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The Painting of Modern Life: Paris in the Art of Maner and His Followers / T
THE PAINTING of Copyright © 1984 by T. f. Clark All rights reserved under International and Pan-American Copyright Conventions. Published by Princeton University.Press, 41 William Street, Princeton, New Jersey 08540. Reprinted by arrangement with Alfred A. Knopf, Inc. MODERN LIFE Grateful acknowledgment is made to the following for permission to reprint previously pub- lished material: Excerpt from "Marie Lloyd" in Selected Essays by T. S. Eliot, copyright 1950 by Harcourt Brace [ovanovich, Inc.; renewed ]978 by Esme Valerie Eliot. Reprinted by permission PARISIN THE ART OF MANET AND HIS FOLLOWERS of the publisher. LIBRARY OF CONGRESS CATALOGING IN PUnUCATION DATA Revised Edition Clark, T. J. (Timothy J.) The painting of modern life: Paris in the art of Maner and his followers / T. 1- Clark. - Rev. ed. P: em. Includes bibliographica! references and index. T.1.CLARK ISBN 0-69!-00903-1 (pbk. : alk. paper) 1. Impressionism (Art)-France-Paris. 2. Painting, French- France-Paris. 3. Painting, Modern-19th century+=France-c-Paris. 4. Paris (Francej-c-In art. 5. Maner, Edouard, l832-1883--Inftuencc, I. Title. ND550.C55 1999 758'.9944361-dc21 99-29643 FIRST PRINTING OF THE REVISED EDITION, 1999 MANUFACTURED IN THE UNITED STATES OF AMERICA FIRST PRINCETON PAPERBACK PRINTING, 1986 THIRD PRINCETON PAPERBACK PRINTING, 1989 9 8 7 CHAPTER TWO OLYMPIA'S CHOICE "We shall define as prostitute only that woman who, publicly and without love, gives herself to the first comer for a pecuniary remuneration; to which formula we shall add: and has no other means of existence besides the temporary relations she entertains with a more or less large number of individuals." From which itfollows--and it seems to me the truth--that prostitute implies first venality and second absence of choice. -
Grunge-Digte Rasmus Lippmann Nikolajsen
love grunge-digte rasmus lippmann nikolajsen første gang jeg hørte sangen i radioen om natten i min seng brød jeg sammen i gråd jeg var teenager og købte albummet, dengang der er så meget sandhed og vrede i sangen om vores fucked up virkelige liv hun ramte hovedet på sømmet hele albummet er vores skrig det er en kvindes skrig hun slap al vores skjulte vrede løs hvem gør det i dag? ingen ingen laver musik fra hjertet længere en bunke kyniske posers det er det vi har i dag © rasmus lippmann nikolajsen PINK JERSEY PRESS 2017 ISBN 978-87-999182-1-8 kontakt: [email protected] courtney er så undervurderet holy shit meget af det had hun får de her kommentarer er cancer kommer fra den der misogynist-ting alt jeg ser er havde hun været mand kurt skrev albummet havde hun været større hun dræbte kurt end soundgarden, alice in chains courtney er en luder ja, endda pearl jam hvilket ALTSAMMEN er LØGN! hun havde været kan vi ikke bare sætte pris på face to face hvor gode hole er? med kurt hvor talentfuld courtney og resten af bandet er? forestil dig hvor anderledes courtney er gået gennem TONS af lort verden så ville have set ud forestil dig at din mand begår selvmord at skulle opdrage dit barn alene at kæmpe dig ud af et narkotikamisbrug og så oven i købet folk der finder på syge teorier om dig jeg elsker courtney så hende live sidste år det er så trist hun har fået skylden sig hvad du vil for kurts død men courtney er en fantastisk performer jeg tror hun elskede ham ja, hun bandede lidt af os så godt hun nu kunne kaldte os fucking millennials de -
With Three Big Barns Albert J. Hall Observes 90Th Birthday
