DOCSLIB.ORG

Chicken Page-Turner 32 Pages of Austrian Art, Culture and TV

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chicken Page-Turner 32 Pages of Austrian Art, Culture and TV CREATIVE AUSTRIA | magazine for contemporary art and culture in Austria | #12 | E/D | www.creativeaustria.at Chicken page-turner 32 Pages of Austrian Art, Culture and TV Exhibitions Festivals Horizon Field Ars Electronica Salzburger Jazz-Herbst BUCH WIEN Steirischer Herbst VIENNA DESIGN WEEK creative austria Index creative austria >> contemporary art and culture www.creativeaustria.at 2 3 Wien: Design and Literature Design und Literatur Graz: The VIENNA DESIGN WEEK turns Vienna into a creative zone and BUCH WIEN presents itself more colourful than ever before. steirischer herbst Die VIENNA DESIGN WEEK macht Wien zur Kreativzone und die BUCH WIEN präsentiert sich so bunt wie noch nie. Art emerges from the bag of tricks this year. S. 4 – 5 / S. 14 – 15 Die Kunst kommt diesmal aus der Trickkiste. S. 6 – 9 Salzburg: Jazz Hot Autumn Heißer Herbst In autumn Salzburg is the Capital of Jazz. And not just in autumn! Austria is preparing for a season of exciting cultural events In Österreich steht uns ein heißer Kulturherbst bevor. Im Herbst ist Salzburg Jazzhauptstadt. Nicht nur im Herbst! this autumn. Linz: In Wien erwarten die Kulturinteressierten neben dem immer S. 10 – 13 In Vienna culture enthusiasts can look forward to the ever spannenden Ausstellungsprogramm mit der VIENNA DESIGN Ars Electronica exciting exhibition programmes of two mega events, the WEEK und der BUCH WIEN gleich zwei aufregende Großveran- VIENNA DESIGN WEEK and the BUCH WIEN. staltungen. The Ars Electronica transports visitors into the future and the world into repair. Under the motto “Repair – sind wir noch zu retten” (transl. repair Die Ars Electronica in Linz erkundet unter dem Motto Die Ars Elecetronica schickt ihre Besucher – can we still be saved) the Ars Electronica in Linz explores the „Repair – sind wir noch zu retten“ unsere Möglichkeiten einer in die Zukunft und die Welt in Reparatur. possibilities of our long-term existence on this planet. The same längerfristigen Existenz auf diesem Planeten. Die selbe Frage, question is posed in a different manner by the spectacular land aber auf ganz andere Weise stellt auch das spektakuläre Land S. 16 – 19 art project “Horizon Field” by Antony Gormley, who installed 100 Art Projekt „Horizon Field“ von Antony Gormley, der 100 Gus- cast-iron figures at exactly 2,039m above sea level in the Vorarl- seisenfiguren auf exakt 2.039m Seehöhe in die Vorarlberger berg alpine landscape. A TV-broadcast on this remarkable project Gebirgslandschaft gepflanzt hat. Einen TV-Beitrag zu diesem Vorarlberg: can be viewed on our homepage www.creativeaustria.at. aufsehenerregenden Projekt können Sie übrigens auf unserer Horizon Field homepage www.creativeaustria.at ansehen. In Graz the festival “steirischer herbst” (translated: Styrian autumn) will welcome visitors at the end of September. Artistic In Graz öffnet Ende September der steirische herbst wieder seine Antony Gormley’s subtle work of art in the Vorarlberg Alps. Director Veronika Kaup-Hasler features the theme “Virtuosity – Pforten. Intendantin Veronica Kaup-Hasler stellt das Thema Antony Gormleys leises Kunstwerk in den Vorarlberger Alpen . from virtuoso masters to virtuoso tricksters” as the highlight of „Virtuosität“ – von virtuosen Meistern bis hin zu virtuosen S. 20 – 23 this year’s programme. Under the direction of Kaup-Hasler the Tricksern – in den Mittelpunkt des diesjährigen Programmes. Das CREATIVE AUSTRIA Culture Guide festival, which has become clearly fresher and bolder, promises unter Kaup-Haslers Intendanz wieder deutlich verjüngte und numerous high-quality to blunt/odd events and projects. The an- frecher gewordene Festival verspricht jedenfalls eine Vielzahl CREATIVE AUSTRIA Kulturtipps nual Salzburg Jazz-Herbst will once again present the finest jazz. hochqualitativer bis vorlaut-seltsamer Veranstaltungen und Projekte. Und im Salzburger Jazz-Herbst wird wie jedes Jahr auch Erni guides you through the most A hot autumn in Austria is guaranteed. heuer wieder Jazz vom Feinsten geboten. important cultural events in CREATIVE AUSTRIA. Erni führt durch die wichtigsten Hansjürgen Schmölzer Ein heißer