DOCSLIB.ORG

Motion Picture Press Kits Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Motion Picture Press Kits Collection NMAH.AC.1353 Franklin A. Robinson, Jr. 2016 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Motion Picture Press Kits, , 1961-2004, undated (bulk 1995-2000).......... 4 Motion Picture Press Kits Collection NMAH.AC.1353 Collection Overview Repository: Archives Center, National Museum of American History Title: Motion Picture Press Kits Collection Identifier: NMAH.AC.1353 Date: 1961-2004, undated (bulk 1995-2000) Extent: 3 Cubic feet (9 boxes) Source: Gay Life Magazine Language: English . Summary: A collection of promotional photographs and press kits used to promote motion pictures and made for television motion pictures and other entertainment. Administrative Information Acquisition Information These press kits were collected by Gay Life Magazine, Baltimore, Maryland during the course of journalistic activities. They were donated to the Archives Center through Daniel K. McEvily, Gay Life Magazine editor, when it moved its editorial offices in 2014-2015. Related Materials Materials in the Archives Center Warshaw Collection of Business Americana (AC0060) Lobby Card, Motion Picture, Television, and Theater categories Archives Center Business Americana Collection (AC0404) Motion Picture, Television, and Theater categories Danish Film Stills of American Motion Pictures Collection (AC0543) Movie Poster Collection (AC0656) Erol's Video Club Collection (AC0687) Video Press Kits Collection (AC0748) Archives Center Poster Collection (AC0751) Lesbian, Gay, Bisexual, and Transgender Collection (AC1146) Subseries 4.4: Television, Theater, and Motion Pictures Page 1 of 23 Motion Picture Press Kits Collection NMAH.AC.1353 Processing Information Processed by Anne Jones, volunteer, supervised by Franklin A. Robinson, Jr., archivist, 2014-2016. Preferred Citation Motion Picture Press Kit Collection, Archives Center, National Museum of American History, Smithsonian Institution Restrictions Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at [email protected] or 202-633-3270. Conditions Governing Use Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply. All duplication requests must be reviewed and approved by Archives Center staff. Biographical / Historical Motion picture, television, and other entertainment producers regularly sent out press kits to news organizations, motion picture theaters, television studios, and entertainment-related publications for publicity purposes. They have been a staple tool of the entertainment industry for decades. Scope and Contents This collection consists of publicity kits and promotional photographs for newly released and re-released motion pictures and television shows. There is a small quantity of material for other entertainment forms: theater, television, music, dance, and tennis. The files may include such items as still photographs of scenes from the films, plot summaries, news clippings, interviews of performers, and press releases. The titles included cover a range of genres and subject matter. The bulk of the material is from 1995-2000. There is one item from 1961 and a small amount of material for the years 2000-2004. This collection is arranged in one series by title: Series 1, Motion Picture Press Kits, 1961-2004, undated. Arrangement This collection is arranged in one series by title. Series 1, Motion Picture Press Kits, 1961-2004, undated. Page 2 of 23 Motion Picture Press Kits Collection NMAH.AC.1353 Names and Subject Terms This collection is indexed in the online catalog of the Smithsonian Institution under the following terms: Subjects: Motion picture industry Motion pictures Publicity Types of Materials: Clippings -- 1950-2000 Clippings -- 2000-2050 Film stills Interviews -- 1980-2000 Interviews -- 2000-2020 Press releases Publicity photographs Names: Gay Life Magazine Page 3 of 23 Series 1: Motion Picture Press Kits Motion Picture Press Kits Collection NMAH.AC.1353 Container Listing Series 1: Motion Picture Press Kits, , 1961-2004, undated (bulk 1995-2000) Box 1, Folder 1 8 Heads in a Duffle Bag, 1997 Box 1, Folder 1 28 Hours, 2000 Box 1, Folder 2 101 Dalmations, undated Box 1, Folder 2 187, 1997 Box 1, Folder 3 Ace Ventura: When Nature Calls, 1995 Box 1, Folder 4 Addicted to Love, 1997 Box 1, Folder 5 The Adventures of Elmo in Grouchland, 1999 Box 1, Folder 5 The Adventures of Priscilla, Queen of the Desert, undated Box 1, Folder 6 A Family Thing, 1996 Box 1, Folder 7 Air Bud: Golden Retriever, 1998 