Bibliography

Total Page:16

File Type:pdf, Size:1020Kb

Bibliography MODERN HERITAGE PROPERTIES (19th – 20th Centuries) ON THE WORLD HERITAGE LIST BIBLIOGRAPHY UNESCO-ICOMOS Documentation Centre (October 2009) Description of the Modern heritage properties with a bibliography based on documents available at the UNESCO-ICOMOS Documentation Centre 49-51, Rue de la Fédération, 75015 Paris, France Tel. 33 (0) 1 45 67 67 70 Fax. 33 (0) 1 45 66 06 22 E-mail: [email protected] http://www.international.icomos.org/centre_documentation * The descriptions of the sites have been taken from the UNESCO World Heritage Centre website. * Les descriptions des sites ont été prises du site web du Centre du Patrimoine Mondial de l'UNESCO Photo in the cover page : Casa Mila (La Pedrera), Antonio Gaudi, Barcelona (Spain) 1 INDEX Australia 4 - Royal Exhibition Building and Carleton Gardens (2004) - Sydney Opera House (2007) Belgium 8 - Major Town Houses of Architect Victor Horta, Brussels (2000) - Stoclet House (2009) Brazil 13 - Brasilia (1987) Chile 16 - Historic Quarter of the Seaport City of Valparaiso (2003) Cuba 18 - Urban Historic Centre of Cienfuegos (2005) Czech Republic 19 - Tugendhat Villa in Brno (2001) France 20 - Le Havre, the city rebuilt by Auguste Perret (2005) Germany 22 - Palaces and Parks of Potsdam and Berlin (1990, 1992, 1999) - Bauhaus and its Sites in Weimar and Dessau (1996) - Museumsinsel (Museum Island), Berlin (1999) - Berlin Modernism Housing Estates (2008) Germany / Poland 32 - Muskauer Park / Park Muzakowski (2004) India 33 - Chhatrapati Shivaji Terminus (formerly Victoria Terminus) (2004) Israel 34 - The White City of Tel-Aviv – the Modern Movement (2003) Italy / Switzerland 36 - Rhaetian Railway in the Albula / Bernina Landscapes (2008) Mexico 38 - Hospicio Cabañas, Guadalajara (1997) - Luis Barragán House and Studio (2004) - Central University City Campus of the Universidad Nacional Autónoma de México (UNAM) (2007) Netherlands 43 - Rietveld Schröderhuis (Rietveld Schröder House) (2000) Poland 44 2 - Centennial Hall in Wroclaw (2006) Poland / Germany 32 - Muskauer Park / Park Muzakowski (2004) Spain 46 - Works of Antoni Gaudi (1984, 2005) - Palau de la Música Catalana and Hospital de Sant Pau in Barcelona (1997) Sweden 55 - Skogskyrkogarden (1994) - Varberg Radio Station (2004) Switzerland 57 - La Chaux-de-Fonds / Le Locle, watchmaking town planning (2009) Switzerland / Italy 36 - Rhaetian Railway in the Albula / Bernina Landscapes (2008) UK 59 - Liverpool – Maritime Mercantile City (2004) Venezuela 60 - Ciudad Universitaria de Caracas (2000) 3 AUSTRALIA / AUSTRALIE 2004 – Royal Exhibition Building and Carleton Gardens / Palais royal des expositions et jardins Carlton - Criteria (ii) The Royal Exhibition Building and its surrounding Carlton Gardens were designed for the great international exhibitions of 1880 and 1888 in Melbourne. The building and grounds were designed by Joseph Reed. The building is constructed of brick and timber, steel and slate. It combines elements from the Byzantine, Romanesque, Lombardic and Italian Renaissance styles. The property is typical of the international exhibition movement which saw over 50 exhibitions staged between 1851 and 1915 in venues including Paris, New York, Vienna, Calcutta, Kingston (Jamaica) and Santiago (Chile). All shared a common theme and aims: to chart material and moral progress through displays of industry from all nations. Le Palais royal des expositions et les jardins Carlton qui l’entourent ont été conçus pour les grandes expositions internationales de 1880 et 1888 à Melbourne. Le bâtiment et le terrain ont été dessinés par Joseph Reed. Le bâtiment, construit en brique, bois, acier et ardoise, amalgame des traits byzantins, romans, lombards et de la Renaissance italienne. Cet ensemble est représentatif du mouvement des expositions internationales. Entre 1851 et 1915, plus de 50 d’entre elles furent organisées dans des villes comme Paris, New York, Vienne, Calcutta, Kingston (Jamaïque) et Santiago du Chili, sur la base d’un principe et d’un objectif commun : dresser un état des lieux du progrès en exposant les réalisations de tous les pays. Documentation available at the ICOMOS Documentation Centre: Nomination file Bibliography: 024453 - Palais royal des expositions et jardins Carlton. 