THE LE,Ing Connbction in Bnowurr Scholarship
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Uncovering the Origins of Grendel's Mother by Jennifer Smith 1
Smith 1 Ides, Aglæcwif: That’s No Monster, That’s My Wife! Uncovering the Origins of Grendel’s Mother by Jennifer Smith 14 May 1999 Grendel’s mother has often been relegated to a secondary role in Beowulf, overshadowed by the monstrosity of her murderous son. She is not even given a name of her own. As Keith Taylor points out, “none has received less critical attention than Grendel’s mother, whom scholars of Beowulf tend to regard as an inherently evil creature who like her son is condemned to a life of exile because she bears the mark of Cain” (13). Even J. R. R. Tolkien limits his ground-breaking critical treatment of the poem and its monsters to a discussion of Grendel and the dragon. While Tolkien does touch upon Grendel’s mother, he does so only in connection with her infamous son. Why is this? It seems likely from textual evidence and recent critical findings that this reading stems neither from authorial intention nor from scribal error, but rather from modern interpretations of the text mistakenly filtered through twentieth-century eyes. While outstanding debates over the religious leanings of the Beowulf poet and the dating of the poem are outside the scope of this essay, I do agree with John D. Niles that “if this poem can be attributed to a Christian author composing not earlier than the first half of the tenth century […] then there is little reason to read it as a survival from the heathen age that came to be marred by monkish interpolations” (137). -
The Committee of the Regions and the Danish Presidency of the Council of the European Union 01 Editorial by the President of the Committee of the Regions 3
EUROPEAN UNION Committee of the Regions The Committee of the Regions and the Danish Presidency of the Council of the European Union 01 Editorial by the President of the Committee of the Regions 3 02 Editorial by the Danish Minister for European Aff airs 4 03 Why a Committee of the Regions? 6 Building bridges between the local, the regional and 04 the global - Danish Members at work 9 05 Danish Delegation to the Committee of the Regions 12 06 The decentralised Danish authority model 17 EU policy is also domestic policy 07 - Chairmen of Local Government Denmark and Danish Regions 20 08 EU-funded projects in Denmark 22 09 The 5th European Summit of Regions and Cities 26 10 Calendar of events 28 11 Contacts 30 EUROPEAN UNION Committee of the Regions Editorial by the President of 01 the Committee of the Regions Meeting the challenges together We have already had a taste of Danish culture via NOMA, recognised as the best restaurant in the world for two years running by the UK’s Restaurants magazine for putting Nordic cuisine back on the map. Though merely whetting our appetites, this taster has confi rmed Denmark’s infl uential contribution to our continent’s cultural wealth. Happily, Denmark’s contribution to the European Union is far more extensive and will, undoubtedly, be in the spotlight throughout the fi rst half of 2012! A modern state, where European and international sea routes converge, Denmark has frequently drawn on its talents and fl ourishing economy to make its own, distinctive mark. It is in tune with the priorities for 2020: competitiveness, social inclusion and the need for ecologically sustainable change. -
Europeancasestudies Ongovernance of Territorial Foodsystems-Project Gouter
EUROPEAN CASE STUDIES ON GOVERNANCE OF TERRITORIAL FOOD SYSTEMS - PROJECT GOUTER Author: RUAF Foundation- Global Partnership on Sustainable Urban Agriculture and City Region Food Systems (www.ruaf.org) November, 2017 Editors: Henk Renting, Rene van Veenhuizen, Marielle Dubbeling and Femke Hoekstra; RUAF Foundation- Global Partnership on Sustainable Urban Agriculture and City Region Food Systems (www.ruaf.org) Contact person: Marielle Dubbeling, Email: [email protected] Case study authors: Joy Carey and Angela Raffle (Bristol), Line Rise Nielsen (Copenhagen), Femke Hoekstra (Ede), Katrien Verbeke (Ghent), Helen Nilsson and Gunilla Andersson (Malmö), Joaquim Muntané (Barcelona), Joan Muntané i Raich (Lleida), Marian Simón Rojo, Jon Sanz Landaluze, Aida Rodríguez, Nerea Morán Alonso, José Daniel López García (Madrid Agroecológico, Madrid), Jaxinto G. Viniegra and Enrique López Martínez (Pamplona-Iruña), Pedro Lloret, Pedro Cerrada, Lidia Garcia and Ana Moragues Faus (Valencia), Roberto Ruiz and Maria de Santiago (Vitoria-Gasteiz), Olga Conde (Zaragoza) Report developed in the context of: GOUTER – GOUVERNANCE TERRITORIALE DES SYSTEMES ALIMENTAIRES- EXPÉRIMENTER DES DISPOSITIFS DE PILOTAGE DE L’ACTION TERRITORIALE POUR UNE ALIMENTATION DURABLE GouTer (Gouvernance territoriale des systèmes alimentaires) est un projet de recherche-action de 3 ans (2016- 2019), lauréat de l’appel à projet « Systèmes alimentaires innovants » de la Fondation Daniel et Nina Carasso. Il est piloté par l’International Urban Food Network (IUFN), en partenariat avec l’Institut de recherche et débat sur la gouvernance (IRG), le RUAF Foundation, l’Assocation des Régions de France (ARF) et l’association de Recherche et évaluation de solutions innovantes et sociales (RESOLIS). Ce projet s’opérationnalise en partenariat avec 5 territoires pilotes en France : la Région Centre-Val de Loire, la Métropole de Bordeaux, la Ville de Lyon, le Pays des Châteaux et le Pays Loire Nature Touraine. -
Mytil Nndhlstory
212 / Robert E. Bjork I chayter tt and Herebeald, the earlier swedish wars, and Daeghrefn, 242g-250ga; (26) weohstan,s slaying Eanmund in the second Swedish-wars-,2611-25a; of (27-29)Hygelac's fall, and the battle at Ravenswood in the earlier Swedish war, 2910b-98. 8. For a full discussion, see chapter I l. 9. The emendation was first suggested by Max Rieger (lg7l,4l4). MytIL nndHlstory D. Niles W loh, SU*Uryt Nineteenth-century interpret ations of B eowutf , puticululy mythology that was then in vogue' in Germany, fell underthe influence of the nature or Indo- More recently, some critics have related the poem to ancient Germanic feature b*op"un rnyih -O cult or to archetypes that are thought to be a universal of nu-un clnsciousness. Alternatively, the poem has been used as a source of the poem' knowledge concerning history. The search for either myth or history in useful however,-is attended by severe and perhaps insurmountable difficulties' More may be attempts to identify the poem as a "mythistory" that confirmed a set of fabulous values amongthe Anglo-saxons by connecting their current world to a ancesfral past. /.1 Lhronology 1833: Iohn Mitchell Kemble, offering a historical preface to his edition of the poem' locates the Geats in Schleswig. 1837: Kemble corrects his preface to reflect the influence of Jakob Grimm; he identifies the first "Beowulf" who figures in the poem as "Beaw," the agricultural deity. Karl Miillenhoff (1849b), also inspired by Grimm, identifies the poem as a Germanic meteorological myth that became garbled into a hero tale on being transplanted to England. -
An Appraisal of the Earliest Renderings of Beowulf in Spain1
‘BEOWULFO’, ‘GEATAS’ AND ‘HEOROTO’: AN APPRAISAL OF THE EARLIEST RENDERINGS OF BEOWULF IN SPAIN 1 EUGENIO M. OLIVARES MERINO Universidad de Jaén [email protected] 73 In her article “Translations, versions, illUstrations”, Marijane Osborn devotes one paragraph to the Spanish translations and adaptations of Beowulf : The first accoUnt of Beowulf in Spanish was a retelling for children by Vallvé pUblished in 1934. The first direct translation of passages was pUblished by Manent in 1947. Orestes Vera Pérez prodUced the first fUll Spanish translation, in prose, in 1959, repUblishing it in 1962. The most recent Spanish translation was by Lerate and Lerate, in 1986. (1997: 350) There are more renderings of Beowulf into Spanish than, for instance, into RUssian, Frisian, BUlgarian, Scottish, PortUgUese, Arabic, Polish, Danish, DUtch, Finnish, Norwegian, HUngarian and Greek, bUt less than into Japanese, Italian and Swedish —not to mention German—. By the time Osborn pUblished her article, the catalogUe of Spanish translations/versions of the poem inclUded 8 references; most of them are inclUded in her “Annotated List of Beowulf Translations”, a UsefUl docUment available at the ACMRS website (Arizona Center for Medieval and Renaissance StUdies). Together with Vallvé’s, Manent’s and Vera’s renderings, Osborn lists almost all the editions by Lerate and Lerate (the 2004 version is not listed), and inclUdes Antonio Bravo’s prose rendering of the poem (1981). Angel Cañete’s prose Beowulf (1991) —the latest translation of the poem into Spanish to date— is not inclUded; the first Catalan rendering of the poem (by Xavier Campos Villanova) is not referred to either. -