Kulturherbst in Österreich ist jedenfalls garantiert. ORF: Kulturtermine in CREATIVE AUSTRIA. Hansjürgen Schmölzer S. 26 – 31 Austria Culture on TV Our recommendations for culture programming on Austrian TV throughout the magazine . Zahlreiche Kultursendungstipps im ganzen Heft. S. 5 / S. 15 / S. 24 – 25 / S. 31 www.creativeaustria.at creative austria >> contemporary art and culture www.creativeaustria.at 4 Vienna 5 Vienna Design Week (1. – 10.10.2010) Design Week 1. – 10.10.2010 A City full of Design! www.viennadesignweek.at Eine Stadt voll Design! The VIENNA DESIGN WEEK “Neigungsgruppe Design” (transl. being “international, but locally situ- um (mit 1.500 geladenen Gästen) hat much more than merely a shaped turns Vienna into an in- special interest group “Design") is par- ated”. Special attention is paid to the sich dabei längst zu einer Art „Jahres- object: an integral component of Tipp: ternational creative zone. tially responsible for a change in how design scene of Central and Eastern versammlung“ der Wiener Kreativwirt- cultural production. Therefore, design design in Vienna is perceived. Founded Europe: protagonists from the region schaft samt internationaler Prominenz is not only celebrated, but also criti- Ein Wiener Original im ORF: in 2006 by Tulga Beyerle, Thomas Geis- use this opportunity to boost “long gemausert, das übrige Festival ist frei cally discussed during the VIENNA Die VIENNA DESIGN WEEK ler and Lilli Hollein this special interest overdue” networking processes in – und großteils kostenlos – zugänglich. DESIGN WEEK. Events like the VIENNA macht Wien zur internati- group organized several public-orien- Vienna. An einer Vielzahl von Schauplätzen DESIGN WEEK debut, talks (feat. Stefan Donnerstag Nacht onalen Kreativzone. ted projects. Nevertheless, their most in ganz Wien werden nationale wie Sagmeister), Carte Blanche and the ORF 1 – Do. 09.09.2010, 23:35 effective instrument in promoting Wer Wien denkt und Design dazu, der internationale Positionen aus VIENNA DESIGN WEEK laboratory image, design and Vienna as city of de- hat schon lange nicht mehr die vor- Produkt-, Möbel- und (including “lab talks”) complement the Die nette Leit Show remixed When thinking of Vienna and design, sign is the DESIGN WEEK. The opening letzte Jahrhundertwende Industrie Design, programme, the highlight of which Hermes Phettberg, Publizist in Wien, the turn of the 20th century and bent held at Liechtenstein Museum (with und Bugholz möbel aber auch ex- has always been the “paths of passion” zählt zu den enfants terribles der öster- wood furniture from Thonet are not 1,500 invited guests) has over the years von Thonet vor perimentelle leading the way to specially set up reichischen Kunstszene. Legendär seine the first things that come to mind. become a sort of annual gathering of Augen. Oder Ansätze design installations. An exhibition on „Nette Leit Show“ Mitte der 90er Jahre, Today, design in Vienna has different Vienna’s creative talents including in- zumindest präsen- the topic of Table Culture is held at kontrovers seine „Verfügungspermanenz“ connotations: young, cool, ternational notables. The other events nicht nur. tiert. Liechtenstein Museum. in Museen in Wien und Zürich. at times shrill, but of the festival are open to the public, Wien Darüber certainly innovative mostly free of charge. At various und hinaus Für die Neigungsgruppe ist Design weit Die Donnerstag Nacht mixt aus Hermes as well as brave. locations in Vienna national and Design, gewährt mehr als nur das gestaltete Objekt: ein Phettbergs und Kurt Palms „Nette Leit In the truly international products, furni- das hört die „elementarer Bestandteil der Kultur- Show“ einen bekömmlichen Cocktail. colourful cre- ture and industrial designs sich DESIGN produktion“. Daher wird Design im Ingredienzien sind Frucade und Eierlikör, ative scene are exhibited, at times heute WEEK Rahmen der VIENNA DESIGN WEEK die Talkgäste Marcel Prawy, Chris Lohner of this city using experimen- ziemlich Einblicke nicht nur gefeiert, sondern auch kri- und Alfred Psota, der ehemalige Leiter the tal approaches. jung an, in ver- tisch diskutiert. Formate wie VIENNA der Lebensmittelanstalt Wien, der schöne Furthermore, manch- schiedene DESIGN WEEK Debüt, Talks (feat. Robin und die Brüder Poulard. the DESIGN mal