12 slides: col. (eng). From WHC 1131 listed in 2004. PRIMARY KEYWORDS: world heritage list; modern architecture; 19th; historic monuments; gardens; Australia. SECONDARY KEYWORDS: slides. // Royal Exhibition building and Carlton gardens, Australia (WHC 1131) CALL NO: AU.CAR.05.1-12 (WHC 1131). 025106 - Carlton gardens master plan. Draft master plan. City of Melbourne. Melbourne, City of Melbourne, 2004. 25p., illus., plans. (eng). PRIMARY KEYWORDS: world heritage list; management plans; historic gardens; town planning; garden lay out; conservation of historic gardens; Australia. // Royal exhibition building and Carlton gardens, Australian (WHC 1131) ACCESSION NO: WHC 1131 (1). 4 2007 – Sydney Opera House / Opéra de Sydney - Criteria (i) Brief Description Inaugurated in 1973, the Sydney Opera House is a great architectural work of the 20th century that brings together multiple strands of creativity and innovation in both architectural form and structural design. A great urban sculpture set in a remarkable waterscape, at the tip of a peninsula projecting into Sydney Harbour, the building has had an enduring influence on architecture. The Sydney Opera House comprises three groups of interlocking vaulted ‘shells’ which roof two main performance halls and a restaurant. These shell-structures are set upon a vast platform and are surrounded by terrace areas that function as pedestrian concourses. In 1957, when the project of the Sydney Opera House was awarded by an international jury to Danish architect Jørn Utzon, it marked a radically new approach to construction. Outstanding Universal Value The Sydney Opera House constitutes a masterpiece of 20th century architecture. Its significance is based on its unparalleled design and construction; its exceptional engineering achievements and technological innovation and its position as a world-famous icon of architecture. It is a daring and visionary experiment that has had an enduring influence on the emergent architecture of the late 20th century. Utzon's original design concept and his unique approach to building gave impetus to a collective creativity of architects, engineers and builders. Ove Arup's engineering achievements helped make Utzon's vision a reality. The design represents an extraordinary interpretation and response to the setting in Sydney Harbour. The Sydney Opera House is also of outstanding universal value for its achievements in structural engineering and building technology. The building is a great artistic monument and an icon, accessible to society at large. Criterion (i): The Sydney Opera House is a great architectural work of the 20th century. It represents multiple strands of creativity, both in architectural form and structural design, a great urban sculpture carefully set in a remarkable waterscape and a world famous iconic building. All elements necessary to express the values of the Sydney Opera House are included within the boundaries of the nominated area and buffer zone. This ensures the complete representation of its significance as an architectural object of great beauty in its waterscape setting. The Sydney Opera House continues to perform its function as a world-class performing arts centre. The Conservation Plan specifies the need to balance the roles of the building as an architectural monument and as a state of the art performing centre, thus retaining its authenticity of use and function. Attention given to retaining the building's authenticity culminated with the Conservation Plan and the Utzon Design Principles. The Sydney Opera House was included in the National Heritage List in 2005 under the Environment Protection and Biodiversity Conservation Act 1999 and on the State Heritage Register of New South Wales in 2003 under the Heritage Act 1977. Listing in the National Heritage List implies that any proposed action to be taken inside or outside the boundaries of a National Heritage place or a World Heritage property that may have a significant impact on the heritage values is prohibited without the approval of the Minister for the Environment and Heritage. A buffer zone has been established. The present state of conservation is very good. The property is maintained and preserved through regular and rigorous repair and conservation programmes. The management system of the Sydney Opera House takes into account a wide range of measures provided under planning and heritage legislation and policies of both the Australian Government and the New South Wales Government. The Management Plan for the Sydney Opera House, the Conservation Plan and the Utzon Design Principles together provide the policy framework for the conservation and management of the Sydney Opera House. 