Box 1, Folder 8 Air Force One, 1997 Box 1, Folder 9 Albino Alligator, 1996 Box 1, Folder 10 Alive & Kicking, 1997 Box 1, Folder 11 All Dogs Go to Heaven 2, 1996 Box 1, Folder 12 Almost Heaven, 1998 Box 1, Folder 12 Apt Pupil, 1997 Box 1, Folder 12 The Assignment, 1997 Box 1, Folder 13 All the Pretty Horses, 2000 Box 1, Folder 13 The Amazing Panda Adventure, 1995 Page 4 of 23 Series 1: Motion Picture Press Kits Motion Picture Press Kits Collection NMAH.AC.1353 Box 1, Folder 17 American History X, 1998 Box 1, Folder 13 And the Band Played On, undated Box 1, Folder 14 American Beauty and Galaxy Quest, 1999 Box 1, Folder 15 A Month in the Country, 1995 Box 1, Folder 15 Antonia's Line, 1995 Box 1, Folder 16 Antonia and Jane, 1991 Box 1, Folder 17 An American Werewolf in Paris, undated Box 1, Folder 18 Any Mother's Son, undated Box 1, Folder 19 Armageddon, undated Box 1, Folder 20 The Arrival, 1996 Box 1, Folder 21 As Good as It Gets, 1997 Box 1, Folder 22 The Associate, 1996 Box 1, Folder 22 The Avengers, 1998 Box 1, Folder 23 The Astronaut's Wife, 1999 Box 1, Folder 24 Austin Powers: International Man of Mystery, 1997 Box 1, Folder 25 Baby Geniuses, 1997 Box 1, Folder 25 Ballot Measure 9, undated Box 1, Folder 25 Bar Girls, 1995 Box 1, Folder 26 Basketball Diaries, 1995 Box 1, Folder 27 Basquiat, 1996 Box 1, Folder 28 Batman Forever, 1995 Box 1, Folder 28 Batman and Robin, 1997 Page 5 of 23 Series 1: Motion Picture Press Kits Motion Picture Press Kits Collection NMAH.AC.1353 Box 1, Folder 29 Battlefield Earth, 2000 Box 1, Folder 30 Bean, 1997 Box 1, Folder 31 Beautiful Girls, 1996 Box 1, Folder 32 Beautiful Thing, undated Box 1, Folder 32 Before Night Falls, 2000 Box 1, Folder 33 Beyond Silence, 1998 Box 1, Folder 34 Big Bully, 1995 Box 1, Folder 35 The Big Hit, undated Box 1, Folder 36 The Big Lebowski, 1998 Box 1, Folder 37 The Big One, 1998 Box 1, Folder 37 Bitter Moon, 1994 Box 1, Folder 38 Billy Bathgate, undated Box 1, Folder 39 Blood and Wine, 1997 Box 1, Folder 40 Blue in the Face, undated Box 1, Folder 41 Blue Streak, 1999 Box 1, Folder 42 Boiler Room, 1999 Box 1, Folder 43 Boogie Nights, 1997 Box 1, Folder 44 The Borrowers, undated Box 1, Folder 45 Bound, 1996 Box 2, Folder 1 Brassed Off, 1997 Box 2, Folder 2 Breaking Up, 1997 Page 6 of 23 Series 1: Motion Picture Press Kits Motion Picture Press Kits Collection NMAH.AC.1353 Box 2, Folder 3 Bride of the Wind, 2001 Box 2, Folder 4 A Bronx Tale, 1993 Box 2, Folder 5 Buddy, 1997 Box 2, Folder 6 Bullets Over Broadway, 1994 Box 2, Folder 7 The Butcher Boy, 1998 Box 2, Folder 8 Cabaret Balkan, 1999 Box 2, Folder 8 Center Stage, 2000 Box 2, Folder 9 Can't Hardly Wait, 1998 Box 2, Folder 10 Carrington, 1995 Box 2, Folder 11 Cats & Dogs, 2001 Box 2, Folder 12 Cats Don't Dance, 1997 Box 2, Folder 13 Celestial Clockwork, 1996 Box 2, Folder 14 Change of Heart, undated Box 2, Folder 14 Contact, 1997 Box 2, Folder 15 Children of the Revolution, 1997 Box 2, Folder 16 Chungking Express, 1996 Box 2, Folder 17 City of Angels, 1998 Box 2, Folder 18 City of Hope, 1991 Box 2, Folder 19 Coming Out Under Fire, 1994 Box 2, Folder 20 Conspiracy Theory, 1997 Box 2, Folder 21 Cop Land, 1997 Box 2, Folder 22 Cousin Bette, 1998 Page 7 of 23 Series 1: Motion Picture Press Kits Motion Picture Press Kits Collection NMAH.AC.1353 Box 2, Folder 23 Crash, 1996 Box 2, Folder 23 Crimson Tide, undated Box 2, Folder 23 The Crossing Guard, 1995 Box 2, Folder 24 Crazy Alabama, 1999 Box 2, Folder 25 The Crow: City of Angels, 1996 Box 2, Folder 26 The Crude Oasis, 1995 Box 2, Folder 27 The Devil's Advocate, 1997 Box 2, Folder 28 Dance With Me, 1998 Box 2, Folder 29 Dancer Texas, 1997 Box 2, Folder 29 David Searching, undated Box 2, Folder 30 Dances With Wolves, 1990 Box 2, Folder 30 Dangerous Beauty, 1998 Box 2, Folder 31 Dark City, 1998 Box 2, Folder 32 Dead Man, 1996 Box 2, Folder 33 Dear God, 1996 Box 2, Folder 34 Death and the Maiden, 1994 Box 2, Folder 35 Deconstructing Harry, 1997 Box 2, Folder 36 The Deep End, 2001 Box 2, Folder 37 The Deep End of the Ocean, 1997 Box 2, Folder 37 Deep Rising, undated Box 2, Folder 38 Desperate Measures, 1998 Page 8 of 23 Series 1: Motion Picture Press Kits Motion Picture Press Kits Collection NMAH.AC.1353 Box 3, Folder 1 Different for Girls, undated Box 3, Folder 2 Dinosaur, 2000 Box 3, Folder 3 Dirty Pictures, 2000 Box 3, Folder 4 A Dog of Flanders, 1999 Box 3, Folder 5 Dog Park, 1999 Box 3, Folder 6 Down and Out in Beverly Hills, 1986 Box 3, Folder 7 Dr.
Recommended publications
  • DOROTHY BARENSCOTT “Sensationalising”