cool, Aspekte Stefan Sagmeister), Carte Blanche und Danach wird der Dokumentarfilm von WEEK pro- manchmal des Gra- VIENNA DESIGN WEEK Labor (samt Kurt Palm „Hermes Phettberg, Elender“ vides in- schrill, in jedem fikdesi- „Laborgesprächen“) ergänzen das Pro- gezeigt. In diesem Dokumentarfilm sights into Fall innovativ und gns. Das gramm, als dessen Herzstück seit jeher zeigt er Hermes Phettberg, den „Elenden“ the various auch mutig. Mitschuld an Motto die „Passionswege“ gelten. Diese laden laut Selbstbeschreibung, den Ungeliebten, lautet zum Erwandern der eigens kommissi- aspects of diesem Wahrnehmungswech- den Masochisten, den Außenseiter graphic design, sel ist – neben der im wahrsten dabei onierten Designinstallationen ein. Und und den Faszinierenden. Oder um es under the motto Sinne des Wortes bunten „in- im Liechtenstein Museum ist mit Harald Schmidts Worten zu sagen: Kreativszene der Stadt – die ter- eine Ausstellung zum Thema Tischkul- „Hermes Phettberg ist für Neigungsgruppe Design. 2006 nati- tur zu erleben. mich ein Gesamtkunstwerk.“ von Tulga Beyerle, Tho- onal, mas Geisler und Lilli aber Incidentally the VIENNA
Load more

Recommended publications
  • Jones, Alice “Sir Antony Gormley Interview: 'I Don't Have Any Choice
    ! Jones, Alice “Sir Antony Gormley interview: 'I don’t have any choice over this: it's what I was born to do'” The Independent, May 8, 2015. Sir Antony Gormley, 64, is lying on his back on the smooth concrete floor of his studio and is swinging his long legs from side to side. Paint-spattered trousers, red socks, hiking boots, all cutting a lanky, alarming swathe through the air. “I do about 60 of these,” he says. “It’s very good for the spine, I think.” He sits up, a bit puffed out, and starts to crunch his abs. “And then 50 of these – sit-ups – I have to, kind of, hold my feet down. I tuck them under the bed, or the radiator.” To be fair, I kind of asked for this display. The last time I interviewed Gormley, in 2010, for Horizon Field, in which he scattered 100 sculptures across the Austrian Alps, he told me that he had hired a personal trainer. He famously uses his own body to cast his figures and, having just turned 60, he had found his art was getting a little plump. So is he still training? ! ! An employee walks through Antony Gormley's installation, Breathing Room III, at his exhibition 'Test Sites' at the White Cube Gallery, London “I got rid of him. No, Julian was very nice, but now I do my morning routine in order to be able to face the day. A few stretches, a few press-ups, a few sit-ups. You know...” Is he, I wonder, as he picks himself up off the floor and lopes back to his chair, worried about ageing? “No.
    [Show full text]
  • Download the App! in the Crystal Clear Lechbach
    2020 | 2021 LECH ZÜRS MAGAZINE ZeitRaum Luxury is always A map of The sound a bit cheeky the clouds of a place Pure poetry – Lech’s A culinary trip Former ski pro Felix traditional costumes through Zug Neureuther opens up More Time. More Space. LECH ZÜRS Editorial Dear reader, From this issue onwards, our ZeitRaum Magazine will receive a fresh new look. From now on, the design, concept and editorial work will be in the hands of our partner friendship.is & Super BfG, a collective of creative people who have been closely associated with Lech Zürs for many years. Among other things, the new ZeitRaum is intended to reflect a combination between a sense of tradition and the spirit of innovation that has shaped and distinguished our region and the entire holiday destination of Vorarlberg for generations. The values and unique qualities of Lech Zürs will also be brought to the fore and new perspectives will be opened up. Be it through portraits, such as that of hotelier Herbert Jochum in this issue, who over nine decades of his life has accompanied the development of Zürs. Or be it through exciting reports like the one about climbing onto Roggalspitze. Or be it during a foray through the gourmet town of Zug, to name just a few. Exceptional people, an impressive natural environment, sports and leisure activities as well as culture and joie de vivre in all its facets - Lech Zürs has many faces. Our Magazine is just as diverse and full of charac- ter as the town itself, made to fulfil your desire for discovery, holidays and reading.