5 Brève description Inauguré en 1973, l’Opéra de Sydney fait partie des œuvres architecturales majeures du XXe siècle. Il associe divers courants innovants tant du point de vue de la forme architecturale que de la conception structurelle. Sculpture urbaine magnifique soigneusement intégrée dans un remarquable paysage côtier, à la pointe d’une péninsule qui s’avance dans le port de Sydney, cet édifice exerce depuis sa construction une grande influence sur le monde de l’architecture. L’Opéra de Sydney se compose de trois groupes de « coquilles » voûtées et entrelacées qui abritent les deux principaux
Recommended publications
  • Alejandro Cervilla García* the Skin and Bones of Structure. a Brief
    2019 2(58) DOI: 10.5277/arc190202 Alejandro Cervilla García* The skin and bones of structure. A brief history of how Mies van der Rohe revealed the skeleton of the house Szkielet i obudowa. Krótka historia tego, jak Mies van der Rohe wyeksponował konstrukcję budynku In 1907, Mies van der Rohe built his first work, Riehl bas-relief, defining a wall. The second device reminds us House, in Potsdam, a classic house with a rectangular of the classic Greek tool of the peristyle in the semi-open floor plan, a structure of brick load-bearing walls with spaces that surrounded temples2. But in essence, this first a plaster of slaked lime and a sloping roof (Fig. 1). home by Mies is a clear example of a house with a hidden Although, the construction of reinforced concrete build- structure. There is no clue to its structural reality. You ings had already begun in Europe in 1890 [2], [3, cannot see the brickwork, the formation of the lintels, or pp. 54–62], and the first steel-structured skyscrapers in the thickness of the walls. Neither can you see the base of America had made their appearance in 1880 [4, pp. 365– the walls nor the wooden frame that constitutes the roof. 446], the use of concrete and steel had not yet become This compact, symmetrical and compartmentalized widespread, so Mies used traditional construction meth- house scheme, with a brick load-bearing wall structure ods in this first work. and sloping roof served as a model for a whole series of On the outside of the house we observe the trace of sub sequent houses: Perls house (Zehlendorf, Berlin, 1911), a structure that wants to reveal itself.
    [Show full text]
  • Ibbeken/Bergdoll Schinkel, Persius, Stüler Menges
    Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 www.AxelMenges.de Schinkel, Persius, Stüler – Bauten in Berlin und Pots- dam / Buildings in Berlin and Potsdam With photographs by Hillert Ibbeken and an essay by Barry Bergdoll, 144 pp. with 120 illus., 280 x 300 mm, hard-cover, German/English ISBN 978-3-936681-72-7 Euro 49.90, £ 39.90, US$ 68.00, $A 79.00 This book is a synopsis, ƒa summary of the books also published by Edition Axel Menges about the Prussian architects Karl Fried- rich Schinkel (1781–1841), Ludwig Persius (1803–1845) and Fried- rich August Stüler (1800–1865), but it covers only the works of these architects in Berlin and Potsdam. The three books men- tioned above are subtitled »The architectural work today«; in other words, they are exclusively about buildings that still exist. This is also true of the present selection. The question whether this se- lection and limitation to Berlin and Potsdam is representative of the work of the three architects can clearly be answered in the affirmative. For Persius this question does not even arise, because during his short life he worked almost exclusively in Potsdam and its immediate vicinity – he was the »King’s architect«. Stüler’s Distributors work is found in a region extending from Cologne on the Rhine to Masuria, with some important buildings in Stockholm and Brockhaus Commission Budapest as well. About a quarter of his works can be found in Kreidlerstraße 9 Potsdam and Berlin, where Stüler, too, was the »King’s architect«.