    DOROTHY BARENSCOTT “Sensationalising”

    EnterText 5.1 DOROTHY BARENSCOTT “Sensationalising” Mapplethorpe a Decade Later: What Dirty Pictures can show us about the “Culture Wars” today “I’m looking for the unexpected. I’m looking for things I’ve never seen before” - Robert Mapplethorpe “No Limits” - Network Slogan for Cable TV Channel Showtime In Spring 2000, the cable television channel Showtime premiered one of the most controversial television movies of the year. Titled Dirty Pictures, the made-for-TV film was billed as a docudrama centered around the Cincinnati Contemporary Art Center’s ill-fated Robert Mapplethorpe exhibition of 1990, The Perfect Moment, and the gallery director Dennis Barrie’s personal struggle to persevere through the subsequent obscenity trial that made headlines across North America at the time. The film, however, had been the subject of its own controversy. After ten years in production, several script changes, and a move from HBO to a lesser known cable network, Dirty Pictures went through a series of legal battles after the MPAA American ratings board initially issued the finished film an NC-17 rating because of its depiction of several of the most explicit Mapplethorpe photographs.1 Not only did this ruling potentially restrict Showtime’s ability to air the final work, but it also put the film squarely in the same category as soft-core pornography. An appeal, however, succeeded Dorothy Barenscott: “Sensationalising” Mapplethorpe 59 EnterText 5.1 in having the film assigned a more-acceptable R rating. And in the same week that Dirty Pictures finally premiered, the Supreme Court ruled in a 5-4 decision to strike down a law barring sexually-explicit programming on cable television outside the hours of ten p.m.
  • Collection of Television Press Kits, 1958, Ca