    [Show full text]
  • ARTIST - ANTHONY GORMLEY Born in 1950 in London, UK Lives and Works in London, UK
    ARTIST - ANTHONY GORMLEY born in 1950 in London, UK lives and works in London, UK SELECTED SOLO EXHIBITIONS - 2015 HUMAN, Forte di Belvedere, Florence, Italy FIELD FOR THE BRITISH ISLES, 20-21 Visual Arts Centre, Scunthorpe, England SECOND BODY, Galerie Thaddaeus Ropac Pantin, Paris, France [cat.] 2014 SCULPTURE 21ST: ANTONY GORMLEY, Lehmbruck Museum, Duisburg EXPANSION FIELD, Zentrum Paul Klee, Bern, Switzerland [cat.] MEET, Galleri Andersson/Sandström, Stockholm, Sweden [cat.] ANOTHER TIME MARDALSFOSSEN, Mardalsfossen, Norway [cat.] STATES AND CONDITIONS, HONG KONG, White Cube Hong Kong [cat.] DRAWING, Allmeinde Commongrounds, Lech am Arlberg, Austria 2013 FIRMAMENT AND OTHER FORMS, Middelheim Museum, Antwerp, Belgium [cat.] according to a given mean, Xavier Hufkens, Brussels, Belgium [cat.] METER, Galerie Thaddeus Ropac, Salzburg, Austria [cat.] 2012 CLOUD CHAIN, French National Archives, Paris, France [permanent installation] HORIZON FIELD HAMBURG, Deichtorhallen, Hamburg, Germany [cat.] FIELD FOR THE BRITISH ISLES, Barrington Court, Somerset VESSEL, Galleria Continua, San Gimignano, Italy [cat.] FACTS AND SYSTEMS [FATOS E SISTEMAS], White Cube, São Paolo, Brazil ANTONY GORMLEY - STILL BEING [CORPOS PRESENTES], Centro Cultural Banco do Brasil, São Paolo, Brazil [cat.] CLEARING, The Verey Gallery, Eton College, Windsor, England DRAWING SPACE, The Phillips Collection, Washington D.C, USA STILL STANDING, White Cube Hoxton Square, London, England ANTONY GORMLEY - STILL BEING [CORPOS PRESENTES], Centro Cultural Banco do Brasil, São Paolo, touring: Centro Cultural Banco do Brasil, Rio di Janeiro and CCBB Brasilia, Brazil [cat.] TWO TIMES, The Museum of Modern Art, Hayama, Japan ANTONY GORMLEY - NUIT BLANCHE, Palais d'Iéna, Paris, France BODYSPACE, Sean Kelly Gallery, New York, USA MODEL, White Cube Bermondsey, London, England [cat.] 2011 MEMES, Anna Schwartz Gallery, Melbourne, Australia [cat.] FOR THE TIME BEING, Galerie Thaddaeus Ropac, Paris, France [cat.] TWO STATES, Harewood House, Yorkshire, England STILL STANDING, The State Hermitage Museum, St.
    [Show full text]
  • The Iron Men | Art and Design | the Guardian
    The iron men | Art and design | The Guardian http://www.guardian.co.uk/artanddesign/2010/aug/07/antony-... The iron men Antony Gormley explains why he has spent the past five years on a project to erect Horizon Field, 100 sculptures of his body, in the Austrian alps Antony Gormley The Guardian, Saturday 7 August 2010 larger | smaller Figure in a landscape . part of Antony Gormley's Horizon Field, near Lech in the Austrian Alps. Photograph: David Levene for the Guardian It started as a whim and ended up taking five years. Last Sunday morning a band of assorted folk set out on a walk across the base of Mohnenfluh in the Bregenzerwald. The 2,544m mountain is at the centre of a high dilution of sculpture, over a wide and varied field of alpine meadows that catch the slanting sunlight and seem to be made of a deep velvet; gypsum sinks that hide micro-climates of secret ferns where greedy flies suck the nectar from the heavy heads of cow parsley; bright streams that run from the ice-melt into shining falls that turn the grey schist black; deep forests of high-reaching pine; and among the craggy heights the occasional glimpse of ibex or wild sheep. It was a bright morning, the sky a deep blue, the air clear and completely still, given depth by the dull clonking of cow-bells on the udder-stretched alpage-grazers: subtly beige-shaded Braunvieh who with their big brown eyes occasionally left off their chomping to stare at us. High above are the peaks – occasionally shadowed by cloud but mostly sharply outlined against the infinite blue.