    [Show full text]
  • THE HUMAN RIGHTS of the RAPA NUI PEOPLE on EASTER ISLAND Rapa Nui
    THE HUMAN RIGHTS OF THE RAPA NUI PEOPLE ON EASTER ISLAND Rapa Nui IWGIA report 15 THE HUMAN RIGHTS OF THE RAPA NUI PEOPLE ON EASTER ISLAND Report of the international Observers’ Mission to Rapa Nui 2011 OBSERVERS: Clem Chartier, President of Métis National Council, Canada. Alberto Chirif, Anthropologist and Researcher, IWGIA, Peru. Nin Tomas, Associate Professor of Law at the University of Auckland in Aotearoa- New Zealand, and researcher in the area of Indigenous Peoples Rights. Rapa Nui: August 1 - 3, 2011 Santiago: August 4 - 8, 2011 Report 15 IWGIA - 2012 CONTENTS THE HUMAN RIGHTS OF THE RAPA NUI PEOPLE ON EASTER ISLAND Observer´s Report visit to Rapa Nui 2011 ISBN: 978-87-92786-27-2 PRESENTATION 5 Editor Observatorio Ciudadano 1. Historical information about the relationship between the Rapa Nui Design and layout people and the Chilean State 7 Lola de la Maza Cover photo 2. Diagnosis of the Human Rights situation of the Rapa Nui and their Isabel Burr, archivo Sacrofilm demands, with special reference to the rights of self-determination Impresión Impresos AlfaBeta and territorial rights 11 Santiago , Chile 2.1. Self Determination 12 2.1.1 Right to Consultation over Migration Control 18 2.1.2 Conclusion 20 2.2. Territorial Rights 21 OBSERVATORIO CIUDADANO Antonio Varas 428 - Temuco, Chile 2.2.1. Lands Occupations 21 Tel: 56 (45) 213963 - Fax 56 (45) 218353 E-mail: [email protected] - Web: www.observatorio.cl 2.2.2. Return of Lands 26 INTERNATIONAL WORK GROUP FOR INDIGENOUS AFFAIRS 3. RightS OF IndigEnouS PEoplES in ChilE 30 Classensgade 11 E, DK 2100 - Copenhagen, Denmark Tel: (45) 35 27 05 00 - Fax (45) 35 27 05 07 4.
    [Show full text]
  • EASTER ISLAND Botswana Safaris Amazing Wonders from Desert to Wetlands
    EASTER ISLAND BOTSWANA SAFARIS Amazing Wonders From Desert To Wetlands Easter Island is a magical mysterious place located in a remote area in the southeastern Pacific Ocean some 2,300 miles west of South America. A Chilean territory, Easter Island is a volcanic island known for its intriguing archaeological sites. There are approximately 900 monumental statues, called moai, created by the early Rapa Nui inhabitants during the 10th-16th centuries. In 1995 UNESCO named Easter Island a World Heritage Site, with much of the island protected within Rapa Nui National Park. The moai are carved figures with oversized heads, often resting on massive rock altars. Polynesian people most likely settled on Easter Island sometime between 700 to 1100 AD, and created a thriving and industrious culture as evidenced by the island’s numerous enormous stone moai and other artifacts. By the time of European arrival in 1722, the island’s population had dropped to 2,000–3,000 from an estimated high of approximately 15,000 just a century earlier. European diseases and Peruvian slave raiding in the 1860s further reduced the Rapa Nui population, to a very low number of inhabitants in 1877. Begin your exploration with a stop at Rano Kao, one of three extinct volcanoes on the island whose crater is pocked with over 100 small lakes. Rano Kao was the second of the three volcanoes to erupt about 2.5 million years ago. Growing inside the crater are grapes, bananas, and totora, a reed used extensively for houses, boats and other uses. Visit Rano Raraku, one of the most interesting archaeological sites not only on Easter Island but also in the entire world.