    Collection of Television Press Kits, 1958, Ca

    http://oac.cdlib.org/findaid/ark:/13030/c87082fc No online items Finding Aid for the Collection of television press kits, 1958, ca. 1974-ca. 2004 Finding aid prepared by Arts Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 1908 1 television press kits, 1958, ca. 1974-ca. 2004 Title: Collection of television press kits Collection number: 1908 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 9.5 linear ft.(19 boxes and 1 flat box.) Date (inclusive): 1958, ca. 1974-2004 Abstract: This collections documents a variety of television show genres broadcast on networks such as ABC, CBS, NBC, HBO, PBS, SHOWTIME, and TNT. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the caollection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
  • Jay & Silent Bob Reboot

    Jay & Silent Bob Reboot

    Presents JAY & SILENT BOB REBOOT A film by Kevin Smith 105 mins, USA, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com JAY AND SILENT BOB REBOOT SYNOPSIS: The stoner icons who first hit the screen 25 years ago in CLERKS are back! When Jay and Silent Bob discover that Hollywood is rebooting an old movie based on them, the clueless duo embark on another cross-country mission to stop it all over again! 1 CAST & CREW BIOGRAPHIES: KEVIN SMITH (Silent Bob, Director / Writer) Kevin Smith has been saying silly cinematic shit since his first film Clerks, released way back in 1994. He had a heart attack and almost died last year but survived solely so he could direct his magnum opus, Jay and Silent Bob Reboot. A polygamist, he’s married to both his wife Jen and podcasting. JASON MEWES (Jay) Jason Mewes most recently made his directorial debut on MADNESS IN THE METHOD, which was released in August 2019. With cult-fans following his controversial antics, Mewes has captured audiences with his rebellious banter against his unspoken other half and longtime friend, Kevin Smith. Since the beginning of the duo’s offbeat work together, Mewes and Smith have continued to build on their beloved character-driven roles from the Jay and Silent Bob series. It’s been over a decade since fans last saw the duo in live- action, but they’re back along with a star-studded cast in the upcoming comedy film, JAY AND SILENT BOB REBOOT.
  • THE RETRIEVER WEEKLY NEWS May 8, 2001 Ehind the Scenes

    THE RETRIEVER WEEKLY NEWS May 8, 2001 Ehind the Scenes

    THE ETRIEVER "Procrastination gives you something to look forward to."- Joan Konner, Journalist Volume XXXV, Number 28 1000 Hilltop Circle, Baltimore, MD 21250 · May 8, 2001 Cone Collection Version 2.0 Baltimore Museum of Art and UMBC Visual Arts Department Develop Virtual Tour of Exhibit SARAH ANDREWS Retriever Weekly Editorial Staff ing with newly designed galleries ing to Alan Price, associate direc­ and expanded exhibition space. tor of the IRC, was the extent of The Baltimore Museum of Claribel and Etta Cone began research that had to be done to Art's famed Cone Collection their collecting career in the recreate the apartments. The received a technological upgrade 1890s, and eventually acquired building had been gutted in the recently, thanks to an ongoing hundreds of works by such artists 1970s, forcing the team to tum to collaboration with UMBC's as Renoir, Manet, Cezanne, the building's original floor plans Imaging Research Center. Degas and Matisse. Today the and over 30 photographs of the Through internships with the Cone Collection, containing over apartment to guide them in recre­ IRC, which is part of the Visual 500 works by Henri Matisse ating the rooms. The team spent Arts department, artistically and alone, is considered one of the six months recreating the apart­ technically-minded students have most important in the world. ments' details, even creating digi­ had the chance to flex their cre­ Now, through real-time computer tal images of the artwork and fur­ ative and technical muscles by animation developed by the niture in the rooms. Museum vis­ designing a virtual tour of the UMBC team, museum visitors itors will be able to look out the Cone sisters' art-filled Baltimore can explore a virtual re-creation virtual windows and see a recre­ apartments.
  • Download (1MB)