    [Show full text]
  • Vorarlberg Magazine
    Vorarlberg Magazine A sense of snow How the pace of life in Vorarlberg changes in winter Time to enjoy Baking bread in the Paulinarium, mountain huts for connoisseurs, agriculture in winter Winter in the mountains Skiing areas, cross-country ski trails, ski schools, ski clubs, a peek behind the scenes Worlds of winter vt1802 www.vorarlberg.travel VAB_Mag_GB_01_Cover_02ms.indd 1 11.09.18 14:42 Contents All about herbs and cheese At Alma, cheese is made according to traditional methods using fresh milk from cows fed only fresh grass and hay. We refine our select cheese rounds by hand with aromatic herbs and petals. Juniper, rosemary and marigold, to name a few, give the cheese, including its edible herbal rind, a very distinctive flavour. What moves Vorarlberg in winter: About worlds of living, passions and long 20 winter evenings Welcome to Vorarlberg! This magazine takes you to winter on our Buy cheese online: doorstep: to the snow-covered mountains, people who just love winter, shop.alma.at cosy huts and scenic slopes. Take a peek behind the scenes here and there. And discover Vorarlberg with all your senses. 04 Dear Winter ... 62 Mad about snowy downhill descents Six people from Vorarlberg explain why Ski areas in all regions of Vorarlberg Summit meeting they enjoy the worlds of winter so much Three very special huts in Lech Zürs 50 76 Anton Bereuter’s toboggan 16 Gallery In pursuit of winter 82 Staying on track 20 Vorarlberg’s sense of snow Xander Mathis and the trail team How the cold time of the year changes the region 86 With hand and heart Trip to Lisilis Biohof 32 It’s all up and down A peek behind the scenes at a cable-car 90 The smell of fresh bread operator Pauline Burtscher’s passion for baking 36 Avalanche search dogs 94 Information Directions, legal details 38 Welcome to the Ski-Club Arlberg! 42 Ski schools: focus on children Read the digital version 46 Climate change of the magazine What’s winter going to be like in the Vorarlberg Magazine is also mountains? available as a digital edition.
    [Show full text]
  • Antony Gormley Horizon Field a Landscape Installation in the High Alps of Vorarlberg, Austria
    KUB Project Press release Antony Gormley Antony Gormley Horizon Field A Landscape Installation in the High Alps of Vorarlberg, Austria until April 2012 Karl-Tizian-Platz Postfach 371 A-6901 Bregenz Presented by Kunsthaus Bregenz Telefon (+43-55 74) 4 85 94-0 Fax (+43-55 74) 4 85 94-408 E-Mail Press conference with presentation of the catalogue [email protected] Web and the film: Tuesday, June 21, 2011, 12 noon, www.kunsthaus-bregenz.at Panoramarestaurant Diedamskopf (Schoppernau) On the day of the press conference we will be offering a free shuttle service from Bregenz to Schoppernau and back. From Bregenz (KUB) at 9:30 a.m. to Schoppernau (valley station of the Diedamskopf cable cars) From Schoppernau (valley station of the Diedamskopf cable cars) at 3:30 p.m. to Bregenz (KUB) Please book a seat in advance. Getting to the Panoramarestaurant Diedamskopf from Schoppernau: Meeting point: valley station of Diedamskopf cable car railway (ride up approx. 20 min). We recommend sturdy shoes or boots and depending on the weather rain gear. The cable car rides there and back are free on the press conference. The cable car/chairlift operates from 8:45 to 16:15 (last ascent 15:30). Getting to the figures: from the Panoramarestaurant Diedamskopf it is an easy 15-minute hike. 2/2 KUB Project Press release Antony Gormley The Kunsthaus Bregenz and the British artist Antony Gormley have realized a unique landscape project in the Vorarlberg Alps. Until April 2012, Horizon Field consists of 100 life-size figures cast from the human body in solid iron.