    [Show full text]
  • La Republique Tcheque
    La République tchèque Projekt: MO-ME-N-T MOderní MEtody s Novými Technologiemi Reg.č.: CZ.1.07/1.5.00/34.0903 Operační program: Vzdělávání pro konkurenceschopnost Škola: Hotelová škola, Vyšší odborná škola hotelnictví a turismu a Jazyková škola s právem státní jazykové zkoušky Poděbrady Tématická oblast: Le TOURISME Tematický okruh: LA FRANCE - en général Jméno autora: Bc. Věra Kuklíková Datum: Únor2014 Ročník: (Cíl. skupina): III. a IV. ročník Anotace: Prezentace ve francouzštině shrnuje základní fakta o České republice. Zaměřuje se dále na památky zapsané na seznamu UNESCO. La République tchèque • Située au cœur de l’Europe sans accès à la mer • Capitale: Prague • Population: 10 millions d’habitants 2 • La superficie: 78 870 km • Les voisins: la Pologne, la Slovaquie, l’Autriche, l’Allemagne • Régroupe les régions historiques: la Bohême, la Moravie, la Silesie • Organisations internationales: depuis 1999 le membre de l’OTAN, depuis 2004 de l’Union européenne La République tchèque Plusieurs massifs – chaînes de montagnes: Les Monts des Géants • Les montagnes les plus hautes de la Bohème • la montagne la plus haute – Sněžka (la Neigeuse) 1602 m de hauteur les Monts Métallifères la Forêt de Bohême (Šumava) au sud de la Bohême – la forêt vierge Boubín les Monts Orlické hory, Hrubý Jeseník, Beskydy, les Carpates Blanches Les fleuves / les rivières: Vltava – prend sa source à Šumava, la plus longue Elbe (fleuve), Odra (fleuve), Morava, Dyje La Richesse naturelle 4 parcs nationaux • Monts des Géants – source de l’Elbe • Suisse de Bohême
    [Show full text]
  • Rapa Nui National Park
    WORLD HERITACE LIST Rapa Nui NO 715 Identification Nomination Rapa Nui National Park Location Easter Island Province, Valparaiso Region State Party RepubliC Of Ch ile Date 13 June 1994 Justification by State Party Rapa Nui National Park contains archaeological evidence, consisting mainly of moai <megalithic statues>, ahu <ceremonial structures>, houses and ceremonial villages, petroglyphs, and wall paintings. They constitute an outstanding and unique cultural heritage. category of propertv ln terms of the categories of property set out in Article 1 of the 1972 world Heritage convention, Rapa Nui is a site. Historv and Description History Rapa Nui was settled around AD 300 by Polynesians, probably from the Marquesas, who brought with them a wholly Stone Age society. Ali the cultural elements in Ra pa Nui prior to the arrivai of Europeans indicate th at the re were no other incoming groups; they rule out the many hypotheses that have been advanced regarding settlement from south America, Melanesia, Egypt, or elsewhere. According to island tradition, the colonizing expedition of fifty people in two canees was led by King Hotu Matu'a. Between the 10th and 16th centuries the island community expanded steadily, small settlements being set up along practically the entire coastline. The high cultural level of this society was high, and is best known from its monumental stone figures <moai> and ceremonial shrines <ahu>; it is also noteworthy for a form of pictographie writing (fango rongo>, which is so far undeciphered. However, there was an economie and social crisis in the community in the 16th centurv, attributable perhaps to over-population and environmental deterioration.