Odin from Lejre
Danish Journal of Archaeology, 2014 Vol. 2, No. 1, 87–93, http://dx.doi.org/10.1080/21662282.2013.791131 Negotiating normativities –‘Odin from Lejre’ as challenger of hegemonic orders Elisabeth Arwill-Nordbladh* Department of Historical Studies, University of Gothenburg, SE 405 30 Gothenburg, Sweden (Received 8 February 2013; final version received 19 March 2013) This article focuses on some bodily features of the figurine called ‘Odin from Lejre’. Some corporal characteristics convey an ambivalent touch to the interpretation of the miniature. So, for example, shows the clothing close resemblance to the late Iron Age female dress. This, combined with facial attributes that have been interpreted as a moustache, can be seen as a negotiation of the contemporary hetero-normative gender order. Moreover, the eyes of the figure demonstrate certain irregularities, maybe signifying differences in the visual capacities of the eyes. This corporal exceptionality in relation to (today’s) notions of body-normativity may imply that the Viking Age abled body sometimes was extended to include reduced visual capacity. The processing of both gender-normativity and body-normativity in one and the same precious item, may imply that the high-ranked setting of Lejre included performative practices that were negotiating both hetero- normative and body-normative hegemonic orders. Keywords: Odin from Lejre; Scandinavian Viking Age; appearance; gender-normativity; body-normativity; intersectionality Introduction a martial sovereignty, which is expressed (Sonne 2010, Sometimes new and surprising archaeological finds enter p. 35), an interpretation, which could be reinforced ’ the scholarly scene, making us not only curious but also by Lejre s aristocratic milieu (Christensen 2008, 2009, – – guide us in our search for novel and unexpected pp. -
Grendel Thesis Actual
SHAPESHIFTER AND CHAMELEON: GRENDEL AS AN INDICATOR OF CULTURAL FEARS AND ANXIETIES An Undergraduate Research Scholars Thesis by CHRISTINA OWENS Submitted to the Undergraduate Research Scholars program Texas A&M University in partial fulfillment of the requirements for the designation as an UNDERGRADUATE RESEARCH SCHOLAR Approved by Research Advisor: Dr. Britt Mize May 2016 Major: English TABLE OF CONTENTS Page ABSTRACT ..................................................................................................................................1 DEDICATION ...............................................................................................................................3 ACKNOWLEDGEMENTS ...........................................................................................................4 CHAPTER I THE PRE-9/11 GRENDEL ...................................................................................5 Introduction ...........................................................................................................7 Grendel during World War I ................................................................................12 Grendel during World War II ...............................................................................23 Illustrated translations .........................................................................................27 Potentially sympathetic moments ........................................................................31 II GARDNER’S GRENDEL ...................................................................................35 -
Eckert Ken.Pdf