    [Show full text]
  • Exkursion: Horizon Field Zum Feld Des Zusammenwirkens Zwischen Kunst, Landschaft Und Gastgeberschaft
    Einladung zur 2. Exkursion »Plattform Kultur & Tourismus« Exkursion: Horizon Field Zum Feld des Zusammenwirkens zwischen Kunst, Landschaft und Gastgeberschaft Dienstag, 5. Oktober, 10.00 bis ca. 17.00 Uhr, r e t Treffpunkt GH Rote Wand/ Lech-Zug t e r T s u k r a M : o t In diesem Jahr startete eines der größten o F , z n e g Kooperationsprojekte zwischen Kunst und e r B s u a professioneller Gastgeberschaft, zwischen h t s n u K Kultur und Tourismus in Vorarlberg. Das d n u y e Kunsthaus Bregenz realisiert mit dem l m r o G y britischen Künstler Antony Gormley die n o t n A © bislang größte Landschaftsinstallation in z n e g e r Österreich. B s u a h t s n u K y b Horizon Field besteht aus 100 lebensgroßen d e t n e s e Abgüssen eines menschlichen Körpers aus r P massivem Gusseisen. Die Figuren sind verteilt über ein Gebiet von 150 Quadratkilometern in den Gemeinden Mellau, Schoppernau, Schröcken, Warth, Mittelberg, Lech, Klösterle und Dalaas. Das Werk bildet eine horizontale Linie auf 2.039 Metern über dem Meeresspie - gel. Der für ein solches Projekt notwendige Kommunikationsfluss schlängelte sich vom Künstler zu den Experten im Kunsthaus über alle Tourismusdestinationen im Einzugs - gebiet weiter zu den Gäste-Informationszen - tren in den Gemeinden, der Gastronomie oder dem Liftpersonal von Seilbahnen bis hin zum Kunstinteressierten (Er-) Wanderer der Installation. Dieser Kommunikationsprozess für Horizon Field wurde langfristig organisiert und bewusst gestaltet. Wir informieren über Erfahrungen und Erkenntnisse für zukünftige gemeinsame Projekte aus den Perspektiven der Kulturschaffenden und zweier Tourismusdestinationen.
    [Show full text]
  • ANTONY GORMLEY Biography 1950 Born in London, England Lives In
    ANTONY GORMLEY Biography 1950 Born in London, England Lives in London, England SELECTED AWARDS 2014 Knighthood for Services to the Arts 2013 Praemium Imperiale Prize in Sculpture 2012 Obayashi Prize 2007 Bernhard Heiliger Award for Sculpture 2004 Honorary Doctorate, Newcastle University 2003 Honorary Doctorate, Cambridge University Honorary Fellow of Jesus College, Cambridge Honorary Fellow of Trinity College, Cambridge Royal Academician 2001 Honorary Doctorate, Open University Honorary Fellow of the Royal Institute of British Architects 2000 British Design and Art Direction Silver Award for Illustration Civic Trust Award for The Angel of the North Fellow, Royal Society of Arts 1999 South Bank Art Award for Visual Art 1998 Honorary Doctorate, University of Sunderland Honorary Doctorate, University of Central England, Birmingham Honorary Fellowship, Goldsmith's College, University of London 1997 Order of the British Empire 1994 Turner Prize, Tate Gallery, London, England SELECTED SOLO EXHIBITIONS 2022 GROUND, Museum Voorlinden, Wassenaar, The Netherlands 2021 ANTONY GORMLEY, National Gallery Singapore, Singapore FIELD FOR THE BRITISH ISLES, Northern Gallery for Contemporary Art (NGCA) at the National Glass Centre, Sunderland, United Kingdom LEARNING TO BE, Schauwerk Sindelfingen, Germany PRESENT, Rana Kunstforening, Mo Rana, Norway Last updated: 19 July 2021 2020 IN HABIT, Galerie Thaddaeus Ropac, Marais, Paris 2019 Antony Gormley, Royal Academy of Arts, London, United Kingdom BREATHING ROOM: ART BASEL UNLIMITED, Art Basel, Switzerland
    [Show full text]
  • Teacher Resource Suitable for Teaching KS3–5 and FE Introduction
    Royal Academy of Arts Contents roy.ac/teachers 21 September – Introduction Email studentgroups@ 3 December 2019 Illustrated key works with royalacademy.org.uk information, questions, key or call 020 7300 5995 to words and links to other artists book your visit Classroom activities Teacher Resource Suitable for teaching KS3–5 and FE Introduction Angel of the North, which stands 20 to sculpture, he resists realistic Left: Portrait of Antony Gormley. metres high and is located just outside representation, preferring instead to Photo by Benjamin McMahon Gateshead in the north of England. construct environments that focus on Below: Field for the British Isles, 1993. the experience of the viewer. As he Terracotta. Variable size: approx. 40,000 elements, each 8-26 cm tall. Arts Council Collection, Southbank Born in London, Gormley was explains, ‘What I hope I’ve done is to Centre, London © the Artist. Installation view, Irish educated at a Catholic boarding school completely remove the problem of the Museum of Modern Art, Dublin, Ireland. Arts Council in North Yorkshire. After completing his subject.’ Collection, England degree in archaeology, anthropology This Turner Prize winning work consisting of and history of art at Trinity College, approximately 40,000 clay figures of various heights from 8–26 cm was created by a community of 100 Cambridge, he spent three years in people from St Helens, Merseyside. The makers were India. During this time, he studied given the following instruction: ‘Take a hand-sized vipassana, an ancient Buddhist ball of clay, form it between the hands, into a body- surrogate as quickly as possible.