    [Show full text]
  • Corporacion Nacional Forestal-Rapa Nui National Park Proposal for an International Scientific Advisory Board Jose Miguel Ramierz
    Rapa Nui Journal: Journal of the Easter Island Foundation Volume 11 Article 8 Issue 3 September 1997 1997 Corporacion Nacional Forestal-Rapa Nui National Park Proposal for an International Scientific Advisory Board Jose Miguel Ramierz Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation Ramierz, Jose Miguel (1997) "Corporacion Nacional Forestal-Rapa Nui National Park Proposal for an International Scientific Advisory Board," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 11 : Iss. 3 , Article 8. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol11/iss3/8 This Commentary or Dialogue is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Ramierz: Rapa Nui National Park Proposal for International Advisory Board Corporaci6n Nacional Forestal-Rapa Nui National Park Proposal for an International Scientific Advisory Board Jose Miguel Ramirez. Aliaga Jefe Provincial Isla de Pascua The Chilean Forest Service Corporaci6n Nacional Fore­ micro-organism, chemical corrosion and human cause, and stal (eONAF) is the Chilean Government Agency whose of the importance f preserving this heritage becau e of it mandate includes the management of National Parks. The universal value, CONAF has spon ored and given impetu to Rapa Nui National Park was establi hed in 1935, it 6.7 a plan of special activities for the admini tration and perpetua­ hectares covers about 42 % of the total area of Easter I land.
    [Show full text]
  • 7 Reasons to Visit Chile
    7 reasons to visit Chile - Surprising natural wonders - Culture and Heritage - World-class Sports and Adventure - Flavors and Wine from the end of the world - Astronomical Tourism - Vibrant City Life - Health and Wellness By region (from North to South) these would be the places we (SAT Chile) most sell to our different markets: The North and The Atacama Desert - The Lauca National Park – Lake Chungara: UNESCO World Biosphere Reserve. - San Pedro de Atacama: The driest desert of the world, more than 375 natural attractions Santiago, Valparaíso and The Central Valleys - Casablanca: one of the 10 Greatest Wine Capitals of the world. - Valparaíso’s lifts and trolleybuses: living heritage. - Route of the Poets: Neruda’s houses on Negra Island and in Valparaíso, and Vicente Huidobro’s house in Cartagena. - Colchagua Valley: It has been dubbed “The Best Winemaking Region in the World” by the magazine Wine Enthusiast thanks to its world-classreds. Lakes and Volcanoes - Villarrica and Pucon: Thermal Springs Route: a large concentration of thermalsprings in the middle of the country’s natural landscape. - Pucón: an adventure sports paradise, offering kayak, rafting, trekking and volcano climbs Puerto Varas and Frutillar - Puyehue National Park, Vicente Pérez Rosales National Park and Alerce Andino National Park: southern forests and landscapes. - The Lakes Crossing: navigate along Todos los Santos Lake and make the crossing over to the Argentine city of Bariloche. Chiloé - 16 of Chiloé’s traditional churches are UNESCO World Heritage Sites. -
    [Show full text]
  • Unesco World Heritage in the Czech Republic
    Třebíč – Uniqueness of Multiplicity CZECH TELEVISION PRESENTS A DOCUMENTARY SERIES Most of its foreign visitors head straight for the oldest part of the town, called Podklášteří (“Bellow the Monastery”) or the old Jewish quarter in the district of Zámostí (“Beyond the Bridge”). In the evening tourists can be seen here leafing through cabalistic scriptures and drinking kosher wine. At one time Třebíč belonged to major centres of both Christian and Jewish culture in Moravia, and even today it still gives testimony about the coexistence of Jews and Christians. (Národní klenoty – památky UNESCO) The Holy Trinity Column in Olomouc – Fullness of Faith The monumental column is 35 metres tall, was erected in the 18th century, and is a supreme example of architecture characterised as Olomouc Baroque. It is decorated with a multitude of Baroque statues which form the largest sculptural group in Central Europe. It owes its existence to mason and architect Wenzel Render, who was the first to come with the idea to create it, and outstanding sculptor Ondřej Zahner. Villa Tugendhat – Onyx Heart Villa Tugendhat in Brno was the last great project designed by architect Ludwig Miese van der Rohe in Europe before he moved to the USA. It is a unique specimen of functionalist architecture from the period between the two world wars. It has three storeys and is situated on sloped terrain. The structure consists of a steel skeleton carrying ceramic ceilings. Villa Tugendhat, re-opened to the public in 2011 following a demanding renovation, is admired by visitors from all over the world. UNESCO WORLD HERITAGE IN THE CZECH REPUBLIC Prague – Diversity in Unity and The history of the Czech Lands is rich and eventful.