" BON-IN-LAW COI\II'JH Ji'IWJ\f ntmi\IANV Death Beats Kin to Mason Henry Lange, AG, cllc!l Sunrlay evPning iJPr',lliHC he hucl turned on nigh! ,tt hm home in M.tson, liP tlw light, Ntnety-Third Year No, 7 Mason, Michigan, February 141 1952 Three Sections, 22 Pages livmi alorw ut :J~2 Eo~st Runriolph Mr. unrl Mrs, Jl,tymonrl lmcw Jfp cllccl oliOTl(', A lr.w hours lo~ter tl~otl '!'Pel llem.u· of Amcliua wm; Ills son-tn·iaw ft•om J•!.tst GPt'· L.mgc's rwpiww. Moncl.1y morn Farmers ~lect Dairy Quean News Index motny walked up to tile cloot•. '!'he Ing 1\lrs, Ho~ymonrl I'Hiiecl the Hc Women Stand Want ads, Pngc'i 6, 7 and H, nlcl m.tn had hr•Pn cxpP~Iing him rn;u· farm illlrl HPmar· ~arne, IIro Pnrt 1 Fair ·Board Goes. Ahead hut not until J•'l'id.ty u( this w.th at the ltaymnnrl hmrsc when Sncini items, Pngcs •l and !3, week. Mrs. Hnvmoncl glnnccd outside Pnrt 1. Mr. L.mge lc>fl !tis f.tr·m in just .ts a stro~nger wnllwri up to As Candidates Sports, Page 1, Part 2. Wiwntflcld 21/. ye,trs ,1go In eomP the Ln 111-(1' hnusP nmi lwockcd Clrurch new•,, Pugc li, Petri 2. With Three Big Barns to Masr,n. He tell well Suncl.ty, '"J'Iwre's llw son in-l,rw from l~dltorrnls, I'.tgc 2, Part 3. lw told his ncighhor Clare HolY· C:r•r m.my," Mt s Haymond said. -
Anarcho-Surrealism in Chicago
44 1 ANARCHO-SURREALISM IN CHICAGO SELECTED TEXTS DREAMS OF ARSON & THE ARSON OF DREAMS: 3 SURREALISM IN ‘68 Don LaCross THE PSYCHOPATHOLOGY OF WORK 19 Penelope Rosemont DISOBEDIENCE: THE ANTIDOTE FOR MISERABLISM 22 Penelope Rosemont MUTUAL ACQUIESCENCE OR MUTUAL AID? 26 Ron Sakolsky ILL WILL EDITIONS • ill-will-editions.tumblr.com 2 43 AK Press, 2010, p. 193. [22] Laurance Labadie, “On Competition” in Enemies of Society: An Anthology of Individualist and Egoist Thought (Ardent Press, San Francisco, 2011) p. 249. The underpinnings of Labadie’s point of view, which are similar to those of many other authors featured in this seminal volume, are based on the assumption that communitarian forms of mutual aid do not necessarily lead to individual emancipation. Rather, from this perspective, their actual practice involves the inherent danger of creating an even more insidious form of servitude based upon a herd mentality that crushes individuality in the name of mutuality, even when their practitioners intend or claim to respect individual freedom as an anarchist principle. [23] The Invisible Committee. The Coming Insurrection. Los Angeles: Semiotext(e), 2009. [24] Anonymous. “Taking Communion at the End of History” in Politics is not a Banana: The Journal of Vulgar Discourse. Institute for Experimental Freedom, 2009, p. 70. [25] Anonymous. Desert. St. Kilda: Stac an Armin Press, 2011, p 7. [26] Ibid, p 68. [27] James C. Scott. The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia. New Haven: Yale University Press, 2009. [28] PM. Bolo Bolo. Brooklyn, NY: Autonomedia, 1995, pp 58–60. [29] Richard Day. -
Philippines in View Philippines Tv Industry-In-View
PHILIPPINES IN VIEW PHILIPPINES TV INDUSTRY-IN-VIEW Table of Contents PREFACE ................................................................................................................................................................ 5 1. EXECUTIVE SUMMARY ................................................................................................................................... 6 1.1. MARKET OVERVIEW .......................................................................................................................................... 6 1.2. PAY-TV MARKET ESTIMATES ............................................................................................................................... 6 1.3. PAY-TV OPERATORS .......................................................................................................................................... 6 1.4. PAY-TV AVERAGE REVENUE PER USER (ARPU) ...................................................................................................... 7 1.5. PAY-TV CONTENT AND PROGRAMMING ................................................................................................................ 7 1.6. ADOPTION OF DTT, OTT AND VIDEO-ON-DEMAND PLATFORMS ............................................................................... 7 1.7. PIRACY AND UNAUTHORIZED DISTRIBUTION ........................................................................................................... 8 1.8. REGULATORY ENVIRONMENT .............................................................................................................................. -