    Download (1MB)

    Journal of Bisexuality ISSN: 1529-9716 (Print) 1529-9724 (Online) Journal homepage: https://www.tandfonline.com/loi/wjbi20 Bi Film-Video World High and Low Maria Pramaggiore To cite this article: Maria Pramaggiore (2001) Bi Film-Video World High and Low, Journal of Bisexuality, 2:2-3, 243-266, DOI: 10.1300/J159v02n02_17 To link to this article: https://doi.org/10.1300/J159v02n02_17 Published online: 12 Oct 2008. Submit your article to this journal Article views: 115 Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=wjbi20 © 2002 by The Haworth Press, Inc. All rights reserved. ___________________________________________________________________ [Haworth co-indexing entry note]: “High and Low: Bisexual Women and Aesthetics in Chasing Amy and High Art.” Pramaggiore, Maria. Co-published simultaneously in Journal of Bisexuality (Harrington Park Press, an imprint of The Haworth Press, Inc.) Vol. 2, No. 2/3, 2002, pp. 243-266; and: Bisexual Women in the Twenty-First Century (ed: Dawn Atkins) Harrington Park Press, an imprint of The Haworth Press, Inc., 2002, pp. 243-266. Single or multiple copies of this article are available for a fee from The Haworth Docu- ment Delivery Service [1-800-HAWORTH, 9:00 a.m. - 5:00 p.m. (EST). E-mail address: getinfo@ haworthpressinc.com]. Bi Film-Video World 245 SUMMARY. This essay examines two recent U.S. films that explicitly connect art and women’s bisexuality: Kevin Smith’s Chasing Amy (1997) and Lisa Cholodenko’s High Art (1998). The affiliation between bisexuality and art reflects a paradox: an erotics of refusing distinctions, bisexuality acts as a metaphor for both the breakdown of sexual catego- ries and the blending of high art and low entertainment.
  • POPULAR DVD TITLES – As of JULY 2014

    POPULAR DVD TITLES – As of JULY 2014

    POPULAR DVD TITLES – as of JULY 2014 POPULAR TITLES PG-13 A.I. artificial intelligence (2v) (CC) PG-13 Abandon (CC) PG-13 Abduction (CC) PG Abe & Bruno PG Abel’s field (SDH) PG-13 About a boy (CC) R About last night (SDH) R About Schmidt (CC) R About time (SDH) R Abraham Lincoln: Vampire hunter (CC) (SDH) R Absolute deception (SDH) PG-13 Accepted (SDH) PG-13 The accidental husband (CC) PG-13 According to Greta (SDH) NRA Ace in the hole (2v) (SDH) PG Ace of hearts (CC) NRA Across the line PG-13 Across the universe (2v) (CC) R Act of valor (CC) (SDH) NRA Action classics: 50 movie pack DVD collection, Discs 1-4 (4v) NRA Action classics: 50 movie pack DVD collection, Discs 5-8 (4v) NRA Action classics: 50 movie pack DVD collection, Discs 9-12 (4v) PG-13 Adam (CC) PG-13 Adam Sandler’s eight crazy nights (CC) R Adaptation (CC) PG-13 The adjustment bureau (SDH) PG-13 Admission (SDH) PG Admissions (CC) R Adoration (CC) R Adore (CC) R Adrift in Manhattan R Adventureland (SDH) PG The adventures of Greyfriars Bobby NRA Adventures of Huckleberry Finn PG-13 The adventures of Robinson Crusoe PG The adventures of Rocky and Bullwinkle (CC) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) PG The adventures of TinTin (CC) NRA An affair to remember (CC) NRA The African Queen NRA Against the current (SDH) PG-13 After Earth (SDH) NRA After the deluge R After the rain (CC) R After the storm (CC) PG-13 After the sunset (CC) PG-13 Against the ropes (CC) NRA Agatha Christie’s Poirot: The definitive collection (12v) PG The age of innocence (CC) PG Agent
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007