    [Show full text]
  • Antonio Gaudí Precursor De La Sostenibilidad En La Arquitectura
    UNIVERSIDAD POLITÉCNICA DE MADRID ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA Antonio Gaudí precursor de la sostenibilidad en la arquitectura TESIS DOCTORAL Carlos Salas Mirat INGENIERO DE EDIFICACIÓN MÁSTER EN CONSTRUCCIÓN Y TECNOLOGÍA ARQUITECTÓNICAS AÑO 2018 DEPARTAMENTO DE CONSTRUCCIÓN Y TECNOLOGÍA ARQUITECTÓNICAS ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA Antonio Gaudí precursor de la sostenibilidad en la arquitectura Autor: Carlos Salas Mirat INGENIERO DE EDIFICACIÓN MÁSTER EN CONSTRUCCIÓN Y TECNOLOGÍA ARQUITECTÓNICAS Directores: César Bedoya Frutos DR. ARQUITECTO CATEDRÁTICO DE UNIVERSIDAD Josep Adell-Argilés DR. ARQUITECTO CATEDRÁTICO DE UNIVERSIDAD AÑO 2018 Tribunal nombrado por el Sr. Rector Magfco. de la Universidad Politécnica de Madrid, el día...............de.............................de 20.... Presidente: Vocal: Vocal: Vocal: Secretario: Suplente: Suplente: Realizado el acto de defensa y lectura de la Tesis el día..........de........................de 20… en la E.T.S.I. /Facultad.................................................... Calificación ........................................................ EL PRESIDENTE LOS VOCALES EL SECRETARIO A mi mujer Esther, por su cariño y apoyo incondicionales. Antonio Gaudí, precursor de la sostenibilidad en la arquitectura Índice Capítulo 0. RESUMEN - ABSTRACT Capítulo 1. INTRODUCCIÓN 1.1. Objetivos 9 1.2. Breve acercamiento a la vida y obra de Antonio Gaudí 11 1.3. La arquitectura de Gaudí en su contexto histórico 17 Capítulo 2. ESTADO DEL ARTE 2.1. Origen y evolución de la sostenibilidad 23 2.2. Sostenibilidad en la arquitectura 29 2.3. Calidad del diseño y desarrollo sostenible 39 2.4. El diseño bioclimático como fundamento de la arquitectura sostenible 43 2.5. Ética y sostenibilidad 49 Capítulo 3. NATURALEZA Y SOSTENIBILIDAD 3.1. La naturaleza como modelo de sostenibilidad 53 3.2. La arquitectura biomimética 59 3.3.