KINGSHIP AND THE CHARACTERIN ACONTEMPORARY BfOWllL.E by CIKen Eckert A thesis submitted to the School of Graduale Studies in partial fulfilmenlof the requirements for thedegree of Master of Arts Department of English Language and Literature Memorial UniversityofNewfoundJand May 2001 SI. John's Se...;foundland Coatratl Introduction 18 44 rme andthcHeroin~from. 8akhl:inian PerspectM: 61 Conclusions 89 Bibliography 91 AckDowledgemcats I wouldliketo thank my advisor. Dr. WlIliam Sc hipper. '" hiskindassistaru in aUthings over the lastthree years. In addition. acknowledgement must go 10 the English dtpartment at MUNfortheirsuppon. Lasely. I wouldlike to thank Metrnrial ' s Harbw c:aqJUS It\IsItc$ br their award in 1991 ofa Bo~·Hariow 3Cho1arsftip. which permittedme to cond uct direct researc h in England ofall matters Bcowulfian. fo r Caroline Eckert. 1903· 1998 Who never 1eamcd to click . computer mouse, but could recite to me the Chaucershe learned during World WarI. M"l'S God hira r/Zste • May God rest her Chapter 1 latroduc:tioD ~occ upies a unique posa ion in Englishliterat ure, not only becauseso little is known of its pro veoat'lte, but also becauseit is a poem with no documentedaudimce unlilweDafter the:renaissarx:e. WhereasChaucer's workshave beencopiedandenjoyed sincetheir writing, there is DO evidm;e lhat ~did IOO~ thanlie forgotten on a roonastery sbeU' for some livebw.hed years. From RichardHarvey's opinionon Anglo Saxon manuscripts in 1597, '1..d thcm lye: in dead forgetfulnesselikestones..l toQuiller- Coue:h's statement at Cambridge that Chaucer "inheriled nothingfrom Caedmon and Cynewulfbut only from italy and Pro'm'ICC,..J: poems such as ~ha ,-e badgreat difficuttybeingeceepeedas WOI1hwtWe piecesofliterat ure. -
Beowulf Study Guide Author Biography 2
Beowulf Study Guide by Course Hero the narrator shows glimpses of many characters' feelings and What's Inside viewpoints. TENSE j Book Basics ................................................................................................. 1 Beowulf is told primarily in the past tense. d In Context ..................................................................................................... 1 ABOUT THE TITLE Beowulf is named after its heroic protagonist, Beowulf, as a a Author Biography ..................................................................................... 2 way of further honoring his achievements and moral character. h Characters ................................................................................................... 2 k Plot Summary ............................................................................................. 6 d In Context c Section Summaries ................................................................................. 9 Beowulf is the oldest existing Old English poem. While the g Quotes ......................................................................................................... 15 story and its historical elements arguably take place between l Symbols ....................................................................................................... 17 the end of the 5th and the beginning of the 8th century, it was most likely put into its current written form centuries later. The m Themes ....................................................................................................... -
Wlodarski 1 Translating Beowulf: an Exploration of Form, Language, And
Wlodarski 1 Translating Beowulf: An Exploration of Form, Language, and Audience in Translating an Epic Poem Jonathan Wlodarski Advisors: Dr. Leslie Lockett & Dr. Jonathan Burgoyne Wlodarski 2 1. Introduction Beowulf, an Old English epic poem, has been published in numerous translations over the last 150 years. Old English poetic convention is significantly different than our own, and in translating this narrative, scholars have to grapple with tricky questions about textual fidelity and sacrifice. What is the most important thing to convey to a reader about this poem: the plot? The Germanic language? The rhythm of the poetry? It is not an easy problem to solve, and the poem is retranslated so often because translators are always trying to find a better balance between these elements. Seamus Heaney caused quite a stir in 1999 