    HBO: Brand Management and Subscriber Aggregation: 1972-2007

    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
  • Kevin Smith Press Release Update

    Kevin Smith Press Release Update

    CSFINEARTSCENTER.ORG Contact: Amanda Weston, Media Relations and Outreach Manager 719-477-4316; [email protected] FOR IMMEDIATE RELEASE Jay & Silent Bob Get Old COLORADO SPRINGS (Oct 13, 2015) — The Colorado Springs Fine Arts Center (FAC) presents Jay and Silent Bob Get Old. The hilarious duo Jay & Silent Bob are back. Film icons Kevin Smith and Jason Mewes made history and fans all over the world with the characters Jay & Silent Bob from the movies Clerks, Mallrats, Chasing Amy, Dogma, Jay and Silent Bob Strike Back and Clerks 2. Now you can see them live at the FAC recording their comedy podcast Jay & Silent Bob Get Old. Smith, playing to a sold out show at 7:30p, will be joined by Mewes for a second and completely different performance at 9:45p. This is what fans everywhere have been waiting for – a rare opportunity to see their heroes on stage doing what they love, telling stories! Ranked #1 on ITunes Comedy podcasts, this is a sometimes touching, always hilarious, look at what happens when two people grow up in Hollywood’s gaze. These limited engagements will be recorded as the stories evolve live in front of the audience, and released for free on www.smodcast.com. Jay & Silent Bob Get Old When: December 16, 2015 9:45p Where: Colorado Springs Fine Arts Center, 30 W. Dale St. Tickets: Starting at $36 Something else: This performance is following the SOLD OUT performance – An Evening with Kevin Smith: Q&A Session at 7:30p Kevin Smith @ThatKevinSmith is the fat guy who got thrown off the plane.
  • Hliebing Dissertation Revised 05092012 3

    Hliebing Dissertation Revised 05092012 3

    Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee.
  • Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp

    Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp

    Screen Cleaning: Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2015 Erin Elif Alp All rights reserved ABSTRACT Screen Cleaning: Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp This dissertation asks how the structure of moral authority and media viewership in America has changed over the course of the 20th century. In order to address this question, I examine the ways in which American films are, and have been, labeled inappropriate or appropriate for public viewership. I ask how censorship, regulation and rating systems work to create and manage moral ambiguity, and what types of ramifications moral ambiguity is thought to have on viewers. I also address the types of problems associated with American cinema over time, and propose several analytical dimensions to capture and unpack the processes of censoring cinema. This framework is built on the notions of filth and moral ambiguity, moral repercussion, a process of responsibilization, and the telos for cinema, all of which influences how an organization interacts with movies and morality. In lapses of symmetry between on- and off-screen worlds, moral ambiguity arises in ways that responsibilize either content controllers or audiences themselves. I show the links between these articulations and how the moral repercussions of exposure to cinema are defined. I also argue that where in the past moral ambiguity was commonly perceived as a dangerous aspect of cinema, especially by censors and Hollywood film production regulators, contemporary movie raters present a film’s moral ambiguity as a resource to the viewer.
  • Broadcasting Dec 5

