VITA 99 / 131 Sanity ≠ 69% (~84¢) »Diarrhée №1« OhGilvy!?② {Suffix} 835,1 $ Heroism© w.Quing-essenz.com 910 μm Tapes™ 65/82 pt ZIMULA SAMPLE WATERFALL ◀ BOLD LA BOLDE VITA 100 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink 50/60 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ BOLD LA BOLDE VITA 101 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is 40/49 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 32/39 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ BOLD LA BOLDE VITA 102 / 131

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 24/30 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp 18/23 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found 14/19 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone 11/15 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes. Typefaces featuring ink traps include Retina, Bell Centennial, and Tang. 8/12 pt

TEXT SAMPLE en.wikipedia.org/wiki/Ink_trap ZIMULA EXTRA BOLD LA BOLDE VITA 103 / 131 ZIMULA EXTRA BOLD (800) InkTrap [1] Standard [500] InkSpot [1000] ZIMULA BASIC GLYPHS ◀ EXTRA BOLD INKTRAP LA BOLDE VITA 104 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ EXTRA BOLD LA BOLDE VITA 105 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ EXTRA BOLD INKSPOT LA BOLDE VITA 106 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA FULL CHARACTER SET ◀ EXTRA BOLD INKTRAP LA BOLDE VITA 107 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ EXTRA BOLD LA BOLDE VITA 108 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ EXTRA BOLD INKSPOT LA BOLDE VITA 109 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA SAMPLE WORDS ◀ EXTRA BOLD LA BOLDE VITA 110 / 131 Thought Police Dystopian Yellow Deep 51 Memory Watergate Betrayal Xanith Rebellion Truth God 97 Novel Soma Application 4⁄1 Oceania 6-Nine but Charrington Modern Risk Bubbles Eyed Farewell Quijote Zebra 50/64 pt ZIMULA SAMPLE UPPERCASE ◀ EXTRA BOLD LA BOLDE VITA 111 / 131 GROPIUS ⁂ 1883 — 1969 {NEW OBJECTIVITY} ROMANESQUE ‡ CIŽEK MOHOLY × NAGY ~ BOOKS 1920 (NLD+FRA+GER) »GOTTLIEB HERMANN« GEWERKSCHAFT.BUND 56/70 pt ZIMULA SAMPLE LANGUAGES ◀ EXTRA BOLD LA BOLDE VITA 112 / 131 Zângão vår Lartë Shtypjes Réttlætis #l’homme Dignité Ældrebesøg »Virðingar« ré[email protected] Žmogaus że Człowieka [Gyffredin] “Kadınların” Fakt Ävensom* Içinde Straßenfest Þjóðdir Rettferdighet (Arrêté) … 50/60 pt ZIMULA SAMPLE SPECIAL GLYPHS ◀ EXTRA BOLD LA BOLDE VITA 113 / 131 Sanity ≠ 69% (~84¢) »Diarrhée №1« OhGilvy!?② {Suffix} 835,1 $ Heroism© w.Quing-essenz.com

65/82 pt 910 μm Tapes™ ZIMULA SAMPLE WATERFALL ◀ EXTRA BOLD LA BOLDE VITA 114 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink 50/60 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ EXTRA BOLD LA BOLDE VITA 115 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is 40/49 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 32/39 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ EXTRA BOLD LA BOLDE VITA 116 / 131

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed 24/30 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the 18/23 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found 14/19 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or 11/15 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes. Typefaces featuring ink traps include Retina, Bell Centennial, and Tang. 8/12 pt

TEXT SAMPLE en.wikipedia.org/wiki/Ink_trap ZIMULA BLACK LA BOLDE VITA 117 / 131 ZIMULA BLACK (900) InkTrap [1] Standard [500] InkSpot [1000] ZIMULA BASIC GLYPHS ◀ BLACK INKTRAP LA BOLDE VITA 118 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ BLACK LA BOLDE VITA 119 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA BASIC GLYPHS ◀ BLACK INKSPOT LA BOLDE VITA 120 / 131 aabcdefghijklmn opqrsßtuvwxyz ABCDEFGGHIJKLMN OPQRSẞTUVWXYZ 1234567890 ,.;:!?!?@#€$¥&%^* ()[]{}_=-+<>|/„“‹›«» ZIMULA FULL CHARACTER SET ◀ BLACK INKTRAP LA BOLDE VITA 121 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ BLACK LA BOLDE VITA 122 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA FULL CHARACTER SET ◀ BLACK INKSPOT LA BOLDE VITA 123 / 131

UPPERCASE PUNCTUATION AABBCDDEFGGHIJKLMNOO .,:;…!¡?¿·•*�&✱⁑⁂�ð# PPQQRRS�TUVWXYZ ‚„‘“’”«»‹›'"-–—_

LOWERCASE /\()[]{}@@†‡ aaaabbcddeefgghijklmn CASE-SENSITIVE FORMS ooppqqrsßtuvwxyz ()[]{}¡¿⸘:;·•-–—«»‹›