when he published his translation of Beowulf: the book was a New York Times bestseller, widely lauded by critics for being accessible to a general audience (Schulman and Szarmach 1). However, the reception was less stunning in the academic world: many Anglo-Saxonists expressed disapproval for Heaney’s translation, which ignored a great deal of the formal aspects of its source material (Donoghue 15). The recently-published collection of essays Beowulf at Kalamazoo, a book which features scholarly writing on performance and translation issues specific to this epic poem, contains 19 different academic reviews of Heaney’s publication. That a translator is expected to convey every aesthetic, stylistic detail of a poem written in a centuries-old format seems impossible, and that a translation that aims for a wide, general audience should be so denounced by the academic community is appalling. -
Hygelac's Only Daughter: a Present, a Potentate and a Peaceweaver In
Studia Neophilologica 000: 1–7, 2006 0 Hygelac’s only daughter: a present, a potentate and a 0 peaceweaver in Beowulf 5 ALARIC HALL 5 The women of Beowulf have enjoyed extensive study in recent years, but one has 10 escaped the limelight: the only daughter of Hygelac, king of the Geats and Beowulf’s 10 lord. But though this daughter is mentioned only fleetingly, a close examination of the circumstances of her appearance and the words in which it is couched affords new perspectives on the role of women in Beowulf and on the nature of Hygelac’s kingship. Hygelac’s only daughter is given as part of a reward to Hygelac’s retainer 15 Eofor for the slaying of the Swedish king Ongentheow. Beowulf refers to this reward 15 with the unique noun ofermaðmas, traditionally understood to mean ‘‘great treasures’’. I argue, however, that ofermaðmas at least potentially means ‘‘excessive treasures’’. Developing this reading implies a less favourable assessment of Hygelac’s actions here than has previously been inferred. I argue further that the excess in 20 Hygelac’s treasure-giving derives specifically from his gift of his only daughter, and 20 the consequent loss to the Geats of the possibility of a diplomatic marriage through which they might end their feud with the Swedes. A reconsideration of Hygelac’s only daughter, then, offers new perspectives on the semantics of ofermaðum,on Hygelac’s kingship, and on women in Beowulf. 25 Hygelac’s daughter is mentioned in the speech which is delivered by the messenger 25 who announces Beowulf’s death to the Geats after Beowulf’s dragon-fight. -
Nearbycopenhagen
Meet the Vikings! The Viking Calendar 2014 Home of the Vikings Foteviken Museum Enjoy Viking events near by Copenhagen. Check out the www.foteviken.se Viking Calendar and come visit us! Visit the web pages +46 40 330 800 Vikings - mythical warriors, bold sailors, skilled [email protected] for more events and detailed informaiton. craftsmen and strong women with roots in the Nordic Open May 6- September 12 countries. You still find traces of the life they lived 1000 years ago in the landscape surrounding Copenhagen! Frederikssund Viking Theatre 1 April-31 October 12-13 July www.vikingespil.dk Viking activities on location. Workshop - Flint Knapping +4296 9596 Trelleborg Viking Fortress, Denmark VikingaTider The Copenhagen area was already a centre of power [email protected] Open June 20-July 13 11 April-30 December 7-13 July in the Viking age. Here reigned Harald Bluetooth his Exhibition: Viking market - bustling market with Dana Empire 940-986 AD. The king’s political strategy National Museum of Denmark ”The World in the Viking Age” ”thing” (the Viking court) www.natmus.dk Roskilde Viking Ship Museum Sagnlandet Lejre - Land of Legends sydpol.com © visitskane.com Photo: and warfare made the area a dense habited hub of +33 13 44 11 1 May-30 September 12-20 July commerce and faith. Open Tuesday-Sunday all year Sail a Viking ship Viking festival - Battle of Trelleborg, Roskilde Viking Ship Museum Viking crafts and activities. Enrich your visit in Copenhagen with a journey in the Roskilde Viking Ship Museum Trelleborg Viking Fortress, Denmark footsteps of the Vikings.