    Broadcasting Dec 5

    The Fifth Estate Broadcasting Dec 5 , " TAKING ADVANTAGE ;:jir ENTERTAINMENT TONIGHT zAr TAXI "vor 171 % to all of our friends who have helped us give the gift of entertainment all year round. TELEVISION DOMESTIC DISTRISLIIION FAMILY TIES CHEERS Zi WEBSTER AIR UNIVERSITY LIBRARY MAXWELL AIR FORCE BASE, ACT U. S. PfCE PROPERTY our winn ng combination for ereo o NrcAn.L u r, 19,iiii,;¡.?" PWATrvr RIGHT St uannv ou CONTINENTAL ELECTRONICS TYPE PMX]MT AM STEREO MOO. MONITOR J._ J J i l L . ,a. .. .. a, a, s .. ; ' . L..IL cu.1u ¡ SET TO TOO 1 `r- Iii) o i LnT. 0ENWT w OUTPUT wwi ILLLLIIO o.0 ó C l: WTN LILVi 7.14t7,:' O .O, eEeos uiñN Mw T . HIM, L.Tp . O OIf LLT O iii? Mi." L.I OLYOO 40 111 .., ,] N I .- .... .._- ^'vC .-vcm .v .. '''''i Is AM Stereo ready to move up? Hearing is believing. on -air reliability with complete Market -place decisions With the PMX System, AM Stereo transparency. notwithstanding, the recent music sounds like FM Stereo Ultimately, the day -to-day introduction of receivers able to music. So it makes for higher operation of your AM Stereo decode signals from any of the four listener appeal and better System will depend upon systems in use today makes it numbers: For audience and the equipment and service. easier for broadcasters to move bottom line. We stand on our track record of ahead with AM Stereo plans. The Winning Combination providing the best of both. Which system is #1? Our Type 302A Exciter, developed If you're considering AM Stereo, or The PMX (Magnavox) System was for the PMX System, and our new if you just want more facts, give us first selected by the FCC to be the Type PMX -SM I AM Stereo a call.
  • Dogma (Film) - Wikipedia, the Free Encyclopedia 12/29/11 6:58 AM Dogma (Film) from Wikipedia, the Free Encyclopedia

    Dogma (Film) - Wikipedia, the Free Encyclopedia 12/29/11 6:58 AM Dogma (Film) from Wikipedia, the Free Encyclopedia

    Dogma (film) - Wikipedia, the free encyclopedia 12/29/11 6:58 AM Dogma (film) From Wikipedia, the free encyclopedia Dogma is a 1999 American adventure fantasy comedy film written and directed by Kevin Smith, who also stars in the Dogma film along with an ensemble cast that includes Ben Affleck, Matt Damon, Linda Fiorentino, Alan Rickman, Bud Cort, Salma Hayek, Chris Rock, Jason Lee, George Carlin, Janeane Garofalo, Alanis Morissette, and Jason Mewes. Brian O'Halloran and Jeff Anderson, the stars of Smith's debut film Clerks, have cameo roles, as do Smith regulars Scott Mosier, Dwight Ewell, Walt Flanagan, and Bryan Johnson. The fourth film set in the View Askewniverse is a hypothetical-scenario film revolving around the Catholic Church and Catholic belief, which caused organized protests and much controversy in many countries, delaying release of the film and leading to at least two death threats against Smith.[2][3] The film follows two fallen angels, Loki and Bartleby, who, through a loophole in Catholic Dogma, find a way to get back into Heaven after being cast out by God. Theatrical release poster However, as existence is founded on the principle that God is infallible, their success would prove God wrong and thus Directed by Kevin Smith undo all creation. The last scion and two prophets are sent Produced by Scott Mosier by the Voice of God to stop them. Written by Kevin Smith Aside from some scenes filmed on the New Jersey shore, Starring Ben Affleck most of the film was shot in Pittsburgh, Pennsylvania. George Carlin Matt Damon Linda