Linking Local Resources to World History
Linking Local Resources to World History Made possible by a Georgia Humanities Council grant to the Georgia Regents University Humanities Program in partnership with the Morris Museum of Art Lesson 5: Modern Art: Cubism in Europe & America Images Included_________________________________________________________ 1. Title: Les Demoiselles d’Avignon Artist: Pablo Picasso (1881– 1973) Date: 1907 Medium: Oil on canvas Location: Museum of Modern Art, New York 2. Title: untitled (African mask) Artist: unknown, Woyo peoples, Democratic Republic of the Congo Date: c. early 20th century Medium: Wood and pigment Size: 24.5 X 13.5 X 6 inches Location: Los Angeles County Museum of Art 3. Title: untitled (African mask) Artist: Unknown, Fang Tribe, Gabon Date: c. early 20th century Medium: Wood and pigment Size: 24 inches tall Location: Private collection 4. Title: Abstraction Artist: Paul Ninas (1903–1964 Date: 1885 Medium: Oil on canvas Size: 47.5 x 61 inches Location: Morris Museum of Art 5. Title: Houses at l’Estaque Artist: Georges Braque (1882–1963) Date: 1908 Medium: Oil on Canvas Size: 28.75 x 23.75 inches Location: Museum of Fine Arts Berne Title: Two Characters Artist: Pablo Picasso (1881– 1973) Date: 1934 Medium: Oil on canvas Location: Museum of Modern Art in Rovereto Historical Background____________________________________________________ Experts debate start and end dates for “modern art,” but they all agree modernism deserves attention as a distinct era in which something identifiably new and important was under way. Most art historians peg modernism to Europe in the mid- to late- nineteenth century, with particularly important developments in France, so we’ll look at that time in Paris and then see how modernist influences affect artworks here in the American South. -
Read Ebook {PDF EPUB} up by R.E.M. up by R.E.M
Read Ebook {PDF EPUB} Up by R.E.M. Up by R.E.M. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660c7973f8a24e2c • Your IP : 116.202.236.252 • Performance & security by Cloudflare. The Real Reason R.E.M. Broke Up. Regardless of what your opinion about R.E.M. is, there's no denying that they shaped the face of alternative rock for years. Heck, they've basically been every kind of alternative rock band themselves. They spent their formative years as cult favorite college rockers. Then, they started attracting more and more attention until they were making music with genuine mainstream appeal. Between 1991 and 1992 alone, they released the folk- inspired Out of Time and the baroque Automatic For The People, making them easily the most successful band to attack the audiences of the early grunge era with both mandolins ("Losing My Religion") and string arrangements (A good chunk of Automatic ). -
Summary of Surrendered and Sequestered Companies
2011 PERFORMANCE SUMMARY OF SURRENDERED AND SEQUESTERED COMPANIES A. Background The Presidential Commission on Good Government (PCGG) was established in 1986 by virtue of Executive Order No.1 with the primary mandate of recovering the ill-gotten wealth of former President Ferdinand E. Marcos, his family and associates. In pursuit of this mandate, corporations belonging or beneficially owned by the Marcoses and their cronies were placed under sequestration. Certain corporations were also surrendered through compromise agreements. B. Role of PCGG Corollary to its primary mandate, the PCGG is charged with the preservation of the assets of sequestered corporations pending final judgment by the courts of their ownership and surrendered corporations pending their disposition. For this purpose, the Commission installed nominee-directors either through a directive from the Office of the President or in line with Executive Order No. 42 (which expired on 31 December 2011) and other applicable laws and jurisprudence. The nominee-directors are chosen based on