STANDARD LIGATURES ®®©℗℗@@ ˆ ˇ ´ ` ˘ ˙ ¨ ˚ ˚ ˜ ˝ ¯ ¸ ˛ fi fl ff ffi ffl ft ACCENTED CHARACTERS

DISCRETIONARY LIGATURES ÀÀÁÁÂÂÃÃÄÄÅÅĀĀĂĂĄĄǺǺẠẠ tt TT ÆÆǼǼ ÇĆĈĊČ ÐÐĎĎĐĐ ÈÉÊËĒĔĖĘĚẼẸ ĜĜĞĞĠĠĢĢǦǦ ĤĦ ÌÍÎÏĨĬĪĮỊİ IJ�Ĵ Ķ ĹĻĽĿŁ CONTEXTUAL ALTERNATES ÑŃŅŇŊ ÒÒÓÓÔÔÕÕÖÖØØǾǾŌŌŎŎ ẞ !? ⸘ � � � ŐŐỌỌŒŒ ÞÞ ŔŔŖŖŘŘ ŚŜŞȘŠ ŢȚŤŦ FIGURES ÙÚÛÜŨŪŬŮŮŰŲỤŴẀẂẄ ÝŶŸȲỸỲ ŹŻŽ 0001234456678899 ááááããããååååăăăăǻǻǻǻææǽǽ ćĉċčç 0⁰⁰1234⁴56⁶78⁸9⁹ ₀₀₀₁₂₃₄₄₅₆₆₇₈₈₉₉ ððďďđđ èèééêêëëēēĕĕėėęęěěẽẽẹẹ TABULAR FIGURES ĝĝğğġġģģǧǧ ĥħ ìíîïĩĭīįịı ij� ĵȷ ķĸ ĺļľŀł 0001234456678899 ñńņňʼnŋ òòóóôôõõööøøǿǿōōŏŏőőọọœœ =≠+−±×÷<>≤≥/ þþ ŕŗř śŝşșš ţțťŧ ùúûüũūŭůůűųụ ẁẃẅŵ CIRCLED FIGURES ýŷÿȳỹỳ źżž

0123456789 0123456789 OTHER SYMBOLS MATHEMATICAL SYMBOLS ¢£₣₤€$¥₧¤¤®®©℗℗™ =≠+−±×÷<>≤≥/|¦~≈¬ ⁄ ∕ ½ ¼ ¾ №№ℓªªºº°°◊℮¶§§ƒſ ΔΩμπ∫∏∑∂√∙∞∞%%‰‰ ←↑↓→↔↕↖↗↘↙▶◀▲▼◢◣◤◥ ZIMULA SAMPLE WORDS ◀ BLACK LA BOLDE VITA 124 / 131 Thought Police Dystopian Yellow Deep 51 Memory Watergate Betrayal Xanith Rebellion Truth God 97 Novel Soma Application 4⁄1 Oceania 6-Nine but Charrington Modern Risk Bubbles Eyed Farewell Quijote Zebra 50/64 pt ZIMULA SAMPLE UPPERCASE ◀ BLACK LA BOLDE VITA 125 / 131 GROPIUS ⁂ 1883 — 1969 {NEW OBJECTIVITY} ROMANESQUE ‡ CIŽEK MOHOLY × NAGY ~ BOOKS 1920 (NLD+FRA+GER) »GOTTLIEB HERMANN« GEWERKSCHAFT.BUND 56/70 pt ZIMULA SAMPLE LANGUAGES ◀ BLACK LA BOLDE VITA 126 / 131 Zângão vår Lartë Shtypjes Réttlætis #l’homme Dignité Ældrebesøg »Virðingar« ré[email protected] Žmogaus że Człowieka [Gyffredin] “Kadınların” Fakt Ävensom* Içinde Straßenfest Þjóðdir Rettferdighet (Arrêté) … 50/60 pt ZIMULA SAMPLE SPECIAL GLYPHS ◀ BLACK LA BOLDE VITA 127 / 131 Sanity ≠ 69% (~84¢) »Diarrhée №1« OhGilvy!?② {Suffix} 835,1 $ Heroism© w.Quing-essenz.com

65/82 pt 910 μm Tapes™ ZIMULA SAMPLE WATERFALL ◀ BLACK LA BOLDE VITA 128 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. 50/60 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ BLACK LA BOLDE VITA 129 / 131 An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is 40/49 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed from 32/39 pt

TEXT SAMPLE als.wikipedia.org/wiki/Kanton ZIMULA SAMPLE WATERFALL ◀ BLACK LA BOLDE VITA 130 / 131

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the 24/30 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak 18/23 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and 14/19 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are 11/15 pt

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge. Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes. Typefaces featuring ink traps include Retina, Bell Centennial, and Tang. 8/12 pt

TEXT SAMPLE en.wikipedia.org/wiki/Ink_trap ZIMULA CREDITS & COPYRIGHT LA BOLDE VITA 131 / 131

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