    [Show full text]
  • „Glienicke, Mein Augapfel“ Peter Joseph Lenné 2016 – 200 Jahre Park Glienicke
    „Glienicke, mein Augapfel“ Peter Joseph Lenné 2016 – 200 Jahre Park Glienicke „Das Wichtigste aber, was wir davon hoffen, ist die Wirkung und die Macht des Beispiels“. Mit diesen Worten hat Peter Joseph Lenné den seiner Umgebung wesentlich mitgestaltete, zu- ein umfangrei- eigenen Anspruch an seinen ersten Park in nächst als Garten- und Landschaftsplaner, spä- ches Programm Preußen formuliert. ter auch als Stadtplaner. Immer plante er dabei für alle Alters- auch Grünanlagen als Naherholungsflächen, so gruppen zusam- Vor 200 Jahren, im Jahr 1816, hat Lenné mit den würde man das heute nennen, mit ein. Seiner mengestellt. Es Arbeiten am Park Glienicke begonnen. Beauf- Zeit war er dabei weit voraus. erinnert an das tragt wurde er vom damaligen Besitzer, Staats- visionäre Wirken kanzler Fürst Karl August von Hardenberg. Die von Lenné in exponierte Lage des Parks im äußersten Süd- Berlin und Potsdam als Gartenkünstler, Land- westen Berlins, an der Glienicker Brücke, macht schaftsarchitekt und Stadtplaner. Wer einen ihn zu einem besonderen Teil der deutsch-deut- Maßstab für Qualität von Natur und Grün in der schen Geschichte. Heute gehört er zu einer Kul- Stadt sucht, der findet ihn hier. turlandschaft von internationalem Rang und zur UNESCO-Welterbestätte „Schlösser und Parks von Potsdam und Berlin“. Der Bezirk Steglitz-Zehlendorf, das Regional- Dr. Barbara Hendricks Der Park Glienicke war Beginn einer fast 50-jäh- management Berlin SÜDWEST und zahlreiche Bundesministerin für Umwelt, Naturschutz, Bau und Reaktorsicherheit rigen Ära, in der Lenné das Antlitz von Berlin und Kooperationspartner haben für das Jahr 2016 Schirmherrin Peter Joseph Lenné 2016 – 200 Jahre Park Glienicke „Das Wichtigste aber, was wir davon hoffen, ist die Wirkung und die Macht des Beispiels“.
    [Show full text]
  • Descargar Casa Botines Media
    MEDIA KIT ÍNDICE TABLE OF CONTENTS SALUDO 6 GREETINGS PRESENTACIÓN 9 PRESENTATION LA CASA BOTINES: HISTORIA Y ARQUITECTURA 13 CASA BOTINES: HISTORY AND ARCHITECTURE ANTONI GAUDÍ, ARQUITECTO UNIVERSAL 20 ANTONI GAUDÍ, UNIVERSAL ARCHITECT LA COLECCIÓN FUNDOS 25 THE FUNDOS COLLECTION EXPOSICIÓN PERMANENTE 30 PERMANENT EXHIBITION DEPARTAMENTO DE EDUCACIÓN Y ACCIÓN CULTURAL 38 EDUCATION AND CULTURAL ACTIVITIES DEPARTMENT INVESTIGACIÓN, CONSERVACIÓN Y DIFUSIÓN 44 RESEARCH, CONSERVATION AND PROMOTION ATENCIÓN AL VISITANTE 50 VISITOR ASSISTANCE PROYECCIÓN, RELACIONES INSTITUCIONALES Y MEDIOS 56 PROJECTION, INSTITUTIONAL RELATIONS AND MEDIA SERVICIOS CORPORATIVOS 63 CORPORATE SERVICES DIRECTORIO 66 DIRECTORY SALUDO GREETINGS 6 n abril de 2017, la Fundación Obra Social de Castilla y León (FUNDOS) decidió abrir la Casa Botines al público E general. La necesidad de musealizar sus espacios y ponerlos al servicio del conjunto de la sociedad supuso la creación del Museo Gaudí Casa Botines, encargado de recuperar para León y para el mundo un edificio emblemático de uno de los mayores arquitectos de todos los tiempos, Antonio Gaudí, y una de las pocas n April 2017, the FUNDOS Foundation realizaciones del arquitecto que aún permanecía decided to open the Casa Botines to the cerrada a las visitas. general public. The need to transform its El Museo se planteó como una institución Ispaces into a museum to serve society led to privada al servicio de la ciudadanía y de la the creation of the Gaudí Casa Botines Museum. conservación y difusión de su patrimonio histó- It was conceived as a way to recover a landmark rico-artístico, como garantía de la pervivencia building which was closed to the public by one of de nuestra cultura, nuestra memoria colectiva the greatest architects of all time, Antoni Gaudí.
    [Show full text]