their business experience and industry expertise to ensure that the companies are judiciously managed and the corporate assets are preserved, if not enhanced. C. Companies As of 2011, surrendered and sequestered corporations (and their subsidiaries, if any) are under PCGG’s supervision are as follows: Industry Company Banking 1. United Coconut Planters Bank (UCPB) Broadcast 2. Intercontinental Broadcasting Corporation (IBC-13) Clinical Research 3. Chemfields, Inc. Insurance 4. United Coconut Planters Life Assurance Corporation (Cocolife) 5. UCPB General Insurance, Inc. (Cocogen) Manufacturing/Refining 6. CIIF Oil Mills Group (CIIF OMG) Microfinance 7. UCPB-CIIF Finance and Development Corporation (Cocofinance) Oleochemical 8. United Coconut Chemicals, Inc. -
Sports Marketing and Your Brand
INCREASING BRAND VALUE THROUGH SPORTS MARKETING Harness the influential power of sports for your brand. SPORTS IS THE GREAT EQUALIZER. Fact: The biggest television events around the world are sporting events. In the US, football rules the ratings. And NOTHING is bigger than the Super Bowl. Super Bowl XLVI Broke the Record (AGAIN) as Most Watched Telecast in US Broadcast History. Top 10 TV Programs – Total Viewers Channel Date Rating Single Telecast (000) 1. Super Bowl XLV FOX 2/6/2011 37.7 111,041 2. Super Bowl XLV Kickoff FOX 2/6/2011 23.6 69,666 3. Super Bowl Post Game FOX 2/6/2011 22.4 66,030 4. AFC Championship CBS 1/23/2011 18.6 54,850 5. NFC Championship FOX 1/23/2011 17.6 51,884 6. AFC Divisional Playoff-SU CBS 1/26/2011 14.8 43,463 7. AFC Championship Pre-Kick on CBS 1/23/2011 13.4 39,473 8. NFC Wild Card Game FOX 1/9/2011 13.3 39,274 9. Academy Awards ABC 2/27/2011 12.9 37,922 10. Super Bowl Pre FOX 2/6/2011 11.9 35,136 Source: The Nielsen Company 8 of the top 10 highest rating television programs in the US in 2010 were sports programs. Meanwhile, in other parts of the world… 2010 World Cup TV Audience In total, the reported figures represented the viewing of almost one billion people (976 million) All over the world, sports is the BIGGEST thing on television. But in the Philippines, this is not the case. -
Modes of Being and Time in the Theatre of Samuel Beckett
f.'lODES Ol!' BEING AND TIME IN THE THEATRE OF SANUEL BECKETT MODES OF BEING AND TIME IN THE THEATRE OF SAMUEL BECKETT By ANNA E.V. PRETO, B.A., LICENCE ES LETTRES A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree TvIaster of Arts !-1cMaster Uni versi ty October 1974 MASTER OF ARTS (1974) McMASTER UNIVERSITY (Romance Languages) Hamilton, Ontario TITLE: Modes of Being and Time in the Theatre of Samuel Beckett AUTHOR: Anna E.V. Preto, B.A. (University of British Columbia) Licence es Lettres (Universite de Grenoble) SUPERVISOR: Dr. Brian S. Pocknell NUNBER OF PAGES: vi, 163 ii AKNOWLEDGEMENTS I wish to thank Dr. Brian S. Pocknell for his interest, his encouragement and counsel in the patient supervision of this dissertation. I also wish to thank McMaster University for its generous financial assistance. iii CONTENTS I An Introduction to the Beckett Situation 1 II Being on the Threshold to Eternity: Waiting for Godot and Endgame 35 III The Facets of the Prism: Beckett's Remaining Plays 74 IV The Language of the Characters and Time 117 Conclusion 147 Bibliography 153 iv PREFACE Beckett as an author has inspired an impressive range of critical studies to date. The imposing amounts of critical material bear witness to the richness of his writings, which present a wealth of themes and techniques. His plays concentrate for us the problem-themes that already concerned him in his earlier prose works, and bring them to the stage in a more streamlined form. The essential problem which evolves from Beckett's own earlier writings comes to the fore, downstage, in the plays: it is that of being in time, a purgatorial state, the lot of mankind and of Beckett's characters, who are representative of mankind. -
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Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co.