    [Show full text]
  • ANTONY GORMLEY Bibliography Selected Publications 2016 Abbas
    ANTONY GORMLEY Bibliography Selected Publications 2016 Abbas, Ackbar. Event Horizon Hong Kong. British Council, 2016. Winterson, Jeanette. LAND. Thames & Hudson: London, 2016. 2015 Antony Gormley: On Sculpture, Thames & Hudson: London, 2015. Torres, Jorge Fernández. Follia Continua! 24 Years of Galleria Continua. Gli and Ori and Galleria Continua: Pratio, 2015. Risaliti, Sergio. HUMAN: Antony Gormley, Florence: Forma Edizioni, 2015. Sardo, Delfim. Afinidades Electivas | Julião Sarmento Coleccionador, Fundacão Carmona e Costa. Lisbon: Portugal, 2015. 2014 Antony Gormley, Meet, Stockholm: Galleri Andersson/Sandström, 2014. Antony Gormley, Expansion Field, Ostfildern: Hatje Cantz, 2014. Collings, Daniel, Anthony Seldon, foreward by HRH The Prince of Wales. The Architecture of Diplomacy: The British Ambassador’s Residence in Washington, Paris, France: Flammarion, 2014. Deblonde, Gautier. Gautier Deblonde, Atelier, Göttingen, Germany: Stiedl, 2014. Noble, Richard, in conversation with Antony Gormley. States and Conditions, Hong Kong, Hong Kong: White Cube, 2014. 2013 Antony Gormley: Firmament en Andere Stelsels (Firmament and Other Forms), Antwerp, Belgium: Middelheimmuseum, 2013. Antony Gormley: Meter, Salzburg: Galerie Thaddaeus Ropac, 2013. Dantas, Marcello, Agnaldo Farias, W.J.T. Mitchell, Luiz Camillo Osorio. Antony Gormley: Still Being / Corpos Presentes, São Paulo, Brazil: Centro Cultural Banco do Brasil, 2013. Antony Gormley: MODEL, London: White Cube, 2013. Moszynska, Anna. Sculpture Now, London: Thames & Hudson, 2013. Two Times: Antony Gormley Project in Hayama - Workshop Report, Hayama, Japan: The Musem of Modern Art, Kamakura & Hayama, 2013. Grovier, Kelly. 100 Works of Art That Will Define Our Age, London, United Kingdom: Thames & Hudson , 2013. 2012 Cristiani, Mario, Saskia Sassen, Mario Codognato And Richard Sennet. Vessel, San Gimignano: Galleria Continua, 2012. Dantas Marcello. Still Being / Corpos Presentes, São Paolo, Brazil: Centro Cultural Banco do Brasil, 2012.
    [Show full text]
  • Antony Gormley Horizon Field Eine Landschaftsinstallation Im Alpinen Hochgebirge Vorarlbergs, Österreich
    KUB Projekt Presseinformation Antony Gormley Antony Gormley Horizon Field Eine Landschaftsinstallation im alpinen Hochgebirge Vorarlbergs, Österreich August 2010 bis April 2012 Presented by Karl-Tizian-Platz Postfach 371 Kunsthaus Bregenz A-6901 Bregenz Telefon (+43-55 74) 4 85 94-0 Fax Pressekonferenz mit Buch- und Filmpräsentation: (+43-55 74) 4 85 94-408 E-Mail Dienstag, 21. Juni 2011, 12 Uhr, [email protected] Web Panoramarestaurant Diedamskopf (Schoppernau) www.kunsthaus-bregenz.at Am Tag der PK wird ein Shuttle-Service von Bregenz nach Schoppernau und zurück angeboten. Ab Bregenz (KUB): 9.30 Uhr nach Schoppernau (Talstation Bergbahnen Diedamskopf) Ab Schoppernau (Talstation Bergbahnen Diedamskopf): 15.30 Uhr nach Bregenz (KUB) Um Anmeldung wird gebeten. Erreichbarkeit Panoramarestaurant, Diedamskopf: Treffpunkt: Talstation Bergbahnen Diedamskopf (Auffahrt ca. 20 min). Festes Schuhwerk (Regenschutz bei Schlechtwetter) wird empfohlen. Berg- und Talfahrt am Tag der PK kostenlos. Durchgehender Fahrbetrieb von 8.45 bis 16.15 Uhr (letzte Bergfahrt 15.30 Uhr). Erreichbarkeit der Figuren: Ab Panoramarestaurant leichte Wanderung von ca. 15 min. 2/13 KUB Projekt Presseinformation Antony Gormley Das Kunsthaus Bregenz hat mit dem britischen Künstler Antony Gormley ein einzigartiges Landschaftsprojekt in Vorarlberg realisiert, das bis April 2012 in den Bergen zu sehen ist. Horizon Field besteht aus einhundert lebensgroßen Abgüssen eines menschlichen Körpers aus massivem Gusseisen, die, über ein Gebiet von 150 Quadratkilometern verteilt, eine horizontale Linie auf 2.039 Metern über dem Meeresspiegel bilden. Die spezifische Platzierung hat keine metaphorische oder inhaltliche Bedeutung. Sie resultiert aus der Erfahrung des Künstlers vor Ort, dass es sich hierbei um eine gut zugängliche und dennoch dem Alltag enthobene Höhe handelt.
    [Show full text]
  • Antony Gormley Horizon Field Eine Landschaftsinstallation Im Alpinen Hochgebirge Vorarlbergs, Österreich
    KUB Projekt Presseinformation Antony Gormley Antony Gormley Horizon Field Eine Landschaftsinstallation im alpinen Hochgebirge Vorarlbergs, Österreich August 2010 bis April 2012 Karl-Tizian-Platz Postfach 371 A-6901 Bregenz Presented by Kunsthaus Bregenz Telefon (+43-55 74) 4 85 94-0 Fax (+43-55 74) 4 85 94-408 Pressekonferenz: auf der Kriegeralpe (Lech), E-Mail [email protected] Freitag, 30. Juli 2010, 12 Uhr Web www.kunsthaus-bregenz.at Eröffnung: auf der Kriegeralpe (Lech), Samstag, 31. Juli 2010, 12 Uhr Am Tag der PK wird ein Shuttle-Service von Bregenz nach Lech und zurück angeboten. Ab Bregenz (KUB): 9.30 Uhr nach Lech (Talstation Bergbahn Lech–Oberlech) Ab Lech (Talstation Bergbahn Lech–Oberlech): 14.30 Uhr nach Bregenz (KUB) Um Anmeldung wird gebeten. Erreichbarkeit der Kriegeralpe ab Lech: Treffpunkt: Talstation Bergbahn Lech-Oberlech (Auffahrt ca. 30 min). Ab der Bergstation leichte Wanderung von ca. 15 min bis zur Kriegeralpe. Festes Schuhwerk (Regenschutz bei Schlechtwetter) wird empfohlen. Berg- und Talfahrt am Tag der Eröffnung kostenlos. 2/11 KUB Projekt Presseinformation Antony Gormley Das Kunsthaus Bregenz realisiert mit dem britischen Künstler Antony Gormley (geboren 1950) ein einzigartiges Projekt in den Bergen Vorarlbergs. Horizon Field ist das erste Kunstprojekt dieser Art, das im Gebirge zu sehen sein wird, und zugleich die bislang größte Landschaftsinstallation in Österreich. Horizon Field besteht aus 100 lebensgroßen Abgüssen eines menschlichen Körpers aus massivem Gusseisen, verteilt über ein Gebiet von 150 Quadratkilometern, das die Gemeinden Mellau, Schoppernau, Schröcken, Warth, Mittelberg, Lech, Klösterle sowie Dalaas umfasst. Das Werk bildet eine horizontale Linie auf 2.039 Metern über dem Meeresspiegel.
    [Show full text]